13309 Résultats
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livres
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Description:
240 pages : illustrations, plans ; 23 cm
Description:
240 pages : illustrations, plans ; 23 cm
Auteur:
- Yves Aupetitallot -- Yves Aupetitallot and Mark Nash -- Florence Derieux -- Hal Foster -- Jean-Marc Poinsot -- François Aubart and Fabien Pinaroli -- Balthasar Burkhard -- François Aubart and Sadie Woods ; Karin Prätorius ; François Aubart and Sadie Woods ; François Aubart -- Fabien Pinaroli ; Urs and Rös Graf -- Lucia Pesapane ; Harald Szeemann ; Harald Szeemann ; Irmeline Lebeer and John Anthony Thwaites ; Lucia Pesapane ; Haeju Kim ; Haeju Kim -- Julija Cistiakova and Yuka Tokuyama ; Harald Szeemann ; Harald Szeemann ; Harald Szeemann ; Jean-François Chougnet, Thierry Prat, and Thierry Raspail ; 16th Session ; Ninety -- Julija Cistiakova and Yuka Tokuyama ; Yuka Tokuyama ; Julija Cistiakova and Yuka Tokuyama -- Fabien Pinaroli and Karla G. Roalandini-Beyer --,
- Derieux, Florence.,
- Aubart, François.,
- Ecole du Magasin (Grenoble, France),
- Magasin--Centre national d'art contemporain de Grenoble.
Sujet:
- Szeemann, Harald Criticism and interpretation.,
- Szeemann, Harald Interviews.,
- Szeemann, Harald,
- Szeemann, Harald Kunstausstellung Aufsatzsammlung.,
- Art Exhibition techniques.,
- Art museum curators Switzerland.,
- Art critics Switzerland.,
- Art Techniques d'exposition.,
- Conservateurs de musée d'art Suisse.,
- Critiques d'art Suisse.,
- Art critics,
- Art museum curators,
- Konstkritik Schweiz.,
- Konstkuratorer Schweiz.,
- Kunstausstellung Szeemann, Harald Aufsatzsammlung.,
- Switzerland,
- interviews.,
- Criticism, interpretation, etc.,
- Interviews
Publication:
Zurich : JRP Ringier Kunstverlag Ag ; Grenoble : Le Magasin ; New York : Distributed by D.A.P., 2007.
Zurich : JRP Ringier Kunstverlag Ag ; Grenoble : Le Magasin ; New York : Distributed by D.A.P., 2007.
Titre:
Harald Szeemann : individual methodology / François Aubart [and others] ; under the editorial direction of Florence Derieux.
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Description:
240 pages : illustrations, plans ; 23 cm
Harald Szeemann : individual methodology / François Aubart [and others] ; under the editorial direction of Florence Derieux.
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Description:
240 pages : illustrations, plans ; 23 cm
Classification:
livres
livres
Publication:
Zurich : JRP Ringier Kunstverlag Ag ; Grenoble : Le Magasin ; New York : Distributed by D.A.P., 2007.
Zurich : JRP Ringier Kunstverlag Ag ; Grenoble : Le Magasin ; New York : Distributed by D.A.P., 2007.
Auteur:
- Yves Aupetitallot -- Yves Aupetitallot and Mark Nash -- Florence Derieux -- Hal Foster -- Jean-Marc Poinsot -- François Aubart and Fabien Pinaroli -- Balthasar Burkhard -- François Aubart and Sadie Woods ; Karin Prätorius ; François Aubart and Sadie Woods ; François Aubart -- Fabien Pinaroli ; Urs and Rös Graf -- Lucia Pesapane ; Harald Szeemann ; Harald Szeemann ; Irmeline Lebeer and John Anthony Thwaites ; Lucia Pesapane ; Haeju Kim ; Haeju Kim -- Julija Cistiakova and Yuka Tokuyama ; Harald Szeemann ; Harald Szeemann ; Harald Szeemann ; Jean-François Chougnet, Thierry Prat, and Thierry Raspail ; 16th Session ; Ninety -- Julija Cistiakova and Yuka Tokuyama ; Yuka Tokuyama ; Julija Cistiakova and Yuka Tokuyama -- Fabien Pinaroli and Karla G. Roalandini-Beyer --,
- Derieux, Florence.,
- Aubart, François.,
- Ecole du Magasin (Grenoble, France),
- Magasin--Centre national d'art contemporain de Grenoble.
