Eating the universe
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In 1968, artist Daniel Spoerri founded Restaurant Spoerri in Düsseldorf; two years later he opened the Eat Art Gallery, where artists such as Joseph Beuys, Roy Lichtenstein and Dieter Roth exhibited objects made of foodstuffs. Taking the activities of Eat Art as its starting point, Eating the Universe gathers together artworks that have been made using edible materials,(...)
Eating the universe
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In 1968, artist Daniel Spoerri founded Restaurant Spoerri in Düsseldorf; two years later he opened the Eat Art Gallery, where artists such as Joseph Beuys, Roy Lichtenstein and Dieter Roth exhibited objects made of foodstuffs. Taking the activities of Eat Art as its starting point, Eating the Universe gathers together artworks that have been made using edible materials, starting in the 1970s and continuing through to the present day. Over the past decade in particular, artists have evinced a growing interest in food and eating, concomitant with an increasing overall consciousness about the political, ecological, cultural and economic dimensions of what we put in our mouths. With 170 color images, Eating the Universe presents a range of contemporary artwork that explores linkages between food and the formation of identity, societal affluence, globalization and awareness of one's own body.
Théorie de l’art
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Guided by the principle that throughout the world artists are independently working through the same problems and themes, this publication seeks to convene these artists to examine the diversity of formal vocabularies brought to bear upon those problems. Personal Structures includes over 35 artist interviews on the topics of time, space and existence within their work,(...)
Théorie de l’art
juillet 2010
Personal structures: time-space-existence
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Guided by the principle that throughout the world artists are independently working through the same problems and themes, this publication seeks to convene these artists to examine the diversity of formal vocabularies brought to bear upon those problems. Personal Structures includes over 35 artist interviews on the topics of time, space and existence within their work, plus transcripts from four symposia in different cities: "Time" in Amsterdam, "Space" in New York, "Existence" in Tokyo and "Time-Space-Existence" at the 53rd Venice Biennale. Personal Structures presents the work of 60 artists between the ages of 20 and 90 from 17 countries on four continents. Among the artists represented are Marina Abramovic, Vito Acconci, Carl Andre, Christian Boltanski, Louise Bourgeois, Hanne Darboven, Liam Gillick, Antony Gormley, Dan Graham, Tehching Hsieh, On Kawara, Joseph Kosuth, Sol LeWitt, Giuseppe Penone, Jessica Stockholder, Richard Tuttle, Lawrence Weiner and Fred Wilson.
Théorie de l’art
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First published nearly a decade ago, and here translated into English for the first time, The Encyclopedia of Fictional Artists is a project by author and editor Koen Brams, for which he commissioned and compiled an anthology of imaginary biographies based on the numerous artists invented by writers across the centuries, from the beginning of the seventeenth century to(...)
The encyclopedia of fictional artists
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First published nearly a decade ago, and here translated into English for the first time, The Encyclopedia of Fictional Artists is a project by author and editor Koen Brams, for which he commissioned and compiled an anthology of imaginary biographies based on the numerous artists invented by writers across the centuries, from the beginning of the seventeenth century to the present. The imaginary artist is, of course, a supremely seductive figure to readers, writers and artists alike, being a sort of screen upon which the most astounding imaginary creations may be projected, without need of them ever being visible to the eye. As such, this book constitutes a trove of inspiration for all manner of creative endeavor. The Addition is Krist Gruijthuisen's editorial answer to the Encyclopedia, in which he invites more than 20 artists to reflect on the aspirations and ideals of encyclopedias.
Théorie de l’art
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"I have gathered a garland of other men's flowers," the French philosopher Montaigne famously wrote, "and nothing is mine but the cord that binds them." The first decade of the twenty-first century appears to belong to the collagist, for whom the creative act is not creation sui generis, but rather the collecting, cutting and pasting of the already extant. Collage, which(...)
Collage culture : exploring the 21st century identity crisis
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"I have gathered a garland of other men's flowers," the French philosopher Montaigne famously wrote, "and nothing is mine but the cord that binds them." The first decade of the twenty-first century appears to belong to the collagist, for whom the creative act is not creation sui generis, but rather the collecting, cutting and pasting of the already extant. Collage, which began as an art meant to confound the brain with its disparate components, has jumped the flat surface, so that almost all musicians, designers, writers and bloggers might today be described as collage artists. "Collage Culture" contains two essays, buttressed by artworks and vividly typeset by Brian Roettinger. The first essay, by Mandy Kahn, chronicles collage's forays into the realms of music, fashion, literature and architecture. The second, by Aaron Rose, examines what he sees as the neutralization of countercultural energies in today's pic 'n' mix world.
