13309 Résultats
Prix:
$46.95
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Résumé:
Working in rural China is unlike other countryside: it is full of contradiction, neither rural nor urban, both traditional and modern, abandoned in some areas and yet others are becoming cities overnight. It is in fact a laboratory for new ways of living. And it has become our laboratory for new ways of making architecture. Whereas contemporary architecture since the(...)
$46.95
(disponible sur commande)
Résumé:
Working in rural China is unlike other countryside: it is full of contradiction, neither rural nor urban, both traditional and modern, abandoned in some areas and yet others are becoming cities overnight. It is in fact a laboratory for new ways of living. And it has become our laboratory for new ways of making architecture. Whereas contemporary architecture since the(...)
Titre:
Uncertainty : Experiments in making from the Chinese countryside
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Prix:
$46.95
(disponible sur commande)
Résumé:
Working in rural China is unlike other countryside: it is full of contradiction, neither rural nor urban, both traditional and modern, abandoned in some areas and yet others are becoming cities overnight. It is in fact a laboratory for new ways of living. And it has become our laboratory for new ways of making architecture. Whereas contemporary architecture since the advent of modernism has developed increasingly controlled, prototypical, and standardized mechanisms for building, our experiments embrace the opposite: a lack of control, taking place within the flux of political, social and economic uncertainties. The experiments presented here are examples taken from a series of design and build projects conducted from the Department of Architecture at the University of Hong Kong over the past 10 years. They are remarkable in their diffuse explorations and situations. Some were urgent post-earthquake reconstructions, often adapting to extreme topographies or taking place in the midst of major urbanizing transformations, whereas other experiments occurred in forgotten villages with left-behind craftspeople and their disappearing building cultures. These forays and what can be best described as adventures in building, left us with varied and novel (sometimes failed) experiments with structure and program. But they are presented here for the trait they have in common: an exploration of the limits of material, geometry, construction methods, and even historical context. As often occurs for architects working in a foreign landscape, the differences in language and culture have proven to be a source of constant miscommunication and surprising discovery. The lack of a common spoken language- these remote areas speak their own dialects- has placed an emphasis on drawing as another means of communication. Through drawing we have explored a means of design and a means of building. Therefore, this is also a book about ways of drawing that represent ways of control and, inversely perhaps, what not to control.
Uncertainty : Experiments in making from the Chinese countryside
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Prix:
$46.95
(disponible sur commande)
Résumé:
Working in rural China is unlike other countryside: it is full of contradiction, neither rural nor urban, both traditional and modern, abandoned in some areas and yet others are becoming cities overnight. It is in fact a laboratory for new ways of living. And it has become our laboratory for new ways of making architecture. Whereas contemporary architecture since the advent of modernism has developed increasingly controlled, prototypical, and standardized mechanisms for building, our experiments embrace the opposite: a lack of control, taking place within the flux of political, social and economic uncertainties. The experiments presented here are examples taken from a series of design and build projects conducted from the Department of Architecture at the University of Hong Kong over the past 10 years. They are remarkable in their diffuse explorations and situations. Some were urgent post-earthquake reconstructions, often adapting to extreme topographies or taking place in the midst of major urbanizing transformations, whereas other experiments occurred in forgotten villages with left-behind craftspeople and their disappearing building cultures. These forays and what can be best described as adventures in building, left us with varied and novel (sometimes failed) experiments with structure and program. But they are presented here for the trait they have in common: an exploration of the limits of material, geometry, construction methods, and even historical context. As often occurs for architects working in a foreign landscape, the differences in language and culture have proven to be a source of constant miscommunication and surprising discovery. The lack of a common spoken language- these remote areas speak their own dialects- has placed an emphasis on drawing as another means of communication. Through drawing we have explored a means of design and a means of building. Therefore, this is also a book about ways of drawing that represent ways of control and, inversely perhaps, what not to control.
