93 Résultats
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livres
livres
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272 pages : illustrations (some color) ; 25 cm
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272 pages : illustrations (some color) ; 25 cm
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Cambridge, Masachusetts ; London, England : The MIT Press, [2026], ©2026
Cambridge, Masachusetts ; London, England : The MIT Press, [2026], ©2026
Titre:
Anarchitecture after everything : a trans manifesto / Jack Halberstam.
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Description:
272 pages : illustrations (some color) ; 25 cm
Anarchitecture after everything : a trans manifesto / Jack Halberstam.
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Description:
272 pages : illustrations (some color) ; 25 cm
Classification:
livres
livres
Publication:
Cambridge, Masachusetts ; London, England : The MIT Press, [2026], ©2026
Cambridge, Masachusetts ; London, England : The MIT Press, [2026], ©2026
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vidéo
vidéo
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1 streaming video file (33 min., 8 sec.) : sound, colour
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1 streaming video file (33 min., 8 sec.) : sound, colour
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Publication:
[Montréal] : Canadian Centre for Architecture, [2019]
[Montréal] : Canadian Centre for Architecture, [2019]
Titre:
Rough cuts and outtakes : Gordon Matta-Clark selected by Hila Peleg.
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1 streaming video file (33 min., 8 sec.) : sound, colour
Rough cuts and outtakes : Gordon Matta-Clark selected by Hila Peleg.
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Description:
1 streaming video file (33 min., 8 sec.) : sound, colour
Classification:
vidéo
vidéo
Publication:
[Montréal] : Canadian Centre for Architecture, [2019]
[Montréal] : Canadian Centre for Architecture, [2019]
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livres
livres
Prix:
$55.95
(disponible sur commande)
Résumé:
American artist Gordon Matta-Clark is perhaps best known for the site-specific artworks he made in the 1970s. His body of work includes performance and recycling pieces, space and texture works, and his “building cuts”. Matta-Clark used a number of media to document his work, such as film, video, and photography, much of which appears in this catalogue, itself published(...)
$55.95
(disponible sur commande)
Résumé:
American artist Gordon Matta-Clark is perhaps best known for the site-specific artworks he made in the 1970s. His body of work includes performance and recycling pieces, space and texture works, and his “building cuts”. Matta-Clark used a number of media to document his work, such as film, video, and photography, much of which appears in this catalogue, itself published(...)
Titre:
Gordon Matta-Clark: splitting, cutting, writing, drawing, eating
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$55.95
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American artist Gordon Matta-Clark is perhaps best known for the site-specific artworks he made in the 1970s. His body of work includes performance and recycling pieces, space and texture works, and his “building cuts”. Matta-Clark used a number of media to document his work, such as film, video, and photography, much of which appears in this catalogue, itself published on the occasion of an eponymous exhibition at the Serralves Museum of Contemporary Art, Porto, and Culturgest, Lisbon. The attractively designed book includes numerous of the artist’s own sketches and plans for various works, plus letters and other material that together form an in-depth portrait.
Gordon Matta-Clark: splitting, cutting, writing, drawing, eating
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$55.95
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American artist Gordon Matta-Clark is perhaps best known for the site-specific artworks he made in the 1970s. His body of work includes performance and recycling pieces, space and texture works, and his “building cuts”. Matta-Clark used a number of media to document his work, such as film, video, and photography, much of which appears in this catalogue, itself published on the occasion of an eponymous exhibition at the Serralves Museum of Contemporary Art, Porto, and Culturgest, Lisbon. The attractively designed book includes numerous of the artist’s own sketches and plans for various works, plus letters and other material that together form an in-depth portrait.
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livres
livres
Publication:
juin 2018
juin 2018
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livres
livres
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376 pages : illustrations (some color), maps, plans ; 21 cm
Description:
376 pages : illustrations (some color), maps, plans ; 21 cm
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Rotterdam : Nai010 Publishers, [2018], ©2018
Rotterdam : Nai010 Publishers, [2018], ©2018
Titre:
Porocity : opening up solidity / by the Why Factory ; Winy Maas and Adrien Ravon with Tihamér Salij, Alexander Sverdlov, Ania Molenda and Arend van Waart ; edited by Javier Arpa ; guest contributions, Arup, Richard Sennett and Paola Viganò.
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376 pages : illustrations (some color), maps, plans ; 21 cm
Porocity : opening up solidity / by the Why Factory ; Winy Maas and Adrien Ravon with Tihamér Salij, Alexander Sverdlov, Ania Molenda and Arend van Waart ; edited by Javier Arpa ; guest contributions, Arup, Richard Sennett and Paola Viganò.
