Tramp
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Tomas Espedal contemplates what walking has meant for great artists and thinkers: Rousseau, Kant, Hazlitt, Thoreau, Rimbaud, Whitman, Giacometti and Stevenson; and dissects his own inability to write from a fixed abode, or to banish the temptation to become permanently itinerant.
Tramp
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Tomas Espedal contemplates what walking has meant for great artists and thinkers: Rousseau, Kant, Hazlitt, Thoreau, Rimbaud, Whitman, Giacometti and Stevenson; and dissects his own inability to write from a fixed abode, or to banish the temptation to become permanently itinerant.
Théorie/ philosophie
$39.95
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“When walking, or perhaps more rarely when sauntering on horseback, one is in direct contact with surroundings, reifying a connection to natural rhythms. To forget the season, soil, and sky is to deny existence.” So writes landscape architect Roger G. Courtenay in this publication. Whether walking the Piedmont of Virginia, canoeing the French Broad River near Asheville,(...)
My kind of countryside: finding design principles in the land
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“When walking, or perhaps more rarely when sauntering on horseback, one is in direct contact with surroundings, reifying a connection to natural rhythms. To forget the season, soil, and sky is to deny existence.” So writes landscape architect Roger G. Courtenay in this publication. Whether walking the Piedmont of Virginia, canoeing the French Broad River near Asheville, North Carolina, driving along the Blue Ridge Parkway, or exploring Thomas Jefferson’s Academical Village, Courtenay turns to his local countryside for inspiration. In this book the author delves into the nuances of his craft, inviting us to share his encounters with a myriad of landscapes and revealing how he then interprets these experiences in his sketches.
Théorie du paysage
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La transformation rapide de nos paysages au cours de ces dernières décennies incite à s'interroger sur l'évolution des relations entre les sociétés et leur environnement. En conséquence, à réfléchir à de nouveaux programmes pédagogiques susceptibles de former tant des gens que des cadres conceptuels capables d'y répondre. Cet ouvrage est le fruit d'un programme européen(...)
De l'enseignement du paysage en architecture
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La transformation rapide de nos paysages au cours de ces dernières décennies incite à s'interroger sur l'évolution des relations entre les sociétés et leur environnement. En conséquence, à réfléchir à de nouveaux programmes pédagogiques susceptibles de former tant des gens que des cadres conceptuels capables d'y répondre. Cet ouvrage est le fruit d'un programme européen d'échange entre l'Europe et la Chine. Textes et résumés en français, anglais et chinois.
Théorie du paysage
The just city
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In The Just City, Fainstein draws on the work of John Rawls, Martha Nussbaum, Iris Marion Young, Nancy Fraser, and others to develop an approach to justice relevant to twenty-first-century cities, one that incorporates three central concepts: diversity, democracy, and equity. Fainstein also tests her ideas through case studies of New York, London, and Amsterdam by(...)
The just city
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In The Just City, Fainstein draws on the work of John Rawls, Martha Nussbaum, Iris Marion Young, Nancy Fraser, and others to develop an approach to justice relevant to twenty-first-century cities, one that incorporates three central concepts: diversity, democracy, and equity. Fainstein also tests her ideas through case studies of New York, London, and Amsterdam by evaluating their postwar programs for housing and development in relation to the three norms. She concludes by identifying a set of specific criteria for urban planners and policymakers to consider when developing programs to assure greater justice in both the process of their formulation and their effects.
Théorie de l’urbanisme
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Si on comprend aisément que les concepteurs de formes et d’espaces aient quotidiennement recours aux figures de l’analogie pour imaginer leurs projets, on sait moins que de nombreuses théories et doctrines de l’architecture lui sont tout autant redevables. Sorte de secret mal gardé, l’analogie serait de fait une des grandes matrices de l’architecture. Examinant(...)
Analogie et théorie en architecture : de la vie, de la ville et de la conception, même
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Si on comprend aisément que les concepteurs de formes et d’espaces aient quotidiennement recours aux figures de l’analogie pour imaginer leurs projets, on sait moins que de nombreuses théories et doctrines de l’architecture lui sont tout autant redevables. Sorte de secret mal gardé, l’analogie serait de fait une des grandes matrices de l’architecture. Examinant rigoureusement la portée pratique et théorique de cette hypothèse, les études d’histoire critique rassemblées dans ce premier ouvrage se consacrent à trois registres de la modernité qui éclairent l’architecture contemporaine : les conceptions de la vie et de la biologie (des images du corps aux principes de la génétique),les conceptions de la ville (en reconstituant les contours et les enjeux de ce que l’architecte Aldo Rossi appelait une « ville analogue »), et les conceptions mêmes de la conception (dont les modèles analogiques permettent de rendre compte des circonvolutions de l’imagination et de la réflexion architecturale).
