847 Résultats
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The photographs and essays in this combination artist book and monograph reveal the invisible histories of human enterprise, idealism and trauma embedded in the work by Berlin artist Stephanie Kloss. Eight bodies of work in black and white and color made in locations as diverse as Israel, Japan, the United States, Germany and Greece, from 2006 to 2014, explore the mythos(...)
$46.00
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The photographs and essays in this combination artist book and monograph reveal the invisible histories of human enterprise, idealism and trauma embedded in the work by Berlin artist Stephanie Kloss. Eight bodies of work in black and white and color made in locations as diverse as Israel, Japan, the United States, Germany and Greece, from 2006 to 2014, explore the mythos(...)
Titre:
Stephanie Kloss: Weltausstellung
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The photographs and essays in this combination artist book and monograph reveal the invisible histories of human enterprise, idealism and trauma embedded in the work by Berlin artist Stephanie Kloss. Eight bodies of work in black and white and color made in locations as diverse as Israel, Japan, the United States, Germany and Greece, from 2006 to 2014, explore the mythos and utopianism of architecture. An idyllic Canary Island bears scant traces of Otto Muehl s Actionist commune and sexual crimes; the mute currents of the Mississippi Delta belie its devastation first by Hurricane Katrina and subsequently by the BP oil spill. The commonality and one could say, colonization of modernist architectural form rather than the peculiarities of place, nation or time seems to attract her lens. In Weltausstellung, Kloss speaks a collective photographic language that warns against the ease and peril of forgetfulness.
Stephanie Kloss: Weltausstellung
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The photographs and essays in this combination artist book and monograph reveal the invisible histories of human enterprise, idealism and trauma embedded in the work by Berlin artist Stephanie Kloss. Eight bodies of work in black and white and color made in locations as diverse as Israel, Japan, the United States, Germany and Greece, from 2006 to 2014, explore the mythos and utopianism of architecture. An idyllic Canary Island bears scant traces of Otto Muehl s Actionist commune and sexual crimes; the mute currents of the Mississippi Delta belie its devastation first by Hurricane Katrina and subsequently by the BP oil spill. The commonality and one could say, colonization of modernist architectural form rather than the peculiarities of place, nation or time seems to attract her lens. In Weltausstellung, Kloss speaks a collective photographic language that warns against the ease and peril of forgetfulness.
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livres
livres
Publication:
mars 2014
mars 2014
Sujet:
Monographies photo
Monographies photo
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livres
livres
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Recent generations of farmers have reinvented the family farm and its traditions, embracing organic practices and sustainability and, along with them, a bold new use of modern architecture. The New Farm profiles sixteen contemporary farms around the globe, accompanied by plans and colorful images that highlight the connections among family, food, design, terrain, and(...)
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Recent generations of farmers have reinvented the family farm and its traditions, embracing organic practices and sustainability and, along with them, a bold new use of modern architecture. The New Farm profiles sixteen contemporary farms around the globe, accompanied by plans and colorful images that highlight the connections among family, food, design, terrain, and(...)
Publication:
juillet 2020
juillet 2020
Titre:
The new farm: contemporary rural architecture
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Recent generations of farmers have reinvented the family farm and its traditions, embracing organic practices and sustainability and, along with them, a bold new use of modern architecture. The New Farm profiles sixteen contemporary farms around the globe, accompanied by plans and colorful images that highlight the connections among family, food, design, terrain, and heritage. Visit a Tasmanian sheep shearers' quarters with a dramatic coastal view and a bamboo-wrapped farm shed in Kentucky. Learn from a fourth-generation poultry breeder and newcomers who have stepped off the corporate ladder and into the barnyard. Projects include an olive oil grove and mill in California, the storied Stone Barns Center in New York, and organic farms in Canada and across Europe. An introduction places the design of these farms in a lineage of celebrated architects including William Wurster, William Turnbull, Edward Larrabee Barnes, Marc Appleton, and Tom Kundig.