Sujet:
- Szeemann, Harald Criticism and interpretation.,
- Szeemann, Harald Interviews.,
- Szeemann, Harald,
- Szeemann, Harald Kunstausstellung Aufsatzsammlung.,
- Art Exhibition techniques.,
- Art museum curators Switzerland.,
- Art critics Switzerland.,
- Art Techniques d'exposition.,
- Conservateurs de musée d'art Suisse.,
- Critiques d'art Suisse.,
- Art critics,
- Art museum curators,
- Konstkritik Schweiz.,
- Konstkuratorer Schweiz.,
- Kunstausstellung Szeemann, Harald Aufsatzsammlung.,
- Switzerland,
- interviews.,
- Criticism, interpretation, etc.,
- Interviews
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livres
livres
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Description:
334 pages : illustrations ; 23 cm.
Description:
334 pages : illustrations ; 23 cm.
Auteur:
- Lieven De Cauter -- Karel Vanhaesebrouck -- Pippo Delbono -- Richard Schechner -- Thomas Bellinck -- Stefan Hertmans -- Dieter Lesage -- Pierre-Olivier Rollin -- Pascal Gielen -- Dieter Roelstraete -- Duncan Reekie -- Christophe Alix -- Klaas Tindemans -- Karel Arnaut -- Ruben De Roo -- Eric Corijn and Jacqueline Groth -- Francesca Recchia -- André Gattolin and Thierry Lefebvre -- Miguel Robles-Durán -- Jan Ackenhausen -- Guillermo Gómez-Peña and Tim Miller -- Jennifer Flores Sternad -- Rudi Laermans -- Marco Deseriis -- Rosi Braidotti -- Brian Holmes -- BAVO -- Lars Kwakkenbos -- Gie Goris -- Christophe Van Eecke -- The editors.,
- Cauter, Lieven de, 1959-,
- Roo, Ruben De.,,
- Vanhaesebrouck, Karel.
Sujet:
- Politics in art.,
- Arts Political aspects.,
- Art and social action.,
- Social problems in art.,
- Art and globalization.,
- Art, Modern Political aspects 21st century.,
- Politique dans l'art.,
- Art et action sociale.,
- Problèmes sociaux dans l'art.,
- Art et mondialisation.,
- Art and Design.,
- Art, Modern Political aspects.,
- Politik i konsten.,
- Konst sociala aspekter.
Publication:
[Rotterdam] : NAi ; New York, NY : Available in North, South and Central America through D.A.P./Distributed Art Pub., ©2011.
[Rotterdam] : NAi ; New York, NY : Available in North, South and Central America through D.A.P./Distributed Art Pub., ©2011.
Titre:
Art and activism in the age of globalization / Lieven De Cauter, Ruben De Roo & Karel Vanhaesebrouck, eds.
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Description:
334 pages : illustrations ; 23 cm.
Art and activism in the age of globalization / Lieven De Cauter, Ruben De Roo & Karel Vanhaesebrouck, eds.
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Description:
334 pages : illustrations ; 23 cm.
Classification:
livres
livres
Publication:
[Rotterdam] : NAi ; New York, NY : Available in North, South and Central America through D.A.P./Distributed Art Pub., ©2011.
[Rotterdam] : NAi ; New York, NY : Available in North, South and Central America through D.A.P./Distributed Art Pub., ©2011.
