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Claude Matter and Olivier Galletti, two Swiss architects, have developed an essentially pragmatic approach based on sensitivity to location. They begin with an initial concept, not a definitive answer, open to modification during the construction process. The creation of various and distinctive spaces corresponding to situations and demands that crystallize on location,(...)
Architecture, monographies
juin 2005, Basel / Boston / Berlin
Galletti & Matter : collection of places - buildings & projects
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Claude Matter and Olivier Galletti, two Swiss architects, have developed an essentially pragmatic approach based on sensitivity to location. They begin with an initial concept, not a definitive answer, open to modification during the construction process. The creation of various and distinctive spaces corresponding to situations and demands that crystallize on location, rather than the realisation of a preconceived homogeneous design. This volume, the first in a new series on young architects from Suisse Romande edited by Bruno Marchand, Professor at the Ecole Polytechnique Fédérale de Lausanne, presents built projects by Galletti & Matter, including the School Building Collombey and the Espace Gruyère exhibition and cultural centre in Bulle.
Architecture, monographies
Corporate architecture
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Corporate architecture is a strategic instrument that is employed in the design of buildings, interiors and temporary presentations for businesses. This publication demonstrates for the first time the developments in this field, as well the best architectural and design concepts for this comprehensive subject.
mai 2005, Ludwigsburg
Corporate architecture
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Corporate architecture is a strategic instrument that is employed in the design of buildings, interiors and temporary presentations for businesses. This publication demonstrates for the first time the developments in this field, as well the best architectural and design concepts for this comprehensive subject.
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Sports fans in the United States can revisit their own home fields such as the Reliant Stadium in Houston, SBC Park in San Francisco, Oriole Park in Baltimore, and experience international attractions such as the Millennium Stadium in Cardiff, Wembley in London, Arsenal in London, and the Olympic Stadium in Sydney. With 250 photos and 70 architectural plans,this book(...)
juin 2005, North Clarendon (VT), Sydney, Singapore
The stadium : architecture for the new global culture
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Sports fans in the United States can revisit their own home fields such as the Reliant Stadium in Houston, SBC Park in San Francisco, Oriole Park in Baltimore, and experience international attractions such as the Millennium Stadium in Cardiff, Wembley in London, Arsenal in London, and the Olympic Stadium in Sydney. With 250 photos and 70 architectural plans,this book defines the stadium as a worlwide cultural icon.
livres
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Catalogue for an exhibition of Dieter Appelt's works that was held from 18 March to 22 May 2004 at the Galerie Guy Bärtschi in Geneva.
Dieter Appelt : transferring a state of stasis - for Dieter Appelt
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Catalogue for an exhibition of Dieter Appelt's works that was held from 18 March to 22 May 2004 at the Galerie Guy Bärtschi in Geneva.
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janvier 1900, Geneva
Monographies photo
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Much has been said about the Arts & crafts spirit of Californians, their appreciation of the land, their desire to build "simple" yet interesting houses that connect with the outdoors (sleeping porches, gardens, verandas, terraces, and so on), and their love of wilderness areas. This new edition of the classic, "Building with nature: roots of the San Francisco Bay region(...)
Building with nature : inspiration for the arts & crafts home
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Much has been said about the Arts & crafts spirit of Californians, their appreciation of the land, their desire to build "simple" yet interesting houses that connect with the outdoors (sleeping porches, gardens, verandas, terraces, and so on), and their love of wilderness areas. This new edition of the classic, "Building with nature: roots of the San Francisco Bay region tradition", focuses on the beginnings (1865 and on) of the Bay area shingle style and Arts & crafts collaboration in California, and the origins of the trend toward building simple rustic homes in harmony with nature. Freudenheim explores how and why a small, influential group of Californians (including Joseph Worcester, Bernard Maybeck, Charles Keeler, William Keith, Charles Lummis, A. Page Brown, and others)-all of whom had come from the East or from England-were especially devoted to Ruskin and the Arts & crafts style and how this combined with their dedication to California's natural beauty to create a unique architectural movement.
