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Florence Henri's work occupied a central place in the world of avant-garde photography in the late 1920s and this survey pays homage to the artist's essential contribution. Accompanying an exhibition at the Jeu de Paume, the volume offers an overview of Henri's work produced between 1927 and 1940, including her iconic self-portraits and still lifes as well as her(...)
Monographies photo
février 2015
Florence Henri: mirror of the avant-garde, 1927-40
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Florence Henri's work occupied a central place in the world of avant-garde photography in the late 1920s and this survey pays homage to the artist's essential contribution. Accompanying an exhibition at the Jeu de Paume, the volume offers an overview of Henri's work produced between 1927 and 1940, including her iconic self-portraits and still lifes as well as her lesser-known portraits of her contemporaries, photomontages, collages and documentary work. László Moholy-Nagy declared that "with Florence Henri's photos, photographic practice enters a new phase-the scope of which would have been unimaginable before today.
Monographies photo
$39.95
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Environmentalism, in theory and practice, is concerned with protecting nature. But if we have now reached "the end of nature," as Bill McKibben and other environmental thinkers have declared, what is there left to protect? In Thinking like a Mall, Steven Vogel argues that environmental thinking would be better off if it dropped the concept of "nature" altogether and spoke(...)
Thinking like a mall: environmental philosophy after the end of nature
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Environmentalism, in theory and practice, is concerned with protecting nature. But if we have now reached "the end of nature," as Bill McKibben and other environmental thinkers have declared, what is there left to protect? In Thinking like a Mall, Steven Vogel argues that environmental thinking would be better off if it dropped the concept of "nature" altogether and spoke instead of the "environment" - that is, the world that actually surrounds us, which is always a built world, the only one that we inhabit. We need to think not so much like a mountain (as Aldo Leopold urged) as like a mall.
Théorie de l’architecture
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The Only Female Fool is how Isa Genzken describes herself in the self-chosen title of her exhibition at the Kunsthalle Wien. This statement is typical of the fluid boundaries between deep seriousness and the exuberant, eccentric spirit that pervades her work. Genzken’s artistic practice is characterized by a wide spectrum of media and forms, although her roots in(...)
I'm Isa Genzken, the only female fool
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The Only Female Fool is how Isa Genzken describes herself in the self-chosen title of her exhibition at the Kunsthalle Wien. This statement is typical of the fluid boundaries between deep seriousness and the exuberant, eccentric spirit that pervades her work. Genzken’s artistic practice is characterized by a wide spectrum of media and forms, although her roots in sculpture always remain visible. The exhibition and catalogue focus on specific aspects of her oeuvre, including the mirror motif, the examination of architecture, and space as a social sphere; where early works are juxtaposed with series from later creative periods
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SANAA (Sejima and Nishizawa and Associates) takes centre stage in this extra large special edition, which focuses on the past four years of the Japanese architects’ practice, since being awarded the Pritzker Prize in 2010. Notable featured works include Louvre-Lens, Hitachi City Hall, and Grace Farms Cultural Center. The volume also presents several projects by each of(...)
El Croquis
juin 2015
El croquis 179-180 : Sanaa, 2011-2015
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SANAA (Sejima and Nishizawa and Associates) takes centre stage in this extra large special edition, which focuses on the past four years of the Japanese architects’ practice, since being awarded the Pritzker Prize in 2010. Notable featured works include Louvre-Lens, Hitachi City Hall, and Grace Farms Cultural Center. The volume also presents several projects by each of the partners’ own firms, Kazuyo Sejima & Associates and Office of Ryue Nishizawa, respectively. Critical essays by Mark Wigley, Federico Soriano, and Beatriz Colomina accompany an interview with the acclaimed architects, along with numerous full-page photographs and drawings.
El Croquis
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Shanshui City, the latest book from MAD Architects' founder and principal partner, Ma Yansong, received an international release in October 2014. The publishing of the book coincides with the 10th anniversary of the founding of MAD Architects. Ma's poetic, yet precise language details the development and practice of design philosophy "Shanshui City", at the core of which(...)
MAD architects: Shanshui city
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Shanshui City, the latest book from MAD Architects' founder and principal partner, Ma Yansong, received an international release in October 2014. The publishing of the book coincides with the 10th anniversary of the founding of MAD Architects. Ma's poetic, yet precise language details the development and practice of design philosophy "Shanshui City", at the core of which is the idea that, "architects should delineate a new ideal for the city of the future, to gradually construct an urban environment that embodies both the convenience of the modern city and the ancient Eastern affinity for the natural world.