The new farm: contemporary rural architecture
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Recent generations of farmers have reinvented the family farm and its traditions, embracing organic practices and sustainability and, along with them, a bold new use of modern architecture. The New Farm profiles sixteen contemporary farms around the globe, accompanied by plans and colorful images that highlight the connections among family, food, design, terrain, and heritage. Visit a Tasmanian sheep shearers' quarters with a dramatic coastal view and a bamboo-wrapped farm shed in Kentucky. Learn from a fourth-generation poultry breeder and newcomers who have stepped off the corporate ladder and into the barnyard. Projects include an olive oil grove and mill in California, the storied Stone Barns Center in New York, and organic farms in Canada and across Europe. An introduction places the design of these farms in a lineage of celebrated architects including William Wurster, William Turnbull, Edward Larrabee Barnes, Marc Appleton, and Tom Kundig.
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livres
livres
Publication:
juillet 2020
juillet 2020
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livres
livres
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$57.50
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"Water projects" presents the complete series of large-scale projects implemented or devised by Christo and Jean-Claude from 1961 to 2016. In addition to the renowned wrapped monuments, from the Kunsthalle in Bern (1967–1968) to the Reichstag in Berlin (1971–1995), the works featured include installations made of barrels and fabrics such as Wall of Oil Barrels: The Iron(...)
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"Water projects" presents the complete series of large-scale projects implemented or devised by Christo and Jean-Claude from 1961 to 2016. In addition to the renowned wrapped monuments, from the Kunsthalle in Bern (1967–1968) to the Reichstag in Berlin (1971–1995), the works featured include installations made of barrels and fabrics such as Wall of Oil Barrels: The Iron(...)
Titre:
Christo and Jeanne-Claude: water projects
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"Water projects" presents the complete series of large-scale projects implemented or devised by Christo and Jean-Claude from 1961 to 2016. In addition to the renowned wrapped monuments, from the Kunsthalle in Bern (1967–1968) to the Reichstag in Berlin (1971–1995), the works featured include installations made of barrels and fabrics such as Wall of Oil Barrels: The Iron Curtain (Paris, 1961–1962) and Valley Curtain (Rifle, Colorado, 1970–1972); huge inflatable objects like 42,390 Cubic Feet Package (Minneapolis, 1966) and 5,600 Cubic Meter Package; the project for Documenta IV (Kassel, 1967–1968); and paths (Wrapped Walk Ways, Kansas City, 1977–1978) and portals (The Gates, New York, 1979–2005). Also included are preparatory drawings for Christo’s latest work, Floating Piers (2014–2016), a walkway stretching nearly two miles that connects two small islands in Lake Iseo, in Italy’s Lombardy region, to each other and to the mainland.
Christo and Jeanne-Claude: water projects
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"Water projects" presents the complete series of large-scale projects implemented or devised by Christo and Jean-Claude from 1961 to 2016. In addition to the renowned wrapped monuments, from the Kunsthalle in Bern (1967–1968) to the Reichstag in Berlin (1971–1995), the works featured include installations made of barrels and fabrics such as Wall of Oil Barrels: The Iron Curtain (Paris, 1961–1962) and Valley Curtain (Rifle, Colorado, 1970–1972); huge inflatable objects like 42,390 Cubic Feet Package (Minneapolis, 1966) and 5,600 Cubic Meter Package; the project for Documenta IV (Kassel, 1967–1968); and paths (Wrapped Walk Ways, Kansas City, 1977–1978) and portals (The Gates, New York, 1979–2005). Also included are preparatory drawings for Christo’s latest work, Floating Piers (2014–2016), a walkway stretching nearly two miles that connects two small islands in Lake Iseo, in Italy’s Lombardy region, to each other and to the mainland.
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livres
livres
Publication:
septembre 2017
septembre 2017
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livres
livres
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$29.95
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Résumé:
Our global thirst for energy and raw materials is increasing all the time. Year after year, humanity exhausts large quantities of mineral resources; the areas of the world in which we drill and dig for oil, gas, coal, gravel, clay and ore are becoming more and more remote, and the range of resources demanded is expanding constantly. Lusitania is a prime example of this(...)
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Our global thirst for energy and raw materials is increasing all the time. Year after year, humanity exhausts large quantities of mineral resources; the areas of the world in which we drill and dig for oil, gas, coal, gravel, clay and ore are becoming more and more remote, and the range of resources demanded is expanding constantly. Lusitania is a prime example of this(...)