Sujet:
Architecture contemporaine
Architecture contemporaine
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livres
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Description:
329 pages : illustrations (some color), facsimiles, plans ; 26 cm
Description:
329 pages : illustrations (some color), facsimiles, plans ; 26 cm
Auteur:
- Finkelman, Ifat,,
- Fdeda, Deborah Pinto,,
- Sagiv, Oren,,
- Coen-Uzzielli, Tania,,
- International Architectural Exhibition (16th : 2018 : Venice, Italy),
Sujet:
- Church of the Holy Sepulchre (Jerusalem) Exhibitions.,
- Church of the Holy Sepulchre (Jerusalem),
- Church of the Holy Sepulchre (Jerusalem, Israel) Exhibitions.,
- Architecture Jerusalem History Exhibitions.,
- Architecture West Bank Exhibitions.,
- Sacred space West Bank Exhibitions.,
- Western Wall (Jerusalem) Exhibitions.,
- Rachel's Tomb (Bethlehem) Exhibitions.,
- Tomb of the Patriarchs (Hebron) Exhibitions.,
- Architecture Jérusalem Histoire Expositions.,
- Architecture Cisjordanie Expositions.,
- Lieux sacrés Cisjordanie Expositions.,
- Mur des Lamentations (Jérusalem) Expositions.,
- Architecture,
- Rachel's Tomb (Bethlehem),
- Sacred space,
- Tomb of the Patriarchs (Hebron),
- Western Wall (Jerusalem),
- Architecture Israel Jerusalem History Exhibitions.,
- Holy places West Bank Exhibitions.,
- Architecture and religion Middle East.,
- Architecture Political aspects Israel.,
- Western Wall (Jerusalem, Israel) Exhibitions.,
- Tomb of the Patriarchs (Hebron, West Bank) Exhibitions.,
- Temple Mount (Jerusalem) Exhibitions.,
- Temple, Colline du (Jérusalem) Expositions.,
- Middle East Jerusalem,
- Middle East Jerusalem Temple Mount,
- West Bank,
- Temple Mount (Jerusalem, Israel) Exhibitions.,
- Exhibition Publications.,
- Exhibition catalogs,
- History
Publication:
Berlin : Hatje Cantz, [2018], ©2018
Berlin : Hatje Cantz, [2018], ©2018
Titre:
In statu quo : structures of negotiation / edited by Ifat Finkelman, Deborah Pinto Fdeda, Oren Sagiv, Tania Coen Uzzielli.
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Description:
329 pages : illustrations (some color), facsimiles, plans ; 26 cm
In statu quo : structures of negotiation / edited by Ifat Finkelman, Deborah Pinto Fdeda, Oren Sagiv, Tania Coen Uzzielli.
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Description:
329 pages : illustrations (some color), facsimiles, plans ; 26 cm
Classification:
livres
livres
Publication:
Berlin : Hatje Cantz, [2018], ©2018
Berlin : Hatje Cantz, [2018], ©2018
Auteur:
- Finkelman, Ifat,,
- Fdeda, Deborah Pinto,,
- Sagiv, Oren,,
- Coen-Uzzielli, Tania,,
- International Architectural Exhibition (16th : 2018 : Venice, Italy),
Sujet:
- Church of the Holy Sepulchre (Jerusalem) Exhibitions.,
- Church of the Holy Sepulchre (Jerusalem),
- Church of the Holy Sepulchre (Jerusalem, Israel) Exhibitions.,
- Architecture Jerusalem History Exhibitions.,
- Architecture West Bank Exhibitions.,
- Sacred space West Bank Exhibitions.,
- Western Wall (Jerusalem) Exhibitions.,
- Rachel's Tomb (Bethlehem) Exhibitions.,
- Tomb of the Patriarchs (Hebron) Exhibitions.,
- Architecture Jérusalem Histoire Expositions.,
- Architecture Cisjordanie Expositions.,
- Lieux sacrés Cisjordanie Expositions.,
- Mur des Lamentations (Jérusalem) Expositions.,
- Architecture,
- Rachel's Tomb (Bethlehem),
- Sacred space,
- Tomb of the Patriarchs (Hebron),
- Western Wall (Jerusalem),
- Architecture Israel Jerusalem History Exhibitions.,
- Holy places West Bank Exhibitions.,
- Architecture and religion Middle East.,
- Architecture Political aspects Israel.,
- Western Wall (Jerusalem, Israel) Exhibitions.,
- Tomb of the Patriarchs (Hebron, West Bank) Exhibitions.,
- Temple Mount (Jerusalem) Exhibitions.,
- Temple, Colline du (Jérusalem) Expositions.,
- Middle East Jerusalem,
- Middle East Jerusalem Temple Mount,
- West Bank,
- Temple Mount (Jerusalem, Israel) Exhibitions.,
- Exhibition Publications.,
- Exhibition catalogs,
- History
Classification:
livres
livres
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Description:
144 pages : illustrations (some color) ; 22 x 30 cm.
