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104 pages : illustrations ; 29 cm
Columbia : University of Missouri Press, 1987.
Architectural photographs of Jack E. Boucher.
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104 pages : illustrations ; 29 cm
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Columbia : University of Missouri Press, 1987.
vidéo
Learning from Nairobi.
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1 streaming video file (1 hr., 9 min., 9 sec.) : sound, colour
[Montréal] : CCA, [2014]
Learning from Nairobi.
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1 streaming video file (1 hr., 9 min., 9 sec.) : sound, colour
vidéo
[Montréal] : CCA, [2014]
livres
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120 p. : ill. ; 21 cm.
Milano [etc.] : Mimesis, 2025.
Luigi Ghirri dentro lo scatto di un analista / Ivan Paterlini.
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120 p. : ill. ; 21 cm.
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Milano [etc.] : Mimesis, 2025.
livres
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1 box : illustrations, facsimiles (1 color), portraits ; 33 cm
[New York] : [Hans P. Kraus, Jr.], 1989 ([Verona, Italy : Stamperia Valdonega])
The pencil of nature / by H. Fox Talbot.
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1 box : illustrations, facsimiles (1 color), portraits ; 33 cm
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[New York] : [Hans P. Kraus, Jr.], 1989 ([Verona, Italy : Stamperia Valdonega])
livres
Description:
136 pages : illustrations ; 28 cm
Istanbul : Pera Museum 25, 2008.
Josef Koudelka : retrospektif = retrospective / Josef Koudelka.
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136 pages : illustrations ; 28 cm
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Istanbul : Pera Museum 25, 2008.
livres
Silvia Bachli : das.
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136 pages : chiefly color illustrations ; 20 cm + 1 folded accordian leaf ([16] pages)
Bern : Bundesamt für Kultur : Lars Muller, ©2009.
Silvia Bachli : das.
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136 pages : chiefly color illustrations ; 20 cm + 1 folded accordian leaf ([16] pages)
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Bern : Bundesamt für Kultur : Lars Muller, ©2009.
livres
Description:
1 folded sheet : illustrations ; 28 cm
[Montréal] : Conseil des arts de la Communauté urbaine de Montréal, [1994]
Une ile, des villes : mission photographique / [les photographes: Raymonde April, Linda Rutenberg, Serge Clément, Geoffrey James, David Hlynsky, Alvin Comiter] ; [textes de présentation: Robert Hébert, Mona Hakim].
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1 folded sheet : illustrations ; 28 cm
livres
[Montréal] : Conseil des arts de la Communauté urbaine de Montréal, [1994]
livres
Description:
140 pages : illustrations (some color) ; 23 x 28 cm
Beverly Hills, Calif. : Stephen White Editions ; Albuquerque, N.M. : Distributed by University of New Mexico Press, 1988.
Parallels & contrasts : photographs from the Stephen White Collection.
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140 pages : illustrations (some color) ; 23 x 28 cm
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Beverly Hills, Calif. : Stephen White Editions ; Albuquerque, N.M. : Distributed by University of New Mexico Press, 1988.
Description:
462 pages : illustrations ; 24 cm
Le parti pris du document : littérature, photographie, cinéma et architecture au XXe siècle / numéro dirigé par Jean-François Chevrier et Philippe Roussin.
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462 pages : illustrations ; 24 cm
$25.00
(disponible en magasin)
Résumé:
''The Devouring Eye: Photography and the Mouth'' is a provocative essay by Swiss photographer and academic Olivier Richon which rethinks the act of looking through the language of appetite, taste, and consumption. Drawn from a series of influential lectures delivered during his twenty-five-year tenure as Head of the Photography programme at the Royal College of Art(...)
The devouring eye: Photography and the mouth
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$25.00
(disponible en magasin)
Résumé:
''The Devouring Eye: Photography and the Mouth'' is a provocative essay by Swiss photographer and academic Olivier Richon which rethinks the act of looking through the language of appetite, taste, and consumption. Drawn from a series of influential lectures delivered during his twenty-five-year tenure as Head of the Photography programme at the Royal College of Art (1997–2022) – a period during which the course shaped an entire generation of photographers – the book presents a meditation on the camera as both eye and mouth: an apparatus that ingests the world in order to produce images. Framed through a psychoanalytic lens, Richon proposes that photography is less a neutral act of observation than a form of visual incorporation. If looking maintains distance, the mouth abolishes it. The camera becomes a devouring organ, where the object is dissolved, digested, and made into an image. The desire to see becomes entangled with the desire to consume. Through this reading, photography is revealed as an insatiable medium – one that satisfies and frustrates our appetite for representation in equal measure. ''The Devouring Eye'' invites us to reconsider how we relate to images, and how deeply they live in us.
Théorie de la photographie