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Built in 1969, Metsamor, Armenia (then the Armenian Soviet Socialist Republic), was intended as a settlement for employees of a nearby nuclear power plant to be completed between 1976 and 1980. But the power plant would never realize the ambitions of its creators. In 1988, an earthquake caused the facility to be shut down. In 1989, the collapse of the Soviet Union(...)
Théorie de l’architecture
septembre 2018
Utopia and collapse: rethinking Metsamor, the Armenian atomic city
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Built in 1969, Metsamor, Armenia (then the Armenian Soviet Socialist Republic), was intended as a settlement for employees of a nearby nuclear power plant to be completed between 1976 and 1980. But the power plant would never realize the ambitions of its creators. In 1988, an earthquake caused the facility to be shut down. In 1989, the collapse of the Soviet Union prompted a complete construction freeze. The symbol of the dream of a technologically advanced nation, Metsamor remained incomplete and fell into decay undiminished by the recommissioning of the power plant in 1995. "Utopia and Collapse" documents the rise and fall of Metsamor.
Théorie de l’architecture
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Throughout the twentieth century, the ancient city of Athens underwent a massive transformation into simple sets of apartment blocks, or polykatoikia. Today, these multifamily residential units define the city’s landscape from center to periphery and house a majority of Greece’s population. Yet specific circumstances and cultural patterns set Athens’s transformation apart(...)
The public-private house: modern Athens and its Polykatoikia
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Throughout the twentieth century, the ancient city of Athens underwent a massive transformation into simple sets of apartment blocks, or polykatoikia. Today, these multifamily residential units define the city’s landscape from center to periphery and house a majority of Greece’s population. Yet specific circumstances and cultural patterns set Athens’s transformation apart from the arrival of architectural modernity in other countries, and what has emerged in Athens is a distinctly Greek variety of modern urban development. "The Public-Private House" examines Athens’s urban character and the apparently unlimited adaptability of polykatoikia.
Théorie de l’architecture
CARTHA on the form of form
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Since 2014, CARTHA has provided a platform for critical thinking on architecture and society. Each year, CARTHA initiates research and publishes issues on a topic in its online magazine, which are then brought together in an annual book. In 2016, CARTHA was invited to participate in the Lisbon Architecture Triennale. Adopting the Triennale’s topic, ''The Form of Form,''(...)
CARTHA on the form of form
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Since 2014, CARTHA has provided a platform for critical thinking on architecture and society. Each year, CARTHA initiates research and publishes issues on a topic in its online magazine, which are then brought together in an annual book. In 2016, CARTHA was invited to participate in the Lisbon Architecture Triennale. Adopting the Triennale’s topic, ''The Form of Form,'' the three issues that comprise ''CARTHA on the form of form'' explore the topic of form through different, yet complementary, lenses.
Théorie de l’architecture
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"Not Interesting" proposes another set of terms and structures to talk about architecture, without requiring that it be interesting. This book explores a set of alternatives to the interesting and imagines how architecture might be positioned more broadly in the world using other terms: boring, confusing, and comforting. Along with interesting, these three terms make up(...)
Not interesting: on the limits of criticism in architecture
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"Not Interesting" proposes another set of terms and structures to talk about architecture, without requiring that it be interesting. This book explores a set of alternatives to the interesting and imagines how architecture might be positioned more broadly in the world using other terms: boring, confusing, and comforting. Along with interesting, these three terms make up the four chapters of the book. Each chapter introduces its topic through an analysis of a different image, which serves to unpack the specific character of each term and its relationship to architecture. In addition to text, the book contains over 50 case studies using 100 drawings and images. These are presented in parallel to the text and show what architecture may look like through the lens of these other terms.
Théorie de l’architecture
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The Greek island sequence montaged by László Moholy-Nagy into his legendary documentary Architects' Congress can be interpreted, like his provocative Photoplastiks, as a "message in a bottle" thrown into the sea that "might take decades for someone to find and read." Capturing the incomparable Greek light, it presents a compelling glimpse of the four days and nights in(...)
Moholy's edit: CIAM 1933, the avant-garde at sea
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The Greek island sequence montaged by László Moholy-Nagy into his legendary documentary Architects' Congress can be interpreted, like his provocative Photoplastiks, as a "message in a bottle" thrown into the sea that "might take decades for someone to find and read." Capturing the incomparable Greek light, it presents a compelling glimpse of the four days and nights in August 1933 when the elite of the European architectural and artistic avant-garde—in Greece for the 4th International Congress of Modern Architecture (CIAM)—took to the Aegean in a barely seaworthy "nut shell" that would bring them close to the brink of disaster. The "motley crew" included Le Corbusier, Fernand Léger, Amédée Ozenfant, Sigfried Giedion, Cor van Eesteren and Otto Neurath. Crucial to the success of the surreal odyssey were various members of the Greek avant-garde.
