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The American artist Robert Rauschenberg (1925–2008) won acclaim and awards for his diverse oeuvre that spanned six decades and included paintings, sculpture, prints, photography, and performance. Less well known is the role that writing played in his creative process. Rauschenberg self-identified as dyslexic and did not publish extensively, leading to the widely held(...)
Robert Rauschenberg: I don't think about being great
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The American artist Robert Rauschenberg (1925–2008) won acclaim and awards for his diverse oeuvre that spanned six decades and included paintings, sculpture, prints, photography, and performance. Less well known is the role that writing played in his creative process. Rauschenberg self-identified as dyslexic and did not publish extensively, leading to the widely held assumption that he was not an artist who wrote. This book corrects the record, showcasing 100 passages, many published here for the first time, from Rauschenberg’s robust body of written work. Comprising correspondence, artist notes, testimony, speeches, and more, this collection brings to light the artist’s love of language and reveals that writing was, in fact, central to Rauschenberg’s practice. The writings, illustrated with reproductions in the artist’s distinctive hand, are infused with visual and intellectual lyricism, humor, and insight, and span topics from the freedom of artistic expression to environmental concerns.
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The construction industry is keen to give nature a bigger role in area development, but the road from ambition to realization and management is a challenging one. This book identifies key challenges encountered during the various phases of the planning process and highlights possible solutions drawn from practice. In ''Nature-inclusive Urban Development'' the authors(...)
Nature-inclusive urban development: From experiments to governance
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The construction industry is keen to give nature a bigger role in area development, but the road from ambition to realization and management is a challenging one. This book identifies key challenges encountered during the various phases of the planning process and highlights possible solutions drawn from practice. In ''Nature-inclusive Urban Development'' the authors look back to the very first European eco-districts from the final decade of the twentieth century and examine what the concept has delivered for residents and nature. They also assess the effectiveness of several pioneering international points systems in Amsterdam, Berlin, London, Malmö, Stockholm, and The Hague, among other cities. The book explores the operation and benefits of these points systems, and provides valuable solutions gleaned from interviews with practitioners in key positions. As such, nature-inclusive urban development offers practical pathways for overcoming governance challenges and fostering innovation for making cities biodiverse.
Théorie de l’urbanisme
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A cat wanders, perches, and lounges in various spaces around a humble Tokyo apartment. It is perfectly tranquil in its surroundings, simply going about its daily life. In one image, the cat lays serenely amidst pot plants on the balcony, squinting in morning sunlight; in others, it balances precariously on the edge of the bath, snuggles beneath a sleeping bag, plays in a(...)
Takashi Homma: This is not my cat
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A cat wanders, perches, and lounges in various spaces around a humble Tokyo apartment. It is perfectly tranquil in its surroundings, simply going about its daily life. In one image, the cat lays serenely amidst pot plants on the balcony, squinting in morning sunlight; in others, it balances precariously on the edge of the bath, snuggles beneath a sleeping bag, plays in a cardboard box, hides beneath an open umbrella. Here and there, evidence of the cat's fellow inhabitant in the apartment—a man, who also happens to be the internationally renowned photographer Takashi Homma—creeps into the frame. A knee, a foot, a shock of blonde hair, half of a face. There are artefacts of his life and practice too. Framed photographic prints draped in bubblewrap lean against a wall; a tangle of musical effects pedals make for colourful constellation against the cool blue of the carpet.
Monographies photo
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Carlos Bunga: Inhabit the Contradiction is an extensive monograph devoted to the work of Carlos Bunga, published in conjunction with his eponymous exhibition presented at CAM – Gulbenkian. The book contains notes by the exhibition curator and catalogue editor, Rui Mateus Amaral, who introduces readers to the exhibition project, providing an in-depth account of its genesis(...)
Carlos Bunga: Inhabit the contradiction
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Carlos Bunga: Inhabit the Contradiction is an extensive monograph devoted to the work of Carlos Bunga, published in conjunction with his eponymous exhibition presented at CAM – Gulbenkian. The book contains notes by the exhibition curator and catalogue editor, Rui Mateus Amaral, who introduces readers to the exhibition project, providing an in-depth account of its genesis and development, focusing on the dialogue between Bunga's work and selected pieces from the CAM collection. The notes describe both Bunga's new and existing works, as well as their configuration within the space, with the intention of opening up multiple points of access to the exhibition, leaving room for individual interpretation. Designed by as ilhas studio, the catalogue also contains new essays by various authors written especially for the occasion—Rina Carvajal, Roland Groenenboom, Omar Kholeif, November Paynter, and Catarina Rosendo—each offering an in-depth look at salient aspects of the artist's multifaceted practice.
OASE 120: Quality settings
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'‘Quality'’ is an all-pervasive concept in contemporary architectural practice, yet it is also a somewhat vague notion that can be used for many very different valuations. Talking or thinking about a high-quality built environment opens up new opportunities for critical interpretation and for new social or ecological endeavours. By the same token, the concept of quality(...)
OASE 120: Quality settings
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'‘Quality'’ is an all-pervasive concept in contemporary architectural practice, yet it is also a somewhat vague notion that can be used for many very different valuations. Talking or thinking about a high-quality built environment opens up new opportunities for critical interpretation and for new social or ecological endeavours. By the same token, the concept of quality may limit the arena for the evaluation and legitimization of architecture to expert opinions. This issue of OASE considers contemporary processes and environments in which the quality of (public) architecture is negotiated. How do state or city architects, urban quality commissions or design competitions ensure the quality of regional planning? What is the importance of the exchanges and negotiations between designers, experts, mediators and other stakeholders? And how do these ‘settings’ fit into the evolving frameworks of architectural culture, urban or infrastructural policy and the political economy?