Titre:
Redesigning wounded landscape : the IBA workshop of Lusatia
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Our global thirst for energy and raw materials is increasing all the time. Year after year, humanity exhausts large quantities of mineral resources; the areas of the world in which we drill and dig for oil, gas, coal, gravel, clay and ore are becoming more and more remote, and the range of resources demanded is expanding constantly. Lusitania is a prime example of this kind of resource depletion. Unrestrained open-pit mining during the nineteenth and twentieth centuries has devastated the region, and ten years ago this "wounded landscape" became the subject of an International Building Exhibition dedicated to providing creative designs for a post-mining landscape. What are the possibilities of such landscapes? What methods and processes may be applied in regions beyond Lusatia? In Redesigning Wounded Landscapes, ten authors explore these questions, looking at the region and the project from a wide range of perspectives.
Redesigning wounded landscape : the IBA workshop of Lusatia
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Our global thirst for energy and raw materials is increasing all the time. Year after year, humanity exhausts large quantities of mineral resources; the areas of the world in which we drill and dig for oil, gas, coal, gravel, clay and ore are becoming more and more remote, and the range of resources demanded is expanding constantly. Lusitania is a prime example of this kind of resource depletion. Unrestrained open-pit mining during the nineteenth and twentieth centuries has devastated the region, and ten years ago this "wounded landscape" became the subject of an International Building Exhibition dedicated to providing creative designs for a post-mining landscape. What are the possibilities of such landscapes? What methods and processes may be applied in regions beyond Lusatia? In Redesigning Wounded Landscapes, ten authors explore these questions, looking at the region and the project from a wide range of perspectives.
Classification:
livres
livres
Publication:
novembre 2012
novembre 2012
Sujet:
Architecture contemporaine
Architecture contemporaine
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livres
livres
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$25.95
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In the late 1960s the world was faced with impending disaster: the height of the Cold War, the end of oil and the decline of great cities throughout the world. Out of this crisis came a new generation that hoped to build a better future, influenced by visions of geodesic domes, walking cities and a meaningful connection with nature. In this work of cultural history,(...)
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In the late 1960s the world was faced with impending disaster: the height of the Cold War, the end of oil and the decline of great cities throughout the world. Out of this crisis came a new generation that hoped to build a better future, influenced by visions of geodesic domes, walking cities and a meaningful connection with nature. In this work of cultural history,(...)
Titre:
Last futures: natures, technology and the end of architecture
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In the late 1960s the world was faced with impending disaster: the height of the Cold War, the end of oil and the decline of great cities throughout the world. Out of this crisis came a new generation that hoped to build a better future, influenced by visions of geodesic domes, walking cities and a meaningful connection with nature. In this work of cultural history, architect Douglas Murphy traces the lost archeology of the present day through the works of thinkers and designers such as Buckminster Fuller, the ecological pioneer Stewart Brand, the Archigram architects who envisioned the Plug-In City in the ’60s, as well as co-operatives in Vienna, communes in the Californian desert and protesters on the streets of Paris. In this mind-bending account of the last avant-garde, we see not just the source of our current problems but also some powerful alternative futures.
Last futures: natures, technology and the end of architecture
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In the late 1960s the world was faced with impending disaster: the height of the Cold War, the end of oil and the decline of great cities throughout the world. Out of this crisis came a new generation that hoped to build a better future, influenced by visions of geodesic domes, walking cities and a meaningful connection with nature. In this work of cultural history, architect Douglas Murphy traces the lost archeology of the present day through the works of thinkers and designers such as Buckminster Fuller, the ecological pioneer Stewart Brand, the Archigram architects who envisioned the Plug-In City in the ’60s, as well as co-operatives in Vienna, communes in the Californian desert and protesters on the streets of Paris. In this mind-bending account of the last avant-garde, we see not just the source of our current problems but also some powerful alternative futures.
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livres
livres
Publication:
juillet 2022
juillet 2022
Sujet:
L'écologie de l'architecure
L'écologie de l'architecure
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livres
livres
Titre:
Taewon jang : stained ground
Taewon jang : stained ground
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Ominous, overwhelming, and harshly lit at night—Korean photographer Taewon Jang (1976 in Seoul) puts industrial plants at the center of his work. He documented abandoned steel factories, nuclear reactors, cooling towers, storage containers, or briskly working oil refineries to depict the traces of humans’ effort to survive in modern era. Residential buildings seem tiny(...)