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Description:
376 pages : illustrations (some color), maps, plans ; 21 cm
Classification:
livres
livres
Publication:
Rotterdam : Nai010 Publishers, [2018], ©2018
Rotterdam : Nai010 Publishers, [2018], ©2018
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livres
livres
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$47.95
(disponible en magasin)
Résumé:
Published on the occasion of the exhibition at Betts project, 23 June - 28 July 2017. Inspired by Gordon Matta-Clark's 'Splitting' artist book, 1974
$47.95
(disponible en magasin)
Résumé:
Published on the occasion of the exhibition at Betts project, 23 June - 28 July 2017. Inspired by Gordon Matta-Clark's 'Splitting' artist book, 1974
Titre:
Richard Goodwin: fables for the drone age
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$47.95
(disponible en magasin)
Résumé:
Published on the occasion of the exhibition at Betts project, 23 June - 28 July 2017. Inspired by Gordon Matta-Clark's 'Splitting' artist book, 1974
Richard Goodwin: fables for the drone age
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$47.95
(disponible en magasin)
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Published on the occasion of the exhibition at Betts project, 23 June - 28 July 2017. Inspired by Gordon Matta-Clark's 'Splitting' artist book, 1974
Classification:
livres
livres
Publication:
octobre 2017
octobre 2017
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$45.95
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Résumé:
Anarchitecture, a radical aesthetic practice of unmaking the built environment, staged a vigorous confrontation with urban renewal and gentrification projects in the 1970s. In Anarchitecture After Everything, Jack Halberstam identifies a powerful lexicon of transformation within anarchitecture, joining the movement’s practices of cutting and splitting with the(...)
$45.95
(disponible sur commande)
Résumé:
Anarchitecture, a radical aesthetic practice of unmaking the built environment, staged a vigorous confrontation with urban renewal and gentrification projects in the 1970s. In Anarchitecture After Everything, Jack Halberstam identifies a powerful lexicon of transformation within anarchitecture, joining the movement’s practices of cutting and splitting with the(...)
Titre:
Anarchitecture after everything: A trans manifesto
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Prix:
$45.95
(disponible sur commande)
Résumé:
Anarchitecture, a radical aesthetic practice of unmaking the built environment, staged a vigorous confrontation with urban renewal and gentrification projects in the 1970s. In Anarchitecture After Everything, Jack Halberstam identifies a powerful lexicon of transformation within anarchitecture, joining the movement’s practices of cutting and splitting with the destabilizing power of transness to detonate acts of formal violence in our time. "Anarchitecture" describes the aesthetic practice of splitting and cutting, dismantling and undoing, unmaking, unbuilding, and ultimately unworlding. The trans body splits bodily coherence, dismantles the gender binary, and unbuilds bodily meaning. In these chapters, Gordon Matta-Clark’s cuts, along with Alvin Baltrop’s 1970s images of collapsing warehouses and Beverly Buchanan’s post-demolition fragmentary sculptures, return with a vengeance through the contemporary aesthetic gestures of Yve Laris Cohen, Jesse Darling, Nicole Eisenman, Kiyan Williams, Cassils, boychild, and Every Ocean Hughes. Anarchitecture unmakes space and offers a new rhetoric for emptiness. In its conclusion, the book explores this rhetoric through Renee Gladman’s anarchitectural experiments with language.
Anarchitecture after everything: A trans manifesto
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Prix:
$45.95
(disponible sur commande)
Résumé:
Anarchitecture, a radical aesthetic practice of unmaking the built environment, staged a vigorous confrontation with urban renewal and gentrification projects in the 1970s. In Anarchitecture After Everything, Jack Halberstam identifies a powerful lexicon of transformation within anarchitecture, joining the movement’s practices of cutting and splitting with the destabilizing power of transness to detonate acts of formal violence in our time. "Anarchitecture" describes the aesthetic practice of splitting and cutting, dismantling and undoing, unmaking, unbuilding, and ultimately unworlding. The trans body splits bodily coherence, dismantles the gender binary, and unbuilds bodily meaning. In these chapters, Gordon Matta-Clark’s cuts, along with Alvin Baltrop’s 1970s images of collapsing warehouses and Beverly Buchanan’s post-demolition fragmentary sculptures, return with a vengeance through the contemporary aesthetic gestures of Yve Laris Cohen, Jesse Darling, Nicole Eisenman, Kiyan Williams, Cassils, boychild, and Every Ocean Hughes. Anarchitecture unmakes space and offers a new rhetoric for emptiness. In its conclusion, the book explores this rhetoric through Renee Gladman’s anarchitectural experiments with language.
