16540 Résultats
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415 pages : chiefly color illustrations ; 24 cm.
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415 pages : chiefly color illustrations ; 24 cm.
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Milano : Electa ; [Rome, Italy] : MAXXI, Museo nazionale delle arti del XXI secolo, ©2010.
Milano : Electa ; [Rome, Italy] : MAXXI, Museo nazionale delle arti del XXI secolo, ©2010.
Titre:
MAXXI architettura : fotografia : le collezioni / a cura di Francesca Fabiani.
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415 pages : chiefly color illustrations ; 24 cm.
MAXXI architettura : fotografia : le collezioni / a cura di Francesca Fabiani.
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415 pages : chiefly color illustrations ; 24 cm.
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Milano : Electa ; [Rome, Italy] : MAXXI, Museo nazionale delle arti del XXI secolo, ©2010.
Milano : Electa ; [Rome, Italy] : MAXXI, Museo nazionale delle arti del XXI secolo, ©2010.
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85 pages : illustrations (chiefly color) ; 21 cm
Description:
85 pages : illustrations (chiefly color) ; 21 cm
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Basel : Christoph Merian, ©2002.
Basel : Christoph Merian, ©2002.
Titre:
Walk on / Claudio Moser ; mit Beiträgen von Urs Stahel, Thomas Seelig, Zsuzsanna Gahse ; sowie einem Interview von Peter Bläuer.
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85 pages : illustrations (chiefly color) ; 21 cm
Walk on / Claudio Moser ; mit Beiträgen von Urs Stahel, Thomas Seelig, Zsuzsanna Gahse ; sowie einem Interview von Peter Bläuer.
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85 pages : illustrations (chiefly color) ; 21 cm
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Basel : Christoph Merian, ©2002.
Basel : Christoph Merian, ©2002.
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1 volume (unpaged) : chiefly illustrations ; 17 x 23 cm
Description:
1 volume (unpaged) : chiefly illustrations ; 17 x 23 cm
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Barcelona : ACTAR, 1999.
Barcelona : ACTAR, 1999.
Titre:
Interrupted city / [Gabriele Basilico].
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1 volume (unpaged) : chiefly illustrations ; 17 x 23 cm
Interrupted city / [Gabriele Basilico].
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1 volume (unpaged) : chiefly illustrations ; 17 x 23 cm
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Barcelona : ACTAR, 1999.
Barcelona : ACTAR, 1999.
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112 pages : color illustrations ; 29 cm
Description:
112 pages : color illustrations ; 29 cm
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Köln : König, 2010.
Köln : König, 2010.
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Imperfekt : Werke 1997-2010 = Works 1997-2010 / Hrsg./ed., Daniel J. Schreiber ; mit Texten von Dieter Bartetzko [and others].
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112 pages : color illustrations ; 29 cm
Imperfekt : Werke 1997-2010 = Works 1997-2010 / Hrsg./ed., Daniel J. Schreiber ; mit Texten von Dieter Bartetzko [and others].
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112 pages : color illustrations ; 29 cm
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Köln : König, 2010.
Köln : König, 2010.
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[137] pages : illustrations ; 19 cm
Description:
[137] pages : illustrations ; 19 cm
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Paris : Nathan, 1998.
Paris : Nathan, 1998.
Titre:
René Burri / introd. par Michael Koetzle.
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[137] pages : illustrations ; 19 cm
René Burri / introd. par Michael Koetzle.
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[137] pages : illustrations ; 19 cm
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Paris : Nathan, 1998.
Paris : Nathan, 1998.
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112 pages : illustrations ; 27 cm
Description:
112 pages : illustrations ; 27 cm
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Leipzig : Fotokinoverlag, ©1987.
Leipzig : Fotokinoverlag, ©1987.
Titre:
Heinrich Zille : Fotografien von Berlin um 1900 / herausgegeben und mit einer Einführung von Matthias Flügge.
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112 pages : illustrations ; 27 cm
Heinrich Zille : Fotografien von Berlin um 1900 / herausgegeben und mit einer Einführung von Matthias Flügge.