Description:
144 pages : illustrations (some color) ; 22 x 30 cm.
Auteur:
Sujet:
- Iglesia, Rafael, 1952- Criticism and interpretation.,
- Villafañe, Marcelo, 1951- Criticism and interpretation.,
- Iglesia, Rafael, 1952-,
- Architecture Argentina 21st century.,
- Architecture Argentine 21e siècle.,
- Architecture.,
- Argentina.,
- Criticism, interpretation, etc.
Publication:
Austin : University of Texas at Austin, Center for American Architecture and Design ; Berlin : Ernst Wasmuth Verlag, [2010]
Austin : University of Texas at Austin, Center for American Architecture and Design ; Berlin : Ernst Wasmuth Verlag, [2010]
Titre:
O'Neil Ford duograph 3, Argentina : Altamira Building, 1998-2001, Rafael Iglesia, Florencia Raigal House, 2005-2006, Marcelo Villafañe / [editor, Wilfried Wang].
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Description:
144 pages : illustrations (some color) ; 22 x 30 cm.
O'Neil Ford duograph 3, Argentina : Altamira Building, 1998-2001, Rafael Iglesia, Florencia Raigal House, 2005-2006, Marcelo Villafañe / [editor, Wilfried Wang].
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Description:
144 pages : illustrations (some color) ; 22 x 30 cm.
Classification:
livres
livres
Publication:
Austin : University of Texas at Austin, Center for American Architecture and Design ; Berlin : Ernst Wasmuth Verlag, [2010]
Austin : University of Texas at Austin, Center for American Architecture and Design ; Berlin : Ernst Wasmuth Verlag, [2010]
Auteur:
Sujet:
- Iglesia, Rafael, 1952- Criticism and interpretation.,
- Villafañe, Marcelo, 1951- Criticism and interpretation.,
- Iglesia, Rafael, 1952-,
- Architecture Argentina 21st century.,
- Architecture Argentine 21e siècle.,
- Architecture.,
- Argentina.,
- Criticism, interpretation, etc.
Classification:
livres
livres
Exemplaires:
Description:
125 pages : illustrations (some color), portraits ; 30 cm
Description:
125 pages : illustrations (some color), portraits ; 30 cm
Auteur:
Sujet:
- Watkins, Carleton E., 1829-1916 Exhibitions.,
- Muybridge, Eadweard, 1830-1904 Exhibitions.,
- Bell, William, 1830-1910 Exhibitions.,
- Hillers, John K., 1843-1925 Exhibitions.,
- Jackson, William Henry, 1843-1942 Exhibitions.,
- Haynes, F. Jay (Frank Jay), 1853-1921 Exhibitions.,
- Coburn, Alvin Langdon, 1882-1966 Exhibitions.,
- Cunningham, Imogen, 1883-1976 Exhibitions.,
- Hagemeyer, Johan, 1884-1962 Exhibitions.,
- Adams, Ansel, 1902-1984 Exhibitions.,
- Weston, Edward, 1886-1958 Exhibitions.,
- Feininger, Andreas, 1906-1999 Exhibitions.,
- White, Minor Exhibitions.,
- Hyde, Philip, 1921-2006 Exhibitions.,
- Washburn, Bradford, 1910-2007 Exhibitions.,
- Porter, Eliot, 1901-1990 Exhibitions.,
- Winogrand, Garry, 1928-1984 Exhibitions.,
- Sternfeld, Joel Exhibitions.,
- Shore, Stephen, 1947- Exhibitions.,
- Minick, Roger Exhibitions.,
- Tseng, Kwong Chi Exhibitions.,
- Pfahl, John, 1939-2020 Exhibitions.,
- Jenshel, Len Exhibitions.,
- Parr, Martin, 1952-2025 Exhibitions.,
- Struth, Thomas, 1954- Exhibitions.,
- Belanger, Marion, 1957- Exhibitions.,
- Epstein, Mitch, 1952- Exhibitions.,
- Klett, Mark, 1952- Exhibitions.,
- Wolfe, Byron, 1967- Exhibitions.,
- Onorato, Taiyo, 1979- Exhibitions.,
- Krebs, Nico, 1979- Exhibitions.,
- Friedlander, Lee Exhibitions.,
- Webb, Rebecca Norris Exhibitions.,
- Sambunaris, Victoria Exhibitions.,
- Morell, Abelardo Exhibitions.,
- Woodlee, Michael Matthew, 1984- Exhibitions.,
- Danh, Binh, 1977- Exhibitions.,
- Sherry, David Benjamin Exhibitions.,
- Tibbs, Millee Exhibitions.,
- Onorato, Taiyo, 1979-,
- Krebs, Nico, 1979-,
- Belanger, Marion, 1957-,
- Wolfe, Byron, 1967-,
- Winogrand, Garry, 1928-1984,
- White, Minor,
- Weston, Edward, 1886-1958,
- Webb, Rebecca Norris,