Classification:
livres
livres
Publication:
août 2026
août 2026
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
périodiques
périodiques
Titre:
F.R. David : Spring 2014
F.R. David : Spring 2014
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$19.95
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The eleventh issue of F.R.DAVID, "All distinctions are mind, by mind, of mind" is comparative, through dividing and splitting, in order to read the design of rhetoric in how we tell stories about our fictional and professional selves. With: Abra Ancliffe, Robert Ashley, Ricardo Basbaum, Michael Gazzaniga, Ken Jacobs, Shane Krepakevich, John Latham, Ezra Pound, Kendra(...)
$19.95
(disponible sur commande)
Résumé:
The eleventh issue of F.R.DAVID, "All distinctions are mind, by mind, of mind" is comparative, through dividing and splitting, in order to read the design of rhetoric in how we tell stories about our fictional and professional selves. With: Abra Ancliffe, Robert Ashley, Ricardo Basbaum, Michael Gazzaniga, Ken Jacobs, Shane Krepakevich, John Latham, Ezra Pound, Kendra(...)
Titre:
F.R. David : Spring 2014
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$19.95
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Résumé:
The eleventh issue of F.R.DAVID, "All distinctions are mind, by mind, of mind" is comparative, through dividing and splitting, in order to read the design of rhetoric in how we tell stories about our fictional and professional selves. With: Abra Ancliffe, Robert Ashley, Ricardo Basbaum, Michael Gazzaniga, Ken Jacobs, Shane Krepakevich, John Latham, Ezra Pound, Kendra Sullivan, Sergei Tret'iakov, Marina Vishmidt, Rebecca Wilcox & Sarah Rose and many more.
F.R. David : Spring 2014
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$19.95
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Résumé:
The eleventh issue of F.R.DAVID, "All distinctions are mind, by mind, of mind" is comparative, through dividing and splitting, in order to read the design of rhetoric in how we tell stories about our fictional and professional selves. With: Abra Ancliffe, Robert Ashley, Ricardo Basbaum, Michael Gazzaniga, Ken Jacobs, Shane Krepakevich, John Latham, Ezra Pound, Kendra Sullivan, Sergei Tret'iakov, Marina Vishmidt, Rebecca Wilcox & Sarah Rose and many more.
Classification:
périodiques
périodiques
Publication:
novembre 2013
novembre 2013
Sujet:
Revues
Revues
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livres
livres
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$39.95
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"An industry manager who left his white-blue, silver-shimmering world of car bodywork and dove into the pitch-black, mysterious world of architecture for the first time during a competition asked me one day: "Ms Rau, why do architects actually wear black?" Although I was wearing black and I am an architect I didn’t have a spontaneous answer, so I responded: "Ask the other(...)
$39.95
(disponible sur commande)
Résumé:
"An industry manager who left his white-blue, silver-shimmering world of car bodywork and dove into the pitch-black, mysterious world of architecture for the first time during a competition asked me one day: "Ms Rau, why do architects actually wear black?" Although I was wearing black and I am an architect I didn’t have a spontaneous answer, so I responded: "Ask the other(...)
Titre:
Why do architects wear black?
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$39.95
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"An industry manager who left his white-blue, silver-shimmering world of car bodywork and dove into the pitch-black, mysterious world of architecture for the first time during a competition asked me one day: "Ms Rau, why do architects actually wear black?" Although I was wearing black and I am an architect I didn’t have a spontaneous answer, so I responded: "Ask the other architects!" That was in 2001, and it is why this small book came to be. I have asked the question at an international level and whenever it seems appropriate ever since. The sometimes amusing and other times programmatic or hair-splitting answers I have received over the last seven years are listed chronologically in this little black volume. Read, and please, don’t ask me why architects wear black!"
Why do architects wear black?
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$39.95
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"An industry manager who left his white-blue, silver-shimmering world of car bodywork and dove into the pitch-black, mysterious world of architecture for the first time during a competition asked me one day: "Ms Rau, why do architects actually wear black?" Although I was wearing black and I am an architect I didn’t have a spontaneous answer, so I responded: "Ask the other architects!" That was in 2001, and it is why this small book came to be. I have asked the question at an international level and whenever it seems appropriate ever since. The sometimes amusing and other times programmatic or hair-splitting answers I have received over the last seven years are listed chronologically in this little black volume. Read, and please, don’t ask me why architects wear black!"
Classification:
livres
livres
Publication:
octobre 2008, New York
octobre 2008, New York
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Prix:
$52.50
(disponible sur commande)
Résumé:
This book pursues the legendary but elusive 1974 exhibition, Anarchitecture. Conceived of as an anonymous, photographic statement about the intersection of art and building by the research collective Anarchitecture Group, the exhibition is a constant reference point in discussion, regardless of the almost complete lack of evidence about it. Contrasting the(...)
