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This monograph explores the design philosophy of the three partners of Surfacedesign, who are committed to solutions that emerge from the site itself and challenge conventional approaches to landscape. The work is informed by the vast openness and frontier spirit of the West, expressed in rugged materials and sustainable planting. Surfacedesign focuses on cultivating a(...)
octobre 2019
Surafcedesign: material landscapes
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This monograph explores the design philosophy of the three partners of Surfacedesign, who are committed to solutions that emerge from the site itself and challenge conventional approaches to landscape. The work is informed by the vast openness and frontier spirit of the West, expressed in rugged materials and sustainable planting. Surfacedesign focuses on cultivating a sense of connection to the built and natural world, pushing people to engage with the landscape in new ways. The design approach emphasizes and celebrates the unique context and imaginative potential of each project. The studio's process is rooted in asking novel questions and listening to a site and its users, a process that has led to engaging and inspiring landscapes that are rugged, contemporary, and crafted.
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The Sustainable Urban Dwelling Unit (SUDU), which emerged out of a summer workshop in Addis Ababa, Ethiopia, is a new, sustainable housing alternative that can be self-constructed with minimal technical ability, low start-up costs, and local materials (such as soil). This publication documents the building process in two parts: the first part narratively records the(...)
SUDU : the sustainable urban dwelling unit in Ethiopia, 2 volumes
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The Sustainable Urban Dwelling Unit (SUDU), which emerged out of a summer workshop in Addis Ababa, Ethiopia, is a new, sustainable housing alternative that can be self-constructed with minimal technical ability, low start-up costs, and local materials (such as soil). This publication documents the building process in two parts: the first part narratively records the construction process itself while providing historical and technical context. The second part functions as a manual, providing a detailed list of tools, materials, and step-by-step instructions that can be used by readers to carry out their own SUDU project.
$70.00
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Established in Toulouse in 2013, Bureau Architectures Sans Titre (BAST) operates through research-led work with an “anonymous approach”. Despite this deliberate lack of attribution, every BAST project has a distinct character. The GENS group, founded in 2009 and currently with offices in Nancy and Paris, defines itself as seeking to exploit what it calls the “economy of(...)
A.Mag 13 : Bast Bureau Architectures Sans Titre
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Established in Toulouse in 2013, Bureau Architectures Sans Titre (BAST) operates through research-led work with an “anonymous approach”. Despite this deliberate lack of attribution, every BAST project has a distinct character. The GENS group, founded in 2009 and currently with offices in Nancy and Paris, defines itself as seeking to exploit what it calls the “economy of the project”. These two offices represent the new generation, and their production reflects how collective work is valued. Through a selection built works, the magazine explores an architecture less marked by the use of any formal language, but rather the methodological approach to solving each project.
Revues
$54.95
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In a positive departure from modernism, the work of the art critic and urbanist Ludwig Hilberseimer offers schemata towards the design for the city itself: its mereological composition. The resonance of parts unfolds to an alternative of a purely contrasting equation of form and content. It reminds us, that when the ground (logos) of the city is defined by its parts(...)
The mereological city: a reading of the works of Ludwig Hilberseimer
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In a positive departure from modernism, the work of the art critic and urbanist Ludwig Hilberseimer offers schemata towards the design for the city itself: its mereological composition. The resonance of parts unfolds to an alternative of a purely contrasting equation of form and content. It reminds us, that when the ground (logos) of the city is defined by its parts (meros), its architecture, the city in turn always also is part of the architecture as its desire. The Mereological City introduces a mereological methodology and contributes to an ongoing discussion about an ecological form of urban design.
Théorie de l’architecture
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In 1950, only 30 percent of the world's population lived in cities. By 2007, the planet's population has doubled, and today, as many people live in cities as populated the entire planet in 1950. Eighty percent of the planet's greenhouse gases are created by these energy-intensive urban centers. Thus, the key to creating climate change solutions resides with cities.(...)
Urban meltdown: cities, climate change and politics as usual
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In 1950, only 30 percent of the world's population lived in cities. By 2007, the planet's population has doubled, and today, as many people live in cities as populated the entire planet in 1950. Eighty percent of the planet's greenhouse gases are created by these energy-intensive urban centers. Thus, the key to creating climate change solutions resides with cities. Author and Ottawa city councilor Clive Doucet provides a razor-sharp insider's perspective, stating his central theme: "It's not about planning. It's about politics." Climate change is proceeding so quickly not for lack of knowledge, but because politicians who deviate from the car-based sprawl model cannot get elected. Urban Meltdown describes how we got here, why we got here, and what can be done about it, as evidenced by the author's observations that: Economic growth has no built-in environmental accountability. Until the political thinking about growth and the progress model itself is changed, our environmental concerns will never be properly addressed. We need a new governance paradigm at all three levels. The cautionary tale of how the 1960s tried to take us down a different route failed, not for lack of leadership but because the system didn't permit it. Urban Meltdown reveals, castigates, and inspires. This is an important book for anyone who cares about thinking differently, acting differently, and making a difference. Clive Doucet is an urban activist, well-known journalist, best-selling author, and the first poet ever elected to Ottawa City Council.
