Phllip Metten: Five works
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Combining a genuine interest in contemporary and historical architecture with a desire to make sculpture functional, these five projects form a distinct body of work within Philip Metten’s practice: ‘Bar’ (2013), ‘153. Stanton’ (2015), ‘The Corner Show’ (2015), ‘Cinema’ (2017), and ‘Essen’ (2016–2021). Wouter Davidts’s analysis of ‘Untitled’ (2014) sets the tone, a work(...)
Phllip Metten: Five works
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Combining a genuine interest in contemporary and historical architecture with a desire to make sculpture functional, these five projects form a distinct body of work within Philip Metten’s practice: ‘Bar’ (2013), ‘153. Stanton’ (2015), ‘The Corner Show’ (2015), ‘Cinema’ (2017), and ‘Essen’ (2016–2021). Wouter Davidts’s analysis of ‘Untitled’ (2014) sets the tone, a work that seems to anticipate the complex interplay between drawing, sculpture, and architecture apparent in Metten’s other projects, where he gives spaces with a distinct social programme and scale a sculptural transformation. With photos by Jan Kempenaers and drawings by Kris Kimpe and Samyra Moumouh.
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Between 1999 and 2001, small old-fashioned landscapes painstakingly painted in oil started appearing on graffiti sites in New York City. The paintings were the work of artist Ellen Harvey. Documented here are both the works and Harvey's diary-like experiences of painting illegally throughout the city. The narrative of her "beautification project" is both provocative and(...)
Ellen Harvey : New York Beautification Project
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Between 1999 and 2001, small old-fashioned landscapes painstakingly painted in oil started appearing on graffiti sites in New York City. The paintings were the work of artist Ellen Harvey. Documented here are both the works and Harvey's diary-like experiences of painting illegally throughout the city. The narrative of her "beautification project" is both provocative and hilarious. It touches on serious issues, such as who is allowed to make art in our society and what distinguishes art from graffiti, while never losing touch with the frequently comical reality of creating a contemporary art project on the streets of New York.
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A red rectangular frame, part of an installation by Hans Demeulenaere at the 2021 exhibition ‘One way or another, 10 years of Posture Editions’ at S.M.A.K. – the Municipal Museum of Contemporary Art in Ghent – remains behind in the museum due to the artist’s forgetfulness. This forms the starting point for ‘Unfolding Structures of Exchange’. What happens when three(...)
Unfolding Structures of Exchange: Hans Demeulenaere, Nikolaas Demoen, Marc Nagtzaam
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A red rectangular frame, part of an installation by Hans Demeulenaere at the 2021 exhibition ‘One way or another, 10 years of Posture Editions’ at S.M.A.K. – the Municipal Museum of Contemporary Art in Ghent – remains behind in the museum due to the artist’s forgetfulness. This forms the starting point for ‘Unfolding Structures of Exchange’. What happens when three artists (Hans Demeulenaere, Nikolaas Demoen, and Marc Nagtzaam) exchange this red nomadic frame among themselves and shape it to their sculptural, drawing, and choreographic hand? The limited edition book’s accordion-style pages are accompanied by a text insert by Simon Delobel.
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The woven/Intersected/Reciewed series, gathering preparatory material, documentation on the works, and essays by critics or the artists themselves, these volumes contribute a discussion around commissioning, the notions of public vs. private collection, and the relationship between artists and patrons. Liam Gillick’s book shows the realization of his designs in(...)
Liam Gillick. Woven/Intersected/Revised
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The woven/Intersected/Reciewed series, gathering preparatory material, documentation on the works, and essays by critics or the artists themselves, these volumes contribute a discussion around commissioning, the notions of public vs. private collection, and the relationship between artists and patrons. Liam Gillick’s book shows the realization of his designs in conference rooms, corridors, and offices, coinciding with his sustained interest in the negotiation of a middle ground between corporate culture and contemporary art. The volume is accompanied by an artist’s essay discussing the dissolution of the public/private dichotomy into a grey zone of semi-public/semi-private spheres.
Paul Chan the 7 lights
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The American artist Paul Chan has gained international acclaim for his video work, drawings and installations that blend a novel drafting aesthetic with philosophical reflections on politics, religion, sex and life. This beautifully produced monograph, published on the occasion of Chan's highly anticipated one-person exhibition at New York's recently unveiled New Museum(...)
décembre 2007, London
Paul Chan the 7 lights
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The American artist Paul Chan has gained international acclaim for his video work, drawings and installations that blend a novel drafting aesthetic with philosophical reflections on politics, religion, sex and life. This beautifully produced monograph, published on the occasion of Chan's highly anticipated one-person exhibition at New York's recently unveiled New Museum of Contemporary Art, presents the first significant overview of Chan's work. Spanning from the late 1990s through today, it is named for Chan's most recent project, The 7 Lights (2005-07), a series of large-scale digital projections and drawings that "hallucinate" the Seven Days of Creation.
