Things that disappear
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The bestselling and award-winning German author Jenny Erpenbeck has gained international praise for her novels including Visitation, Kairos, and Go, Went, Gone. Things That Disappear is an exciting collection of interlinked miniature prose pieces that grapple with the phenomenon of disappearance on scales both large and small. The things that disappear in these pages(...)
Things that disappear
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The bestselling and award-winning German author Jenny Erpenbeck has gained international praise for her novels including Visitation, Kairos, and Go, Went, Gone. Things That Disappear is an exciting collection of interlinked miniature prose pieces that grapple with the phenomenon of disappearance on scales both large and small. The things that disappear in these pages range from everyday objects such as socks and cheese to close friends and the social norms of common courtesy, to sites and objects resonant with East German history, such as the Palace of the Republic or the lines of sight now blocked by new construction in Berlin. Erpenbeck asks: "Is there a perpetrator who makes things that I know and cherish disappear?" These things disappear, and yet do they really? Do they remain in our memories more fully than if they continued to exist? Translated beautifully by Kurt Beals, "Things that disappear" follows on the heels of Erpenbeck’s Booker Prize–winning novel Kairos and offers a window into a renowned writer’s sense of the past, and of her own self as a writer.
Littérature et poésie
Michael Kohlhaas
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Michael Kohlhaas has been wronged. First his finest horses were unfairly confiscated and mistreated. And things keep going worse—his servants have been beaten, his wife killed, and the lawsuits he pursues are stymied—but Kohlhaas, determined to find justice at all costs, tirelessly persists. Standing up against the bureaucratic machine of the empire, Kohlhaas becomes an(...)
Michael Kohlhaas
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Michael Kohlhaas has been wronged. First his finest horses were unfairly confiscated and mistreated. And things keep going worse—his servants have been beaten, his wife killed, and the lawsuits he pursues are stymied—but Kohlhaas, determined to find justice at all costs, tirelessly persists. Standing up against the bureaucratic machine of the empire, Kohlhaas becomes an indomitable figure that you can’t help rooting for from start to finish. Knotty, darkly comical, magnificent in its weirdness, and one of the greatest and most influential tales in German literature, this short novel, first published in German in 1810, is now available in award-winning Michael Hofmann’s sparkling new English translation.
Littérature et poésie
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Au coeur de Paris, face au Louvre, Jean Nouvel a totalement repensé pour la Fondation Cartier pour l'art contemporain les espaces intérieurs d'un immense bâtiment haussmannien construit en 1855. Jean Nouvel a fait le choix d'un dispositif architectural hors norme, une machine modulaire conçue au service de la créativité artistique, qui marque l'aboutissement de près de(...)
La Fondation Cartier pour l'art contemporain par Jean Nouvel, 2 place du Palais-Royal, Paris
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Au coeur de Paris, face au Louvre, Jean Nouvel a totalement repensé pour la Fondation Cartier pour l'art contemporain les espaces intérieurs d'un immense bâtiment haussmannien construit en 1855. Jean Nouvel a fait le choix d'un dispositif architectural hors norme, une machine modulaire conçue au service de la créativité artistique, qui marque l'aboutissement de près de quarante années d'échanges et de dialogues entre la Fondation Cartier et l'architecte.
Architecture, monographies
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During US colonial rule in the Philippines, reinforced concrete was used to the near exclusion of all other building materials. In Concrete Colonialism , Diana Jean S. Martinez examines the motivations for and lasting effects of this forgotten colonial policy. Arguing that the pervasive use of reinforced concrete technologies revolutionized techniques of imperial(...)
Concrete colonialism: Architecture, urbanism, and the US imperial project in the Philippines
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During US colonial rule in the Philippines, reinforced concrete was used to the near exclusion of all other building materials. In Concrete Colonialism , Diana Jean S. Martinez examines the motivations for and lasting effects of this forgotten colonial policy. Arguing that the pervasive use of reinforced concrete technologies revolutionized techniques of imperial conquest, Martinez shows how concrete reshaped colonialism as a project that sought durable change through the reformation of environments, colonial society, and racialized biologies. Martinez locates the origins of this material revolution in the development of Chicago, highlighting how building this urban center atop exceptionally challenging geology made it possible to transform diverse global ecologies. She details how the material's stability, plasticity, strength, and other qualities served the shifting imperatives of the US colonial regime, playing a central role in defending territory, controlling disease, and constructing monuments to nation and empire. By describing a world irreversibly remade, Martinez urges readers to consider how colonialism persists--in concrete forms--despite claims of its conclusion.
Théorie de l’architecture
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The home where our hopes and dreams play out is at the heart many vital political questions Housing is more than bricks and mortar. Feeling at Home grapples with the practical and emotional questions of housing – domestic labour, privacy, security, ownership, and health. Is it possible to imagine success without home ownership? Alva Gotby shows that solving the housing(...)
Feeling at home: Transforming the politics of housing
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The home where our hopes and dreams play out is at the heart many vital political questions Housing is more than bricks and mortar. Feeling at Home grapples with the practical and emotional questions of housing – domestic labour, privacy, security, ownership, and health. Is it possible to imagine success without home ownership? Alva Gotby shows that solving the housing crisis is about much more than housing stock. It means revolutionising our everyday lives and labours.
