13794 Résultats
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livres
livres
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In an effort to create a secure urban environment in which residents can work, live, and prosper with minimal disruption, New York and London established a network of laws, policing, and municipal government in the nineteenth century aimed at building the confidence of the citizenry and creating stability for economic growth. As democracy expanded in tandem with the size(...)
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In an effort to create a secure urban environment in which residents can work, live, and prosper with minimal disruption, New York and London established a network of laws, policing, and municipal government in the nineteenth century aimed at building the confidence of the citizenry and creating stability for economic growth. As democracy expanded in tandem with the size(...)
Titre:
Triumph of order: Democracy & Public space in New York and London
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In an effort to create a secure urban environment in which residents can work, live, and prosper with minimal disruption, New York and London established a network of laws, policing, and municipal government in the nineteenth century aimed at building the confidence of the citizenry and creating stability for economic growth. As democracy expanded in tandem with the size of the cities themselves, the two goals clashed, resulting in tensions over their compatibility. Lisa Keller examines the critical development of sanctioned free speech, controlled public assembly, new urban regulations, and the quelling of riots, all in the name of a proper regard for order. Drawing on rich archival sources that include the unpublished correspondence of government officials and ordinary citizens, Keller paints an intimate portrait of daily life in these two cities and the intricacies of their emerging bureaucracies.
Triumph of order: Democracy & Public space in New York and London
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In an effort to create a secure urban environment in which residents can work, live, and prosper with minimal disruption, New York and London established a network of laws, policing, and municipal government in the nineteenth century aimed at building the confidence of the citizenry and creating stability for economic growth. As democracy expanded in tandem with the size of the cities themselves, the two goals clashed, resulting in tensions over their compatibility. Lisa Keller examines the critical development of sanctioned free speech, controlled public assembly, new urban regulations, and the quelling of riots, all in the name of a proper regard for order. Drawing on rich archival sources that include the unpublished correspondence of government officials and ordinary citizens, Keller paints an intimate portrait of daily life in these two cities and the intricacies of their emerging bureaucracies.
Classification:
livres
livres
Publication:
septembre 2010
septembre 2010
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
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$21.95
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In Brandscapes, Anna Klingmann looks critically at the controversial practice of branding by examining its benefits, and considering the damage it may do. By favoring the creation of signature buildings over more comprehensive urban interventions and by severing their identity from the complexity of the social fabric, Klingmann argues, today's brandscapes have, in many(...)
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In Brandscapes, Anna Klingmann looks critically at the controversial practice of branding by examining its benefits, and considering the damage it may do. By favoring the creation of signature buildings over more comprehensive urban interventions and by severing their identity from the complexity of the social fabric, Klingmann argues, today's brandscapes have, in many(...)
Titre:
Brandscapes: Architecture in the experience economy
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In Brandscapes, Anna Klingmann looks critically at the controversial practice of branding by examining its benefits, and considering the damage it may do. By favoring the creation of signature buildings over more comprehensive urban interventions and by severing their identity from the complexity of the social fabric, Klingmann argues, today's brandscapes have, in many cases, resulted in a culture of the copy.
Brandscapes: Architecture in the experience economy
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In Brandscapes, Anna Klingmann looks critically at the controversial practice of branding by examining its benefits, and considering the damage it may do. By favoring the creation of signature buildings over more comprehensive urban interventions and by severing their identity from the complexity of the social fabric, Klingmann argues, today's brandscapes have, in many cases, resulted in a culture of the copy.
Classification:
livres
livres
Publication:
octobre 2010
octobre 2010
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
Classification:
livres
livres
Prix:
$32.95
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Art has never been as culturally and economically prominent as it is today. How can artists themselves shape the social relevance and impact of their work? In this publication, German art historian Dorothea von Hantelmann uses four case study artists--Daniel Buren, James Coleman, Jeff Koons and Tino Sehgal--to examine how an artwork acts upon and within social(...)
$32.95
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Art has never been as culturally and economically prominent as it is today. How can artists themselves shape the social relevance and impact of their work? In this publication, German art historian Dorothea von Hantelmann uses four case study artists--Daniel Buren, James Coleman, Jeff Koons and Tino Sehgal--to examine how an artwork acts upon and within social(...)