Auteur:
- Lieven De Cauter -- Karel Vanhaesebrouck -- Pippo Delbono -- Richard Schechner -- Thomas Bellinck -- Stefan Hertmans -- Dieter Lesage -- Pierre-Olivier Rollin -- Pascal Gielen -- Dieter Roelstraete -- Duncan Reekie -- Christophe Alix -- Klaas Tindemans -- Karel Arnaut -- Ruben De Roo -- Eric Corijn and Jacqueline Groth -- Francesca Recchia -- André Gattolin and Thierry Lefebvre -- Miguel Robles-Durán -- Jan Ackenhausen -- Guillermo Gómez-Peña and Tim Miller -- Jennifer Flores Sternad -- Rudi Laermans -- Marco Deseriis -- Rosi Braidotti -- Brian Holmes -- BAVO -- Lars Kwakkenbos -- Gie Goris -- Christophe Van Eecke -- The editors.,
- Cauter, Lieven de, 1959-,
- Roo, Ruben De.,,
- Vanhaesebrouck, Karel.
Sujet:
- Politics in art.,
- Arts Political aspects.,
- Art and social action.,
- Social problems in art.,
- Art and globalization.,
- Art, Modern Political aspects 21st century.,
- Politique dans l'art.,
- Art et action sociale.,
- Problèmes sociaux dans l'art.,
- Art et mondialisation.,
- Art and Design.,
- Art, Modern Political aspects.,
- Politik i konsten.,
- Konst sociala aspekter.
Prix:
$110.00
(disponible sur commande)
Résumé:
Claes Oldenburg and Coosje van Bruggen define their artistic collaboration as “a synthesis of opposites”. Characterised by a constant interaction between two strong and distinct identities, their collaboration, approaching the complexity of the contemporary world dynamically, has redefined the concept of sculpture. This is a comprehensive monograph devoted to this(...)
$110.00
(disponible sur commande)
Résumé:
Claes Oldenburg and Coosje van Bruggen define their artistic collaboration as “a synthesis of opposites”. Characterised by a constant interaction between two strong and distinct identities, their collaboration, approaching the complexity of the contemporary world dynamically, has redefined the concept of sculpture. This is a comprehensive monograph devoted to this(...)
Titre:
Claes Oldenburg Coosje van Bruggen : sculpture by the way
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$110.00
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Résumé:
Claes Oldenburg and Coosje van Bruggen define their artistic collaboration as “a synthesis of opposites”. Characterised by a constant interaction between two strong and distinct identities, their collaboration, approaching the complexity of the contemporary world dynamically, has redefined the concept of sculpture. This is a comprehensive monograph devoted to this celebrated couple of contemporary artists who have, through their collaboration, ventured into new territories, leading their artistic language towards interaction with other disciplines and thus creating a new artistic language; it documents their creative development. Modifying the language of monumental sculpture created for public spaces, since the end of the seventies these two artists have developed their work bringing it to dimensions that are at times colossal. The monograph, published for a retrospective held at Rivoli Castle, investigates the close ties that exist between their works and architecture. It traces the evolution of their art from the mid-eighties to today placing particular emphasis on works created since the early nineties where dynamic tension resulting from performative gesture has given rise to investigations into issues connected with human frailty faced with the inexorable potency of time. The volume contains an interview with the artists which is being published for the first time, an anthology of writings, a bio-bibliography and a huge new work specially created for the occasion: Dropped Flower.
Claes Oldenburg Coosje van Bruggen : sculpture by the way
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$110.00
(disponible sur commande)
Résumé:
Claes Oldenburg and Coosje van Bruggen define their artistic collaboration as “a synthesis of opposites”. Characterised by a constant interaction between two strong and distinct identities, their collaboration, approaching the complexity of the contemporary world dynamically, has redefined the concept of sculpture. This is a comprehensive monograph devoted to this celebrated couple of contemporary artists who have, through their collaboration, ventured into new territories, leading their artistic language towards interaction with other disciplines and thus creating a new artistic language; it documents their creative development. Modifying the language of monumental sculpture created for public spaces, since the end of the seventies these two artists have developed their work bringing it to dimensions that are at times colossal. The monograph, published for a retrospective held at Rivoli Castle, investigates the close ties that exist between their works and architecture. It traces the evolution of their art from the mid-eighties to today placing particular emphasis on works created since the early nineties where dynamic tension resulting from performative gesture has given rise to investigations into issues connected with human frailty faced with the inexorable potency of time. The volume contains an interview with the artists which is being published for the first time, an anthology of writings, a bio-bibliography and a huge new work specially created for the occasion: Dropped Flower.