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Ominous, overwhelming, and harshly lit at night—Korean photographer Taewon Jang (1976 in Seoul) puts industrial plants at the center of his work. He documented abandoned steel factories, nuclear reactors, cooling towers, storage containers, or briskly working oil refineries to depict the traces of humans’ effort to survive in modern era. Residential buildings seem tiny(...)
Titre:
Taewon jang : stained ground
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Ominous, overwhelming, and harshly lit at night—Korean photographer Taewon Jang (1976 in Seoul) puts industrial plants at the center of his work. He documented abandoned steel factories, nuclear reactors, cooling towers, storage containers, or briskly working oil refineries to depict the traces of humans’ effort to survive in modern era. Residential buildings seem tiny in comparison, and the overall scale has obviously shifted. Jang prefers to show us these industrial landscapes in the gray of the dawn, or the red of dusk, by moonlight, in fog or snow; sometimes he shifts a gnarled tree into the foreground, but despite—or perhaps precisely because of—these potentially romantic, idyllic topoi, the viewer senses an uncanny, apocalyptic mood. Large, apparently deserted industrial plants dominate the horizon, yet moving backhoes, cranes, and conveyor belts give the impression they might have a hazardous life of their own.
Taewon jang : stained ground
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Ominous, overwhelming, and harshly lit at night—Korean photographer Taewon Jang (1976 in Seoul) puts industrial plants at the center of his work. He documented abandoned steel factories, nuclear reactors, cooling towers, storage containers, or briskly working oil refineries to depict the traces of humans’ effort to survive in modern era. Residential buildings seem tiny in comparison, and the overall scale has obviously shifted. Jang prefers to show us these industrial landscapes in the gray of the dawn, or the red of dusk, by moonlight, in fog or snow; sometimes he shifts a gnarled tree into the foreground, but despite—or perhaps precisely because of—these potentially romantic, idyllic topoi, the viewer senses an uncanny, apocalyptic mood. Large, apparently deserted industrial plants dominate the horizon, yet moving backhoes, cranes, and conveyor belts give the impression they might have a hazardous life of their own.
Classification:
livres
livres
Publication:
août 2014
août 2014
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Prix:
$35.00
(disponible sur commande)
Résumé:
In the late 1960s the world was faced with impending disaster: the height of the Cold War, the end of oil and the decline of great cities throughout the world. Out of this crisis came a new generation that hoped to build a better future, influenced by visions of geodesic domes, walking cities and a meaningful connection with nature. In this brilliant work of cultural(...)
$35.00
(disponible sur commande)
Résumé:
In the late 1960s the world was faced with impending disaster: the height of the Cold War, the end of oil and the decline of great cities throughout the world. Out of this crisis came a new generation that hoped to build a better future, influenced by visions of geodesic domes, walking cities and a meaningful connection with nature. In this brilliant work of cultural(...)
Publication:
octobre 2015
octobre 2015
Titre:
Last futures : nature, technology and the end of architecture
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$35.00
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In the late 1960s the world was faced with impending disaster: the height of the Cold War, the end of oil and the decline of great cities throughout the world. Out of this crisis came a new generation that hoped to build a better future, influenced by visions of geodesic domes, walking cities and a meaningful connection with nature. In this brilliant work of cultural history, architect Douglas Murphy traces the lost archeology of the present day through the works of thinkers and designers such as Buckminster Fuller, the ecological pioneer Stewart Brand, the Archigram architects who envisioned the Plug-In City in the ’60s, as well as co-operatives in Vienna, communes in the Californian desert and protesters on the streets of Paris. In this mind-bending account of the last avant-garde, we see not just the source of our current problems but also some powerful alternative futures.
Last futures : nature, technology and the end of architecture
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$35.00
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Résumé:
In the late 1960s the world was faced with impending disaster: the height of the Cold War, the end of oil and the decline of great cities throughout the world. Out of this crisis came a new generation that hoped to build a better future, influenced by visions of geodesic domes, walking cities and a meaningful connection with nature. In this brilliant work of cultural history, architect Douglas Murphy traces the lost archeology of the present day through the works of thinkers and designers such as Buckminster Fuller, the ecological pioneer Stewart Brand, the Archigram architects who envisioned the Plug-In City in the ’60s, as well as co-operatives in Vienna, communes in the Californian desert and protesters on the streets of Paris. In this mind-bending account of the last avant-garde, we see not just the source of our current problems but also some powerful alternative futures.
