13714 Résultats
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livres
livres
Titre:
Éloge de la lenteur
Éloge de la lenteur
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Et si un bon usage de la lenteur pouvait rendre nos existences plus riches ? Pourquoi sommes-nous si pressés ? Pouvons-nous et voulons-nous aller moins vite ? Nous avons décidément tendance à privilégier la quantité des tâches à abattre à la qualité de nos actes quotidiens. A l'heure où la performance est requise sur tous les fronts de l'existence (travail, couple,(...)
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Et si un bon usage de la lenteur pouvait rendre nos existences plus riches ? Pourquoi sommes-nous si pressés ? Pouvons-nous et voulons-nous aller moins vite ? Nous avons décidément tendance à privilégier la quantité des tâches à abattre à la qualité de nos actes quotidiens. A l'heure où la performance est requise sur tous les fronts de l'existence (travail, couple,(...)
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Éloge de la lenteur
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Et si un bon usage de la lenteur pouvait rendre nos existences plus riches ? Pourquoi sommes-nous si pressés ? Pouvons-nous et voulons-nous aller moins vite ? Nous avons décidément tendance à privilégier la quantité des tâches à abattre à la qualité de nos actes quotidiens. A l'heure où la performance est requise sur tous les fronts de l'existence (travail, couple, famille, vie sociale et même... loisirs !), Carl Honoré enquête au coeur d'un courant d'opinion baptisé Slow ", qui propose de rééquilibrer rapidité et lenteur dans notre vie, et retrouver ce que les musiciens appellent tempo giusto.
Éloge de la lenteur
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Et si un bon usage de la lenteur pouvait rendre nos existences plus riches ? Pourquoi sommes-nous si pressés ? Pouvons-nous et voulons-nous aller moins vite ? Nous avons décidément tendance à privilégier la quantité des tâches à abattre à la qualité de nos actes quotidiens. A l'heure où la performance est requise sur tous les fronts de l'existence (travail, couple, famille, vie sociale et même... loisirs !), Carl Honoré enquête au coeur d'un courant d'opinion baptisé Slow ", qui propose de rééquilibrer rapidité et lenteur dans notre vie, et retrouver ce que les musiciens appellent tempo giusto.
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livres
livres
Publication:
juin 2018
juin 2018
Sujet:
Théorie/ philosophie
Théorie/ philosophie
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livres
livres
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Americans, on average, spend between six and ten seconds with individual artworks in museums or galleries—hardly time enough. But how, in our culture of distraction, might we extend attention? "Slow Art" models sustained ways of looking, through encounters with various media both present and past—including photography, painting, sculpture, “living pictures,” film, video,(...)
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Americans, on average, spend between six and ten seconds with individual artworks in museums or galleries—hardly time enough. But how, in our culture of distraction, might we extend attention? "Slow Art" models sustained ways of looking, through encounters with various media both present and past—including photography, painting, sculpture, “living pictures,” film, video,(...)
Titre:
Slow art: the experience of looking, sacred images to James Turrell
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Americans, on average, spend between six and ten seconds with individual artworks in museums or galleries—hardly time enough. But how, in our culture of distraction, might we extend attention? "Slow Art" models sustained ways of looking, through encounters with various media both present and past—including photography, painting, sculpture, “living pictures,” film, video, digital and performance art—even light and space. Works by Diderot, Emma Hamilton, Oscar Wilde, Jeff Wall, Sam Taylor-Johnson, Andy Warhol, and Richard Serra, among others, shape a new and distinct aesthetic field. But rather than a collection of objects, slow art is participatory—it directly engages beholders to bring artworks to life. Against current orthodoxy, Arden Reed argues that, for contemporary viewers, the contemplation of slow art is akin to religious practices during the ages of faith.
Slow art: the experience of looking, sacred images to James Turrell
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Americans, on average, spend between six and ten seconds with individual artworks in museums or galleries—hardly time enough. But how, in our culture of distraction, might we extend attention? "Slow Art" models sustained ways of looking, through encounters with various media both present and past—including photography, painting, sculpture, “living pictures,” film, video, digital and performance art—even light and space. Works by Diderot, Emma Hamilton, Oscar Wilde, Jeff Wall, Sam Taylor-Johnson, Andy Warhol, and Richard Serra, among others, shape a new and distinct aesthetic field. But rather than a collection of objects, slow art is participatory—it directly engages beholders to bring artworks to life. Against current orthodoxy, Arden Reed argues that, for contemporary viewers, the contemplation of slow art is akin to religious practices during the ages of faith.
