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Bauhaus
$59.95
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Le Bauhaus a marqué le XXe siècle par son idéal de formes et de couleur. Le présent ouvrage analyse le phénomène Bauhaus en retraçant l'histoire du design depuis le XIXe siècle en le replaçant dans son contexte historique positivement explosif et en mesurant son impact sur le style de l'époque...
juin 2000, Cologne
Bauhaus
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Le Bauhaus a marqué le XXe siècle par son idéal de formes et de couleur. Le présent ouvrage analyse le phénomène Bauhaus en retraçant l'histoire du design depuis le XIXe siècle en le replaçant dans son contexte historique positivement explosif et en mesurant son impact sur le style de l'époque...
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juin 2000, Cologne
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Olivetti’s headquarters in Ivrea, near Turin, were designed by several leading architects of post-war Italy (Figini, Pollini, Gardella, Zanuso, Sottsass, Valle etc.) and offer an exceptional case study of the relationship between architectural culture and a leading, progressive company. This book offers a critical interpretation of the rich, unique architectural(...)
octobre 2000, Milano
Olivetti builds : modern architecture in Ivrea
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Olivetti’s headquarters in Ivrea, near Turin, were designed by several leading architects of post-war Italy (Figini, Pollini, Gardella, Zanuso, Sottsass, Valle etc.) and offer an exceptional case study of the relationship between architectural culture and a leading, progressive company. This book offers a critical interpretation of the rich, unique architectural patrimony of Ivrea, seat of Olivetti’s headquarters, the most famous typewriter company in the world. A detailed catalogue of the open-air museum of modern architecture in Ivrea, the text reconstructs the events from the ’thirties to the ’fifties surrounding Adriano Olivetti and his relationship with architecture and urban planning. In the mid-thirties Adriano Olivetti began not only a renewal of industrial production, but also a long process of construction of the territory and its landscape. Beginning in 1945 Ivrea became a reference point not only for Italian intellectuals interested in constructing a new civil society, but also a mecca for architects and urban planners, who brought his ideas to life through their work. Architects such as Luigi Figini and Gino Pollini, Ignazio Gardella, Marco Zanuso, Eduardo Vittoria, Ettore Sottsass, Gino Valle, urban planners such as Giovanni Astengo, Carlo Doglio, Luigi Piccinato not only gave form to the community but also, through the individual works built in Ivrea, contributed to the complex Italian and international architectural debate.
livres
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Ten architectural critics -- writers, curators, educators -- were invited to name their selection of the the 10 most innovative, emerging, architects practising today. The work of these 100 individuals and firms is represented by 250 projects including built works aslongside designs for competitions and conceptual projects. The book includes an essay by(...)
mai 2000, London
10 x 10 : 10 Critics, 100 architects
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Ten architectural critics -- writers, curators, educators -- were invited to name their selection of the the 10 most innovative, emerging, architects practising today. The work of these 100 individuals and firms is represented by 250 projects including built works aslongside designs for competitions and conceptual projects. The book includes an essay by each critic on the state of current practice.
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mai 2000, London
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$34.99
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Previous edition published under the title "Shaping a Nation: Twentieth-Century American Architecture and Its Makers".
Twentieth-century American architecture : the buildings and their makers
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Previous edition published under the title "Shaping a Nation: Twentieth-Century American Architecture and Its Makers".
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janvier 1900, New York
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Young British architects
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This book features 14 younger architectural practices together with their most admired buildings and projects: Shed KM, Liverpool; Weston Williamson, London; Haworth (...)
Young British architects
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This book features 14 younger architectural practices together with their most admired buildings and projects: Shed KM, Liverpool; Weston Williamson, London; Haworth Tompkins, London; Niall McLaughlin, London; Caruso St John, Walsall; Eric Parry, Cambridge; Patrick Davies, Cardiff; Foreign Office Architects, London/New York/Yokohama; Bauman Lyons, Bridlington; AHMM, Walsall; Stephen Hodder, Oxford; Richard Murphy, Edinburgh/Dundee; FAT, London; Birds Portchmouth Russum, Chichester. Each office is portrayed in detail, documenting several projects and including biographical information.