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$45.00
(disponible sur commande)
Résumé:
Kenojuak Ashevak shot to fame in 1970 when Canada Post printed The Enchanted Owl, a print of a black-and-red plumed nocturnal bird, on a postage stamp. She later became known as the magic-marker-wielding "grandmother of Inuit art," famous for her fluid graphic storytelling and her stunning depictions of wildlife. She was a defining figure in Inuit art and one of the first(...)
$45.00
(disponible sur commande)
Résumé:
Kenojuak Ashevak shot to fame in 1970 when Canada Post printed The Enchanted Owl, a print of a black-and-red plumed nocturnal bird, on a postage stamp. She later became known as the magic-marker-wielding "grandmother of Inuit art," famous for her fluid graphic storytelling and her stunning depictions of wildlife. She was a defining figure in Inuit art and one of the first(...)
Publication:
mai 2018
mai 2018
Titre:
Tunirrusiangit: Kenojuak Ashevak and Tim Pitsiulak
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$45.00
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Résumé:
Kenojuak Ashevak shot to fame in 1970 when Canada Post printed The Enchanted Owl, a print of a black-and-red plumed nocturnal bird, on a postage stamp. She later became known as the magic-marker-wielding "grandmother of Inuit art," famous for her fluid graphic storytelling and her stunning depictions of wildlife. She was a defining figure in Inuit art and one of the first Indigenous artists to be embraced as a contemporary Canadian artist. Ashevak's legacy inspired her nephew, Timootee (Tim) Pitsiulak, to take up drawing at the Kinngait Studios. In his relatively short career, he became a popular figure, known for drawing animal figures with a hunter's precision and capturing the technological presence of the South in Nunavut. Tunirrusiangit, "their gifts" or "what they gave" in Inuktitut, celebrates the achievements of two remarkable artists who challenged the parameters of tradition while consistently articulating a compelling vision of the Inuit world view. Published to coincide with a major exhibition at the Art Gallery of Ontario, opening on 16 June and continuing until late August, ''Tunirrusiangit'' features more than 60 reproductions of paintings, drawings, and documentary photographs. Completing the book are essays by contemporary artists and curators Jocelyn Piirainen, Anna Hudson, Georgiana Uhlyarik, Koomuatuk Curley, Laakkuluk Williamson Bathory, and Taqralik Partridge that address both the past and future of Inuit identity.
Tunirrusiangit: Kenojuak Ashevak and Tim Pitsiulak
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Résumé:
Kenojuak Ashevak shot to fame in 1970 when Canada Post printed The Enchanted Owl, a print of a black-and-red plumed nocturnal bird, on a postage stamp. She later became known as the magic-marker-wielding "grandmother of Inuit art," famous for her fluid graphic storytelling and her stunning depictions of wildlife. She was a defining figure in Inuit art and one of the first Indigenous artists to be embraced as a contemporary Canadian artist. Ashevak's legacy inspired her nephew, Timootee (Tim) Pitsiulak, to take up drawing at the Kinngait Studios. In his relatively short career, he became a popular figure, known for drawing animal figures with a hunter's precision and capturing the technological presence of the South in Nunavut. Tunirrusiangit, "their gifts" or "what they gave" in Inuktitut, celebrates the achievements of two remarkable artists who challenged the parameters of tradition while consistently articulating a compelling vision of the Inuit world view. Published to coincide with a major exhibition at the Art Gallery of Ontario, opening on 16 June and continuing until late August, ''Tunirrusiangit'' features more than 60 reproductions of paintings, drawings, and documentary photographs. Completing the book are essays by contemporary artists and curators Jocelyn Piirainen, Anna Hudson, Georgiana Uhlyarik, Koomuatuk Curley, Laakkuluk Williamson Bathory, and Taqralik Partridge that address both the past and future of Inuit identity.
