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In ''Out in the streets,'' German photographer Elisabeth Neudörfl (born 1968) records the dystopian state of Hong Kong at the beginning of the COVID-19 pandemic and after the 2019–20 pro-democracy protest movement waned, inventorying closed shops, deserted streets, metro stations and layers of graffiti.
Elisabeth Neudörfl: Out in the streets
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In ''Out in the streets,'' German photographer Elisabeth Neudörfl (born 1968) records the dystopian state of Hong Kong at the beginning of the COVID-19 pandemic and after the 2019–20 pro-democracy protest movement waned, inventorying closed shops, deserted streets, metro stations and layers of graffiti.
Monographies photo
Casa mondo: food
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This publication is a narrative essay that discusses what food is and what it represents in the 21st century, suggesting a theory on the relationship between food-home and the new means of use, especially in light of the pandemic that has transformed our daily lives.
Casa mondo: food
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This publication is a narrative essay that discusses what food is and what it represents in the 21st century, suggesting a theory on the relationship between food-home and the new means of use, especially in light of the pandemic that has transformed our daily lives.
Bouffe
Rehearsals for living
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When the world entered pandemic lockdown in spring 2020, Robyn Maynard and Leanne Betasamosake Simpson began writing each other letters—a gesture sparked by a desire for kinship and connection in a world shattering under the intersecting crises of pandemic, police killings, and climate catastrophe. These letters soon grew into a powerful exchange about where we go from(...)
Rehearsals for living
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When the world entered pandemic lockdown in spring 2020, Robyn Maynard and Leanne Betasamosake Simpson began writing each other letters—a gesture sparked by a desire for kinship and connection in a world shattering under the intersecting crises of pandemic, police killings, and climate catastrophe. These letters soon grew into a powerful exchange about where we go from here. Ths book is a captivating and visionary work—part debate, part dialogue, part lively and detailed familial correspondence between two razor-sharp writers. By articulating to each other Black and Indigenous perspectives on our unprecedented here and now, and reiterating the long-disavowed histories of slavery and colonization that have brought us to this moment, Maynard and Simpson create something new: an urgent demand for a different way forward, and a poetic call to dream up other ways of ordering earthly life.
Social
October 191
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In this issue: Six propositions: After Trump's second victory; Imitate Baldessari: Artists, teachers, and the making of conceptual art; Women on walls: Projection, anonymity, envy, and Eileen Gray; Plastic flesh and the biological oeuvre; The spectacular drone: Contesting pandemic lockdowns from above and below; Surface, materia bodies, and the avant-garde in philosophy(...)
October 191
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In this issue: Six propositions: After Trump's second victory; Imitate Baldessari: Artists, teachers, and the making of conceptual art; Women on walls: Projection, anonymity, envy, and Eileen Gray; Plastic flesh and the biological oeuvre; The spectacular drone: Contesting pandemic lockdowns from above and below; Surface, materia bodies, and the avant-garde in philosophy and film; On "The Painted World".
Revues
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In March 2020, architect Ryan Chester began drawing the Chicago River for at least one hour every day. Using only a pen, he moved methodically along a single massive roll of paper. As each chaotic, isolating day of the COVID-19 pandemic passed, he stayed connected with his adopted city by carefully documenting by hand the beautiful intricacies of Chicago’s riverfront(...)
Chicago reflected: A skyline drawing from the Chicago river
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In March 2020, architect Ryan Chester began drawing the Chicago River for at least one hour every day. Using only a pen, he moved methodically along a single massive roll of paper. As each chaotic, isolating day of the COVID-19 pandemic passed, he stayed connected with his adopted city by carefully documenting by hand the beautiful intricacies of Chicago’s riverfront architecture, boats, and bridges.
Dessin d’architecture
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''Margin and Text'' is a collection of essays, interviews, and personal stories, as well as historical and current writings and lectures, contributed by BIPOC and female practitioners and educators in architecture. Each piece offers reflections on architecture's troubled past, commentary on its fluid present, and visions of possible futures, all set amid today's context(...)