- Watkins, Carleton E., 1829-1916,
- Washburn, Bradford, 1910-2007,
- Tseng, Kwong Chi,
- Struth, Thomas, 1954-,
- Sternfeld, Joel,
- Shore, Stephen, 1947-,
- Porter, Eliot, 1901-1990,
- Pfahl, John, 1939-2020,
- Parr, Martin, 1952-,
- Muybridge, Eadweard, 1830-1904,
- Morell, Abelardo,
- Minick, Roger,
- Klett, Mark, 1952-,
- Jenshel, Len,
- Jackson, William Henry, 1843-1942,
- Hyde, Philip, 1921-2006,
- Hillers, John K., 1843-1925,
- Haynes, F. Jay (Frank Jay), 1853-1921,
- Hagemeyer, Johan, 1884-1962,
- Friedlander, Lee,
- Feininger, Andreas, 1906-1999,
- Epstein, Mitch, 1952-,
- Danh, Binh, 1977-,
- Cunningham, Imogen, 1883-1976,
- Coburn, Alvin Langdon, 1882-1966,
- Bell, William, 1830-1910,
- Adams, Ansel, 1902-1984,
- Kolb Bros. Exhibitions.,
- Kolb Bros.,
- National parks and reserves United States Pictorial works Exhibitions.,
- National parks and reserves United States History Pictorial works Exhibitions.,
- Landscape photography Exhibitions.,
- Photography, Artistic Exhibitions.,
- Parcs nationaux États-Unis Ouvrages illustrés Expositions.,
- Parcs nationaux États-Unis Histoire Ouvrages illustrés Expositions.,
- Photographie de paysages Expositions.,
- Photographie artistique Expositions.,
- National parks and reserves United States Pictorial works.,
- Photography, Artistic,
- Landscape photography,
- National parks and reserves,
- United States.,
- Exhibition publications.,
- exhibition catalogs.,
- Exhibition catalogs,
- Exhibition, pictorial works,
- History,
- Catalogues d'exposition.
Publication:
New York : Aperture, [2016], ©2016
New York : Aperture, [2016], ©2016
Titre:
Picturing America's national parks / Jamie M. Allen.
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Description:
125 pages : illustrations (some color), portraits ; 30 cm
Picturing America's national parks / Jamie M. Allen.
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Description:
125 pages : illustrations (some color), portraits ; 30 cm
Classification:
livres
livres
Publication:
New York : Aperture, [2016], ©2016
New York : Aperture, [2016], ©2016
Auteur:
Sujet:
- Watkins, Carleton E., 1829-1916 Exhibitions.,
- Muybridge, Eadweard, 1830-1904 Exhibitions.,
- Bell, William, 1830-1910 Exhibitions.,
- Hillers, John K., 1843-1925 Exhibitions.,
- Jackson, William Henry, 1843-1942 Exhibitions.,
- Haynes, F. Jay (Frank Jay), 1853-1921 Exhibitions.,
- Coburn, Alvin Langdon, 1882-1966 Exhibitions.,
- Cunningham, Imogen, 1883-1976 Exhibitions.,
- Hagemeyer, Johan, 1884-1962 Exhibitions.,
- Adams, Ansel, 1902-1984 Exhibitions.,
- Weston, Edward, 1886-1958 Exhibitions.,
- Feininger, Andreas, 1906-1999 Exhibitions.,
- White, Minor Exhibitions.,
- Hyde, Philip, 1921-2006 Exhibitions.,
- Washburn, Bradford, 1910-2007 Exhibitions.,
- Porter, Eliot, 1901-1990 Exhibitions.,
- Winogrand, Garry, 1928-1984 Exhibitions.,
- Sternfeld, Joel Exhibitions.,
- Shore, Stephen, 1947- Exhibitions.,
- Minick, Roger Exhibitions.,
- Tseng, Kwong Chi Exhibitions.,
- Pfahl, John, 1939-2020 Exhibitions.,
- Jenshel, Len Exhibitions.,
- Parr, Martin, 1952-2025 Exhibitions.,
- Struth, Thomas, 1954- Exhibitions.,
- Belanger, Marion, 1957- Exhibitions.,
- Epstein, Mitch, 1952- Exhibitions.,
- Klett, Mark, 1952- Exhibitions.,
- Wolfe, Byron, 1967- Exhibitions.,
- Onorato, Taiyo, 1979- Exhibitions.,
- Krebs, Nico, 1979- Exhibitions.,
- Friedlander, Lee Exhibitions.,
- Webb, Rebecca Norris Exhibitions.,
- Sambunaris, Victoria Exhibitions.,
- Morell, Abelardo Exhibitions.,
- Woodlee, Michael Matthew, 1984- Exhibitions.,
- Danh, Binh, 1977- Exhibitions.,
- Sherry, David Benjamin Exhibitions.,
- Tibbs, Millee Exhibitions.,
- Onorato, Taiyo, 1979-,
- Krebs, Nico, 1979-,
- Belanger, Marion, 1957-,