Titre:
How to do things with art: the meaning of art's performativity
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Art has never been as culturally and economically prominent as it is today. How can artists themselves shape the social relevance and impact of their work? In this publication, German art historian Dorothea von Hantelmann uses four case study artists--Daniel Buren, James Coleman, Jeff Koons and Tino Sehgal--to examine how an artwork acts upon and within social conventions, particularly through the "performing" of exhibitions.
How to do things with art: the meaning of art's performativity
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Art has never been as culturally and economically prominent as it is today. How can artists themselves shape the social relevance and impact of their work? In this publication, German art historian Dorothea von Hantelmann uses four case study artists--Daniel Buren, James Coleman, Jeff Koons and Tino Sehgal--to examine how an artwork acts upon and within social conventions, particularly through the "performing" of exhibitions.
Classification:
livres
livres
Publication:
juillet 2010
juillet 2010
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
Eating the universe
Eating the universe
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In 1968, artist Daniel Spoerri founded Restaurant Spoerri in Düsseldorf; two years later he opened the Eat Art Gallery, where artists such as Joseph Beuys, Roy Lichtenstein and Dieter Roth exhibited objects made of foodstuffs. Taking the activities of Eat Art as its starting point, Eating the Universe gathers together artworks that have been made using edible materials,(...)
$72.00
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In 1968, artist Daniel Spoerri founded Restaurant Spoerri in Düsseldorf; two years later he opened the Eat Art Gallery, where artists such as Joseph Beuys, Roy Lichtenstein and Dieter Roth exhibited objects made of foodstuffs. Taking the activities of Eat Art as its starting point, Eating the Universe gathers together artworks that have been made using edible materials,(...)
Titre:
Eating the universe
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$72.00
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Résumé:
In 1968, artist Daniel Spoerri founded Restaurant Spoerri in Düsseldorf; two years later he opened the Eat Art Gallery, where artists such as Joseph Beuys, Roy Lichtenstein and Dieter Roth exhibited objects made of foodstuffs. Taking the activities of Eat Art as its starting point, Eating the Universe gathers together artworks that have been made using edible materials, starting in the 1970s and continuing through to the present day. Over the past decade in particular, artists have evinced a growing interest in food and eating, concomitant with an increasing overall consciousness about the political, ecological, cultural and economic dimensions of what we put in our mouths. With 170 color images, Eating the Universe presents a range of contemporary artwork that explores linkages between food and the formation of identity, societal affluence, globalization and awareness of one's own body.
Eating the universe
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In 1968, artist Daniel Spoerri founded Restaurant Spoerri in Düsseldorf; two years later he opened the Eat Art Gallery, where artists such as Joseph Beuys, Roy Lichtenstein and Dieter Roth exhibited objects made of foodstuffs. Taking the activities of Eat Art as its starting point, Eating the Universe gathers together artworks that have been made using edible materials, starting in the 1970s and continuing through to the present day. Over the past decade in particular, artists have evinced a growing interest in food and eating, concomitant with an increasing overall consciousness about the political, ecological, cultural and economic dimensions of what we put in our mouths. With 170 color images, Eating the Universe presents a range of contemporary artwork that explores linkages between food and the formation of identity, societal affluence, globalization and awareness of one's own body.
Classification:
livres
livres
Publication:
juillet 2010
juillet 2010
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
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Guided by the principle that throughout the world artists are independently working through the same problems and themes, this publication seeks to convene these artists to examine the diversity of formal vocabularies brought to bear upon those problems. Personal Structures includes over 35 artist interviews on the topics of time, space and existence within their work,(...)
$72.00
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Résumé:
Guided by the principle that throughout the world artists are independently working through the same problems and themes, this publication seeks to convene these artists to examine the diversity of formal vocabularies brought to bear upon those problems. Personal Structures includes over 35 artist interviews on the topics of time, space and existence within their work,(...)
