Get your sh*t together
$50.00
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Résumé:
This is the first book that exclusively features recent artwork in color by British artist David Shrigley. This volume celebrates Shrigley's absurd, deadpan sensibility through both his signature drawing style and accompanying text. Organized by chapters with titles such as Stupid, Nonsense, Dirt, Fear, Paranoia, Love, and Self Delusion, this collection is sure to delight(...)
Get your sh*t together
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Prix:
$50.00
(disponible sur commande)
Résumé:
This is the first book that exclusively features recent artwork in color by British artist David Shrigley. This volume celebrates Shrigley's absurd, deadpan sensibility through both his signature drawing style and accompanying text. Organized by chapters with titles such as Stupid, Nonsense, Dirt, Fear, Paranoia, Love, and Self Delusion, this collection is sure to delight die-hard Shrigley fans and new ones alike. This is the largest-format book to date on Shrigley's prolific work, and features design details such as a ribbon marker with one of his mordant sayings printed on it, as well as hand-written, humorous essays throughout.
livres
José Pedro Cortes : Costa
$49.99
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Résumé:
Costa da Caparica is a place, south of Lisboa - a strip of land that exists between the last stretch of civilization and the beach. In COSTA, we wander through this territory: shacks, outmoded architecture, remains of houses, dirt left by the tide; an agglomeration of sand, vegetation and streets – a peripheral, end-of-the-line location. We are flooded by a strange(...)
José Pedro Cortes : Costa
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$49.99
(disponible en magasin)
Résumé:
Costa da Caparica is a place, south of Lisboa - a strip of land that exists between the last stretch of civilization and the beach. In COSTA, we wander through this territory: shacks, outmoded architecture, remains of houses, dirt left by the tide; an agglomeration of sand, vegetation and streets – a peripheral, end-of-the-line location. We are flooded by a strange luminosity; a dazzling and mysterious light which imbues these spaces with a disconcerting and unreal atmosphere, like something seen while in a hypnotic state, encouraging the spectator to participate in a suggestive and paradoxical exploration of individual experience.
livres
avril 2015
Monographies photo
trans magazin 45: Dirty
$20.00
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Résumé:
Cleanliness is an obsession; dirt is a fascination. Disgust is embedded in personal and cultural systems to help us discern and navigate what could endanger our integrity as a body or society. Yet revulsion to dirtiness is more than a protective mechanism. Introducing uncleanliness in design can be revolutionary or revelatory. As architects-to-be, we are aware that our(...)
trans magazin 45: Dirty
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$20.00
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Cleanliness is an obsession; dirt is a fascination. Disgust is embedded in personal and cultural systems to help us discern and navigate what could endanger our integrity as a body or society. Yet revulsion to dirtiness is more than a protective mechanism. Introducing uncleanliness in design can be revolutionary or revelatory. As architects-to-be, we are aware that our practice and its history is inherently unclean. We have disowned our masters, disavowed our teachers, distanced ourselves from our rites. But becoming too aware of all the filth produced by the profession can tempt us to impose sanitary barriers and refuse to get our hands dirty.
Revues
$20.95
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In the mid-1950s, legendary avant-garde composer John Cage and artist Lois Long created a truly marvelous object. Part artist's book, part cookbook, and part children's book, "Mud book" is a spirited, if not satirical, take on almost every child's first attempt at cooking and making. Through the humble mud pie add dirt and water! Cage and Long encourage children to(...)
Mud book: how to make pies and cakes
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In the mid-1950s, legendary avant-garde composer John Cage and artist Lois Long created a truly marvelous object. Part artist's book, part cookbook, and part children's book, "Mud book" is a spirited, if not satirical, take on almost every child's first attempt at cooking and making. Through the humble mud pie add dirt and water! Cage and Long encourage children to explore their imagination and to get their hands dirty, and they offer this warning: Mud pies are to make and look at, not to eat. A unique hybrid of art book, unconventional cookbook, and inspiration for young makers, this new edition of "Mud book" will delight children and parents alike, and makes a charming gift for all ages.
Littérature jeunesse
Weeds
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Résumé:
We spray them, pluck them, and bury them under mulch; and we curse their resilience when they spring back into place. To most of us, weeds are a nuisance, not worth the dirt they are growing in. But the fact is weeds are a plant just like any other, and it is only we who designate them as a weed or not, as a plant we will dote over or one we will tear out of the earth(...)