- Wolfe, Byron, 1967-,
- Winogrand, Garry, 1928-1984,
- White, Minor,
- Weston, Edward, 1886-1958,
- Webb, Rebecca Norris,
- Watkins, Carleton E., 1829-1916,
- Washburn, Bradford, 1910-2007,
- Tseng, Kwong Chi,
- Struth, Thomas, 1954-,
- Sternfeld, Joel,
- Shore, Stephen, 1947-,
- Porter, Eliot, 1901-1990,
- Pfahl, John, 1939-2020,
- Parr, Martin, 1952-,
- Muybridge, Eadweard, 1830-1904,
- Morell, Abelardo,
- Minick, Roger,
- Klett, Mark, 1952-,
- Jenshel, Len,
- Jackson, William Henry, 1843-1942,
- Hyde, Philip, 1921-2006,
- Hillers, John K., 1843-1925,
- Haynes, F. Jay (Frank Jay), 1853-1921,
- Hagemeyer, Johan, 1884-1962,
- Friedlander, Lee,
- Feininger, Andreas, 1906-1999,
- Epstein, Mitch, 1952-,
- Danh, Binh, 1977-,
- Cunningham, Imogen, 1883-1976,
- Coburn, Alvin Langdon, 1882-1966,
- Bell, William, 1830-1910,
- Adams, Ansel, 1902-1984,
- Kolb Bros. Exhibitions.,
- Kolb Bros.,
- National parks and reserves United States Pictorial works Exhibitions.,
- National parks and reserves United States History Pictorial works Exhibitions.,
- Landscape photography Exhibitions.,
- Photography, Artistic Exhibitions.,
- Parcs nationaux États-Unis Ouvrages illustrés Expositions.,
- Parcs nationaux États-Unis Histoire Ouvrages illustrés Expositions.,
- Photographie de paysages Expositions.,
- Photographie artistique Expositions.,
- National parks and reserves United States Pictorial works.,
- Photography, Artistic,
- Landscape photography,
- National parks and reserves,
- United States.,
- Exhibition publications.,
- exhibition catalogs.,
- Exhibition catalogs,
- Exhibition, pictorial works,
- History,
- Catalogues d'exposition.
Classification:
livres
livres
Titre:
Richard Long : mirage
Richard Long : mirage
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$29.95
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Résumé:
Richard Long is one of the most compelling and original of contemporary artists. In creating art based on the activity of walking, he has pioneered new ways of thinking about the relationship between the artist and his environment. In the range of his walks and in the scope of his international exhibitions, Richard Long has become an artist of the world, transcending(...)
$29.95
(disponible sur commande)
Résumé:
Richard Long is one of the most compelling and original of contemporary artists. In creating art based on the activity of walking, he has pioneered new ways of thinking about the relationship between the artist and his environment. In the range of his walks and in the scope of his international exhibitions, Richard Long has become an artist of the world, transcending(...)
Publication:
janvier 1900, London
janvier 1900, London
Titre:
Richard Long : mirage
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$29.95
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Résumé:
Richard Long is one of the most compelling and original of contemporary artists. In creating art based on the activity of walking, he has pioneered new ways of thinking about the relationship between the artist and his environment. In the range of his walks and in the scope of his international exhibitions, Richard Long has become an artist of the world, transcending the milieu of the 1960s avant-garde in which he first rose to prominence. Though his individual works are simple, cumulatively they form a body of work that is rich and complex, with a universal character. As Long himself says, ‘…the different forms of my work represent freedom and richness – it’s not possible to say “everything” in one way.’ In this book, Long presents chosen works from some thirty years of his response to landscapes both near and far, and a selection of some of his recent exhibitions.