Sujet:
Théorie de l’art
Théorie de l’art
Publication:
juillet 2010
juillet 2010
Titre:
Personal structures: time-space-existence
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Guided by the principle that throughout the world artists are independently working through the same problems and themes, this publication seeks to convene these artists to examine the diversity of formal vocabularies brought to bear upon those problems. Personal Structures includes over 35 artist interviews on the topics of time, space and existence within their work, plus transcripts from four symposia in different cities: "Time" in Amsterdam, "Space" in New York, "Existence" in Tokyo and "Time-Space-Existence" at the 53rd Venice Biennale. Personal Structures presents the work of 60 artists between the ages of 20 and 90 from 17 countries on four continents. Among the artists represented are Marina Abramovic, Vito Acconci, Carl Andre, Christian Boltanski, Louise Bourgeois, Hanne Darboven, Liam Gillick, Antony Gormley, Dan Graham, Tehching Hsieh, On Kawara, Joseph Kosuth, Sol LeWitt, Giuseppe Penone, Jessica Stockholder, Richard Tuttle, Lawrence Weiner and Fred Wilson.
Personal structures: time-space-existence
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Guided by the principle that throughout the world artists are independently working through the same problems and themes, this publication seeks to convene these artists to examine the diversity of formal vocabularies brought to bear upon those problems. Personal Structures includes over 35 artist interviews on the topics of time, space and existence within their work, plus transcripts from four symposia in different cities: "Time" in Amsterdam, "Space" in New York, "Existence" in Tokyo and "Time-Space-Existence" at the 53rd Venice Biennale. Personal Structures presents the work of 60 artists between the ages of 20 and 90 from 17 countries on four continents. Among the artists represented are Marina Abramovic, Vito Acconci, Carl Andre, Christian Boltanski, Louise Bourgeois, Hanne Darboven, Liam Gillick, Antony Gormley, Dan Graham, Tehching Hsieh, On Kawara, Joseph Kosuth, Sol LeWitt, Giuseppe Penone, Jessica Stockholder, Richard Tuttle, Lawrence Weiner and Fred Wilson.
Classification:
livres
livres
Publication:
juillet 2010
juillet 2010
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
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$66.00
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First published nearly a decade ago, and here translated into English for the first time, The Encyclopedia of Fictional Artists is a project by author and editor Koen Brams, for which he commissioned and compiled an anthology of imaginary biographies based on the numerous artists invented by writers across the centuries, from the beginning of the seventeenth century to(...)
$66.00
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First published nearly a decade ago, and here translated into English for the first time, The Encyclopedia of Fictional Artists is a project by author and editor Koen Brams, for which he commissioned and compiled an anthology of imaginary biographies based on the numerous artists invented by writers across the centuries, from the beginning of the seventeenth century to(...)
Titre:
The encyclopedia of fictional artists
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$66.00
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First published nearly a decade ago, and here translated into English for the first time, The Encyclopedia of Fictional Artists is a project by author and editor Koen Brams, for which he commissioned and compiled an anthology of imaginary biographies based on the numerous artists invented by writers across the centuries, from the beginning of the seventeenth century to the present. The imaginary artist is, of course, a supremely seductive figure to readers, writers and artists alike, being a sort of screen upon which the most astounding imaginary creations may be projected, without need of them ever being visible to the eye. As such, this book constitutes a trove of inspiration for all manner of creative endeavor. The Addition is Krist Gruijthuisen's editorial answer to the Encyclopedia, in which he invites more than 20 artists to reflect on the aspirations and ideals of encyclopedias.
The encyclopedia of fictional artists
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$66.00
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Résumé:
First published nearly a decade ago, and here translated into English for the first time, The Encyclopedia of Fictional Artists is a project by author and editor Koen Brams, for which he commissioned and compiled an anthology of imaginary biographies based on the numerous artists invented by writers across the centuries, from the beginning of the seventeenth century to the present. The imaginary artist is, of course, a supremely seductive figure to readers, writers and artists alike, being a sort of screen upon which the most astounding imaginary creations may be projected, without need of them ever being visible to the eye. As such, this book constitutes a trove of inspiration for all manner of creative endeavor. The Addition is Krist Gruijthuisen's editorial answer to the Encyclopedia, in which he invites more than 20 artists to reflect on the aspirations and ideals of encyclopedias.
Classification:
livres
livres
Publication:
septembre 2010
septembre 2010
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Prix:
$29.95
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Résumé:
"I have gathered a garland of other men's flowers," the French philosopher Montaigne famously wrote, "and nothing is mine but the cord that binds them." The first decade of the twenty-first century appears to belong to the collagist, for whom the creative act is not creation sui generis, but rather the collecting, cutting and pasting of the already extant. Collage, which(...)