Shinro Ohtake: i love
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A leading light of contemporary Japanese art, one of Ohtake’s most successful and endearing installations is his design for a public bathhouse in Naoshima, offering traditional ‘Yu’ hot baths. Ohtake’s art and ephemera covers the building, while entrance fees are low to encourage its use. Bathers step into Ohtake’s bright fantasy world, where giant model elephants walk(...)
janvier 2011
Shinro Ohtake: i love
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A leading light of contemporary Japanese art, one of Ohtake’s most successful and endearing installations is his design for a public bathhouse in Naoshima, offering traditional ‘Yu’ hot baths. Ohtake’s art and ephemera covers the building, while entrance fees are low to encourage its use. Bathers step into Ohtake’s bright fantasy world, where giant model elephants walk mezzanine floors, the tiling is a nightmare version of Delftware, and stained glass windows light tranquil corners. This book takes the form of a concertina of vivid cards, packed with images of the bathhouse and its influences from popular culture.
Nocturama
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This book explores the world of the French artist Dominique Gonzalez-Foerster through lavish visual material as well as essays by Ina Blom (Professor at the University of Oslo, Norway), Penelope Curtis (Curator at the Henry Moore Institute, Leeds, UK), Jens Hoffman (Director of Wattis Institute for Contemporary Arts, San Francisco, USA) and Lisette Lagnado (Curator and(...)
juillet 2008, Paris
Nocturama
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This book explores the world of the French artist Dominique Gonzalez-Foerster through lavish visual material as well as essays by Ina Blom (Professor at the University of Oslo, Norway), Penelope Curtis (Curator at the Henry Moore Institute, Leeds, UK), Jens Hoffman (Director of Wattis Institute for Contemporary Arts, San Francisco, USA) and Lisette Lagnado (Curator and Artistic Director of the 27th edition of the São Paulo Biennale). Also featuring an interview on literary creation with the writer Enrique Vila-Matas conducted by the artist herself, along with Hans Ulrich Obrist (co-Director of the Serpentine Gallery, London, UK).
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''Twisted'' documents and explores an eleven-story garment factory building in Shantou, China, for the fashion label Lafayette 148. The book presents the building as an artifact of architecture, with detailed documentation of images and drawings. The book also presents essays that offer a series of distinct but interrelated responses to the many questions that arise when(...)
décembre 2018
Twisted: Lafayette 148 New York factory in China
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''Twisted'' documents and explores an eleven-story garment factory building in Shantou, China, for the fashion label Lafayette 148. The book presents the building as an artifact of architecture, with detailed documentation of images and drawings. The book also presents essays that offer a series of distinct but interrelated responses to the many questions that arise when building a garment factory facility in contemporary China. Issues addressed range from the architectural import of the building typology, to the ecological footprint of a factory, to social and architectural concerns regarding labor as well as construction practices, to the ethics and aesthetics of factory building.
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"Trespassing: houses x artists" breaks through the conceptual boundaries that have historically divided art and architecture to describe new strategies of conceiving private space. In their individual collaborations with architects Alan Koch and Linda Taalman of OpenOffice, nine contemporary artists radically reinvent how domestic space is created and inhabited. The(...)
janvier 1900, Ostfildern-Ruit
Trespassing : houses x artists
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"Trespassing: houses x artists" breaks through the conceptual boundaries that have historically divided art and architecture to describe new strategies of conceiving private space. In their individual collaborations with architects Alan Koch and Linda Taalman of OpenOffice, nine contemporary artists radically reinvent how domestic space is created and inhabited. The resulting works are open-ended, representing a new approach to visualizing form rather than a final product or conceptual destination. Includes work by: T. Kelly Mason, David Reed, Peter Noever, Renee Petropoulos, Julian Opie, Jessica Stockholder, Jim Isermann, Chris Burden, Barbara Bloom, Kevin Appel amongst others.
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Donald Judd was one of the most important exponents of American Minimal Art. Among the lesser-known aspects of his work are the numerous built architectural projects in which he explores the relationship between architecture art, furniture, and landscape. One particular location was of great significance to Judd’s architectural work: Fort D.R. Russell, a former US(...)
Donald Judd: Architecture in Marfa, Texas. 2nd edition
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Donald Judd was one of the most important exponents of American Minimal Art. Among the lesser-known aspects of his work are the numerous built architectural projects in which he explores the relationship between architecture art, furniture, and landscape. One particular location was of great significance to Judd’s architectural work: Fort D.R. Russell, a former US military base in the Chihuahuan desert on the southern edge of the pioneer town of Marfa, Texas. Judd acquired the fort and other structures in Marfa which he systematically converted into one of the largest ensemble collections of contemporary art in the world.