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xi, 259 pages illustrations 28 cm
Description:
xi, 259 pages illustrations 28 cm
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Williamstown, Massachusetts : Clark Art Institute, [2022]
Williamstown, Massachusetts : Clark Art Institute, [2022]
Titre:
Promenades on paper : eighteenth-century French drawings from the Bibliothèque nationale de France / edited by Esther Bell, Sarah Grandin, Corinne Le Bitouzé, and Anne Leonard, with the assistance of Pauline Chougnet and Chloe Perrot ; essays by Pauline Chougnet and Corinne Le Bitouzé, Charlotte Guichard, and Meredith Martin ; with contributions by Jean-François Bédard [and 15 others].
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xi, 259 pages illustrations 28 cm
Promenades on paper : eighteenth-century French drawings from the Bibliothèque nationale de France / edited by Esther Bell, Sarah Grandin, Corinne Le Bitouzé, and Anne Leonard, with the assistance of Pauline Chougnet and Chloe Perrot ; essays by Pauline Chougnet and Corinne Le Bitouzé, Charlotte Guichard, and Meredith Martin ; with contributions by Jean-François Bédard [and 15 others].
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xi, 259 pages illustrations 28 cm
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livres
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Williamstown, Massachusetts : Clark Art Institute, [2022]
Williamstown, Massachusetts : Clark Art Institute, [2022]
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ix, 342 pages : illustrations, maps ; 23 cm.
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ix, 342 pages : illustrations, maps ; 23 cm.
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Durham : Duke University Press, 2014.
Durham : Duke University Press, 2014.
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Beautiful data : a history of vision and reason since 1945 / Orit Halpern.
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ix, 342 pages : illustrations, maps ; 23 cm.
Beautiful data : a history of vision and reason since 1945 / Orit Halpern.
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ix, 342 pages : illustrations, maps ; 23 cm.
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livres
livres
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Durham : Duke University Press, 2014.
Durham : Duke University Press, 2014.
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293 pages : illustrations (chiefly color), color maps, color plans ; 24 x 32 cm
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293 pages : illustrations (chiefly color), color maps, color plans ; 24 x 32 cm
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Pt. Reyes Station, CA : ORO Editions, ©2009.
Pt. Reyes Station, CA : ORO Editions, ©2009.
Titre:
Landscape alchemy : the work of Hargreaves Associates / contributions by George Hargreaves [and others].
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293 pages : illustrations (chiefly color), color maps, color plans ; 24 x 32 cm
Landscape alchemy : the work of Hargreaves Associates / contributions by George Hargreaves [and others].
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293 pages : illustrations (chiefly color), color maps, color plans ; 24 x 32 cm
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livres
livres
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Pt. Reyes Station, CA : ORO Editions, ©2009.
Pt. Reyes Station, CA : ORO Editions, ©2009.
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livres
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223 pages : illustrations ; 29 cm
Description:
223 pages : illustrations ; 29 cm
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New York : Routledge, Taylor & Francis Group, 2013., ©2013
New York : Routledge, Taylor & Francis Group, 2013., ©2013
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Material strategies in digital fabrication / Christopher Beorkrem.
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223 pages : illustrations ; 29 cm
Material strategies in digital fabrication / Christopher Beorkrem.
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223 pages : illustrations ; 29 cm
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livres
livres
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New York : Routledge, Taylor & Francis Group, 2013., ©2013
New York : Routledge, Taylor & Francis Group, 2013., ©2013
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$79.95
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Résumé:
Americans, on average, spend between six and ten seconds with individual artworks in museums or galleries—hardly time enough. But how, in our culture of distraction, might we extend attention? Slow Art models sustained ways of looking, through encounters with various media both present and past—including photography, painting, sculpture, “living pictures,” film, video,(...)
$79.95
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Americans, on average, spend between six and ten seconds with individual artworks in museums or galleries—hardly time enough. But how, in our culture of distraction, might we extend attention? Slow Art models sustained ways of looking, through encounters with various media both present and past—including photography, painting, sculpture, “living pictures,” film, video,(...)
Titre:
Slow art: the experience of looking, sacred images to James Turrell
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$79.95
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Americans, on average, spend between six and ten seconds with individual artworks in museums or galleries—hardly time enough. But how, in our culture of distraction, might we extend attention? Slow Art models sustained ways of looking, through encounters with various media both present and past—including photography, painting, sculpture, “living pictures,” film, video, digital and performance art—even light and space. Works by Diderot, Emma Hamilton, Oscar Wilde, Jeff Wall, Sam Taylor-Johnson, Andy Warhol, and Richard Serra, among others, shape a new and distinct aesthetic field. But rather than a collection of objects, slow art is participatory—it directly engages beholders to bring artworks to life. Against current orthodoxy, Arden Reed argues that, for contemporary viewers, the contemplation of slow art is akin to religious practices during the ages of faith.