$29.95
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Résumé:
"I have gathered a garland of other men's flowers," the French philosopher Montaigne famously wrote, "and nothing is mine but the cord that binds them." The first decade of the twenty-first century appears to belong to the collagist, for whom the creative act is not creation sui generis, but rather the collecting, cutting and pasting of the already extant. Collage, which(...)
Titre:
Collage culture : exploring the 21st century identity crisis
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"I have gathered a garland of other men's flowers," the French philosopher Montaigne famously wrote, "and nothing is mine but the cord that binds them." The first decade of the twenty-first century appears to belong to the collagist, for whom the creative act is not creation sui generis, but rather the collecting, cutting and pasting of the already extant. Collage, which began as an art meant to confound the brain with its disparate components, has jumped the flat surface, so that almost all musicians, designers, writers and bloggers might today be described as collage artists. "Collage Culture" contains two essays, buttressed by artworks and vividly typeset by Brian Roettinger. The first essay, by Mandy Kahn, chronicles collage's forays into the realms of music, fashion, literature and architecture. The second, by Aaron Rose, examines what he sees as the neutralization of countercultural energies in today's pic 'n' mix world.
Collage culture : exploring the 21st century identity crisis
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"I have gathered a garland of other men's flowers," the French philosopher Montaigne famously wrote, "and nothing is mine but the cord that binds them." The first decade of the twenty-first century appears to belong to the collagist, for whom the creative act is not creation sui generis, but rather the collecting, cutting and pasting of the already extant. Collage, which began as an art meant to confound the brain with its disparate components, has jumped the flat surface, so that almost all musicians, designers, writers and bloggers might today be described as collage artists. "Collage Culture" contains two essays, buttressed by artworks and vividly typeset by Brian Roettinger. The first essay, by Mandy Kahn, chronicles collage's forays into the realms of music, fashion, literature and architecture. The second, by Aaron Rose, examines what he sees as the neutralization of countercultural energies in today's pic 'n' mix world.
Classification:
livres
livres
Publication:
novembre 2010
novembre 2010
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
Who is architecture? The 2009 Domus China interviews : conversations on the borders of building
Who is architecture? The 2009 Domus China interviews : conversations on the borders of building
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$34.00
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Architecture is a collaborative art, calling on the efforts of not only architects but also engineers, developers, plumbers, electricians and others. The production process must balance individual empowerment and general management to allow for meaningful dialogue between diverse professionals. This publication explores these interactions through ten interviews with(...)
$34.00
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Architecture is a collaborative art, calling on the efforts of not only architects but also engineers, developers, plumbers, electricians and others. The production process must balance individual empowerment and general management to allow for meaningful dialogue between diverse professionals. This publication explores these interactions through ten interviews with(...)
Titre:
Who is architecture? The 2009 Domus China interviews : conversations on the borders of building
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Architecture is a collaborative art, calling on the efforts of not only architects but also engineers, developers, plumbers, electricians and others. The production process must balance individual empowerment and general management to allow for meaningful dialogue between diverse professionals. This publication explores these interactions through ten interviews with professionals who contribute to architecture in various ways. Conducted by writer and editor Brendan McGetrick, and originally published as a series for the Chinese edition of Domus magazine, these conversations illustrate the many facets of architectural practice. Interview subjects include : Michael Rock (Founder of the graphic design firm 2x4), Lu Zhenggang (Founder of the digital rendering company Crystal CG), Barry Bergdoll (Curator of Architecture and Design at The Museum of Modern Art, New York), Mark Wigley (Dean of Columbia University's Graduate School of Architecture, Planning and Preservation) and Tan Xiaochun (Chief of Construction for China's National Stadium).