Théorie de l’architecture
novembre 2024
Margin and text: Amplifying diverse voices in architecture
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''Margin and Text'' is a collection of essays, interviews, and personal stories, as well as historical and current writings and lectures, contributed by BIPOC and female practitioners and educators in architecture. Each piece offers reflections on architecture's troubled past, commentary on its fluid present, and visions of possible futures, all set amid today's context of broad social activism, divisive politics, and the devastating toll of the COVID-19 pandemic.
Théorie de l’architecture
Everything is police
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Policing is constitutive of colonial modernity: normalizing, internalizing, and legalizing anti-Black violence as the ongoing condition for white life and freedom. The result, Tia Trafford argues here, is a situation where we cannot practically experience or even imagine worlds free from policing. From the plantation to the prison, global apartheid, and pandemic control,(...)
Everything is police
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Policing is constitutive of colonial modernity: normalizing, internalizing, and legalizing anti-Black violence as the ongoing condition for white life and freedom. The result, Tia Trafford argues here, is a situation where we cannot practically experience or even imagine worlds free from policing. From the plantation to the prison, global apartheid, and pandemic control, this book examines why and how policing has become the most ingrained, commonsense-and insidious-way of managing our world.
Social
The palliative society
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Our societies today are characterized by a universal algophobia: a generalized fear of pain. We strive to avoid all painful conditions – even the pain of love is treated as suspect. This algophobia extends into society: less and less space is given to conflicts and controversies that might prompt painful discussions. It takes hold of politics too: politics becomes a(...)
The palliative society
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Our societies today are characterized by a universal algophobia: a generalized fear of pain. We strive to avoid all painful conditions – even the pain of love is treated as suspect. This algophobia extends into society: less and less space is given to conflicts and controversies that might prompt painful discussions. It takes hold of politics too: politics becomes a palliative politics that is incapable of implementing radical reforms that might be painful, so all we get is more of the same. Faced with the coronavirus pandemic, the palliative society is transformed into a society of survival. The virus enters the palliative zone of well-being and turns it into a quarantine zone in which life is increasingly focused on survival. And the more life becomes survival, the greater the fear of death: the pandemic makes death, which we had carefully repressed and set aside, visible again. Everywhere, the prolongation of life at any cost is the preeminent value, and we are prepared to sacrifice everything that makes life worth living for the sake of survival. This trenchant analysis of our contemporary societies by one of the most original cultural critics of our time will appeal to a wide readership.
Théorie/ philosophie
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The question of ownership is the critical fault line of our times, and during the pandemic this issue has only become more divisive. In the face of crisis, the authors warn that mere redistribution within current forms of ownership is not enough; our goal must be to go beyond the limits of the current system, dominated by private enclosure and unequal ownership. Only by(...)
Owning the future: Power and property in an age of crisis
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The question of ownership is the critical fault line of our times, and during the pandemic this issue has only become more divisive. In the face of crisis, the authors warn that mere redistribution within current forms of ownership is not enough; our goal must be to go beyond the limits of the current system, dominated by private enclosure and unequal ownership. Only by reimagining how our economy is owned and by whom can we address the crises of our time—from the fallout of the pandemic to ecological collapse—at their roots. The authors argue that the systemic change we need hinges on a new era of democratic ownership: a reinvention of the firm as a vehicle for collective endeavour and meeting social needs; against the oligarchy of the platform giants, a digital commons that uses our data for collective good, not private profit; in place of environmental devastation, a new agenda of decommodification—of both nature and needs—with a Green New Deal and collective stewardship of the planet’s natural wealth. Together, these proposals offer a road map to owning the future and building a better world.
Social
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In more than fifty pieces, Atwood aims her prodigious intellect and impish humor at the world, and reports back to us on what she finds. This roller-coaster period brought the end of history, a financial crash, the rise of Trump, and a pandemic. From when to dispense advice to the young (answer: only when asked) to Atwood’s views on the climate crisis, we have no better(...)
Burning questions: Essays and occasional pieces 2004-2021
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In more than fifty pieces, Atwood aims her prodigious intellect and impish humor at the world, and reports back to us on what she finds. This roller-coaster period brought the end of history, a financial crash, the rise of Trump, and a pandemic. From when to dispense advice to the young (answer: only when asked) to Atwood’s views on the climate crisis, we have no better guide to the many and varied mysteries of our universe.
Littérature et poésie