Revues
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This publication focuses on a lecture given by Harun Farocki in March 1994 at the "Cine City: Film and Perceptions of Urban Space, 1895–1995" conference at the Getty Center for the History of Art and the Humanities in Los Angeles. Here, Farocki wove an associative web of thoughts on the relationship between film, architecture, material worlds, political economy, dwelling,(...)
Harun Farocki : Building and filming
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This publication focuses on a lecture given by Harun Farocki in March 1994 at the "Cine City: Film and Perceptions of Urban Space, 1895–1995" conference at the Getty Center for the History of Art and the Humanities in Los Angeles. Here, Farocki wove an associative web of thoughts on the relationship between film, architecture, material worlds, political economy, dwelling, sexuality, space, and time. Although an interest in buildings, spatial relationships, and power relations, as well as the interpenetration of technical media and urban space, was central to Farocki's practice, this is one of the few explicit explorations of the relationship between architecture and cinema. The (German and English) manuscripts of Farocki's lecture are supplemented by press material from the Getty Center's extensive film and lecture series. In their postface, the editors provide elements of interpretation and contextualization with regard to Farocki's previous and subsequent projects on spatiality and architecture.
Image ecology
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A survey of contemporary image-making, "Image ecology" marks the beginning of a long-term consideration of nature and ecology in current fine art photography through shows at C/O Berlin. In an attempt to document the systemic causes of the climate crisis, the works included in this volume explore their own material and social conditions. The 12 contemporary artists(...)
Image ecology
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A survey of contemporary image-making, "Image ecology" marks the beginning of a long-term consideration of nature and ecology in current fine art photography through shows at C/O Berlin. In an attempt to document the systemic causes of the climate crisis, the works included in this volume explore their own material and social conditions. The 12 contemporary artists featured employ experimental and traditional historical processes as well as new technologies. "Image ecology" dissects photography as an ecological practice, a medium that is defined as much by the nexus of material, labor, energy and waste that its production and circulation require as by what it represents. Featuring an extensive essay by environmental historian Jason W. Moore, and contributions by over a dozen international writers, the book even unpacks its own production process: from material supply chains and working conditions to wrapping and postage.
Photographie- collections
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"City making 101" is a card game and reference resource for designers and “citizen designers” to imagine, discuss and share ways to realize livable, lovable and walkable cities. The game approach offers each player a dynamic pathway into the complexity of city making. Players gain a base of knowledge about city design and, through reading, reflection, and debate, use the(...)
City making 101: Card topics with urban design guidelines
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"City making 101" is a card game and reference resource for designers and “citizen designers” to imagine, discuss and share ways to realize livable, lovable and walkable cities. The game approach offers each player a dynamic pathway into the complexity of city making. Players gain a base of knowledge about city design and, through reading, reflection, and debate, use the cards to produce a customized design guideline per their priorities and aspirations. Framed under six categories, the 101 topics focus on fundamental domains of the public realm. Players imagine their ideal urban environment, debate issues on planning and public space, then build consensus on the design guidelines needed to realize their vision, taking into account best practice standards and performance parameters. The game opens up space for conversations, debates on priorities, stakeholder accountability and open-ended proposals on complex physical, social and economic issues.
Jouets
Huong Ngo: Ungrafting
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Huong Ngô (born 1979) is a Hong Kong–born artist based in Santa Barbara. Her conceptual, research-based practice often takes the form of installation, printmaking and nontraditional mediums. Ungrafting looks at histories of colonial violence, specifically French colonialism in Vietnam, as well as resistance movements, through image-making, translations and material(...)
octobre 2024
Huong Ngo: Ungrafting
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Huong Ngô (born 1979) is a Hong Kong–born artist based in Santa Barbara. Her conceptual, research-based practice often takes the form of installation, printmaking and nontraditional mediums. Ungrafting looks at histories of colonial violence, specifically French colonialism in Vietnam, as well as resistance movements, through image-making, translations and material investigations. Ngô turns to a series of early 20th-century photographs showing foreign trees and tree grafts planted in Vietnam by the French. For the artist, grafting—a procedure that involves cutting and splicing different species into a single plant—serves as a powerful metaphor for the physical violence inherent in colonialism. An essay by Justin Quang Nguyên Phan, and conversations between Ngô and Aline Lo and Evyn Lê Espiritu Gandhi and Chadwick Allen, reflect on the connection between Ngô’s exhibition and global anticolonialism, the trans-Indigenous and the role of the archive in artistic production.
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''Designed Forests: A Cultural History'' explores the unique kinship that exists between forests and spatial design; the forest’s influence on architectural culture and practice; and the potentials and pitfalls of “forest thinking” for more sustainable and ethical ways of doing architecture today. It tackles these subjects by focusing on architecture’s own dispositions,(...)
Designed forests: A cultural history
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''Designed Forests: A Cultural History'' explores the unique kinship that exists between forests and spatial design; the forest’s influence on architectural culture and practice; and the potentials and pitfalls of “forest thinking” for more sustainable and ethical ways of doing architecture today. It tackles these subjects by focusing on architecture’s own dispositions, which stem from an ecology of metaphor that surrounds its encounters with the forest and undergird ideas about Nature and natural systems. The book weaves together global narratives and chapters explore a range of topics, such as the invention of forest plans in colonial India, the war waged on the jungles of Vietnam, economic land use concepts in rural Germany, precolonial ecological pasts in Manhattan, and technologically saturated forests in California. This book is essential for landscape architects, urbanists, architects, forestry experts, and everyone concerned with larger environmental contexts and the ever-evolving relationship between nature and culture.
Théorie du paysage