Histoire jusqu’à 1900
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"Small Strawbale" is a meditative exploration of the innumerable reasons to consider strawbale as a viable building material. Environmentally friendly, super insulative, economical, and natural, strawbale can be used to build everything from garden walls to small homes. "Small Strawbale" tells the stories of people who have successfully created structures out of this(...)
Architecture écologique
avril 2005, Layton, Utah
Small strawbale : natural homes, projects & designs
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"Small Strawbale" is a meditative exploration of the innumerable reasons to consider strawbale as a viable building material. Environmentally friendly, super insulative, economical, and natural, strawbale can be used to build everything from garden walls to small homes. "Small Strawbale" tells the stories of people who have successfully created structures out of this easily replenishable building material, reminding us that our human roots are ultimately grounded and dependent upon the earth and its bounties. This practical guide is filled with rich photos of homes, greenhouses, studios, sheds, open-air structures and more, each pulsating with unique yet subtle creativity. Both a pragmatic construction manual and a philosophical, artistic guidebook, "Small Strawbale" is an inspirational starting point for a strawbale dreamer, and a great source of information for those who are ready to get bailing.
Architecture écologique
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The Japanese dry landscape garden has long attracted - and long baffled - viewers from the West. While museums across the United States are replicating these "Zen rock gardens" in their courtyards and miniature versions of the gardens are now office decorations, they remain enigmatic, their philosophical and aesthetic significance obscured. "Reading Zen in the Rocks", the(...)
Reading Zen in the rocks : the Japanese dry landscape garden
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The Japanese dry landscape garden has long attracted - and long baffled - viewers from the West. While museums across the United States are replicating these "Zen rock gardens" in their courtyards and miniature versions of the gardens are now office decorations, they remain enigmatic, their philosophical and aesthetic significance obscured. "Reading Zen in the Rocks", the classic essay on the karesansui garden by French art historian François Berthier, has now been translated by Graham Parkes, giving English-speaking readers a concise, thorough, and beautifully illustrated history of these gardens. Berthier's guided tour of the famous garden of Ryoanji (Temple) in Kyoto leads him into an exposition of the genre, focusing on its Chinese antecedents and affiliations with Taoist ideas and Chinese landscape painting. He traces the roles of Shinto and Zen Buddhism in the evolution of the garden and also considers how manual laborers from the lowest classes in Japan had a hand in creating some of its highest examples. Parkes contributes an equally original and substantive essay which delves into the philosophical importance of rocks and their "language of stone," delineating the difference between Chinese and Japanese rock gardens and their relationship to Buddhism. Together, the two essays compose one of the most comprehensive and elegantly written studies of this haunting garden form. "Reading Zen in the Rocks" is fully illustrated with photographs of all the major gardens discussed, making it a handsome addition to the library of anyone interested in gardening, Eastern philosophy, and the combination of the two that the karesansui so superbly represents.
Théorie du paysage
The dominion of the dead
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How do the living maintain relations to the dead? Why do we bury people when they die? And what is at stake when we do? In "The dominion of the dead", Robert Pogue Harrison considers the supreme importance of these questions to Western civilization, exploring the many places where the dead cohabit the world of the living-the graves, images, literature, architecture, and(...)
The dominion of the dead
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How do the living maintain relations to the dead? Why do we bury people when they die? And what is at stake when we do? In "The dominion of the dead", Robert Pogue Harrison considers the supreme importance of these questions to Western civilization, exploring the many places where the dead cohabit the world of the living-the graves, images, literature, architecture, and monuments that house the dead in their afterlife among us. This work devotes particular attention to the practice of burial. Harrison contends that we bury our dead to humanize the lands where we build our present and imagine our future. As long as the dead are interred in graves and tombs, they never truly depart from this world, but remain, if only symbolically, among the living. Spanning a broad range of examples, from the graves of our first human ancestors to the empty tomb of the Gospels to the Vietnam Veterans Memorial, Harrison also considers the authority of predecessors in both modern and premodern societies. Through inspired readings of major writers and thinkers such as Vico, Virgil, Dante, Pater, Nietzsche, Heidegger, and Rilke, he argues that the buried dead form an essential foundation where future generations can retrieve their past, while burial grounds provide an important bedrock where past generations can preserve their legacy for the unborn.