Prix:
$35.00
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Résumé:
Published in conjunction with an exhibition at The Museum of Modern Art, and focusing on the prolific period between 1960 and 1972, this volume highlights examples of Roth’s most exciting and innovative books and graphics. An essay by curator Sarah Suzuki uses an extended investigation of “Snow” (1964–1969), a complex book-sculpture, as a touchstone from which to further(...)
$35.00
(disponible sur commande)
Résumé:
Published in conjunction with an exhibition at The Museum of Modern Art, and focusing on the prolific period between 1960 and 1972, this volume highlights examples of Roth’s most exciting and innovative books and graphics. An essay by curator Sarah Suzuki uses an extended investigation of “Snow” (1964–1969), a complex book-sculpture, as a touchstone from which to further(...)
Titre:
Wait, later this will be nothing: editions by Dieter Roth
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$35.00
(disponible sur commande)
Résumé:
Published in conjunction with an exhibition at The Museum of Modern Art, and focusing on the prolific period between 1960 and 1972, this volume highlights examples of Roth’s most exciting and innovative books and graphics. An essay by curator Sarah Suzuki uses an extended investigation of “Snow” (1964–1969), a complex book-sculpture, as a touchstone from which to further investigate Roth’s use of language, iconography, technical innovations and relationships to other artists. A conservation essay offers two case studies that explore preservation issues and address larger concerns about the challenges of conserving contemporary art and organic materials.
Wait, later this will be nothing: editions by Dieter Roth
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$35.00
(disponible sur commande)
Résumé:
Published in conjunction with an exhibition at The Museum of Modern Art, and focusing on the prolific period between 1960 and 1972, this volume highlights examples of Roth’s most exciting and innovative books and graphics. An essay by curator Sarah Suzuki uses an extended investigation of “Snow” (1964–1969), a complex book-sculpture, as a touchstone from which to further investigate Roth’s use of language, iconography, technical innovations and relationships to other artists. A conservation essay offers two case studies that explore preservation issues and address larger concerns about the challenges of conserving contemporary art and organic materials.
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$41.95
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Résumé:
The Centre Georges Pompidou, also called Beaubourg, is today considered an icon of contemporary Paris, the quintessence of a modern building, and a model for what a museum can be. In 1971, Renzo Piano and Richard Rogers, together with the engineering firm Ove Arup & Partners, won an international architecture competition with their innovative and irreverent design.(...)
$41.95
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Résumé:
The Centre Georges Pompidou, also called Beaubourg, is today considered an icon of contemporary Paris, the quintessence of a modern building, and a model for what a museum can be. In 1971, Renzo Piano and Richard Rogers, together with the engineering firm Ove Arup & Partners, won an international architecture competition with their innovative and irreverent design.(...)
Titre:
Centre Pompidou: Renzo Piano, Richard Rogers, and the making of a modern monument
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$41.95
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Résumé:
The Centre Georges Pompidou, also called Beaubourg, is today considered an icon of contemporary Paris, the quintessence of a modern building, and a model for what a museum can be. In 1971, Renzo Piano and Richard Rogers, together with the engineering firm Ove Arup & Partners, won an international architecture competition with their innovative and irreverent design. Completed in 1977, the building was at first received skeptically by critics, yet it was quickly embraced by the public as a beloved monument of the modern city of Paris. This lively intellectual biography of the building explores its history and the reasons for its success, from its genesis as a politically calculated response to Paris’s turbulent 1968 student protests to the role played by architects in its construction, as well as the historical influences and the engineering solutions that inform its design. A key reason for the Centre Pompidou’s success indeed lies in its ability to channel architectural memory, connecting it powerfully to Paris’s historic urban fabric. This essential text on one of the twentieth century’s most significant buildings is accompanied by a portfolio of rare drawings and photographs.