Classification:
livres
livres
Publication:
mars 2019
mars 2019
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
What is a border?
What is a border?
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The fall of the Berlin Wall, symbol of the bipolar order that emerged after World War II, seemed to inaugurate an age of ever fewer borders. The liberalization and integration of markets, the creation of vast free-trade zones, the birth of a new political and monetary union in Europe—all seemed to point in that direction. Only thirty years later, the tendency appears to(...)
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The fall of the Berlin Wall, symbol of the bipolar order that emerged after World War II, seemed to inaugurate an age of ever fewer borders. The liberalization and integration of markets, the creation of vast free-trade zones, the birth of a new political and monetary union in Europe—all seemed to point in that direction. Only thirty years later, the tendency appears to(...)
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What is a border?
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The fall of the Berlin Wall, symbol of the bipolar order that emerged after World War II, seemed to inaugurate an age of ever fewer borders. The liberalization and integration of markets, the creation of vast free-trade zones, the birth of a new political and monetary union in Europe—all seemed to point in that direction. Only thirty years later, the tendency appears to be quite the opposite. Talk of a wall with Mexico is only one sign among many that boundaries and borders are being revisited, expanding in number, and being reintroduced where they had virtually been abolished. Is this an out-of-step, deceptive last gasp of national sovereignty or the victory of the weight of history over the power of place?
What is a border?
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The fall of the Berlin Wall, symbol of the bipolar order that emerged after World War II, seemed to inaugurate an age of ever fewer borders. The liberalization and integration of markets, the creation of vast free-trade zones, the birth of a new political and monetary union in Europe—all seemed to point in that direction. Only thirty years later, the tendency appears to be quite the opposite. Talk of a wall with Mexico is only one sign among many that boundaries and borders are being revisited, expanding in number, and being reintroduced where they had virtually been abolished. Is this an out-of-step, deceptive last gasp of national sovereignty or the victory of the weight of history over the power of place?
Classification:
livres
livres
Publication:
février 2018
février 2018
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
Titre:
What is philosophy?
What is philosophy?
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In attempting to answer the question posed by this book's title, Giorgio Agamben does not address the idea of philosophy itself. Rather, he turns to the apparently most insignificant of its components: the phonemes, letters, syllables, and words that come together to make up the phrases and ideas of philosophical discourse. A summa, of sorts, of Agamben's thought, the(...)
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In attempting to answer the question posed by this book's title, Giorgio Agamben does not address the idea of philosophy itself. Rather, he turns to the apparently most insignificant of its components: the phonemes, letters, syllables, and words that come together to make up the phrases and ideas of philosophical discourse. A summa, of sorts, of Agamben's thought, the(...)
Titre:
What is philosophy?
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In attempting to answer the question posed by this book's title, Giorgio Agamben does not address the idea of philosophy itself. Rather, he turns to the apparently most insignificant of its components: the phonemes, letters, syllables, and words that come together to make up the phrases and ideas of philosophical discourse. A summa, of sorts, of Agamben's thought, the book consists of five essays on five emblematic topics: the Voice, the Sayable, the Demand, the Proem, and the Muse. In keeping with the author's trademark methodology, each essay weaves together archaeological and theoretical investigations: to a patient reconstruction of how the concept of language was invented there corresponds an attempt to restore thought to its place within the voice; to an unusual interpretation of the Platonic Idea corresponds a lucid analysis of the relationship between philosophy and science, and of the crisis that both are undergoing today.
What is philosophy?
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In attempting to answer the question posed by this book's title, Giorgio Agamben does not address the idea of philosophy itself. Rather, he turns to the apparently most insignificant of its components: the phonemes, letters, syllables, and words that come together to make up the phrases and ideas of philosophical discourse. A summa, of sorts, of Agamben's thought, the book consists of five essays on five emblematic topics: the Voice, the Sayable, the Demand, the Proem, and the Muse. In keeping with the author's trademark methodology, each essay weaves together archaeological and theoretical investigations: to a patient reconstruction of how the concept of language was invented there corresponds an attempt to restore thought to its place within the voice; to an unusual interpretation of the Platonic Idea corresponds a lucid analysis of the relationship between philosophy and science, and of the crisis that both are undergoing today.
Classification:
livres
livres
Publication:
septembre 2017
septembre 2017
Sujet:
Théorie/ philosophie
Théorie/ philosophie
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livres
livres
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$60.00
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In the wake of World War I, an international movement arose which aimed to protect architectural monuments in large numbers, and regardless of style, hoping not only to keep them safe from future conflicts, but also to make them worthy of protection from more quotidian forms of destruction. Examining key episodes in the history of this preservation effort, Lucia Allais(...)