Richard Long : mirage
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$29.95
(disponible sur commande)
Résumé:
Richard Long is one of the most compelling and original of contemporary artists. In creating art based on the activity of walking, he has pioneered new ways of thinking about the relationship between the artist and his environment. In the range of his walks and in the scope of his international exhibitions, Richard Long has become an artist of the world, transcending the milieu of the 1960s avant-garde in which he first rose to prominence. Though his individual works are simple, cumulatively they form a body of work that is rich and complex, with a universal character. As Long himself says, ‘…the different forms of my work represent freedom and richness – it’s not possible to say “everything” in one way.’ In this book, Long presents chosen works from some thirty years of his response to landscapes both near and far, and a selection of some of his recent exhibitions.
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livres
livres
Publication:
janvier 1900, London
janvier 1900, London
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$62.50
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Résumé:
The artists Cy Twombly and Sally Mann may at first seem an unlikely pairing. He was a leading contemporary artist who defied easy categorization, a painter and sculptor whose enigmatic work often referenced mythology and epic poetry. She is a photographer with an uncanny ability to tap raw human emotion, whether depicting members of her family or the landscape of the(...)
$62.50
(disponible sur commande)
Résumé:
The artists Cy Twombly and Sally Mann may at first seem an unlikely pairing. He was a leading contemporary artist who defied easy categorization, a painter and sculptor whose enigmatic work often referenced mythology and epic poetry. She is a photographer with an uncanny ability to tap raw human emotion, whether depicting members of her family or the landscape of the(...)
Titre:
Remembered light: Cy Twombly in Lexington
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$62.50
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Résumé:
The artists Cy Twombly and Sally Mann may at first seem an unlikely pairing. He was a leading contemporary artist who defied easy categorization, a painter and sculptor whose enigmatic work often referenced mythology and epic poetry. She is a photographer with an uncanny ability to tap raw human emotion, whether depicting members of her family or the landscape of the American South. What they had in common was place—both grew up in rural Lexington, Virginia, where Twombly kept a studio and produced some of his most important work until his death in 2011, and where Mann has lived and worked all her life.Over the course of several years, Mann photographed inside Twombly’s studio. The result is a rare insider’s view of Twombly’s process—we sense him in the room at every turn, although he is always just beyond the frame—and a poetic dialogue between two artistic visions.
Remembered light: Cy Twombly in Lexington
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$62.50
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Résumé:
The artists Cy Twombly and Sally Mann may at first seem an unlikely pairing. He was a leading contemporary artist who defied easy categorization, a painter and sculptor whose enigmatic work often referenced mythology and epic poetry. She is a photographer with an uncanny ability to tap raw human emotion, whether depicting members of her family or the landscape of the American South. What they had in common was place—both grew up in rural Lexington, Virginia, where Twombly kept a studio and produced some of his most important work until his death in 2011, and where Mann has lived and worked all her life.Over the course of several years, Mann photographed inside Twombly’s studio. The result is a rare insider’s view of Twombly’s process—we sense him in the room at every turn, although he is always just beyond the frame—and a poetic dialogue between two artistic visions.
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livres
livres
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$43.00
(disponible sur commande)
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Documenting the production of the New York Graphic Workshop (NYGW), a group founded in 1965 by three young Latin American artists in New York - Luis Camnitzer, José Guillermo Castillo and Liliana Porter - this is the first comprehensive overview of this crucial, yet not so well-known, episode in the history of U.S. and Latin American Conceptual art. The mission of the(...)
$43.00
(disponible sur commande)
Résumé:
Documenting the production of the New York Graphic Workshop (NYGW), a group founded in 1965 by three young Latin American artists in New York - Luis Camnitzer, José Guillermo Castillo and Liliana Porter - this is the first comprehensive overview of this crucial, yet not so well-known, episode in the history of U.S. and Latin American Conceptual art. The mission of the(...)
