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This book is a collection of essays by Susan Sontag which was published in 1966. It includes some of Sontag's best-known works, including "On Style", "Notes on 'Camp'", and the titular essay "Against Interpretation". In the last, Sontag argued that in the new critical approach to aesthetics the spiritual importance of art is being replaced by the emphasis on the(...)
Against interpretation and other essays
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This book is a collection of essays by Susan Sontag which was published in 1966. It includes some of Sontag's best-known works, including "On Style", "Notes on 'Camp'", and the titular essay "Against Interpretation". In the last, Sontag argued that in the new critical approach to aesthetics the spiritual importance of art is being replaced by the emphasis on the intellect. Rather than recognizing great creative works as possible sources of energy, she argued, contemporary critics were all too often taking art's transcendental power for granted, and focusing instead on their own intellectually constructed abstractions like "form" and "content. " In effect, she wrote, interpretation had become "the intellect's revenge upon art. " The essay famously finished with the words, "in place of a hermeneutics we need an erotics of art".
Théorie de l’art
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Cette première anthologie française de la revue allemande Texte zur Kunst confère une nouvelle valeur d'usage à une sélection d'écrits publiés entre 1990 et 1998. Elle doit permettre d'engager – ou de poursuivre – un dialogue incisif avec certaines approches théoriques américaines incontournables (October ou Artforum), comme avec les diverses réceptions de la French(...)
Une anthologie de la revue Texte zur Kunst de 1990 à 1998
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Cette première anthologie française de la revue allemande Texte zur Kunst confère une nouvelle valeur d'usage à une sélection d'écrits publiés entre 1990 et 1998. Elle doit permettre d'engager – ou de poursuivre – un dialogue incisif avec certaines approches théoriques américaines incontournables (October ou Artforum), comme avec les diverses réceptions de la French Theory ou celle des études culturelles, féministes et post-coloniales. Elle témoigne aussi d'une forme d'écriture de la critique expérimentée de manière orientée et méthodique. Enfin, elle restitue le contexte immédiat de son élaboration et – plus largement –l'environnement intellectuel et artistique de Cologne dans ces années, en évitant de céder au mythe d'une scène recentrée autour de quelques figures artistiques.
Théorie de l’art
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Les dernières études du grand historien de l'art allemand, consacrées au nouvel « espace de pensée » de la modernité : un corpus soigneusement édité d'essais, de notes et de lettres en partie inédits qui apportent un éclairage nouveau sur tout un pan des recherches de Warburg et leur évolution dans le temps, en apparence fort éloigné du champ de la culture figurative de(...)
Miroirs de faille: à Rome avec Giordano Bruno et Édouard Manet, 1928-29
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Les dernières études du grand historien de l'art allemand, consacrées au nouvel « espace de pensée » de la modernité : un corpus soigneusement édité d'essais, de notes et de lettres en partie inédits qui apportent un éclairage nouveau sur tout un pan des recherches de Warburg et leur évolution dans le temps, en apparence fort éloigné du champ de la culture figurative de la Renaissance.
Théorie de l’art
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Charlotte Frieze presents forty-one cutting-edge gardens, all richly photographed and profusely illustrated, emphasizing design, climate, and horticulture. Private Paradise features the work of landscape architects and garden designers working in the United States today, including Topher Delaney, Marta Fry, Kathryn Gustafson, Raymond Jungles, Steve Koch, Ron Lutsko,(...)
Private Paradise: contemporary american gardens
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Charlotte Frieze presents forty-one cutting-edge gardens, all richly photographed and profusely illustrated, emphasizing design, climate, and horticulture. Private Paradise features the work of landscape architects and garden designers working in the United States today, including Topher Delaney, Marta Fry, Kathryn Gustafson, Raymond Jungles, Steve Koch, Ron Lutsko, Steve Martino, Pamela Palmer, Ken Smith, Christine Ten Eyck, and Thomas Wolz.
Jardins
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This book offers the first comprehensive overview of alternative approaches to architectural practice. At a time when many commentators are noting that alternative and richer approaches to architectural practice are required if the profession is to flourish, this book provides multiple examples from across the globe of how this has been achieved and how it might be(...)
Théorie de l’architecture
juillet 2011
Spatial agency: other ways of doing architecture
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This book offers the first comprehensive overview of alternative approaches to architectural practice. At a time when many commentators are noting that alternative and richer approaches to architectural practice are required if the profession is to flourish, this book provides multiple examples from across the globe of how this has been achieved and how it might be achieved in the future.