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In the wake of World War I, an international movement arose which aimed to protect architectural monuments in large numbers, and regardless of style, hoping not only to keep them safe from future conflicts, but also to make them worthy of protection from more quotidian forms of destruction. Examining key episodes in the history of this preservation effort, Lucia Allais(...)
Titre:
Designs of destruction: the making of monuments in the twentieth century
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In the wake of World War I, an international movement arose which aimed to protect architectural monuments in large numbers, and regardless of style, hoping not only to keep them safe from future conflicts, but also to make them worthy of protection from more quotidian forms of destruction. Examining key episodes in the history of this preservation effort, Lucia Allais demonstrates how the group deployed the notion of culture to shape architectural sites, and how architecture in turn shaped the very idea of global culture.
Designs of destruction: the making of monuments in the twentieth century
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In the wake of World War I, an international movement arose which aimed to protect architectural monuments in large numbers, and regardless of style, hoping not only to keep them safe from future conflicts, but also to make them worthy of protection from more quotidian forms of destruction. Examining key episodes in the history of this preservation effort, Lucia Allais demonstrates how the group deployed the notion of culture to shape architectural sites, and how architecture in turn shaped the very idea of global culture.
Classification:
livres
livres
Publication:
octobre 2018
octobre 2018
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Titre:
Birch
Birch
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For thousands of years they have given people of the northern forests and beyond raw materials in the form of leaves, twigs, branches and bark, as well as wood and sap, not simply to survive but to flourish and express their identity in practical and spiritual ways. Tough, waterproof and flexible, birch bark has been used for everything from basketry and clothing to(...)
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For thousands of years they have given people of the northern forests and beyond raw materials in the form of leaves, twigs, branches and bark, as well as wood and sap, not simply to survive but to flourish and express their identity in practical and spiritual ways. Tough, waterproof and flexible, birch bark has been used for everything from basketry and clothing to(...)
Titre:
Birch
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For thousands of years they have given people of the northern forests and beyond raw materials in the form of leaves, twigs, branches and bark, as well as wood and sap, not simply to survive but to flourish and express their identity in practical and spiritual ways. Tough, waterproof and flexible, birch bark has been used for everything from basketry and clothing to housing and transport, musical instruments and medicines, as well as a means to communicate and record sacred beliefs: some of our most ancient Buddhist texts and other historic documents are written on birch bark. Birches have not only shaped regional cultures – creating, for example, the Native American wigwam and the birch bark canoe – but continue to supply raw materials of global economic importance today. "Birch" explores the multiple uses of these versatile trees as well as the ancient beliefs and folklore with which they are associated.
Birch
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For thousands of years they have given people of the northern forests and beyond raw materials in the form of leaves, twigs, branches and bark, as well as wood and sap, not simply to survive but to flourish and express their identity in practical and spiritual ways. Tough, waterproof and flexible, birch bark has been used for everything from basketry and clothing to housing and transport, musical instruments and medicines, as well as a means to communicate and record sacred beliefs: some of our most ancient Buddhist texts and other historic documents are written on birch bark. Birches have not only shaped regional cultures – creating, for example, the Native American wigwam and the birch bark canoe – but continue to supply raw materials of global economic importance today. "Birch" explores the multiple uses of these versatile trees as well as the ancient beliefs and folklore with which they are associated.
Classification:
livres
livres
Publication:
novembre 2018
novembre 2018
Sujet:
Théorie du paysage
Théorie du paysage
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livres
livres
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$56.95
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"Monsters under Glass" explores our enduring fascination with hothouses and exotic blooms, from their rise in ancient times, through the Victorian vogue for plant collecting, to the vegetable monsters of twentieth-century science fiction and the movies, comics, and video games of the present day. Our interest in hothouses can be traced back to the Roman emperor Tiberius,(...)
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"Monsters under Glass" explores our enduring fascination with hothouses and exotic blooms, from their rise in ancient times, through the Victorian vogue for plant collecting, to the vegetable monsters of twentieth-century science fiction and the movies, comics, and video games of the present day. Our interest in hothouses can be traced back to the Roman emperor Tiberius,(...)