Centre Pompidou: Renzo Piano, Richard Rogers, and the making of a modern monument
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$41.95
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Résumé:
The Centre Georges Pompidou, also called Beaubourg, is today considered an icon of contemporary Paris, the quintessence of a modern building, and a model for what a museum can be. In 1971, Renzo Piano and Richard Rogers, together with the engineering firm Ove Arup & Partners, won an international architecture competition with their innovative and irreverent design. Completed in 1977, the building was at first received skeptically by critics, yet it was quickly embraced by the public as a beloved monument of the modern city of Paris. This lively intellectual biography of the building explores its history and the reasons for its success, from its genesis as a politically calculated response to Paris’s turbulent 1968 student protests to the role played by architects in its construction, as well as the historical influences and the engineering solutions that inform its design. A key reason for the Centre Pompidou’s success indeed lies in its ability to channel architectural memory, connecting it powerfully to Paris’s historic urban fabric. This essential text on one of the twentieth century’s most significant buildings is accompanied by a portfolio of rare drawings and photographs.
Sujet:
Architecture contemporaine
Architecture contemporaine
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livres
livres
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Description:
xxx, 1002 pages : illustrations, maps ; 24 cm
Description:
xxx, 1002 pages : illustrations, maps ; 24 cm
Auteur:
Sujet:
- Islam History.,
- Islam Histoire.,
- Civilisation islamique.,
- Islam,
- Sozialgeschichte,
- Islamic civilization.,
- Islam Aspect social.,
- Civilisation islamique Histoire.,
- Islamic countries History.,
- Pays musulmans Histoire.,
- Islamic countries,
- Islamische Staaten,
- Islamic Empire History 622-1801.,
- Pays islamiques Histoire.,
- Islamic civilization, to 1975,
- History
Publication:
Cambridge [Cambridgeshire] ; New York : Cambridge University Press, 1988.
Cambridge [Cambridgeshire] ; New York : Cambridge University Press, 1988.
Titre:
A history of Islamic societies / Ira M. Lapidus.
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Description:
xxx, 1002 pages : illustrations, maps ; 24 cm
A history of Islamic societies / Ira M. Lapidus.
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Description:
xxx, 1002 pages : illustrations, maps ; 24 cm
Classification:
livres
livres
Publication:
Cambridge [Cambridgeshire] ; New York : Cambridge University Press, 1988.
Cambridge [Cambridgeshire] ; New York : Cambridge University Press, 1988.
Auteur:
Sujet:
- Islam History.,
- Islam Histoire.,
- Civilisation islamique.,
- Islam,
- Sozialgeschichte,
- Islamic civilization.,
- Islam Aspect social.,
- Civilisation islamique Histoire.,
- Islamic countries History.,
- Pays musulmans Histoire.,
- Islamic countries,
- Islamische Staaten,
- Islamic Empire History 622-1801.,
- Pays islamiques Histoire.,
- Islamic civilization, to 1975,
- History
Classification:
livres
livres
Titre:
Hagia Sophia from the age of Justinian to the present / edited by Robert Mark and Ahmet Ş. Çakmak.
Hagia Sophia from the age of Justinian to the present / edited by Robert Mark and Ahmet Ş. Çakmak.