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112 pages : illustrations ; 27 cm
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livres
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Leipzig : Fotokinoverlag, ©1987.
Leipzig : Fotokinoverlag, ©1987.
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viii, 153 pages : illustrations ; 30 cm
Description:
viii, 153 pages : illustrations ; 30 cm
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Paris : Bibliothèque nationale, 1976.
Paris : Bibliothèque nationale, 1976.
Titre:
Une Invention du XIXe siècle, expression et technique, la photographie : collections de la Société française de photographie : Paris, [12 juin-14 août] 1976, Bibliothèque nationale / [catalogue par Bernard Marbot ; préface par Georges Le Rider].
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viii, 153 pages : illustrations ; 30 cm
Une Invention du XIXe siècle, expression et technique, la photographie : collections de la Société française de photographie : Paris, [12 juin-14 août] 1976, Bibliothèque nationale / [catalogue par Bernard Marbot ; préface par Georges Le Rider].
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viii, 153 pages : illustrations ; 30 cm
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Paris : Bibliothèque nationale, 1976.
Paris : Bibliothèque nationale, 1976.
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$86.00
(disponible sur commande)
Résumé:
Flowers have been a source of inspiration for photographers since the medium’s inception; immortalized by luminaries such as Man Ray, Robert Mapplethorpe, Irving Penn, and Julia Margaret Cameron. Today, flower photography has come into full bloom once again, with photographers capturing flowers in inspiring new ways. Featuring two hundred works, ''Flora photographica''(...)
$86.00
(disponible sur commande)
Résumé:
Flowers have been a source of inspiration for photographers since the medium’s inception; immortalized by luminaries such as Man Ray, Robert Mapplethorpe, Irving Penn, and Julia Margaret Cameron. Today, flower photography has come into full bloom once again, with photographers capturing flowers in inspiring new ways. Featuring two hundred works, ''Flora photographica''(...)
Titre:
Flora photographica: Masterworks of contemporary flower photography
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$86.00
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Résumé:
Flowers have been a source of inspiration for photographers since the medium’s inception; immortalized by luminaries such as Man Ray, Robert Mapplethorpe, Irving Penn, and Julia Margaret Cameron. Today, flower photography has come into full bloom once again, with photographers capturing flowers in inspiring new ways. Featuring two hundred works, ''Flora photographica'' links the very best of flower photography from the past twenty years with its predecessors- canonical floral images from the realms of photography, illustration, and painting that have marked the collective imagination.
Flora photographica: Masterworks of contemporary flower photography
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$86.00
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Résumé:
Flowers have been a source of inspiration for photographers since the medium’s inception; immortalized by luminaries such as Man Ray, Robert Mapplethorpe, Irving Penn, and Julia Margaret Cameron. Today, flower photography has come into full bloom once again, with photographers capturing flowers in inspiring new ways. Featuring two hundred works, ''Flora photographica'' links the very best of flower photography from the past twenty years with its predecessors- canonical floral images from the realms of photography, illustration, and painting that have marked the collective imagination.
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livres
livres
Publication:
septembre 2022
septembre 2022
Sujet:
Photographie- collections
Photographie- collections
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livres
livres
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$32.50
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Résumé:
In "Each Wild Idea", Geoffrey Batchen explores a wide range of photographic subjects, from the timing of the medium's invention to the various implications of cyberculture. Along the way, he reflects on contemporary art photography, the role of the vernacular in photography's history, and the Australianness of Australian photography. The essays all focus on a(...)
$32.50
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Résumé:
In "Each Wild Idea", Geoffrey Batchen explores a wide range of photographic subjects, from the timing of the medium's invention to the various implications of cyberculture. Along the way, he reflects on contemporary art photography, the role of the vernacular in photography's history, and the Australianness of Australian photography. The essays all focus on a(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
avril 2002, Cambridge, Mass.
avril 2002, Cambridge, Mass.