Titre:
Monsters under glass: a cultural history of hothouse flowers from 1850 to the present
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"Monsters under Glass" explores our enduring fascination with hothouses and exotic blooms, from their rise in ancient times, through the Victorian vogue for plant collecting, to the vegetable monsters of twentieth-century science fiction and the movies, comics, and video games of the present day. Our interest in hothouses can be traced back to the Roman emperor Tiberius, but it was only in the early nineteenth century that a boom in exotic plant collecting and new glasshouse technologies stimulated the imagination of novelists, poets, and artists, and the hothouse entered the creative language in a highly charged way. Decadent writers in England and Europe—including Charles Baudelaire and Oscar Wilde—transformed the hothouse from a functional object to a powerful metaphor of metropolitan life, sexuality, and being replete with a dark underside of decay and death; and of consciousness itself, nurtured and dissected under glass.
Monsters under glass: a cultural history of hothouse flowers from 1850 to the present
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"Monsters under Glass" explores our enduring fascination with hothouses and exotic blooms, from their rise in ancient times, through the Victorian vogue for plant collecting, to the vegetable monsters of twentieth-century science fiction and the movies, comics, and video games of the present day. Our interest in hothouses can be traced back to the Roman emperor Tiberius, but it was only in the early nineteenth century that a boom in exotic plant collecting and new glasshouse technologies stimulated the imagination of novelists, poets, and artists, and the hothouse entered the creative language in a highly charged way. Decadent writers in England and Europe—including Charles Baudelaire and Oscar Wilde—transformed the hothouse from a functional object to a powerful metaphor of metropolitan life, sexuality, and being replete with a dark underside of decay and death; and of consciousness itself, nurtured and dissected under glass.
Classification:
livres
livres
Publication:
août 2018
août 2018
Sujet:
Théorie du paysage
Théorie du paysage
Classification:
livres
livres
Prix:
$59.95
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Résumé:
Velazquez. Poussin. Carvaggio. Bernini. Despite their disparate backgrounds, these greats of European Baroque art converged at one remarkable place in time: Rome, 1630. In response to the Protestant Reformation, the Catholic Church turned to these masters of Baroque art to craft works celebrating the glories of the heavens manifested on earth. And so, with glittering(...)
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Velazquez. Poussin. Carvaggio. Bernini. Despite their disparate backgrounds, these greats of European Baroque art converged at one remarkable place in time: Rome, 1630. In response to the Protestant Reformation, the Catholic Church turned to these masters of Baroque art to craft works celebrating the glories of the heavens manifested on earth. And so, with glittering(...)
Titre:
Rome, 1630: The horizon of early Baroque, and other essays
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Velazquez. Poussin. Carvaggio. Bernini. Despite their disparate backgrounds, these greats of European Baroque art converged at one remarkable place in time: Rome, 1630. In response to the Protestant Reformation, the Catholic Church turned to these masters of Baroque art to craft works celebrating the glories of the heavens manifested on earth. And so, with glittering monuments like Bernini's imposing bronze columns in St. Peter's Basilica, Rome, 1630 came to be the crossroads of seventeenth-century art, religion, and power. In ''Rome, 1630,'' the renowned French poet and critic Yves Bonnefoy devotes his attention to this single year in the Baroque period in European art. The inclusion of five additional essays on seventeenth-century art situate Bonnefoy's analysis within a lively debate on Baroque art and art history. Translator Hoyt Rogers's afterword pays homage to the author himself, situating ''Rome, 1630'' in Bonnefoy's productive career as a premier French poet and critic.
Rome, 1630: The horizon of early Baroque, and other essays
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Velazquez. Poussin. Carvaggio. Bernini. Despite their disparate backgrounds, these greats of European Baroque art converged at one remarkable place in time: Rome, 1630. In response to the Protestant Reformation, the Catholic Church turned to these masters of Baroque art to craft works celebrating the glories of the heavens manifested on earth. And so, with glittering monuments like Bernini's imposing bronze columns in St. Peter's Basilica, Rome, 1630 came to be the crossroads of seventeenth-century art, religion, and power. In ''Rome, 1630,'' the renowned French poet and critic Yves Bonnefoy devotes his attention to this single year in the Baroque period in European art. The inclusion of five additional essays on seventeenth-century art situate Bonnefoy's analysis within a lively debate on Baroque art and art history. Translator Hoyt Rogers's afterword pays homage to the author himself, situating ''Rome, 1630'' in Bonnefoy's productive career as a premier French poet and critic.
Classification:
livres
livres
Publication:
novembre 2020
novembre 2020
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
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$39.95
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Pablo Picasso and Gertrude Stein. Few can be said to have had as broad an impact on European art in the twentieth century as these two cultural giants. Pablo Picasso, a pioneering visual artist, created a prolific and widely influential body of work. Gertrude Stein, an intellectual tastemaker, hosted the leading salon for artists and writers between the wars in her Paris(...)