Slow art: the experience of looking, sacred images to James Turrell
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$79.95
(disponible sur commande)
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Americans, on average, spend between six and ten seconds with individual artworks in museums or galleries—hardly time enough. But how, in our culture of distraction, might we extend attention? Slow Art models sustained ways of looking, through encounters with various media both present and past—including photography, painting, sculpture, “living pictures,” film, video, digital and performance art—even light and space. Works by Diderot, Emma Hamilton, Oscar Wilde, Jeff Wall, Sam Taylor-Johnson, Andy Warhol, and Richard Serra, among others, shape a new and distinct aesthetic field. But rather than a collection of objects, slow art is participatory—it directly engages beholders to bring artworks to life. Against current orthodoxy, Arden Reed argues that, for contemporary viewers, the contemplation of slow art is akin to religious practices during the ages of faith.
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livres
livres
Publication:
juin 2017
juin 2017
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$39.95
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Americans, on average, spend between six and ten seconds with individual artworks in museums or galleries—hardly time enough. But how, in our culture of distraction, might we extend attention? "Slow Art" models sustained ways of looking, through encounters with various media both present and past—including photography, painting, sculpture, “living pictures,” film, video,(...)
$39.95
(disponible sur commande)
Résumé:
Americans, on average, spend between six and ten seconds with individual artworks in museums or galleries—hardly time enough. But how, in our culture of distraction, might we extend attention? "Slow Art" models sustained ways of looking, through encounters with various media both present and past—including photography, painting, sculpture, “living pictures,” film, video,(...)
Titre:
Slow art: the experience of looking, sacred images to James Turrell
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$39.95
(disponible sur commande)
Résumé:
Americans, on average, spend between six and ten seconds with individual artworks in museums or galleries—hardly time enough. But how, in our culture of distraction, might we extend attention? "Slow Art" models sustained ways of looking, through encounters with various media both present and past—including photography, painting, sculpture, “living pictures,” film, video, digital and performance art—even light and space. Works by Diderot, Emma Hamilton, Oscar Wilde, Jeff Wall, Sam Taylor-Johnson, Andy Warhol, and Richard Serra, among others, shape a new and distinct aesthetic field. But rather than a collection of objects, slow art is participatory—it directly engages beholders to bring artworks to life. Against current orthodoxy, Arden Reed argues that, for contemporary viewers, the contemplation of slow art is akin to religious practices during the ages of faith.
Slow art: the experience of looking, sacred images to James Turrell
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Prix:
$39.95
(disponible sur commande)
Résumé:
Americans, on average, spend between six and ten seconds with individual artworks in museums or galleries—hardly time enough. But how, in our culture of distraction, might we extend attention? "Slow Art" models sustained ways of looking, through encounters with various media both present and past—including photography, painting, sculpture, “living pictures,” film, video, digital and performance art—even light and space. Works by Diderot, Emma Hamilton, Oscar Wilde, Jeff Wall, Sam Taylor-Johnson, Andy Warhol, and Richard Serra, among others, shape a new and distinct aesthetic field. But rather than a collection of objects, slow art is participatory—it directly engages beholders to bring artworks to life. Against current orthodoxy, Arden Reed argues that, for contemporary viewers, the contemplation of slow art is akin to religious practices during the ages of faith.
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livres
livres
Publication:
mars 2019
mars 2019
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$24.95
(disponible en magasin)
Résumé:
Nothing in the built world captures the imagination like the skyscraper. Behind every soaring tower stands a designer with courageous vision and enough engineering know-how to pull off incredible feats of architectural derring-do. Who Built That? Skyscrapers is a colorful tour of the world's tallest buildings and the larger-than-life personalities who built them.(...)
$24.95
(disponible en magasin)
Résumé:
Nothing in the built world captures the imagination like the skyscraper. Behind every soaring tower stands a designer with courageous vision and enough engineering know-how to pull off incredible feats of architectural derring-do. Who Built That? Skyscrapers is a colorful tour of the world's tallest buildings and the larger-than-life personalities who built them.(...)