L'humain et la ville
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''Medium Hot'' is the essential handbook for our present conjuncture, exploring the limits of art and technology. Hito Steyerl argues that these practices cannot be divorced from economic and political conditions. In an era of supercharged change, she examines the way machine learning infiltrates every aspect of our lives and what that means for the future.
Medium hot: Images in the Age of Heat
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''Medium Hot'' is the essential handbook for our present conjuncture, exploring the limits of art and technology. Hito Steyerl argues that these practices cannot be divorced from economic and political conditions. In an era of supercharged change, she examines the way machine learning infiltrates every aspect of our lives and what that means for the future.
Théorie de l’art
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What happens when politics is everywhere, yet nothing seems to change? From the abandoned dance floors of Thatcher’s London to the mass mobilizations of Black Lives Matter, Anton Jäger traces how public life has become infused with protest, spectacle, and moral urgency — while the old infrastructure of parties, unions, and civic solidarity has been hollowed out.(...)
Hyperpolitics: Extreme politicization without political consequences
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What happens when politics is everywhere, yet nothing seems to change? From the abandoned dance floors of Thatcher’s London to the mass mobilizations of Black Lives Matter, Anton Jäger traces how public life has become infused with protest, spectacle, and moral urgency — while the old infrastructure of parties, unions, and civic solidarity has been hollowed out. "Hyperpolitics" revisits the illusions of the "end of history" and dissects the strange energies that replaced them: viral outrage, endless culture wars, and the digital rush of causes that flare and vanish overnight. Jäger shows how the promises of post–Cold War liberalism gave way to a restless, unsteady public sphere where private passions overflow into politics but rarely build enduring power.
Social
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Architecture, as we know it, is in crisis. The authority of architects is crumbling, their methods no longer tenable. In a highly critical introspection, architect and writer Reinier de Graaf explores the tough choices ahead and the course of action that must follow. ''Architecture Against Architecture'' demands we rethink both how and why we build. With wit and(...)
Architecture against architecture: A manifesto
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Architecture, as we know it, is in crisis. The authority of architects is crumbling, their methods no longer tenable. In a highly critical introspection, architect and writer Reinier de Graaf explores the tough choices ahead and the course of action that must follow. ''Architecture Against Architecture'' demands we rethink both how and why we build. With wit and insight, De Graaf lays out the future of the profession, challenging readers to question the fundamental assumptions of the discipline. How do we end the feudal veneration of starchitects? When will architects finally recognize that it is in their own best interest to unionize? Why aren’t more practices collectively owned? Why do so many architects over sixty-seven refuse to retire? How do we stop buildings from being copy-righted? What will remain of architecture after AI? What can prevent iconic structures from being embroiled in money laundering? And the vital question: What projects should architects refuse on moral grounds?
Théorie de l’architecture
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Indigenous relations are often described in anthropological terms, or as expressions of timeless, unchanging kinship ties. In ''Speculative Relations'', Joseph M. Pierce challenges this view, considering the potential of these relations as a means of repairing the damages of history. Pierce approaches Indigenous art and culture not as objects of study, but through(...)
Speculative relations: Indigenous worling and repair
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Indigenous relations are often described in anthropological terms, or as expressions of timeless, unchanging kinship ties. In ''Speculative Relations'', Joseph M. Pierce challenges this view, considering the potential of these relations as a means of repairing the damages of history. Pierce approaches Indigenous art and culture not as objects of study, but through relations committed to reciprocity and care for human and more-than-human beings. Drawing on Cherokee thinking, Indigenous queer theory, literary and cultural studies, and art criticism, he illuminates pathways for understanding and resisting the ongoing damages of colonialism while pointing to future worlds and imaginaries that breathe life into Indigenous thought and practice. Analyzing a range of materials—from photography, literature, and sculpture to film and ethnography—Pierce reveals how speculation, as a form of situated knowledge production, can repair and reimagine the worlds that colonialism sought to destroy. In doing so, Pierce highlights how gestures, poetics, and embodiment can uphold tradition and harness the imaginative power of speculation to create pathways for living in good relations.
Autochtone
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In "The elsewhere is black," Marisa Solomon examines how waste is a mundane part of poor Black survival and a condition of settler colonial racial capitalism. Tracing the flow of trash and waste across Black spaces, from Brooklyn's historically Black Bedford-Stuyvesant to the post-plantation towns of Virginia's Tidewater, Solomon contends that waste infrastructures(...)
The elsewhere is black: ecological violence and improvised life
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In "The elsewhere is black," Marisa Solomon examines how waste is a mundane part of poor Black survival and a condition of settler colonial racial capitalism. Tracing the flow of trash and waste across Black spaces, from Brooklyn's historically Black Bedford-Stuyvesant to the post-plantation towns of Virginia's Tidewater, Solomon contends that waste infrastructures concentrate environmental risk in an elsewhere that is routinely Black. Solomon emphasizes that ecological violence is a form of racialized heteropatriarchal environmental control that upholds whiteness as a propertied way of life and criminalizes Black survival. As she points to acute sites of toxicity, Solomon theorizes the relationship between the devaluation of land and Black and more-than-human life to reveal how the risks of poisoning, police violence, dispossession, and poverty hold Black life captive.
Social