Titre:
Each wild idea : writing, photography, history
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$32.50
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In "Each Wild Idea", Geoffrey Batchen explores a wide range of photographic subjects, from the timing of the medium's invention to the various implications of cyberculture. Along the way, he reflects on contemporary art photography, the role of the vernacular in photography's history, and the Australianness of Australian photography. The essays all focus on a consideration of specific photographs--from a humble combination of baby photos and bronzed booties to a masterwork by Alfred Stieglitz. Although Batchen views each photograph within the context of broader social and political forces, he also engages its own distinctive formal attributes. In short, he sees photography as something that is simultaneously material and cultural. In an effort to evoke the lived experience of history, he frequently relies on sheer description as the mode of analysis, insisting that we look right at--rather than beyond--the photograph being discussed. A constant theme throughout the book is the question of photography's past, present, and future identity.
Each wild idea : writing, photography, history
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$32.50
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In "Each Wild Idea", Geoffrey Batchen explores a wide range of photographic subjects, from the timing of the medium's invention to the various implications of cyberculture. Along the way, he reflects on contemporary art photography, the role of the vernacular in photography's history, and the Australianness of Australian photography. The essays all focus on a consideration of specific photographs--from a humble combination of baby photos and bronzed booties to a masterwork by Alfred Stieglitz. Although Batchen views each photograph within the context of broader social and political forces, he also engages its own distinctive formal attributes. In short, he sees photography as something that is simultaneously material and cultural. In an effort to evoke the lived experience of history, he frequently relies on sheer description as the mode of analysis, insisting that we look right at--rather than beyond--the photograph being discussed. A constant theme throughout the book is the question of photography's past, present, and future identity.
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livres
livres
Publication:
avril 2002, Cambridge, Mass.
avril 2002, Cambridge, Mass.
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$52.50
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Résumé:
In "Each Wild Idea", Geoffrey Batchen explores a wide range of photographic subjects, from the timing of the medium's invention to the various implications of cyberculture. Along the way, he reflects on contemporary art photography, the role of the vernacular in (...)
$52.50
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Résumé:
In "Each Wild Idea", Geoffrey Batchen explores a wide range of photographic subjects, from the timing of the medium's invention to the various implications of cyberculture. Along the way, he reflects on contemporary art photography, the role of the vernacular in (...)
Titre:
Each wild idea : writing, photography, history
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$52.50
(disponible sur commande)
Résumé:
In "Each Wild Idea", Geoffrey Batchen explores a wide range of photographic subjects, from the timing of the medium's invention to the various implications of cyberculture. Along the way, he reflects on contemporary art photography, the role of the vernacular in photography's history, and the Australianness of Australian photography. The essays all focus on a consideration of specific photographs--from a humble combination of baby photos and bronzed booties to a masterwork by Alfred Stieglitz. Although Batchen views each photograph within the context of broader social and political forces, he also engages its own distinctive formal attributes. In short, he sees photography as something that is simultaneously material and cultural. In an effort to evoke the lived experience of history, he frequently relies on sheer description as the mode of analysis, insisting that we look right at--rather than beyond--the photograph being discussed. A constant theme throughout the book is the question of photography's past, present, and future identity.
Each wild idea : writing, photography, history
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Prix:
$52.50
(disponible sur commande)
Résumé:
In "Each Wild Idea", Geoffrey Batchen explores a wide range of photographic subjects, from the timing of the medium's invention to the various implications of cyberculture. Along the way, he reflects on contemporary art photography, the role of the vernacular in photography's history, and the Australianness of Australian photography. The essays all focus on a consideration of specific photographs--from a humble combination of baby photos and bronzed booties to a masterwork by Alfred Stieglitz. Although Batchen views each photograph within the context of broader social and political forces, he also engages its own distinctive formal attributes. In short, he sees photography as something that is simultaneously material and cultural. In an effort to evoke the lived experience of history, he frequently relies on sheer description as the mode of analysis, insisting that we look right at--rather than beyond--the photograph being discussed. A constant theme throughout the book is the question of photography's past, present, and future identity.
Classification:
livres
livres
Publication:
mars 2001, Cambridge
mars 2001, Cambridge
Sujet:
Théorie de la photographie
Théorie de la photographie