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Description:
xix, 255 pages : illustrations ; 29 cm
Description:
xix, 255 pages : illustrations ; 29 cm
Auteur:
Sujet:
- Ayasofya Müzesi.,
- Ayasofya Müzesi (Istanbul, Turquie),
- Ayasofya Müzesi Istanbul,
- Ayasofya Müzesi (Istanbul) Congrès.,
- Architecture, Byzantine Turkey Istanbul.,
- Church architecture Turkey Istanbul.,
- Architecture, Ottoman Turkey Istanbul.,
- Mosques Turkey Istanbul.,
- Religious architecture Turkey Istanbul.,
- Architecture byzantine Turquie İstanbul.,
- Architecture religieuse Turquie İstanbul.,
- Architecture ottomane Turquie İstanbul.,
- Mosquées Turquie İstanbul.,
- Architecture chrétienne Turquie İstanbul.,
- Religious architecture,
- Architecture, Byzantine,
- Architecture, Ottoman,
- Buildings,
- Church architecture,
- Mosques,
- Aufsatzsammlung,
- Aya Sophia (Istanbul),
- Kerkgebouwen.,
- Mosques Turkey.,
- Architecture byzantine Turquie Istanbul (Turquie) Congrès.,
- Architecture religieuse Turquie Istanbul (Turquie) Congrès.,
- Architecture ottomane Turquie Istanbul (Turquie) Congrès.,
- Mosquées Turquie Istanbul (Turquie) Congrès.,
- Istanbul (Turkey) Buildings, structures, etc.,
- İstanbul (Turquie) Constructions,
- Turkey Istanbul,
- Ayasofya Muzesi (Istanbul, Turquie),
- Istanbul (Turquie) Basilique Sainte Sophie histoire.,
- Istanbul Hagia Sophia.,
- Religious buildings,
- Conference publications.,
- Konferenzschrift.
Publication:
Cambridge ; New York, NY, USA : Cambridge University Press, 1992.
Cambridge ; New York, NY, USA : Cambridge University Press, 1992.
Titre:
Hagia Sophia from the age of Justinian to the present / edited by Robert Mark and Ahmet Ş. Çakmak.
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Description:
xix, 255 pages : illustrations ; 29 cm
Hagia Sophia from the age of Justinian to the present / edited by Robert Mark and Ahmet Ş. Çakmak.
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Description:
xix, 255 pages : illustrations ; 29 cm
Classification:
livres
livres
Publication:
Cambridge ; New York, NY, USA : Cambridge University Press, 1992.
Cambridge ; New York, NY, USA : Cambridge University Press, 1992.
Auteur:
Sujet:
- Ayasofya Müzesi.,
- Ayasofya Müzesi (Istanbul, Turquie),
- Ayasofya Müzesi Istanbul,
- Ayasofya Müzesi (Istanbul) Congrès.,
- Architecture, Byzantine Turkey Istanbul.,
- Church architecture Turkey Istanbul.,
- Architecture, Ottoman Turkey Istanbul.,
- Mosques Turkey Istanbul.,
- Religious architecture Turkey Istanbul.,
- Architecture byzantine Turquie İstanbul.,
- Architecture religieuse Turquie İstanbul.,
- Architecture ottomane Turquie İstanbul.,
- Mosquées Turquie İstanbul.,
- Architecture chrétienne Turquie İstanbul.,
- Religious architecture,
- Architecture, Byzantine,
- Architecture, Ottoman,
- Buildings,
- Church architecture,
- Mosques,
- Aufsatzsammlung,
- Aya Sophia (Istanbul),
- Kerkgebouwen.,
- Mosques Turkey.,
- Architecture byzantine Turquie Istanbul (Turquie) Congrès.,
- Architecture religieuse Turquie Istanbul (Turquie) Congrès.,
- Architecture ottomane Turquie Istanbul (Turquie) Congrès.,
- Mosquées Turquie Istanbul (Turquie) Congrès.,
- Istanbul (Turkey) Buildings, structures, etc.,
- İstanbul (Turquie) Constructions,
- Turkey Istanbul,
- Ayasofya Muzesi (Istanbul, Turquie),
- Istanbul (Turquie) Basilique Sainte Sophie histoire.,
- Istanbul Hagia Sophia.,
- Religious buildings,
- Conference publications.,
- Konferenzschrift.
Classification:
livres
livres
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Description:
xvi, 349 pages ; 24 cm.
Description:
xvi, 349 pages ; 24 cm.
