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Why do design? What is design for? In a world of dwindling natural resources, exhausted social and political systems, and an overload of information there are many urgent reasons to reimagine the design discipline, and there is a growing need to look at design education. Learning and unlearning should become part of an ongoing educational practice. We need new proposals(...)
Design as learning: a school of schools reader
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Why do design? What is design for? In a world of dwindling natural resources, exhausted social and political systems, and an overload of information there are many urgent reasons to reimagine the design discipline, and there is a growing need to look at design education. Learning and unlearning should become part of an ongoing educational practice. We need new proposals for how to organize society, how to structure our governments, how to live with, not against, the planet, how to sift fact from fiction, how to relate to each other, and frankly, how to simply survive.
Muséologie
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On a daily basis, tens of thousands of food products fight for our attention in supermarkets. It's a miracle that we seem to effortlessly choose what we want from the overwhelming supply. Designers play a crucial role in this. They 'package' food and change it into products that appeal, inform and seduce us. The designer is the indispensable mediator between the producer(...)
Food is fiction: stories on food and design
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On a daily basis, tens of thousands of food products fight for our attention in supermarkets. It's a miracle that we seem to effortlessly choose what we want from the overwhelming supply. Designers play a crucial role in this. They 'package' food and change it into products that appeal, inform and seduce us. The designer is the indispensable mediator between the producer and us, the consumer. As artisans of alienation, designers make up stories, create illusions and dream images. ''Food Is Fiction'' places these stories in the context of the rise of the food industry and contemplating the future of food. From early advertising for classic brands such as Van Houten and Van Nelle, to food pornography, astronaut food and gastrophysics. On the basis of historical and contemporary visual material, this book also shows how the designer's language conforms to the spirit of the times, uses stereotypes and prejudices, or anticipates social changes.
Bouffe
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The ten essays gathered in this volume offer insight into the collaborations between architects and structural engineers that engendered many of the most important buildings erected in Japan after 1945, with special focus on the work of Tange Kenzo, Kawaguchi Mamoru, Kimura Toshihiko, Matsui Gengo, Saitoh Masao, Sasaki Mutsuro and Tsuboi Yoshikatsu. At once scholarly and(...)
Structured lineages: learning from Japanese structural design
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The ten essays gathered in this volume offer insight into the collaborations between architects and structural engineers that engendered many of the most important buildings erected in Japan after 1945, with special focus on the work of Tange Kenzo, Kawaguchi Mamoru, Kimura Toshihiko, Matsui Gengo, Saitoh Masao, Sasaki Mutsuro and Tsuboi Yoshikatsu. At once scholarly and accessible, these conversations and essays illustrate how intimately the innovations of this collaborative tradition passed from one generation to the next.
Structures d’ingénierie
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This book revisits the history of modernism in architecture through the legacy of one of its protagonists, Armenian architect Gabriel Guevrekian (c. 1900–70). Born in Istanbul, Guevrekian grew up in Tehran and then moved to Vienna to study architecture at the Kunstgewerbeschule; he later worked with Oskar Strnad, Josef Hoffmann, Adolf Loos, Henri Sauvage and Robert(...)
Gabriel Guevrekian: the elusive modernist
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This book revisits the history of modernism in architecture through the legacy of one of its protagonists, Armenian architect Gabriel Guevrekian (c. 1900–70). Born in Istanbul, Guevrekian grew up in Tehran and then moved to Vienna to study architecture at the Kunstgewerbeschule; he later worked with Oskar Strnad, Josef Hoffmann, Adolf Loos, Henri Sauvage and Robert Mallet-Stevens. Among Guevrekian’s famous designs are the Cubist Garden for Villa Noailles in France and two houses for the Vienna Werkbund exhibition. Before he turned 30, Guevrekian was recognized as one of the protagonists of the European avant-garde in Paris. During the 1930s, Guevrekian spent a few years in Iran designing public buildings. Later, after the World War II, he took up teaching positions in Europe and America. All of Guevrekian’s various pursuits, and the homes and nationalities he held in Asia, Europe and then America, led the architect to a serial adoption of personae. Guevrekian was an architect, an avant-gardist and a cosmopolitan. He made every discipline meaningful, every city central, every period epochal, simply by his own very tangible engagement with it.
Architecture, monographies
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'Infinite Span: 90 Years of Brazilian Architecture' assembles representative projects and works of Brazilian architecture made between 1920 and 2018. It creatively juxtaposes projects and proposes dialogues between them, and highlights intersections between architecture and music, literature, cinema and performing arts.
février 2019
Infinite span: 90 years of Brazilian architecture
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'Infinite Span: 90 Years of Brazilian Architecture' assembles representative projects and works of Brazilian architecture made between 1920 and 2018. It creatively juxtaposes projects and proposes dialogues between them, and highlights intersections between architecture and music, literature, cinema and performing arts.