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livres
livres
Publication:
octobre 2015
octobre 2015
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livres
livres
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$25.95
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An energizing case for hope about the climate, from Rebecca Solnit ("the voice of the resistance"—New York Times), climate activist Thelma Young Lutunatabua, and a chorus of voices calling on us to rise to the moment. "Not too late" brings strong climate voices from around the world to address the political, scientific, social, and emotional dimensions of the most(...)
$25.95
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An energizing case for hope about the climate, from Rebecca Solnit ("the voice of the resistance"—New York Times), climate activist Thelma Young Lutunatabua, and a chorus of voices calling on us to rise to the moment. "Not too late" brings strong climate voices from around the world to address the political, scientific, social, and emotional dimensions of the most(...)
Titre:
Not too late: Changing the climate Story from Despair to Possibility
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An energizing case for hope about the climate, from Rebecca Solnit ("the voice of the resistance"—New York Times), climate activist Thelma Young Lutunatabua, and a chorus of voices calling on us to rise to the moment. "Not too late" brings strong climate voices from around the world to address the political, scientific, social, and emotional dimensions of the most urgent issue human beings have ever faced. Accessible, encouraging, and engaging, it's an invitation to everyone to understand the issue more deeply, participate more boldly, and imagine the future more creatively. In concise, illuminating essays and interviews, "Not too late" features the voices of Indigenous activists, such as Guam-based attorney and writer Julian Aguon; climate scientists, among them Jacquelyn Gill and Edward Carr; artists, such as Marshall Islands poet and activist Kathy Jeñtil-Kijiner; and longtime organizers, including "The Tyranny of Oil" author Antonia Juhasz and Emergent Strategy author adrienne maree brown.
Not too late: Changing the climate Story from Despair to Possibility
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$25.95
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Résumé:
An energizing case for hope about the climate, from Rebecca Solnit ("the voice of the resistance"—New York Times), climate activist Thelma Young Lutunatabua, and a chorus of voices calling on us to rise to the moment. "Not too late" brings strong climate voices from around the world to address the political, scientific, social, and emotional dimensions of the most urgent issue human beings have ever faced. Accessible, encouraging, and engaging, it's an invitation to everyone to understand the issue more deeply, participate more boldly, and imagine the future more creatively. In concise, illuminating essays and interviews, "Not too late" features the voices of Indigenous activists, such as Guam-based attorney and writer Julian Aguon; climate scientists, among them Jacquelyn Gill and Edward Carr; artists, such as Marshall Islands poet and activist Kathy Jeñtil-Kijiner; and longtime organizers, including "The Tyranny of Oil" author Antonia Juhasz and Emergent Strategy author adrienne maree brown.
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livres
livres
Publication:
avril 2023
avril 2023
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livres
livres
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$75.00
(disponible en magasin)
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The artist Sandra Schlipkoeter (b. Solingen, Germany, 1979; lives and works in Berlin) uses the concept of interference as an umbrella term for her extensive oeuvre, which spans the media of painting, sculpture, and installation art. She studied at the Düsseldorf Academy of Fine Art with Eberhard Havekost, who had a profound influence on her as she devised her own(...)
$75.00
(disponible en magasin)
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The artist Sandra Schlipkoeter (b. Solingen, Germany, 1979; lives and works in Berlin) uses the concept of interference as an umbrella term for her extensive oeuvre, which spans the media of painting, sculpture, and installation art. She studied at the Düsseldorf Academy of Fine Art with Eberhard Havekost, who had a profound influence on her as she devised her own(...)