Who is architecture? The 2009 Domus China interviews : conversations on the borders of building
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$34.00
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Résumé:
Architecture is a collaborative art, calling on the efforts of not only architects but also engineers, developers, plumbers, electricians and others. The production process must balance individual empowerment and general management to allow for meaningful dialogue between diverse professionals. This publication explores these interactions through ten interviews with professionals who contribute to architecture in various ways. Conducted by writer and editor Brendan McGetrick, and originally published as a series for the Chinese edition of Domus magazine, these conversations illustrate the many facets of architectural practice. Interview subjects include : Michael Rock (Founder of the graphic design firm 2x4), Lu Zhenggang (Founder of the digital rendering company Crystal CG), Barry Bergdoll (Curator of Architecture and Design at The Museum of Modern Art, New York), Mark Wigley (Dean of Columbia University's Graduate School of Architecture, Planning and Preservation) and Tan Xiaochun (Chief of Construction for China's National Stadium).
Classification:
livres
livres
Publication:
octobre 2010
octobre 2010
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Prix:
$24.00
(disponible sur commande)
Résumé:
On January 31, 2008, Swiss curator, critic and historian Hans Ulrich Obrist conducted a "marathon" of conversations in Beijing, after the example of his famous Serpentine Gallery marathons. This marathon called on artists, cultural producers and media practitioners to discuss the post-Olympic state of the city. Participants included internationally renowned artists Ai(...)
$24.00
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Résumé:
On January 31, 2008, Swiss curator, critic and historian Hans Ulrich Obrist conducted a "marathon" of conversations in Beijing, after the example of his famous Serpentine Gallery marathons. This marathon called on artists, cultural producers and media practitioners to discuss the post-Olympic state of the city. Participants included internationally renowned artists Ai(...)
Titre:
Hans Ulrich Obrist : a post-Olympic Beijing mini-marathon
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On January 31, 2008, Swiss curator, critic and historian Hans Ulrich Obrist conducted a "marathon" of conversations in Beijing, after the example of his famous Serpentine Gallery marathons. This marathon called on artists, cultural producers and media practitioners to discuss the post-Olympic state of the city. Participants included internationally renowned artists Ai Weiwei and Cao Fei, writer and publisher Hung Huang, fashion designer Zhang Da and many others. Topics discussed included everyday life in contemporary Chinese society, the impact of the Olympic Games and the role of the internet in daily life.
Hans Ulrich Obrist : a post-Olympic Beijing mini-marathon
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Résumé:
On January 31, 2008, Swiss curator, critic and historian Hans Ulrich Obrist conducted a "marathon" of conversations in Beijing, after the example of his famous Serpentine Gallery marathons. This marathon called on artists, cultural producers and media practitioners to discuss the post-Olympic state of the city. Participants included internationally renowned artists Ai Weiwei and Cao Fei, writer and publisher Hung Huang, fashion designer Zhang Da and many others. Topics discussed included everyday life in contemporary Chinese society, the impact of the Olympic Games and the role of the internet in daily life.
Classification:
livres
livres
Publication:
septembre 2010
septembre 2010
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
Foundation design studio
Foundation design studio
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What is design? How is design taught? What is the starting point for a design course? Is there a clear method for teaching design? In this volume, professor Gilead Duvshani engages these questions, introducing a unique perspective on teaching the fundamentals of design. Foundation Design stresses the link between creativity and the ability to imagine and express a(...)
$50.00
(disponible sur commande)
Résumé:
What is design? How is design taught? What is the starting point for a design course? Is there a clear method for teaching design? In this volume, professor Gilead Duvshani engages these questions, introducing a unique perspective on teaching the fundamentals of design. Foundation Design stresses the link between creativity and the ability to imagine and express a(...)
Titre:
Foundation design studio
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$50.00
(disponible sur commande)
Résumé:
What is design? How is design taught? What is the starting point for a design course? Is there a clear method for teaching design? In this volume, professor Gilead Duvshani engages these questions, introducing a unique perspective on teaching the fundamentals of design. Foundation Design stresses the link between creativity and the ability to imagine and express a personal narrative.
Foundation design studio
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$50.00
(disponible sur commande)
Résumé:
What is design? How is design taught? What is the starting point for a design course? Is there a clear method for teaching design? In this volume, professor Gilead Duvshani engages these questions, introducing a unique perspective on teaching the fundamentals of design. Foundation Design stresses the link between creativity and the ability to imagine and express a personal narrative.
Classification:
livres
livres
Publication:
août 2010
août 2010
Sujet:
Théorie du design
Théorie du design