Théorie du paysage
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Why do we have such extraordinarily powerful responses toward the images and pictures we see in everyday life? Why do we behave as if pictures were alive, possessing the power to influence us, to demand things from us, to persuade us, seduce us, or even lead us astray? According to W. J. T. Mitchell, we need to reckon with images not just as inert objects that convey(...)
What do pictures want? : the lives and loves of images
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Why do we have such extraordinarily powerful responses toward the images and pictures we see in everyday life? Why do we behave as if pictures were alive, possessing the power to influence us, to demand things from us, to persuade us, seduce us, or even lead us astray? According to W. J. T. Mitchell, we need to reckon with images not just as inert objects that convey meaning but as animated beings with desires, needs, appetites, demands, and drives of their own. "What Do Pictures Want?" explores this idea and highlights Mitchell's innovative and profoundly influential thinking on picture theory and the lives and loves of images. Ranging across the visual arts, literature, and mass media, Mitchell applies characteristically brilliant and wry analyses to Byzantine icons and cyberpunk films, racial stereotypes and public monuments, ancient idols and modern clones, offensive images and found objects, American photography and aboriginal painting. Opening new vistas in iconology and the emergent field of visual culture, he also considers the importance of Dolly the Sheep - who, as a clone, fulfills the ancient dream of creating a living image - and the destruction of the World Trade Center on 9/11, which, among other things, signifies a new and virulent form of iconoclasm. "What Do Pictures Want?" offers an immensely rich and suggestive account of the interplay between the visible and the readable. A work by one of our leading theorists of visual representation, it will be a touchstone for art historians, literary critics, anthropologists, and philosophers alike.
Théorie de l’architecture
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In 1949, Beijing still retained nearly all of its time-honoured character and magnificence. But when Chairman Mao rejected the proposal to build a new capital for the People's Republic of China and decided to stay in the ancient city, he initiated a long struggle to transform Beijing into a shining beacon of socialism. So began the remaking of the city into a modern(...)
Remaking Beijing : Tiananmen Square and the creation of a political space
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In 1949, Beijing still retained nearly all of its time-honoured character and magnificence. But when Chairman Mao rejected the proposal to build a new capital for the People's Republic of China and decided to stay in the ancient city, he initiated a long struggle to transform Beijing into a shining beacon of socialism. So began the remaking of the city into a modern metropolis rife with monuments, public squares, exhibition halls, and government offices. Wu Hung grew up in Beijing and experienced much of the city's makeover firsthand. In this lavishly illustrated work, he offers a vivid, often personal account of the struggle over Beijing's reinvention, drawing particular attention to Tiananmen Square - the most sacred space in the People's Republic of China. "Remaking Beijing" considers the square's transformation from a restricted imperial domain into a public arena for political expression, from an epic symbol of socialism into a holy relic of the Maoist regime, and from an official and monumental complex into a site for unofficial and antigovernment demonstrations. Wu Hung also explores how Tiananmen Square has become a touchstone for official art in modern China - as the site for Mao's monumental portrait, as the location of museums narrating revolutionary history, and as the grounds for extravagant National Day parades celebrating the revolutionary masses. He then shows how in recent years the square has inspired artists working without state sponsorship to create paintings, photographs, and even performances that reflect the spirit of the 1989 uprisings and pose a forceful challenge to official artworks and the socio-political system that supports them.
Théorie de l’urbanisme