Titre:
Who built that? skyscrapers: an introduction to skyscrapers and their architects
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$24.95
(disponible en magasin)
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Nothing in the built world captures the imagination like the skyscraper. Behind every soaring tower stands a designer with courageous vision and enough engineering know-how to pull off incredible feats of architectural derring-do. Who Built That? Skyscrapers is a colorful tour of the world's tallest buildings and the larger-than-life personalities who built them. Beginning with a brief biographical sketch of each architect, illustrator Didier Cornille imaginatively depicts the construction of eight of the world's most impressive skyscrapers. From Gustave Eiffel's Eiffel Tower (1889) in Paris and Mies van der Rohe's Seagram Building (1958) in New York City to the tallest man-made structure in the world, Adrian Smith's Burj Khalifa (2010) in Dubai, this primer will introduce readers of all ages to new heights of architectural wonder.
Who built that? skyscrapers: an introduction to skyscrapers and their architects
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$24.95
(disponible en magasin)
Résumé:
Nothing in the built world captures the imagination like the skyscraper. Behind every soaring tower stands a designer with courageous vision and enough engineering know-how to pull off incredible feats of architectural derring-do. Who Built That? Skyscrapers is a colorful tour of the world's tallest buildings and the larger-than-life personalities who built them. Beginning with a brief biographical sketch of each architect, illustrator Didier Cornille imaginatively depicts the construction of eight of the world's most impressive skyscrapers. From Gustave Eiffel's Eiffel Tower (1889) in Paris and Mies van der Rohe's Seagram Building (1958) in New York City to the tallest man-made structure in the world, Adrian Smith's Burj Khalifa (2010) in Dubai, this primer will introduce readers of all ages to new heights of architectural wonder.
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livres
livres
Publication:
octobre 2014
octobre 2014
Sujet:
Littérature jeunesse
Littérature jeunesse
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livres
livres
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1 online resource
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[Place of publication not identified] : Franklin Street Works, 2018.
[Place of publication not identified] : Franklin Street Works, 2018.
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livres
livres
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[Place of publication not identified] : Franklin Street Works, 2018.
[Place of publication not identified] : Franklin Street Works, 2018.
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livres
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$48.50
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This well-illustrated book unites essayists and emerging architectural practices to examine how digital tools are increasingly being used in architectural design, not only to show form, structure and geometries but also to visualize and simulate energies and material qualities such as air, gas, sound, scent and electricity. Softspace takes stock of current advancements in(...)
$48.50
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Résumé:
This well-illustrated book unites essayists and emerging architectural practices to examine how digital tools are increasingly being used in architectural design, not only to show form, structure and geometries but also to visualize and simulate energies and material qualities such as air, gas, sound, scent and electricity. Softspace takes stock of current advancements in(...)
Publication:
mars 2007, New York
mars 2007, New York
Titre:
Softspace from a representation of form to a simulation of space
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$48.50
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This well-illustrated book unites essayists and emerging architectural practices to examine how digital tools are increasingly being used in architectural design, not only to show form, structure and geometries but also to visualize and simulate energies and material qualities such as air, gas, sound, scent and electricity. Softspace takes stock of current advancements in design and research, while drawing on historical and ideological trajectories rooted in the past fifty years. The varied contributors examine the capabilities of such 'energy matters' to act as catalysts for design innovation today. This well-presented and impressively authored title will provoke architects of all levels to consider the potential for creative and innovative design through the use of digital design tools.
Softspace from a representation of form to a simulation of space
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$48.50
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Résumé:
This well-illustrated book unites essayists and emerging architectural practices to examine how digital tools are increasingly being used in architectural design, not only to show form, structure and geometries but also to visualize and simulate energies and material qualities such as air, gas, sound, scent and electricity. Softspace takes stock of current advancements in design and research, while drawing on historical and ideological trajectories rooted in the past fifty years. The varied contributors examine the capabilities of such 'energy matters' to act as catalysts for design innovation today. This well-presented and impressively authored title will provoke architects of all levels to consider the potential for creative and innovative design through the use of digital design tools.
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livres
livres
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mars 2007, New York
mars 2007, New York
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376 pages : illustrations (chiefly color), portrait ; 23 cm
Description:
376 pages : illustrations (chiefly color), portrait ; 23 cm
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Rotterdam : Nai010 uitgevers, [2020], ©2020
Rotterdam : Nai010 uitgevers, [2020], ©2020
Titre:
Dudok by Iwan Baan / fotografie, Iwan Baan ; tekst, Lara Voerman.
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376 pages : illustrations (chiefly color), portrait ; 23 cm
Dudok by Iwan Baan / fotografie, Iwan Baan ; tekst, Lara Voerman.
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376 pages : illustrations (chiefly color), portrait ; 23 cm
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livres
livres
Publication:
Rotterdam : Nai010 uitgevers, [2020], ©2020
Rotterdam : Nai010 uitgevers, [2020], ©2020
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