Titre:
Sandra Schlipkoeter: Interferenzen
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$75.00
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The artist Sandra Schlipkoeter (b. Solingen, Germany, 1979; lives and works in Berlin) uses the concept of interference as an umbrella term for her extensive oeuvre, which spans the media of painting, sculpture, and installation art. She studied at the Düsseldorf Academy of Fine Art with Eberhard Havekost, who had a profound influence on her as she devised her own photorealistic visual language. Interferences of natural and digital light she engenders using photography and then reproduces by painterly means have been central to her work since 2012; she translates them into oil paintings, cut-outs made from fabric-like structures, and installations. Experimenting with the diverse manifestations of light and variously cutting up, superimposing, and contorting materials such as mirror foil or paper, she creates visual universes that brim with energy. The monograph "Interferenzen" presents her output of the past ten years. With essays by Gisela Elbracht-Iglhaut and Thomas Kuhn and a conversation with the artist by Anna Matzek.
Sandra Schlipkoeter: Interferenzen
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$75.00
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The artist Sandra Schlipkoeter (b. Solingen, Germany, 1979; lives and works in Berlin) uses the concept of interference as an umbrella term for her extensive oeuvre, which spans the media of painting, sculpture, and installation art. She studied at the Düsseldorf Academy of Fine Art with Eberhard Havekost, who had a profound influence on her as she devised her own photorealistic visual language. Interferences of natural and digital light she engenders using photography and then reproduces by painterly means have been central to her work since 2012; she translates them into oil paintings, cut-outs made from fabric-like structures, and installations. Experimenting with the diverse manifestations of light and variously cutting up, superimposing, and contorting materials such as mirror foil or paper, she creates visual universes that brim with energy. The monograph "Interferenzen" presents her output of the past ten years. With essays by Gisela Elbracht-Iglhaut and Thomas Kuhn and a conversation with the artist by Anna Matzek.
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livres
livres
Publication:
octobre 2023
octobre 2023
Classification:
livres
livres
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$45.00
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Ever since anonymous spray-can art began appearing on city walls in New York and Philadelphia in the late 1960s, graffiti has been a ubiquitous presence in the urban landscape, its artists largely unsung heroes. As hip-hop culture spread from America, graffiti became a worldwide phenomenon, emerging in the 1980s as the symbolic artistic language of young people everywhere(...)
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Ever since anonymous spray-can art began appearing on city walls in New York and Philadelphia in the late 1960s, graffiti has been a ubiquitous presence in the urban landscape, its artists largely unsung heroes. As hip-hop culture spread from America, graffiti became a worldwide phenomenon, emerging in the 1980s as the symbolic artistic language of young people everywhere(...)
Publication:
octobre 2004, New York
octobre 2004, New York
Titre:
Graffiti world : street art from five continents
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$45.00
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Ever since anonymous spray-can art began appearing on city walls in New York and Philadelphia in the late 1960s, graffiti has been a ubiquitous presence in the urban landscape, its artists largely unsung heroes. As hip-hop culture spread from America, graffiti became a worldwide phenomenon, emerging in the 1980s as the symbolic artistic language of young people everywhere and one of the most potent influences on youth-oriented marketing and design. With more than 2,000 illustrations by over 150 artists from all over the world and interviews with many of them, this book is the most comprehensive survey of graffiti art ever published. Today's young graffiti artists incorporate a variety of mediums—including stickers, stencils, oils, acrylics, and oil-based chalk—as well as an ever-expanding range of social commentary. This evolution in style and subject matter has earned graffiti the respect of the art world and guaranteed its long-lasting influence on art, graphic design, and style around the world.
Graffiti world : street art from five continents
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$45.00
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Ever since anonymous spray-can art began appearing on city walls in New York and Philadelphia in the late 1960s, graffiti has been a ubiquitous presence in the urban landscape, its artists largely unsung heroes. As hip-hop culture spread from America, graffiti became a worldwide phenomenon, emerging in the 1980s as the symbolic artistic language of young people everywhere and one of the most potent influences on youth-oriented marketing and design. With more than 2,000 illustrations by over 150 artists from all over the world and interviews with many of them, this book is the most comprehensive survey of graffiti art ever published. Today's young graffiti artists incorporate a variety of mediums—including stickers, stencils, oils, acrylics, and oil-based chalk—as well as an ever-expanding range of social commentary. This evolution in style and subject matter has earned graffiti the respect of the art world and guaranteed its long-lasting influence on art, graphic design, and style around the world.
Classification:
livres
livres
Publication:
octobre 2004, New York
octobre 2004, New York