Architecture, monographies
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This monograph presents 39 complex structures by the Princeton University professor and structural engineer Guy Nordenson. The body of work, developed with architects and artists including Raimund Abraham, Henry N. Cobb, Steven Holl, Michael Maltzan, Richard Meier, SANAA, and many others, presents Nordenson’s contributions to a progressive collaborative design process as(...)
Reading structures: 39 projects and built works
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This monograph presents 39 complex structures by the Princeton University professor and structural engineer Guy Nordenson. The body of work, developed with architects and artists including Raimund Abraham, Henry N. Cobb, Steven Holl, Michael Maltzan, Richard Meier, SANAA, and many others, presents Nordenson’s contributions to a progressive collaborative design process as both engineer and designer. The structures in this volume span twenty-eight years, from his early work with Paul Weidlinger, to his formation of the New York office of Ove Arup & Partners, through the first 13 years since the 1998 establishment of his current independent practice, Guy Nordenson and Associates.
Architecture, monographies
Promiscuous encounters
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Promiscuous Encounters, a day-long event organized by Francisco Díaz, Nina Valerie Kolowratnik, Marcelo López-Dinardi, and Marina Otero Verzier and held at the GSAPP in March 2012, examined the interplay between the critical, curatorial, and conceptual capacities of architecture by asking a diverse group of theorists and practitioners to discuss their modes of promiscuous(...)
Promiscuous encounters
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Promiscuous Encounters, a day-long event organized by Francisco Díaz, Nina Valerie Kolowratnik, Marcelo López-Dinardi, and Marina Otero Verzier and held at the GSAPP in March 2012, examined the interplay between the critical, curatorial, and conceptual capacities of architecture by asking a diverse group of theorists and practitioners to discuss their modes of promiscuous practice. Challenging the way in which a symposium is commonly recorded, for the discussion between Keller Easterling, Andrés Jaque, Reinhold Martin, Mitch McEwen, Markus Miessen, Felicity D. Scott, Pelin Tan, Rodrigo Tisi, and Mark Wasiuta, neither audio nor video recordings were made.
Architecture contemporaine
$55.00
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Toronto-based practice superkül was founded in 2002. Its principals, Andre D'Elia and Meg Graham, have a broad range of professional experience in Canada and abroad, and this monograph reflects their diverse portfolio of project types, ranging from single-family residences to large-scale commercial and public works. Wood features prominently in the practice's designs,(...)
Superkül: rain gravity heat cold
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Toronto-based practice superkül was founded in 2002. Its principals, Andre D'Elia and Meg Graham, have a broad range of professional experience in Canada and abroad, and this monograph reflects their diverse portfolio of project types, ranging from single-family residences to large-scale commercial and public works. Wood features prominently in the practice's designs, which are inspired by the elements and demonstrate a commitment to pragmatism and advanced building technologies. Printed on soft, folded pages filled with beautiful photographs, this tactile and stimulating volume matches superkül's aesthetic of connecting with the natural context. With a text by Kiel Moe.
Architectes canadiens
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From participatory architecture to interaction design, the question of how design accommodates use is driving inquiry in many creative fields. Expanding utility to embrace people’s everyday experience brings new promises for the social role of design. But this is nothing new. As the essays assembled in this publication show, interest in the elusive realm of the user was(...)
Use matters: an alternative history of architecture
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From participatory architecture to interaction design, the question of how design accommodates use is driving inquiry in many creative fields. Expanding utility to embrace people’s everyday experience brings new promises for the social role of design. But this is nothing new. As the essays assembled in this publication show, interest in the elusive realm of the user was an essential part of architecture and design throughout the twentieth century. It argues that the user is not a universal but a historically constructed category of twentieth-century modernity that continues to inform architectural practice and thinking in often unacknowledged ways.
Théorie de l’architecture
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A roster of curators, affectionately dubbed "pigeons," were invited to respond to an evolving list of questions, what the editors called a "pigeonnaire," about their approach to their work. This pigeonnaire probed such topics as influences, daily practice, artist–curator relationships and the curator’s responsibility to society. Over the course of a year, the pigeons(...)
Pigeons on the grass atlas: contemporary curators talk about the field
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A roster of curators, affectionately dubbed "pigeons," were invited to respond to an evolving list of questions, what the editors called a "pigeonnaire," about their approach to their work. This pigeonnaire probed such topics as influences, daily practice, artist–curator relationships and the curator’s responsibility to society. Over the course of a year, the pigeons dropped by with their answers, and the editors then strung together the questions and answers in a continuous narrative that reads something like the transcript of a large meeting, providing a portrait of common ground and fissures in the field of curating now.
Muséologie