Architecture écologique
livres
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Born in Estonia 1901 and brought to America in 1906, the architect Louis Kahn grew up in poverty in Philadelphia. By the time of his mysterious death in 1974, he was widely recognized as one of the greatest architects of his era. Yet this enormous reputation was based on only a handful of masterpieces, all built during the last fifteen years of his life. Wendy Lesser’s(...)
You say to brick: the life of Louis Kahn
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Born in Estonia 1901 and brought to America in 1906, the architect Louis Kahn grew up in poverty in Philadelphia. By the time of his mysterious death in 1974, he was widely recognized as one of the greatest architects of his era. Yet this enormous reputation was based on only a handful of masterpieces, all built during the last fifteen years of his life. Wendy Lesser’s You Say to Brick: The Life of Louis Kahn is a major exploration of the architect’s life and work. Kahn, perhaps more than any other twentieth-century American architect, was a “public” architect. Rather than focusing on corporate commissions, he devoted himself to designing research facilities, government centers, museums, libraries, and other structures that would serve the public good. But this warm, captivating person, beloved by students and admired by colleagues, was also a secretive man hiding under a series of masks. Kahn himself, however, is not the only complex subject that comes vividly to life in these pages. His signature achievements—like the Salk Institute in La Jolla, the National Assembly Building of Bangladesh, and the Indian Institute of Management in Ahmedabad—can at first seem as enigmatic and beguiling as the man who designed them. In attempts to describe these structures, we are often forced to speak in contradictions and paradoxes: structures that seem at once unmistakably modern and ancient; enormous built spaces that offer a sense of intimate containment; designs in which light itself seems tangible, a raw material as tactile as travertine or Kahn’s beloved concrete.
livres
mars 2017
Architecture, monographies
Log 20 Fall 2010
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Log 20, published on the occasion of the 12th Venice Architecture Biennale, considers curating architecture both within its contemporary guises and historical lineage. Practitioners from New York to Paris, Montreal to Tokyo propose curating as advocacy, as atmosphere, and as architecture itself, assembling in this special thematic issue what is arguably the first(...)
Log 20 Fall 2010
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Log 20, published on the occasion of the 12th Venice Architecture Biennale, considers curating architecture both within its contemporary guises and historical lineage. Practitioners from New York to Paris, Montreal to Tokyo propose curating as advocacy, as atmosphere, and as architecture itself, assembling in this special thematic issue what is arguably the first compendium of contemporary practices on this emerging discourse.
Revues
livres
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Translated by Rodolphe el-Khoury. An 18th century fictional tale of a seduction in a maison de plaisance outside of Paris. The house itself -its architecture, artwork, gardens, and furnishings - is the central element of the story.
The little house : an architectural seduction
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Translated by Rodolphe el-Khoury. An 18th century fictional tale of a seduction in a maison de plaisance outside of Paris. The house itself -its architecture, artwork, gardens, and furnishings - is the central element of the story.
livres
novembre 1995, New York
petits formats
$62.50
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In this book, Sandy Isenstadt examines electric light as a form of architecture- as a new, uniquely modern kind of building material. Electric light was more than just a novel way of brightening a room or illuminating a streetscape; it brought with it new ways of perceiving and experiencing space itself. If modernity can be characterized by rapid, incessant change, and(...)
Electric light: an architectural history
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In this book, Sandy Isenstadt examines electric light as a form of architecture- as a new, uniquely modern kind of building material. Electric light was more than just a novel way of brightening a room or illuminating a streetscape; it brought with it new ways of perceiving and experiencing space itself. If modernity can be characterized by rapid, incessant change, and modernism as the creative response to such change, Isenstadt argues, then electricity- instantaneous, malleable, ubiquitous, evanescent- is modernity's medium.
Théorie de l’architecture
Pamela Burton: Landscapes
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For Burton, landscapes are symbolic creations—wild spaces in which the journey itself, a sequence of discrete experiences in space and time, is paramount. Her Bonhill Residence, overlooking Los Angeles's west side, was inspired by the elegant gardens of Sissinghurst Castle in Kent, England and is conceived as a series of outdoor "rooms." In her design for the Santa Monica(...)
Pamela Burton: Landscapes
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For Burton, landscapes are symbolic creations—wild spaces in which the journey itself, a sequence of discrete experiences in space and time, is paramount. Her Bonhill Residence, overlooking Los Angeles's west side, was inspired by the elegant gardens of Sissinghurst Castle in Kent, England and is conceived as a series of outdoor "rooms." In her design for the Santa Monica Public Library, Burton created a series of courtyards that weave the interior spaces together, and are integrated with the library as a metaphor for bringing light to the world beneath the surface of the ocean, in the same way that she perceives libraries bringing knowledge to light. Working with Moore, Ruble, Yudell Architects, Burton's landscape design reinforces the library's civic quality. This monograph presents nineteen of her built works for public and private clients, with sites ranging from beach to desert and from farm to city block.