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Pablo Picasso and Gertrude Stein. Few can be said to have had as broad an impact on European art in the twentieth century as these two cultural giants. Pablo Picasso, a pioneering visual artist, created a prolific and widely influential body of work. Gertrude Stein, an intellectual tastemaker, hosted the leading salon for artists and writers between the wars in her Paris(...)
Sujet:
Théorie de l’art
Théorie de l’art
Publication:
septembre 2018
septembre 2018
Titre:
Pablo Picasso and Gertrude Stein: correspondence
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Pablo Picasso and Gertrude Stein. Few can be said to have had as broad an impact on European art in the twentieth century as these two cultural giants. Pablo Picasso, a pioneering visual artist, created a prolific and widely influential body of work. Gertrude Stein, an intellectual tastemaker, hosted the leading salon for artists and writers between the wars in her Paris apartment, welcoming Henri Matisse, Ernest Hemingway, and Ezra Pound to weekly events at her home to discuss art and literature. It comes as no surprise, then, that Picasso and Stein were fast friends and frequent confidantes. Through Picasso and Stein’s casual notes and reflective letters, this volume of correspondence between the two captures Paris both in the golden age of the early twentieth century and in one of its darkest hours, the Nazi occupation through mentions of dinner parties, lovers, work, and the crises of the two world wars.
Pablo Picasso and Gertrude Stein: correspondence
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$39.95
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Pablo Picasso and Gertrude Stein. Few can be said to have had as broad an impact on European art in the twentieth century as these two cultural giants. Pablo Picasso, a pioneering visual artist, created a prolific and widely influential body of work. Gertrude Stein, an intellectual tastemaker, hosted the leading salon for artists and writers between the wars in her Paris apartment, welcoming Henri Matisse, Ernest Hemingway, and Ezra Pound to weekly events at her home to discuss art and literature. It comes as no surprise, then, that Picasso and Stein were fast friends and frequent confidantes. Through Picasso and Stein’s casual notes and reflective letters, this volume of correspondence between the two captures Paris both in the golden age of the early twentieth century and in one of its darkest hours, the Nazi occupation through mentions of dinner parties, lovers, work, and the crises of the two world wars.
Classification:
livres
livres
Publication:
septembre 2018
septembre 2018
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
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$49.95
(disponible en magasin)
Résumé:
"A Real Living Contact with theThings Themselves" selects nine essays written throughout Scalbert’s career from the early 1990s to the present. Four of the essays are detailed studies of major buildings, including both critiques written at the time the buildings were made and comments on extant buildings that contributed to their rediscovery. Other pieces represent(...)
$49.95
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Résumé:
"A Real Living Contact with theThings Themselves" selects nine essays written throughout Scalbert’s career from the early 1990s to the present. Four of the essays are detailed studies of major buildings, including both critiques written at the time the buildings were made and comments on extant buildings that contributed to their rediscovery. Other pieces represent(...)
Titre:
A real living contact with the things themselves: essays on architecture
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$49.95
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"A Real Living Contact with theThings Themselves" selects nine essays written throughout Scalbert’s career from the early 1990s to the present. Four of the essays are detailed studies of major buildings, including both critiques written at the time the buildings were made and comments on extant buildings that contributed to their rediscovery. Other pieces represent broader studies of historical movements and ideas, interpreting their significance within the context of contemporary architecture. All of the essays are based on direct experience, whether through quiet contemplation or candid interviews with architects, builders, or inhabitants. An architect by training, Scalbert writes with the purpose of illuminating the design efforts made and enriching the form of the architectures he describes, and his essays thus contribute to many key moments in the architectural history of the past three decades.
A real living contact with the things themselves: essays on architecture
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$49.95
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Résumé:
"A Real Living Contact with theThings Themselves" selects nine essays written throughout Scalbert’s career from the early 1990s to the present. Four of the essays are detailed studies of major buildings, including both critiques written at the time the buildings were made and comments on extant buildings that contributed to their rediscovery. Other pieces represent broader studies of historical movements and ideas, interpreting their significance within the context of contemporary architecture. All of the essays are based on direct experience, whether through quiet contemplation or candid interviews with architects, builders, or inhabitants. An architect by training, Scalbert writes with the purpose of illuminating the design efforts made and enriching the form of the architectures he describes, and his essays thus contribute to many key moments in the architectural history of the past three decades.
Classification:
livres
livres
Publication:
janvier 2019
janvier 2019
Sujet:
Théorie de l’architecture
Théorie de l’architecture
