Raymond Pettibon: to Wit
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In the summer of 2013, Raymond Pettibon (born 1957) converted the David Zwirner exhibition space into an improvised studio, in order to prepare the drawings and collages for his critically acclaimed show at the gallery. The works ranged from depictions of Joe DiMaggio as a young boy, Bob Dylan and the comic strip character Bazooka Joe to pieces dovetailing popular imagery(...)
Raymond Pettibon: to Wit
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In the summer of 2013, Raymond Pettibon (born 1957) converted the David Zwirner exhibition space into an improvised studio, in order to prepare the drawings and collages for his critically acclaimed show at the gallery. The works ranged from depictions of Joe DiMaggio as a young boy, Bob Dylan and the comic strip character Bazooka Joe to pieces dovetailing popular imagery with quotations from Marcel Proust, William Faulkner, Henry James, Gustave Flaubert or the Bible, and addressing themes of violence, humor, sex, evolution, religion, politics, literature, youth, art history and sports. This volume documents both the making of these works during Pettibon's intensive tenure in the space and the finished works themselves. Boasting a drawing made especially for the cover, Raymond Pettibon: To Wit includes an essay by Lucas Zwirner titled "A Month with Raymond" that describes the show's making and offers fresh observations on the relationship between word and image, and reading and writing, in Pettibon's art.
Illustration
livres
Le futur de la diversité
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Ce livre offre de nouvelles perspectives sur le concept de la diversité et le rôle que la diversité peut jouer dans le monde du travail de demain. Des universitaires et des praticiens et praticiennes de diverses disciplines et origines réfléchissent aux interventions les plus appropriées pour créer un marché du travail plus inclusif pour tout le monde. Ils explorent les(...)
Le futur de la diversité
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Ce livre offre de nouvelles perspectives sur le concept de la diversité et le rôle que la diversité peut jouer dans le monde du travail de demain. Des universitaires et des praticiens et praticiennes de diverses disciplines et origines réfléchissent aux interventions les plus appropriées pour créer un marché du travail plus inclusif pour tout le monde. Ils explorent les arguments économiques en faveur de la diversité et des stratégies de gestion de la diversité, en constatant que la diversité et l'inclusion sont indissociables. Les auteurs et autrices montrent que les préjugés et les stéréotypes qui conduisent à la discrimination et à la violence constituent un obstacle majeur à la diversité. Toutefois, le changement culturel sur le lieu de travail ne peut être obtenu par des politiques ponctuelles et l'efficacité des initiatives en faveur de la diversité peut dépendre de variables extérieures au marché du travail. L'ouvrage met également en lumière le dilemme politique entre le respect des individus avec toutes leurs particularités et la lutte contre les inégalités structurelles, qui nécessite souvent une catégorisation en groupes.
livres
février 2023
Social
The phantom scientist
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An isolated institute laid out in a Fibonacci sequence, hidden deep in the forest. Twenty-four labs. Twenty-four researchers. Until one of them disappears . . . When physicist Stéphane Douasy arrives to occupy the vacant twenty-fourth lab at the Institute for the Study of Complex and Dynamic Systems, an ominous problem rises in his wake: what has happened to his(...)
The phantom scientist
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An isolated institute laid out in a Fibonacci sequence, hidden deep in the forest. Twenty-four labs. Twenty-four researchers. Until one of them disappears . . . When physicist Stéphane Douasy arrives to occupy the vacant twenty-fourth lab at the Institute for the Study of Complex and Dynamic Systems, an ominous problem rises in his wake: what has happened to his missing neighbor in Building F? When Stéphane’s neighbors, a discouraged linguist and a computer scientist bent on predicting the future, discover that the missing researcher may have solved the P versus NP problem—a coup in computer science with revolutionary implications for everything from mathematics to philosophy—before vanishing, things turn stranger still, and even more menacing. Solving the mystery of the Institute and its devolution into mayhem and violence every seventh year quickly shifts from being an intellectual exercise to a matter of life and death. ''The phantom scientist'' is part thriller, part mystery, part systems theory—and all enthralling. The tale slyly draws together linguistics, biology, astrophysics, and robotics in a mind-bending puzzle that will thrill and inform readers.
Illustration
The Black geographic
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The contributors to ''The Black geographic'' explore the theoretical innovations of Black Geographies scholarship and how it approaches Blackness as historically and spatially situated. In studies that span from Oakland to the Alabama Black Belt to Senegal to Brazil, the contributors draw on ethnography, archival records, digital humanities, literary criticism, and art to(...)