Auteur:
Sujet:
- Benjamin, Walter, 1892-1940.,
- Benjamin, Walter.,
- Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit.,
- Aesthetics, Modern.,
- Mass media Aesthetics.,
- Digital media.,
- Digital communications.,
- Mass media.,
- Technology and the arts.,
- Esthétique 20e siècle.,
- Transmission numérique.,
- Médias.,
- Technologie et arts.,
- Médias Esthétique.,
- Médias numériques.,
- mass media.,
- Neue Medien,
- Massenmedien,
- Ästhetik,
- Reproduceerbaarheid.,
- Kunsttheorie.
Publication:
Stanford, Calif. : Stanford University Press, ©2003.
Stanford, Calif. : Stanford University Press, ©2003.
Titre:
Mapping Benjamin : the work of art in the digital age / edited by Hans Ulrich Gumbrecht, Michael Marrinan.
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Description:
xvi, 349 pages ; 24 cm.
Mapping Benjamin : the work of art in the digital age / edited by Hans Ulrich Gumbrecht, Michael Marrinan.
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Description:
xvi, 349 pages ; 24 cm.
Classification:
livres
livres
Publication:
Stanford, Calif. : Stanford University Press, ©2003.
Stanford, Calif. : Stanford University Press, ©2003.
Auteur:
Sujet:
- Benjamin, Walter, 1892-1940.,
- Benjamin, Walter.,
- Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit.,
- Aesthetics, Modern.,
- Mass media Aesthetics.,
- Digital media.,
- Digital communications.,
- Mass media.,
- Technology and the arts.,
- Esthétique 20e siècle.,
- Transmission numérique.,
- Médias.,
- Technologie et arts.,
- Médias Esthétique.,
- Médias numériques.,
- mass media.,
- Neue Medien,
- Massenmedien,
- Ästhetik,
- Reproduceerbaarheid.,
- Kunsttheorie.
Titre:
Queuejumping
Queuejumping
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Prix:
$65.00
(disponible en magasin)
Résumé:
Encyclopaedic in form, Marina Roy’s ''Queuejumping'' eloquently unspools manifestations of capitalist, colonialist, agrologic, and scientific impulses, all within the context of the letter Q. Roy enlists art writing, poetry, lists, found images, and essays on humankind’s hunger to supersede the Other (in order to uphold what she calls ''the vertically directed world'') in(...)
$65.00
(disponible en magasin)
Résumé:
Encyclopaedic in form, Marina Roy’s ''Queuejumping'' eloquently unspools manifestations of capitalist, colonialist, agrologic, and scientific impulses, all within the context of the letter Q. Roy enlists art writing, poetry, lists, found images, and essays on humankind’s hunger to supersede the Other (in order to uphold what she calls ''the vertically directed world'') in(...)
Titre:
Queuejumping
Actions:
Prix:
$65.00
(disponible en magasin)
Résumé:
Encyclopaedic in form, Marina Roy’s ''Queuejumping'' eloquently unspools manifestations of capitalist, colonialist, agrologic, and scientific impulses, all within the context of the letter Q. Roy enlists art writing, poetry, lists, found images, and essays on humankind’s hunger to supersede the Other (in order to uphold what she calls ''the vertically directed world'') in this artfully academic work. From queens, queers, quadrupeds, and the Quran, to quick, quiddity, and quotidian, and from millions of years of organic decay to contemplating contemporary art, dive into the origins of hegemonic forces, what is lost by winning, and what can be gained by stepping out of line.
Queuejumping
Actions:
Prix:
$65.00
(disponible en magasin)
Résumé:
Encyclopaedic in form, Marina Roy’s ''Queuejumping'' eloquently unspools manifestations of capitalist, colonialist, agrologic, and scientific impulses, all within the context of the letter Q. Roy enlists art writing, poetry, lists, found images, and essays on humankind’s hunger to supersede the Other (in order to uphold what she calls ''the vertically directed world'') in this artfully academic work. From queens, queers, quadrupeds, and the Quran, to quick, quiddity, and quotidian, and from millions of years of organic decay to contemplating contemporary art, dive into the origins of hegemonic forces, what is lost by winning, and what can be gained by stepping out of line.