$52.50
(disponible sur commande)
Résumé:
This book pursues the legendary but elusive 1974 exhibition, Anarchitecture. Conceived of as an anonymous, photographic statement about the intersection of art and building by the research collective Anarchitecture Group, the exhibition is a constant reference point in discussion, regardless of the almost complete lack of evidence about it. Contrasting the(...)
Titre:
Cutting Matta-Clark: the anarchitecture investigation
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$52.50
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Résumé:
This book pursues the legendary but elusive 1974 exhibition, Anarchitecture. Conceived of as an anonymous, photographic statement about the intersection of art and building by the research collective Anarchitecture Group, the exhibition is a constant reference point in discussion, regardless of the almost complete lack of evidence about it. Contrasting the hyper-visibility of Anarchitecture Group’s leader, Gordon Matta-Clark, and his canonical work, SPLITTING, with the near invisibility of Anarchitecture, this book takes various Matta-Clark archives, including the CCA’s holdings, as its point of departure and follows the traces of the exhibition. Formulated as a detective story, Cutting Matta-Clark: The Anarchitecture Investigation assembles a comprehensive dossier of previously unpublished evidence including photographs, loose-leaf documents, and notecards, as well as interviews with protagonists of the Anarchitecture Group.
Cutting Matta-Clark: the anarchitecture investigation
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$52.50
(disponible sur commande)
Résumé:
This book pursues the legendary but elusive 1974 exhibition, Anarchitecture. Conceived of as an anonymous, photographic statement about the intersection of art and building by the research collective Anarchitecture Group, the exhibition is a constant reference point in discussion, regardless of the almost complete lack of evidence about it. Contrasting the hyper-visibility of Anarchitecture Group’s leader, Gordon Matta-Clark, and his canonical work, SPLITTING, with the near invisibility of Anarchitecture, this book takes various Matta-Clark archives, including the CCA’s holdings, as its point of departure and follows the traces of the exhibition. Formulated as a detective story, Cutting Matta-Clark: The Anarchitecture Investigation assembles a comprehensive dossier of previously unpublished evidence including photographs, loose-leaf documents, and notecards, as well as interviews with protagonists of the Anarchitecture Group.
Classification:
livres
livres
Publication:
juin 2018
juin 2018
Sujet:
Publications du CCA
Publications du CCA
Classification:
livres
livres
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$62.00
(disponible sur commande)
Résumé:
A new manifesto from the Why Factory, “Porocity: Opening Up Solidity” makes a case for the intervention of the public realm into the private sphere of the city. The Why Factory raises a critique of the city as excessively closed off, and offers tools for the prying open and aerating of the city in such a way that is socially, environmentally and economically valuable to(...)
$62.00
(disponible sur commande)
Résumé:
A new manifesto from the Why Factory, “Porocity: Opening Up Solidity” makes a case for the intervention of the public realm into the private sphere of the city. The Why Factory raises a critique of the city as excessively closed off, and offers tools for the prying open and aerating of the city in such a way that is socially, environmentally and economically valuable to(...)
Titre:
Porocity: opening up solidity. the why factory.
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$62.00
(disponible sur commande)
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A new manifesto from the Why Factory, “Porocity: Opening Up Solidity” makes a case for the intervention of the public realm into the private sphere of the city. The Why Factory raises a critique of the city as excessively closed off, and offers tools for the prying open and aerating of the city in such a way that is socially, environmentally and economically valuable to its citizens. How can we introduce pockets for encounters, for streams of circulation, for green areas, for tunnels of cooling? What structures can be imagined to allow for this openness? Creating grottos? Splitting towers? Twisting blocks? More than hypotheses, models and examples (as useful as these are), this book even proposes such tools as a computational means of calculating the degree of porosity of architecture, so that urban thinkers and urban doers can turn the critique upon their own cities.
Porocity: opening up solidity. the why factory.
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Prix:
$62.00
(disponible sur commande)
Résumé:
A new manifesto from the Why Factory, “Porocity: Opening Up Solidity” makes a case for the intervention of the public realm into the private sphere of the city. The Why Factory raises a critique of the city as excessively closed off, and offers tools for the prying open and aerating of the city in such a way that is socially, environmentally and economically valuable to its citizens. How can we introduce pockets for encounters, for streams of circulation, for green areas, for tunnels of cooling? What structures can be imagined to allow for this openness? Creating grottos? Splitting towers? Twisting blocks? More than hypotheses, models and examples (as useful as these are), this book even proposes such tools as a computational means of calculating the degree of porosity of architecture, so that urban thinkers and urban doers can turn the critique upon their own cities.
Classification:
livres
livres
Publication:
mars 2019
mars 2019
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