Titre:
The New York Graphic Workshop, 1964-1970
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$43.00
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Résumé:
Documenting the production of the New York Graphic Workshop (NYGW), a group founded in 1965 by three young Latin American artists in New York - Luis Camnitzer, José Guillermo Castillo and Liliana Porter - this is the first comprehensive overview of this crucial, yet not so well-known, episode in the history of U.S. and Latin American Conceptual art. The mission of the NYGW was to redefine the practice of printmaking in Conceptual terms, focusing on the mechanical and repetitive nature of the medium rather than its traditional techniques. The NYGW functioned as a collective. It held unconventional exhibitions, including several by mail and one in a safe-deposit box on 57th Street, and it participated in The Museum of Modern Art's 1970 exhibition Information. The NYGW also produced prints by some of the leading contemporary artists of the period, including Michael Snow, Max Neuhaus, José Luis Cuevas and Salvador Dali.
The New York Graphic Workshop, 1964-1970
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$43.00
(disponible sur commande)
Résumé:
Documenting the production of the New York Graphic Workshop (NYGW), a group founded in 1965 by three young Latin American artists in New York - Luis Camnitzer, José Guillermo Castillo and Liliana Porter - this is the first comprehensive overview of this crucial, yet not so well-known, episode in the history of U.S. and Latin American Conceptual art. The mission of the NYGW was to redefine the practice of printmaking in Conceptual terms, focusing on the mechanical and repetitive nature of the medium rather than its traditional techniques. The NYGW functioned as a collective. It held unconventional exhibitions, including several by mail and one in a safe-deposit box on 57th Street, and it participated in The Museum of Modern Art's 1970 exhibition Information. The NYGW also produced prints by some of the leading contemporary artists of the period, including Michael Snow, Max Neuhaus, José Luis Cuevas and Salvador Dali.
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livres
livres
Publication:
juillet 2009
juillet 2009
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$79.00
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This book presents world-renowned Japanese artist Yayoi Kusama’s most famous series, the ''Infinity Mirror Rooms'', and charts its influence on the course of contemporary art for over 50 years. Kusama’s rooms are filled with multicolored lights that reflect endlessly. Ranging from peep-show-like chambers to multimedia installations, each of Kusama’s kaleidoscopic(...)
$79.00
(disponible sur commande)
Résumé:
This book presents world-renowned Japanese artist Yayoi Kusama’s most famous series, the ''Infinity Mirror Rooms'', and charts its influence on the course of contemporary art for over 50 years. Kusama’s rooms are filled with multicolored lights that reflect endlessly. Ranging from peep-show-like chambers to multimedia installations, each of Kusama’s kaleidoscopic(...)
Titre:
Yayoi Kusama: infinity mirrors
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$79.00
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Résumé:
This book presents world-renowned Japanese artist Yayoi Kusama’s most famous series, the ''Infinity Mirror Rooms'', and charts its influence on the course of contemporary art for over 50 years. Kusama’s rooms are filled with multicolored lights that reflect endlessly. Ranging from peep-show-like chambers to multimedia installations, each of Kusama’s kaleidoscopic environments offers the chance to step into an illusion of infinite space. This definitive publication traces these installations and reveals how, over the years, the works have come to symbolize different modalities, from Kusama’s “self-obliteration” in the Vietnam War era to her more harmonious aspirations in the present. By examining her early unsettling installations alongside her more recent atmospheres, this publication historicizes her pioneering work amid today’s renewed interest in experiential practices. Generously illustrated, this book invites readers to examine the series’ impact over the course of the artist’s career.
Yayoi Kusama: infinity mirrors
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This book presents world-renowned Japanese artist Yayoi Kusama’s most famous series, the ''Infinity Mirror Rooms'', and charts its influence on the course of contemporary art for over 50 years. Kusama’s rooms are filled with multicolored lights that reflect endlessly. Ranging from peep-show-like chambers to multimedia installations, each of Kusama’s kaleidoscopic environments offers the chance to step into an illusion of infinite space. This definitive publication traces these installations and reveals how, over the years, the works have come to symbolize different modalities, from Kusama’s “self-obliteration” in the Vietnam War era to her more harmonious aspirations in the present. By examining her early unsettling installations alongside her more recent atmospheres, this publication historicizes her pioneering work amid today’s renewed interest in experiential practices. Generously illustrated, this book invites readers to examine the series’ impact over the course of the artist’s career.
Titre:
Seeing into stone
Seeing into stone
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This publication describes a technique applied by experienced stone carvers, when they work on sculptural objects: before they start cutting into a stone they contemplate its surface to anticipate the structure and natural growth beneath it. This ritual of looking into opaque matter describes a spiritual practice. At the same time it functions as a metaphor for a special(...)
