Unfinished: ideas, images, and projects from the Spanish pavilion at the 15th Venice Biennale
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Spain was one of the countries where the practice of architecture has been most affected by the economic crisis. There are few places on earth where such large numbers of buildings were built in such a short period of time. The lack of reflection over whether these projects were necessary or valid resulted in the subsequent abandonment of many buildings when their(...)
Unfinished: ideas, images, and projects from the Spanish pavilion at the 15th Venice Biennale
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Spain was one of the countries where the practice of architecture has been most affected by the economic crisis. There are few places on earth where such large numbers of buildings were built in such a short period of time. The lack of reflection over whether these projects were necessary or valid resulted in the subsequent abandonment of many buildings when their completion or maintenance was discovered not to be economically viable. Their appearance throughout Spanish territories has generated a collection of unfinished buildings where the factor of time was eliminated from the formula for making architecture. The publication gathers examples of architecture produced during the past few years, born out of renunciation and economy of means, designed to evolve and adapt to future necessities and trusting in the beauty conferred by the passage of time.
Architecture contemporaine
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Bringing a poet’s perspective to an artist’s archive, this book examines wordplay in the art and thought of American artist Gordon Matta-Clark (1943–1978). A pivotal figure in the postminimalist generation who was also the son of a prominent Surrealist, Matta-Clark was a leader in the downtown artists' community in New York in the 1970s, and is widely seen as a pioneer of(...)
Gordon Matta-Clark: physical poetics
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Bringing a poet’s perspective to an artist’s archive, this book examines wordplay in the art and thought of American artist Gordon Matta-Clark (1943–1978). A pivotal figure in the postminimalist generation who was also the son of a prominent Surrealist, Matta-Clark was a leader in the downtown artists' community in New York in the 1970s, and is widely seen as a pioneer of what has come to be known as social practice art. Examining notes, statements, titles, letters, and interviews in light of what they reveal about his work at large, Frances Richard unearths archival, biographical, and historical information, linking Matta-Clark to Conceptualist peers and Surrealist and Dada forebears. "Gordon Matta-Clark: Physical Poetics" explores the paradoxical durability of Matta-Clark’s language, and its role in an aggressively physical oeuvre whose major works have been destroyed.
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Leon van Schaik AO, Professor of Architecture at RMIT University for 30 years and mentor to countless Australian architects, lays down his highly influential creative philosophies in his latest book, ''Architecture in its Continuums.'' The text represents a distillation of a lifetime of thinking about architecture and the ways in which it is practiced, researched and(...)
Architecture in its continuums
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Leon van Schaik AO, Professor of Architecture at RMIT University for 30 years and mentor to countless Australian architects, lays down his highly influential creative philosophies in his latest book, ''Architecture in its Continuums.'' The text represents a distillation of a lifetime of thinking about architecture and the ways in which it is practiced, researched and taught. The book remediates a gap that van Schaik sees in current architecture writing. There are, he says, ''very few books on architecture that, I believe, concern the practice of architecture itself, as distinct from the large body of writing about the history, sociology and environmental science of architecture.'' Van Schaik contends that we all share a common experience of space and light. Therefore, the architect's skill in the crafting of space and light has the potential to intimately connect architecture with humanity.
Théorie de l’architecture
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Since the mid-19th century, the idea of California has lured many waves of migrants. Here, writer and editor Lyra Kilston explores a less examined attraction: the region’s promise of better health. From ailing families seeking a miracle climate cure to iconoclasts and dropouts pursuing a remedy to societal corruption, the abundance of sunshine and untamed nature around(...)
Sun seekers: the cure of California
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Since the mid-19th century, the idea of California has lured many waves of migrants. Here, writer and editor Lyra Kilston explores a less examined attraction: the region’s promise of better health. From ailing families seeking a miracle climate cure to iconoclasts and dropouts pursuing a remedy to societal corruption, the abundance of sunshine and untamed nature around the small but growing Los Angeles area offered them refuge and inspiration. In the wild west of medical practice, eclectic nature-cure treatments gained popularity. The source for this trend can be traced to the mountains and cold-water springs of Europe, where early sanatoriums were built to offer the natural cures of sun, air, water and diet; this sanatorium architecture was exported to the West Coast from Central Europe, and began to impact other types of building.
Théorie de l’architecture
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"City of Play" shows how play is built into the very fabric of the modern city. From playgrounds to theme parks, skittle alleys to swimming pools, to the countless uncontrolled spaces which the urban habitat affords play is by no means just a childhood affair. A myriad essentially unproductive playful pursuits have, through time, modelled the modern city and landscape.(...)
City of play: an architectural and urban history of recreation and leisure
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"City of Play" shows how play is built into the very fabric of the modern city. From playgrounds to theme parks, skittle alleys to swimming pools, to the countless uncontrolled spaces which the urban habitat affords play is by no means just a childhood affair. A myriad essentially unproductive playful pursuits have, through time, modelled the modern city and landscape. Architect and scholar Rodrigo Pérez de Arces erudite, original, and often surprising study explores a curiously neglected dimension of architectural design and practice: ludic space. It is an architectural history of the playground from the hippodrome to the Situationist city of space released from productive ends in the pursuit of leisure. The ludic imagination impregnated modernist ideals, and what begins with the playground ends with a re-consideration of the whole sweep of the modern movement through the filter of leisure and play.