Théorie de l’architecture
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Thresholds are anthropological constants: they can be found in every culture and every era. Like limits and borders, they express one of humanity's fundamental relations to space. Places where spaces are separated and connected, thresholds are also metaphorically potent across cultures, as passageways where subjectivity is transformed. "A History of Thresholds: Life,(...)
Théorie de l’architecture
octobre 2018
A history of thresholds: life, death and rebirth
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Thresholds are anthropological constants: they can be found in every culture and every era. Like limits and borders, they express one of humanity's fundamental relations to space. Places where spaces are separated and connected, thresholds are also metaphorically potent across cultures, as passageways where subjectivity is transformed. "A History of Thresholds: Life, Death and Rebirth" uses the threshold as a guiding thread to explore the meaning and importance that humans have invested in built spaces.
Théorie de l’architecture
Social design
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Architects and designers have always played a vital role in shaping society. ''Social Design'' presents a long-overdue survey of current international activity in this realm, from new infrastructures and the reclaiming of cities by their inhabitants as seen in the work of Assemble and Gehl Architects to build-it-yourself housing by Urban Think Tank, all the way to GRAFT's(...)
Social design
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Architects and designers have always played a vital role in shaping society. ''Social Design'' presents a long-overdue survey of current international activity in this realm, from new infrastructures and the reclaiming of cities by their inhabitants as seen in the work of Assemble and Gehl Architects to build-it-yourself housing by Urban Think Tank, all the way to GRAFT's solar kiosk, an energy source that is driving sustainable development opportunities for communities.
Théorie de l’urbanisme
Duchamp: by hand, even
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In this essay, curator Helen Molesworth pinpoints the significance of the return of the handmade in the later years of Duchamp’s oeuvre, positioning this paradigmatic shift away from the readymade as the focal point of academic debate for the very first time.
Duchamp: by hand, even
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In this essay, curator Helen Molesworth pinpoints the significance of the return of the handmade in the later years of Duchamp’s oeuvre, positioning this paradigmatic shift away from the readymade as the focal point of academic debate for the very first time.
Théorie de l’art
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The smell of fresh-cut grass and the look of a well-kept lawn evoke strong feelings in many of us, but this book is the story of two men who took that feeling and made it into an obsession with the lawn mower. Edwin Beard Budding (1796–1846) invented the lawnmower; Clive Gravett, the author, has built both a museum and charity dedicated to Budding, and he has assembled a(...)
Two men went to mow: the obsession, impact and history of lawn mowing
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The smell of fresh-cut grass and the look of a well-kept lawn evoke strong feelings in many of us, but this book is the story of two men who took that feeling and made it into an obsession with the lawn mower. Edwin Beard Budding (1796–1846) invented the lawnmower; Clive Gravett, the author, has built both a museum and charity dedicated to Budding, and he has assembled a vast collection of mowers spanning a century and a half. "Two Men Went to Mow" tells the full story of this world-changing piece of machinery. From its use in family yards, to its impact on the turf-based sports so many of us watch and love, Gravett takes us on an extraordinary and informative journey, showing how the mower developed, linking its rise to other trends in social history, and exploring the mowing habits of many famous and even infamous people.
Théorie du paysage
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With the advent of revolutionary digital design and production technologies, contemporary architects and their clients developed a taste for dramatic, unconventional forms. Seeking to amaze their audiences and promote their global brands, “starchitects” like Herzog & de Meuron and Frank Gehry have reaped substantial rewards through the pursuit of spectacle enabled by(...)
The rent of form: architecture and labor in the digital age
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With the advent of revolutionary digital design and production technologies, contemporary architects and their clients developed a taste for dramatic, unconventional forms. Seeking to amaze their audiences and promote their global brands, “starchitects” like Herzog & de Meuron and Frank Gehry have reaped substantial rewards through the pursuit of spectacle enabled by these new technologies. This process reached a climax in projects like Gehry’s Guggenheim Bilbao and the “Bilbao effect,” in which spectacular architectural designs became increasingly sought by municipal and institutional clients for their perceived capacity to enhance property values, which author Pedro Fiori Arantes calls the “rent of form.” Analyzing many major international architectural projects of the past twenty years, Arantes provides an in-depth account of how this “architecture of exception” has come to dominate today’s industry
Théorie de l’architecture