Théorie de l’art
Who is architecture? The 2009 Domus China interviews : conversations on the borders of building
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Architecture is a collaborative art, calling on the efforts of not only architects but also engineers, developers, plumbers, electricians and others. The production process must balance individual empowerment and general management to allow for meaningful dialogue between diverse professionals. This publication explores these interactions through ten interviews with(...)
Who is architecture? The 2009 Domus China interviews : conversations on the borders of building
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Architecture is a collaborative art, calling on the efforts of not only architects but also engineers, developers, plumbers, electricians and others. The production process must balance individual empowerment and general management to allow for meaningful dialogue between diverse professionals. This publication explores these interactions through ten interviews with professionals who contribute to architecture in various ways. Conducted by writer and editor Brendan McGetrick, and originally published as a series for the Chinese edition of Domus magazine, these conversations illustrate the many facets of architectural practice. Interview subjects include : Michael Rock (Founder of the graphic design firm 2x4), Lu Zhenggang (Founder of the digital rendering company Crystal CG), Barry Bergdoll (Curator of Architecture and Design at The Museum of Modern Art, New York), Mark Wigley (Dean of Columbia University's Graduate School of Architecture, Planning and Preservation) and Tan Xiaochun (Chief of Construction for China's National Stadium).
Théorie de l’architecture
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On January 31, 2008, Swiss curator, critic and historian Hans Ulrich Obrist conducted a "marathon" of conversations in Beijing, after the example of his famous Serpentine Gallery marathons. This marathon called on artists, cultural producers and media practitioners to discuss the post-Olympic state of the city. Participants included internationally renowned artists Ai(...)
Hans Ulrich Obrist : a post-Olympic Beijing mini-marathon
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On January 31, 2008, Swiss curator, critic and historian Hans Ulrich Obrist conducted a "marathon" of conversations in Beijing, after the example of his famous Serpentine Gallery marathons. This marathon called on artists, cultural producers and media practitioners to discuss the post-Olympic state of the city. Participants included internationally renowned artists Ai Weiwei and Cao Fei, writer and publisher Hung Huang, fashion designer Zhang Da and many others. Topics discussed included everyday life in contemporary Chinese society, the impact of the Olympic Games and the role of the internet in daily life.
Théorie de l’art
Foundation design studio
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What is design? How is design taught? What is the starting point for a design course? Is there a clear method for teaching design? In this volume, professor Gilead Duvshani engages these questions, introducing a unique perspective on teaching the fundamentals of design. Foundation Design stresses the link between creativity and the ability to imagine and express a(...)
Foundation design studio
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What is design? How is design taught? What is the starting point for a design course? Is there a clear method for teaching design? In this volume, professor Gilead Duvshani engages these questions, introducing a unique perspective on teaching the fundamentals of design. Foundation Design stresses the link between creativity and the ability to imagine and express a personal narrative.
Théorie du design
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Addressing the scientific methodology of experimental architecture, the essays on art and architectural theory collected in this volume explore what a scientifically led experimental architecture might look like. Examples from current architectural practices, art production and case studies supplement the essays.
Théorie de l’architecture
novembre 2010
Experiments: Architecture between sciences and the arts
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Addressing the scientific methodology of experimental architecture, the essays on art and architectural theory collected in this volume explore what a scientifically led experimental architecture might look like. Examples from current architectural practices, art production and case studies supplement the essays.
Théorie de l’architecture
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Spacematrix explores urban density as a potentially positive and certainly decisive tool for urban planning and design. It examines the logic between urban density, urban form or layout and the performance of the urban
Spacematrix: Space, density and urban form
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Spacematrix explores urban density as a potentially positive and certainly decisive tool for urban planning and design. It examines the logic between urban density, urban form or layout and the performance of the urban
Théorie de l’urbanisme
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What other post-industrial landscape affords the possibility of being so completely overhauled, from its very soil mix to the edifices erected upon it? In 2009, the IBA conference "Opportunity: Post-Mining Landscapes" addressed these and related themes. Examining former mining sites in Europe, the U.S., Chile, South Africa and China, the proceedings of this conference(...)
Post-mining landscape: Conference documentation
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What other post-industrial landscape affords the possibility of being so completely overhauled, from its very soil mix to the edifices erected upon it? In 2009, the IBA conference "Opportunity: Post-Mining Landscapes" addressed these and related themes. Examining former mining sites in Europe, the U.S., Chile, South Africa and China, the proceedings of this conference demonstrate the fertile opportunities of these landscapes.
Théorie du paysage