$40.00
(disponible en magasin)
Résumé:
This publication describes a technique applied by experienced stone carvers, when they work on sculptural objects: before they start cutting into a stone they contemplate its surface to anticipate the structure and natural growth beneath it. This ritual of looking into opaque matter describes a spiritual practice. At the same time it functions as a metaphor for a special(...)
Titre:
Seeing into stone
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$40.00
(disponible en magasin)
Résumé:
This publication describes a technique applied by experienced stone carvers, when they work on sculptural objects: before they start cutting into a stone they contemplate its surface to anticipate the structure and natural growth beneath it. This ritual of looking into opaque matter describes a spiritual practice. At the same time it functions as a metaphor for a special kind of tunnel vision, focused on what lies invisible under a surface. This book is a time travel through past and present, above and below ground. Landscapes, impacted and even created by resource extraction are put into context with contemporary industrial mining equipment and historical cast iron utilitarian goods. Through the combination of images from very different archives, connections are made that speak about the complex relationships of humans and minerals. Images and texts contribute to a debate on mineral and human coevolution, that redefines the separation between life and non-life.
Seeing into stone
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Prix:
$40.00
(disponible en magasin)
Résumé:
This publication describes a technique applied by experienced stone carvers, when they work on sculptural objects: before they start cutting into a stone they contemplate its surface to anticipate the structure and natural growth beneath it. This ritual of looking into opaque matter describes a spiritual practice. At the same time it functions as a metaphor for a special kind of tunnel vision, focused on what lies invisible under a surface. This book is a time travel through past and present, above and below ground. Landscapes, impacted and even created by resource extraction are put into context with contemporary industrial mining equipment and historical cast iron utilitarian goods. Through the combination of images from very different archives, connections are made that speak about the complex relationships of humans and minerals. Images and texts contribute to a debate on mineral and human coevolution, that redefines the separation between life and non-life.
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Gerhard Richter and Hans Ulrich Obrist first met in 1985. Their professional collaborations began seven years later, when the 24-year-old Obrist curated his first Richter exhibition; the following year he published a collection of his writings. Now Gerhard Richter has dedicated an artist's book to this longstanding relationship. The texts in Obrist-O'Brist have been(...)
$78.00
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Résumé:
Gerhard Richter and Hans Ulrich Obrist first met in 1985. Their professional collaborations began seven years later, when the 24-year-old Obrist curated his first Richter exhibition; the following year he published a collection of his writings. Now Gerhard Richter has dedicated an artist's book to this longstanding relationship. The texts in Obrist-O'Brist have been(...)
Publication:
mars 2010
mars 2010
Titre:
Gerhard Richter: Obrist-O'Brist
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Gerhard Richter and Hans Ulrich Obrist first met in 1985. Their professional collaborations began seven years later, when the 24-year-old Obrist curated his first Richter exhibition; the following year he published a collection of his writings. Now Gerhard Richter has dedicated an artist's book to this longstanding relationship. The texts in Obrist-O'Brist have been produced by rearranging Obrist's interviews using a random generator, setting the results in blocks without discrete passages or paragraphs. The color plates are made up of photographs—both portraits and mementos—of Hans Ulrich Obrist, from the past 15 years, and photos of Richter's own paintings, which Richter has then painted over using brushes and scrapers. Chiming with many currents in contemporary writing and bookmaking, Obrist-O'Brist is an adventure from cover to cover; it even has two different sleeves, and can be approached from either end (as frequent upside-down pages indicate).
Gerhard Richter: Obrist-O'Brist
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$78.00
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Résumé:
Gerhard Richter and Hans Ulrich Obrist first met in 1985. Their professional collaborations began seven years later, when the 24-year-old Obrist curated his first Richter exhibition; the following year he published a collection of his writings. Now Gerhard Richter has dedicated an artist's book to this longstanding relationship. The texts in Obrist-O'Brist have been produced by rearranging Obrist's interviews using a random generator, setting the results in blocks without discrete passages or paragraphs. The color plates are made up of photographs—both portraits and mementos—of Hans Ulrich Obrist, from the past 15 years, and photos of Richter's own paintings, which Richter has then painted over using brushes and scrapers. Chiming with many currents in contemporary writing and bookmaking, Obrist-O'Brist is an adventure from cover to cover; it even has two different sleeves, and can be approached from either end (as frequent upside-down pages indicate).