Weeds
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We spray them, pluck them, and bury them under mulch; and we curse their resilience when they spring back into place. To most of us, weeds are a nuisance, not worth the dirt they are growing in. But the fact is weeds are a plant just like any other, and it is only we who designate them as a weed or not, as a plant we will dote over or one we will tear out of the earth with abandon. And as Nina Edwards shows in this history, that designation is constantly changing. Balancing popular history with botanical science, she tells the story of the lowly, but proud, weed, a story that is just as much about the kinds of attitudes we foster toward the plants we grow and those we try to suppress.
Théorie du paysage
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Roads to Power tells the story of how Britain built the first nation connected by infrastructure, how a libertarian revolution destroyed a national economy, and how technology caused strangers to stop speaking. In early eighteenth-century Britain, nothing but dirt track ran between most towns. By 1848 the primitive roads were transformed into a network of highways(...)
Roads to power: Britain invents the infrastructure state
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Roads to Power tells the story of how Britain built the first nation connected by infrastructure, how a libertarian revolution destroyed a national economy, and how technology caused strangers to stop speaking. In early eighteenth-century Britain, nothing but dirt track ran between most towns. By 1848 the primitive roads were transformed into a network of highways connecting every village and island in the nation—and also dividing them in unforeseen ways. The highway network led to contests for control over everything from road management to market access. Peripheries like the Highlands demanded that centralized government pay for roads they could not afford, while English counties wanted to be spared the cost of underwriting roads to Scotland. The new network also transformed social relationships. Although travelers moved along the same routes, they occupied increasingly isolated spheres. The roads were the product of a new form of government, the infrastructure state, marked by the unprecedented control bureaucrats wielded over decisions relating to everyday life.
Théorie de l’architecture
Cabinet 35: dust
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Dust is everywhere, a perennial presence in the corners of culture. Dust can be deathly (domestic dust is mostly desiccated human skin), deadly (poisonous dust is the product of industry and war) or beautiful (the dusty matte surface of make-up, a light dusting applied by the confectioner, glittering motes caught in a sunbeam). In British English, "dust" is another name(...)
Revues
décembre 2009
Cabinet 35: dust
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$14.00
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Dust is everywhere, a perennial presence in the corners of culture. Dust can be deathly (domestic dust is mostly desiccated human skin), deadly (poisonous dust is the product of industry and war) or beautiful (the dusty matte surface of make-up, a light dusting applied by the confectioner, glittering motes caught in a sunbeam). In British English, "dust" is another name for dirt, or matter in the wrong place, implying that it can be moved from one spot to another, but never--as with matter or metaphor--completely eradicated. Cabinet 35 examines dust's ubiquity. Features include Steven Connor on the manifold forms and patterns of magic dust; Brian Dillon on Proust's vacuum cleaner; and Valerie Smith and Matt Mullican on marble dust drawings. Elsewhere in the issue, Steve Reinke catalogues untimely deaths; Helen Polson muses over the fate of lost teeth; Jeff Dolven reviews Conlon Nancarrow's compositions for musical machines; and Margaret Wertheim takes on the mathematical structure known as E8.
Revues
Weeds
$38.95
(disponible en magasin)
Résumé:
We spray them, pluck them, and bury them under mulch; and we curse their resilience when they spring back into place. To most of us, weeds are a nuisance, not worth the dirt they are growing in. But the fact is weeds are a plant just like any other, and it is only we who designate them as a weed or not, as a plant we will dote over or one we will tear out of the earth(...)
Weeds
Actions:
Prix:
$38.95
(disponible en magasin)
Résumé:
We spray them, pluck them, and bury them under mulch; and we curse their resilience when they spring back into place. To most of us, weeds are a nuisance, not worth the dirt they are growing in. But the fact is weeds are a plant just like any other, and it is only we who designate them as a weed or not, as a plant we will dote over or one we will tear out of the earth with abandon. And as Nina Edwards shows in this history, that designation is constantly changing. Balancing popular history with botanical science, she tells the story of the lowly, but proud, weed. Sprinkled with personal anecdotes and loads of useful information, Weeds sketches history after history of the fashions and attitudes that have shaped our gardens, showing us that it is just as important what we keep out of them as what we put in, and that just because we despise one species does not mean that there haven’t been others whose very lives have depended on it.
Faune et flore