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mars 2000, Basel
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The Technical Schools complex in Groningen was designed in 1922 by the then director of technical education, civil engineer Jan Gerko Wiebenga, in collaboration with the Rotterdam architect Leendert Cornelis van der Vlugt. The original complex comprised a secondary and a junior(...)
The Wiebenga Complex : conversion and restoration of the technical schools in Groningen
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The Technical Schools complex in Groningen was designed in 1922 by the then director of technical education, civil engineer Jan Gerko Wiebenga, in collaboration with the Rotterdam architect Leendert Cornelis van der Vlugt. The original complex comprised a secondary and a junior secondary technical school plus two rows of workshops and laboratories and various outbuildings in between. Wiebenga’s decision to construct the schools in concrete was unusual in that at the time this method of construction was considered suitable only for industrial buildings. The materialization, column structure and window bands all gave the building an unprecedentedly modern appearance. Over the years, the buildings have been radically altered, partially demolished and extended. The Wiebenga complex has recently been renovated, restored and completely adapted to modern educational requirements. Every effort was made to enhance the identity of the original buildings of what is now officially recognized as a modern national monument and the architectural design of the conversion is closely related to the principles of the original concept.
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mars 2000, Rotterdam
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La globalisation en architecture est généralement perçue comme une force négative conduisant à l'homogénéité et à l'uniformité. Ces dernières années cependant, sous l'influence des processus de globalisation, se dessinent les contours d'une nouvelle et intrigante architecture au sein de laquelle la superficialité et la neutralité ont acquis une signification particulière.
Supermodernisme : l'architecture à l'ère de la globalisation
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La globalisation en architecture est généralement perçue comme une force négative conduisant à l'homogénéité et à l'uniformité. Ces dernières années cependant, sous l'influence des processus de globalisation, se dessinent les contours d'une nouvelle et intrigante architecture au sein de laquelle la superficialité et la neutralité ont acquis une signification particulière.
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Lost New York
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Expanded and updated edition.
Lost New York
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Expanded and updated edition.
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juillet 2000, New York
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Architecture 2000 and beyond
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This classic of prediction, written in 1969, has now been brought up-to-date, the prophecies judged, and the omens extended to 2030. The success rate of Jencks' forecasts and his method of combining expert prediction with structural analysis make this book an important contribution to the art of conjecture. Not only did he predict a series of innovations that(...)
Architecture 2000 and beyond
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This classic of prediction, written in 1969, has now been brought up-to-date, the prophecies judged, and the omens extended to 2030. The success rate of Jencks' forecasts and his method of combining expert prediction with structural analysis make this book an important contribution to the art of conjecture. Not only did he predict a series of innovations that have changed the world, such as the Internet, but he identified six main architectural traditions that continuously transform over time. This provides a method of gauging what are likely to be the future movements in architecture, a useful and fascinating tool for speculation.
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août 2000, Chichester
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$120.00
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A Hundred Years of Dutch Architecture reconstructs the frames of reference within which Dutch architects operated in the century that has just ended. It exhaustively documents twenty buildings and complexes on the basis of the original drawings. Each of these projects embodies a 'take' on a particular architectural issue and serves as a crystallization point for five(...)
août 2003, Amsterdam
A hundred years of Dutch architecture : 1901-2000
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A Hundred Years of Dutch Architecture reconstructs the frames of reference within which Dutch architects operated in the century that has just ended. It exhaustively documents twenty buildings and complexes on the basis of the original drawings. Each of these projects embodies a 'take' on a particular architectural issue and serves as a crystallization point for five approaches - traditionalist, expressionist, functionalist, rationalist and postmodern - that can be distilled from the welter of design strategies. The significance both social and designwise of the five architectural strands is explored in as many essays before moving on to the documentation. A removable 'Calendar' traces the lines of development of Dutch architecture in a clear and easy-to-follow form. One hundred characteristic architectural works - one for each year - are placed against a backdrop of the technical and social developments. Among the projects documented at length in this book are designs by Berlage, De Klerk, Rietveld, Dudok, Oud, Friedhoff, Van Eyck, Hertzberger, Koolhaas and Coenen.
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août 2003, Amsterdam