The Black geographic
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The contributors to ''The Black geographic'' explore the theoretical innovations of Black Geographies scholarship and how it approaches Blackness as historically and spatially situated. In studies that span from Oakland to the Alabama Black Belt to Senegal to Brazil, the contributors draw on ethnography, archival records, digital humanities, literary criticism, and art to show how understanding the spatial dimensions of Black life contributes to a broader understanding of race and space. They examine key sites of inquiry: Black spatial imaginaries, resistance to racial violence, the geographies of racial capitalism, and struggles over urban space. Throughout, the contributors demonstrate that Blackness is itself a situating and place-making force, even as it is shaped by spatial processes and diasporic routes. Whether discussing eighteenth- and nineteenth-century abolitionist print records or migration and surveillance in Niger, this volume demonstrates that Black Geographies is a mode of analyzing Blackness that fundamentally challenges the very foundations of the field of geography and its historical entwinement with colonialism, enslavement, and imperialism. In short, it marks a new step in the evolution of the field.
Social
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In "Fugitive time", Matthew Omelsky theorizes the embodied experience of time in twentieth- and twenty-first-century black artforms from across the world. Through the lens of time, he charts the sensations and coursing thoughts that accompany desires for freedom as they appear in the work of artists as varied as Toni Morrison, Yvonne Vera, Aimé Césaire, and Issa Samb.(...)
Fugitive time: Global aesthetics and the black beyond
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In "Fugitive time", Matthew Omelsky theorizes the embodied experience of time in twentieth- and twenty-first-century black artforms from across the world. Through the lens of time, he charts the sensations and coursing thoughts that accompany desires for freedom as they appear in the work of artists as varied as Toni Morrison, Yvonne Vera, Aimé Césaire, and Issa Samb. "Fugitive time" names a distinct utopian desire directed at the anticipated moment when the body and mind have been unburdened of the violence that has consumed black life globally for centuries, bringing with it a new form of being. Omelsky shows how fugitive time is not about attaining this transcendent release but is instead about sustaining the idea of it as an ecstatic social gathering. From the desire for ethereal queer worlds in the Black Audio Film Collective's "Twilight City" to Sun Ra's transformation of nineteenth-century scientific racism into an insurgent fugitive aesthetic, Omelsky shows how fugitive time evolves and how it remains a dominant form of imagining freedom in global black cultural expression.
Théorie de l’art
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The Body at Risk: Photography of Disorder, Illness, and Healing is the first book to explore the ways that photojournalists and social documentarians have conceptualized the human subject as a site of both good and ill health. The volume looks at photographs depicting child laborers; Depression-era health programs; general medical care in the southern United States at(...)
The body at risk : photography of disorder, illness and healing
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The Body at Risk: Photography of Disorder, Illness, and Healing is the first book to explore the ways that photojournalists and social documentarians have conceptualized the human subject as a site of both good and ill health. The volume looks at photographs depicting child laborers; Depression-era health programs; general medical care in the southern United States at mid-century; people with HIV, AIDS, and polio, along with their caretakers and the health workers who advocate for them; environmental pollution; physical and psychological injuries received during warfare; domestic violence; and emergency care in the modern urban hospital. It brings together ten significant bodies of photographs made over the past one hundred years to show how human health topics have been represented for the general public and how the emphasis on health has shifted; how photography has been used to present and promote certain points of view about health and the social circumstances that affect it, both positively and negatively; and how photography has helped shape public knowledge of and opinion about health care and some of the events and circumstances that engender it.
Théorie de la photographie
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Contrairement à ce que l’on pourrait croire, la crise du logement n’est pas causée par le manque d’unités locatives, des taux d’intérêt élevés ou une conjoncture économique défavorable. C’est l’état normal du marché immobilier en régime capitaliste. Telle est l’idée que défendent l’urbaniste Peter Marcuse et le sociologue David Madden, dans cet ouvrage essentiel qui met(...)
Défendre le logement : Nos foyers, leurs profits
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Contrairement à ce que l’on pourrait croire, la crise du logement n’est pas causée par le manque d’unités locatives, des taux d’intérêt élevés ou une conjoncture économique défavorable. C’est l’état normal du marché immobilier en régime capitaliste. Telle est l’idée que défendent l’urbaniste Peter Marcuse et le sociologue David Madden, dans cet ouvrage essentiel qui met en évidence le conflit entre le logement en tant que foyer et l’immobilier à but lucratif. « Défendre le logement » met le doigt sur les processus de marchandisation du logement qui, au cours des dernières années, ont atteint des sommets inégalés, notamment avec l’essor des plateformes comme Airbnb et l’utilisation de l’immobilier comme instrument d’accumulation financière. Une situation qui ne fait que creuser davantage les inégalités dans la ville : quand le profit prend le pas sur le droit de se loger, les loyers augmentent et leur qualité diminue, et les communautés sont confrontées à la violence des déplacements et de la gentrification. Or, le logement est un droit fondamental et ne devrait pas être considéré comme un bien marchand.