Théorie de l’architecture
Olympic cities, 2nd edition
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Providing a full overview of the changing relationship between cities and the Olympic events, this substantially revised and enlarged edition builds on the success of its predecessor. Its coverage takes account of important new scholarship as well as adding reflections on the experience of staging Beijing 2008 and Vancouver 2010, the state of preparations for London 2012,(...)
Olympic cities, 2nd edition
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Providing a full overview of the changing relationship between cities and the Olympic events, this substantially revised and enlarged edition builds on the success of its predecessor. Its coverage takes account of important new scholarship as well as adding reflections on the experience of staging Beijing 2008 and Vancouver 2010, the state of preparations for London 2012, and the plans for the Games scheduled for Sochi in 2014 and Rio de Janeiro 2016. The book is divided into three parts that provide overviews of the urban legacy of the four component Olympic festivals; systematic surveys of five key aspects of activity involved in staging the Olympics; and ten chronologically arranged portraits of host cities. As controversy over the growing size and expense of the Olympics continues, this timely assessment of the Games’ development and the complex agendas that host cities attach to the event will be essential reading for urban and sports historians, urban geographers, planners and all concerned with understanding the relationship between cities and culture.
Théorie de l’urbanisme
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In Toward Sustainable Architecture Mazzola makes a series of observations aimed at bringing about a reversal in the trend of conceiving, developing and living in our cities and towns, before it is too late.
Toward sustainable architecture : recreating our cities before they collapse
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In Toward Sustainable Architecture Mazzola makes a series of observations aimed at bringing about a reversal in the trend of conceiving, developing and living in our cities and towns, before it is too late.
Théorie de l’urbanisme
Technics & civilization
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Technics and Civilization first presented its compelling history of the machine and critical study of its effects on civilization in 1934 —before television, the personal computer, and the Internet even appeared on our periphery. Drawing upon art, science, philosophy, and the history of culture, Lewis Mumford explained the origin of the machine age and traced its(...)
Technics & civilization
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Technics and Civilization first presented its compelling history of the machine and critical study of its effects on civilization in 1934 —before television, the personal computer, and the Internet even appeared on our periphery. Drawing upon art, science, philosophy, and the history of culture, Lewis Mumford explained the origin of the machine age and traced its social results, asserting that the development of modern technology had its roots in the Middle Ages rather than the Industrial Revolution. Mumford sagely argued that it was the moral, economic, and political choices we made, not the machines that we used, that determined our then industrially driven economy. Equal parts powerful history and polemic criticism, this book was the first comprehensive attempt in English to portray the development of the machine age over the last thousand years — and to predict the pull the technological still holds over us today.
Théorie de l’architecture
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F.R David- a journal published twice-yearly by de Appel arts centre, Amsterdam- focuses on the 'status' of writing in contemporary art practice. This seventh issue considers the compression of letter-writing as cybernetic translation- vs. redundant delivery of intention- from one form to another, “With Love,”.
Théorie/ philosophie
juillet 2010
F.R. David: The 'with love,' issue
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F.R David- a journal published twice-yearly by de Appel arts centre, Amsterdam- focuses on the 'status' of writing in contemporary art practice. This seventh issue considers the compression of letter-writing as cybernetic translation- vs. redundant delivery of intention- from one form to another, “With Love,”.
Théorie/ philosophie
The first six books of the elements of Euclid : facsimile of the famous first edition of 1847
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Red, yellow, blue – and of course black – are the colours that Oliver Byrne employs for the figures and diagrams in his most unusual 1847 edition of Euclid, published by William Pickering and printed by Chiswick Press, and which prompt the surprised reader to think of Mondrian. The author makes it clear in his subtitle that this is a didactic measure intended to(...)
The first six books of the elements of Euclid : facsimile of the famous first edition of 1847
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Red, yellow, blue – and of course black – are the colours that Oliver Byrne employs for the figures and diagrams in his most unusual 1847 edition of Euclid, published by William Pickering and printed by Chiswick Press, and which prompt the surprised reader to think of Mondrian. The author makes it clear in his subtitle that this is a didactic measure intended to distinguish his edition from all others: "The Elements of Euclid in which coloured diagrams and symbols are used instead of letters for the greater ease of learners." Byrne is not content to trust solely in the supposed intuitive "logical" structure of Euclid's axioms and theorems – who doesn't know the first famous sentences of Euclid's Elements: "I. A point is that which has no parts. II. A line is length without breadth"? –, but translates them into colourful diagrams and symbols. He thereby thinks in terms of the school classroom : he compares his colours to the dyed chalks in which figures are drawn on the blackboard.
Théorie de l’architecture