Théorie de l’architecture
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Architectural facades now have the potential to be literally kinetic, through automated sunscreens and a range of animated surfaces. This book explores the aesthetic potential of these new types of moving facades. Critique of theory and practice in architecture is combined here with ideas from kinetic art of the 1960's. From this background the basic principles of(...)
Designing kinetics for architectural facades: state change
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Architectural facades now have the potential to be literally kinetic, through automated sunscreens and a range of animated surfaces. This book explores the aesthetic potential of these new types of moving facades. Critique of theory and practice in architecture is combined here with ideas from kinetic art of the 1960's. From this background the basic principles of kinetics are defined and are used to generate experimental computer animations. By classifying the animations, a theory of kinetic form called 'state change' is developed. This design research provides a resource for those interested in the capacity of kinetics to enliven the public face of architecture.
Architecture numérique
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Ron Kasprisin has written a book for students of planning and urban design that reconnects the process of designing with outcomes on the ground, and puts thinking about design back at the heart of what planners do. The book identifies the elements and principles of composition and explores compositional order and structure as they relate to the meaning and functionality(...)
Urban design: the composition of complexity
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Ron Kasprisin has written a book for students of planning and urban design that reconnects the process of designing with outcomes on the ground, and puts thinking about design back at the heart of what planners do. The book identifies the elements and principles of composition and explores compositional order and structure as they relate to the meaning and functionality of cities. It discusses new directions and methods, outlines the importance of both buildings and the open spaces between them. Mixing accessible theory, practical examples and carefully designed exercises in composition from simple to complex settings, this publication is a textbook for classrooms and design studios across the full spectrum of planning and urban studies fields. Not only filled with illustrations and graphics of projects, it gives students tools to enable them to sketch, draw, design and above all, to think.
Théorie de l’urbanisme
Paolo Portoghesi, architect
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The architecture of Paolo Portoghesi is careful to the diversity of sites, sensitive to the needs and desires of those who live with it, and always thick with references to tradition and the various fields of artistic expression and knowledge. This book shows how he has taken up the challenge posed by the question of how man and the city relate and how he has raised(...)
Paolo Portoghesi, architect
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The architecture of Paolo Portoghesi is careful to the diversity of sites, sensitive to the needs and desires of those who live with it, and always thick with references to tradition and the various fields of artistic expression and knowledge. This book shows how he has taken up the challenge posed by the question of how man and the city relate and how he has raised the ethical legacy of modern architecture by envisioning a future that can oppose the wave of consumerism and social competition. Portoghesi firmly believes in the new wave of Geo-architecture: an architecture that takes on the responsibility to help human society to forge a new alliance with nature.
Architecture, monographies
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Looking at the globalization, urban regeneration, arts events and cultural spectacles, this book considers a city not until now included in the global city debate. Divided into five parts, each preceded by an editorial introduction, this book is an interdisciplinary study of an iconic city, a city facing conflicting social, political and cultural pressures in its(...)
Orienting Istanbul : cultural capital of Europe?
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Looking at the globalization, urban regeneration, arts events and cultural spectacles, this book considers a city not until now included in the global city debate. Divided into five parts, each preceded by an editorial introduction, this book is an interdisciplinary study of an iconic city, a city facing conflicting social, political and cultural pressures in its search for a place in Europe and on the world stage in the twenty-first century.
Théorie de l’architecture
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In 1949, the photographer Lucien Hervé (1910–2007) took a picture of an innovative apartment building in Marseille, France, and sent it to the building’s architect, Le Corbusier (1887–1965). Le Corbusier responded by asking Hervé to become his official photographer. This book recounts the collaboration between these Modernists. The author takes the reader on a tour of(...)
septembre 2011
Le Corbusier and Lucien Hervé: a dialogue between architect and photographe
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In 1949, the photographer Lucien Hervé (1910–2007) took a picture of an innovative apartment building in Marseille, France, and sent it to the building’s architect, Le Corbusier (1887–1965). Le Corbusier responded by asking Hervé to become his official photographer. This book recounts the collaboration between these Modernists. The author takes the reader on a tour of sixteen of Le Corbusier’s most iconic buildings using Hervé’s edited sheets of contact prints as visual guides. These sheets, which became an effective tool in the collaborative dissemination of Le Corbusier’s work, capture Hervé’s dynamic perspectives and dramatic use of light. His sequencing of the individual prints creates an exhilarating rhythm that showcases the architect’s novel forms and materials.