L'humain et la ville
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The body of the seafarer is a fulcrum upon which global systems of power, longstanding maritime traditions, and gendered and racialised pressures all rest. In this vital new essay, scholar Laleh Khalili draws on her ongoing research and experiences of travelling on cargo ships to explore the embodied life of these labourers. She investigates an experience riddled with(...)
The corporeal life of seafaring
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The body of the seafarer is a fulcrum upon which global systems of power, longstanding maritime traditions, and gendered and racialised pressures all rest. In this vital new essay, scholar Laleh Khalili draws on her ongoing research and experiences of travelling on cargo ships to explore the embodied life of these labourers. She investigates an experience riddled with adversities – loneliness, loss, and violence, stolen wages and exploitative shipowners – as well as ephemeral moments of joy and solidarity. In the unique arena of the ship, Khalili traces the many forms of corporeality involved in work at sea and the ways the body is engaged by the institutions that engulf seafarers’ lives and work. Illustrated throughout with the author’s own photographs, this book takes in both scholarly and literary accounts to describe with care and imagination the material and physical realities of contemporary commerce at sea. Drawing on the insights of feminists and scholars of racial capitalism, it centres the lives of those so often forgotten or dismissed in enterprises of capital accumulation and the raced and gendered hierarchies that shape them.
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Duffy illuminates speed as a logic and genuine pleasure of modernity. He plunges full-throttle into speed's 'adrenaline aesthetics,' offering deft readings of works ranging from F. Scott Fitzgerald's "The Great Gatsby", through J. G. Ballard's "Crash", to the cautionary consumerism of Ralph Nader. He describes how speed changed understandings of space, distance, chance,(...)
The speed handbook: velocity, pleasure, modernism
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Duffy illuminates speed as a logic and genuine pleasure of modernity. He plunges full-throttle into speed's 'adrenaline aesthetics,' offering deft readings of works ranging from F. Scott Fitzgerald's "The Great Gatsby", through J. G. Ballard's "Crash", to the cautionary consumerism of Ralph Nader. He describes how speed changed understandings of space, distance, chance, and violence; how the experience of speed was commodified in the dawning era of mass consumption; and how people were incited to abhor slowness and desire speed. He examines how they were trained by new media such as the cinema to see, hear, and sense speed, and how speed, demanded of the efficient assembly-line worker, was given back to that worker as the chief thrill of leisure. Assessing speed's political implications, Duffy considers how speed pleasure was offered to citizens based on criteria including their ability to pay and their gender, and how speed quickly became something to be patrolled by governments. Drawing on novels, news reports, photography, advertising, and much more, Duffy provides a breakneck tour through the cultural dynamics of speed.
Théorie/ philosophie
Photographie et écologie
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Dès son essor, la photographie est inextricablement liée à l'écologie – par sa matérialité et par ce qu'elle donne à voir. Ce livre présente quinze artistes qui tissent des liens avec des écosystèmes en mouvement. À travers cinq chapitres organisés autour de registres émotionnels, l'autrice met en perspective ces pratiques artistiques contemporaines avec l'histoire du(...)
Photographie et écologie
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Dès son essor, la photographie est inextricablement liée à l'écologie – par sa matérialité et par ce qu'elle donne à voir. Ce livre présente quinze artistes qui tissent des liens avec des écosystèmes en mouvement. À travers cinq chapitres organisés autour de registres émotionnels, l'autrice met en perspective ces pratiques artistiques contemporaines avec l'histoire du médium photographique. Elle propose une entrée en matière, une invitation au dialogue, une mise en relation sensible et critique des images et de l'écologie. La collection « Superscripte » propose des textes introductifs et synthétiques sur des pratiques photographiques contemporaines dans toutes leur diversité, par le prisme d'une notion unique – l'exposition, la violence ou l'image-objet. En conjuguant des ouvrages écrits par des artistes, des chercheurs et chercheuses ou des critiques, il s'agit de valoriser les subjectivités personnelles et les compétences qui découlent des différentes manières de penser les images. Imaginée pour les photographes, les historien·ne·s de l'art ou un public amateur, cette série souhaite donner les clés pour appréhender certaines thématiques ou formes photographiques, omniprésentes dans la culture visuelle d'aujourd'hui.
Photographie- collections