Alberto Kalach: work
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This volume is an extensive compilation of more than 100 of TAX’s built and unbuilt projects. Illustrated with architectural photographs by Iwan Baan and Jaime Navarro as well as Kalach’s personal diagrams and drawings, this volume introduces readers to the work and vision of one of Mexico’s most acclaimed contemporary architects.
Alberto Kalach: work
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This volume is an extensive compilation of more than 100 of TAX’s built and unbuilt projects. Illustrated with architectural photographs by Iwan Baan and Jaime Navarro as well as Kalach’s personal diagrams and drawings, this volume introduces readers to the work and vision of one of Mexico’s most acclaimed contemporary architects.
Architecture, monographies
Stopping / Arrêts
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To stop. A gesture of resistance in a world primarily designed to encourage work, consumerism, perpetual growth and efficiency. Stopping as an urban practice. In cities where pauses and idleness within specific sites are increasingly discouraged, stopping emerges as a space of rupture, pleasure, intimacy, or simply necessity and rest. In a project begun in 2015 in Mexico(...)
Stopping / Arrêts
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To stop. A gesture of resistance in a world primarily designed to encourage work, consumerism, perpetual growth and efficiency. Stopping as an urban practice. In cities where pauses and idleness within specific sites are increasingly discouraged, stopping emerges as a space of rupture, pleasure, intimacy, or simply necessity and rest. In a project begun in 2015 in Mexico City and further developed in Montreal in 2017, Jean-François Prost explores these realities for their contrasts with the incessant movement of people and related structures in contemporary cities where sometimes even self-constructions of time and space are forbidden.
Théorie de l’urbanisme
Ecart, Genève 1969-1982
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En 1969, John M Armleder cofonde à Genève l'Ecart Performance Group avec Patrick Lucchini et Claude Rychner. Cette aventure artistique collective, placée dans la continuité du mouvement Fluxus, se développe ensuite pour devenir une galerie autogérée, une maison d'édition, une librairie… Basé à Genève, le groupe Ecart est reconnu comme l'un des relais importants de l'art(...)
mars 2019
Ecart, Genève 1969-1982
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En 1969, John M Armleder cofonde à Genève l'Ecart Performance Group avec Patrick Lucchini et Claude Rychner. Cette aventure artistique collective, placée dans la continuité du mouvement Fluxus, se développe ensuite pour devenir une galerie autogérée, une maison d'édition, une librairie… Basé à Genève, le groupe Ecart est reconnu comme l'un des relais importants de l'art expérimental des années 1970 en Suisse. Le MAMCO propose la réédition augmentée de l'ouvrage de référence sur une période de l'art suisse et européen particulièrement foisonnante et provocante, encore trop peu documentée.
L’esthétique du déplaisir
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Au croisement des arts, l'œuvre de Carmelo Bene – acteur, auteur et metteur en scène, pour le théâtre, le cinéma et la télévision, mais aussi romancier et poète – remet systématiquement en question le langage artistique avec lequel il s'exprime. Ni captations de spectacles théâtraux, ni adaptations cinématographiques, ses réalisations pour le petit écran explorent les(...)
L’esthétique du déplaisir
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Au croisement des arts, l'œuvre de Carmelo Bene – acteur, auteur et metteur en scène, pour le théâtre, le cinéma et la télévision, mais aussi romancier et poète – remet systématiquement en question le langage artistique avec lequel il s'exprime. Ni captations de spectacles théâtraux, ni adaptations cinématographiques, ses réalisations pour le petit écran explorent les possibilités techniques et esthétiques offertes par le médium télévisé. Ce volume réunit deux entretiens, respectivement avec les critiques Italo Moscati et Maurizio Grande, publiés au moment de la diffusion du Hamlet télévisé de Carmelo Bene (1978). L'artiste y expose sa méthode de travail et ses idées sur la télévision, ce « médium innocent aux possibilités puissantes, inexplorées ». Relues à l'ère d'Internet, ses réflexions invitent à penser les liens entre spectacle vivant et petit(s) écran(s), mais aussi entre nouveautés technologiques et recherche esthétique, entre avant-gardisme artistique et diffusion de masse.
Théorie de l’art
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Albert Kahn is probably the most important industrial architect of the 20th century. With his factory for the Ford T models, designed for mass production, he found himself at the beginning of modern industrial architecture. His industrial buildings inspired the architects of European Modernism. They were the examples by which the structural rationality of Kahn?s(...)
Albert Kahn's industrial architecture: form follows performance
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Albert Kahn is probably the most important industrial architect of the 20th century. With his factory for the Ford T models, designed for mass production, he found himself at the beginning of modern industrial architecture. His industrial buildings inspired the architects of European Modernism. They were the examples by which the structural rationality of Kahn?s industrial developments became the guiding principle for the New Building movement up until today.
Architecture, monographies