Théorie de l’urbanisme
Sherrie Levine
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The artist Sherrie Levine (b. 1947) is best known for her appropriations of work by other artists—most famously for her rephotographs of canonical images by Edward Weston, Eliot Porter, and other masters of modern photography. Since those works of the early 1980s, she has continued to work on and “after” artists whose names have come to define modernism, making sculpture(...)
Sherrie Levine
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The artist Sherrie Levine (b. 1947) is best known for her appropriations of work by other artists—most famously for her rephotographs of canonical images by Edward Weston, Eliot Porter, and other masters of modern photography. Since those works of the early 1980s, she has continued to work on and “after” artists whose names have come to define modernism, making sculpture after Brancusi and Duchamp, paintings after Malevich and Blinky Palermo, watercolors after Matisse and Miro, photographs after Monet and Cezanne as well as Alfred Stieglitz. Throughout, Levine's practice effectively uncompleted, decentered, and extended works of art that were once singular and finished, posing critical rebuttals to some of the basic assumptions of modernist aesthetics. Her work was central to the theorization of postmodernism in the visual arts—most notably as it emerged in the pages of October magazine.
Théorie de l’art
Log 38
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After two successive thematic issues, "Log 38" (Fall 2016) returns to its classic open form, bringing together myriad perspectives from architecture’s center and periphery. Cynthia Davidson’s expansive interview with New York architect Harry Cobb, of Pei Cobb Freed & Partners, illuminates Cobb’s 60-plus years in practice, as well as the history of modernism in America.(...)
Log 38
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After two successive thematic issues, "Log 38" (Fall 2016) returns to its classic open form, bringing together myriad perspectives from architecture’s center and periphery. Cynthia Davidson’s expansive interview with New York architect Harry Cobb, of Pei Cobb Freed & Partners, illuminates Cobb’s 60-plus years in practice, as well as the history of modernism in America. Eve Blau explores the contexts that drove the 1968 Learning from Las Vegas studio at Yale, and Pier Vittorio Aureli and Maria Shéhérazade Giudici reevaluate the roots of modern domestic space. "Log 38" also features critical perspectives on the current moment in architecture, with reviews of OMA’s Fondaco dei Tedeschi, reflections on this year’s Venice Architecture Biennale, and reactions to Brexit from architects and educators affected by the vote, and even an imaginative look at the work of Sam Jacob Studio from 20 years in the future.
Revues
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In the late 18th century, surveyors divided the Midwestern United States into the Jefferson Grid: a system of neat, one-by-one-mile squares. But because the earth is round, the lines tapered to the north. Therefore the grid had to be corrected: every 20 miles, grid corrections brought theory and practice back together. Pilot and aerial photographer Gerco de Ruijter (born(...)
Gerco de Ruijter: Grid Corrections
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In the late 18th century, surveyors divided the Midwestern United States into the Jefferson Grid: a system of neat, one-by-one-mile squares. But because the earth is round, the lines tapered to the north. Therefore the grid had to be corrected: every 20 miles, grid corrections brought theory and practice back together. Pilot and aerial photographer Gerco de Ruijter (born 1961) first spotted these small bends and T-junctions while completing a residency in Wichita; then, with the help of Google Earth, De Ruijter found thousands of these corrections. Presenting De Ruijter’s selection of over 250 photocollage grid corrections—snowed under or dried up, in cities and in deserts—and featuring an exceptional design by Irma Boom, this publication is a testimony to the human urge to design the landscape and the ways in which nature responds to that urge.
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Collecting writings from artists, theorists and artist residency facilitators, “Contemporary Artist Residencies” examines the present role of the residency for artists and the international art ecosystem. With a range of discussions on the continuously evolving role of residencies in our political and historical moment, the book also examines residencies’ varied attempts(...)
Contemporary artist residencies: reclaiming time and space
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Collecting writings from artists, theorists and artist residency facilitators, “Contemporary Artist Residencies” examines the present role of the residency for artists and the international art ecosystem. With a range of discussions on the continuously evolving role of residencies in our political and historical moment, the book also examines residencies’ varied attempts at “reclaiming time and space” for artistic practice while serving as nodes for collaboration, research, and critical thinking—not to mention a crucial and sought-after means of promoting artists’ career development and the international circulation of their work. The book features contributions by Pascal Gielen, Livia Alexander, Nathalie Anglès, Helmut Batista and Taru Elfving, among others. The latest of Valiz’s “Antennae” series of books designed by Metahaven, “Contemporary Artist Residencies” helps to fill the surprising gap in books about how and why residencies function in today’s art world.
Théorie de l’art
Karen Kilimnik
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This monograph is devoted to the American artist (*1955) who lives and works in Philadelphia. In the 1980s her narrative and jumbled installations were compared by the critics to the “scatter art” of the previous decade, but have become cult for a younger generation of artists and exhibition curators. Her drawings and paintings from the beginning of the 1990s were(...)
Karen Kilimnik
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This monograph is devoted to the American artist (*1955) who lives and works in Philadelphia. In the 1980s her narrative and jumbled installations were compared by the critics to the “scatter art” of the previous decade, but have become cult for a younger generation of artists and exhibition curators. Her drawings and paintings from the beginning of the 1990s were included in the then current discussions on art and glamour, and on the emergence of women artists whose sensibility was not that of feminist theory. The source of numerous misunderstandings, the diversity of her work has veiled the internal coherence of a practice of which the most recent pieces attest to the continuous links between all these mediums. This book offers the complete panorama of Kilimnik’s production and allows a vision that goes beyond the distinctions between painting, drawing, or installation.