16540 Résultats
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livres
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$91.00
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Résumé:
This book exlores the humourous commentary about photography that emerged in the medium's first seventy-five years, providing a panorama of photographic comedy in its many aspects, both pictorial and literary.
$91.00
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Résumé:
This book exlores the humourous commentary about photography that emerged in the medium's first seventy-five years, providing a panorama of photographic comedy in its many aspects, both pictorial and literary.
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
mars 1998, University Park, Penn.
mars 1998, University Park, Penn.
Titre:
Positive pleasures : early photography and humor
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$91.00
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Résumé:
This book exlores the humourous commentary about photography that emerged in the medium's first seventy-five years, providing a panorama of photographic comedy in its many aspects, both pictorial and literary.
Positive pleasures : early photography and humor
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$91.00
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Résumé:
This book exlores the humourous commentary about photography that emerged in the medium's first seventy-five years, providing a panorama of photographic comedy in its many aspects, both pictorial and literary.
Classification:
livres
livres
Publication:
mars 1998, University Park, Penn.
mars 1998, University Park, Penn.
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$50.00
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From 1976 until his death in 1987, Andy Warhol was never without his camera. He snapped photos at discos, dinner parties, flea markets, and wrestling matches. In a way, Warhol's daily photography practice anticipated our current smart phone habits - our need to record our friends, our families, and our food. Warhol printed only about 17 percent of the 130,000 exposures he(...)
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Résumé:
From 1976 until his death in 1987, Andy Warhol was never without his camera. He snapped photos at discos, dinner parties, flea markets, and wrestling matches. In a way, Warhol's daily photography practice anticipated our current smart phone habits - our need to record our friends, our families, and our food. Warhol printed only about 17 percent of the 130,000 exposures he(...)
Titre:
Contact Warhol: photography without end
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$50.00
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From 1976 until his death in 1987, Andy Warhol was never without his camera. He snapped photos at discos, dinner parties, flea markets, and wrestling matches. In a way, Warhol's daily photography practice anticipated our current smart phone habits - our need to record our friends, our families, and our food. Warhol printed only about 17 percent of the 130,000 exposures he left on contact sheets. In 2014, Stanford's Cantor Center for the Arts acquired the 3,600 contact sheets from the Warhol Foundation. This book examines and documents for the first time these contact sheets and photographs - Warhol's final body of work
Contact Warhol: photography without end
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$50.00
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From 1976 until his death in 1987, Andy Warhol was never without his camera. He snapped photos at discos, dinner parties, flea markets, and wrestling matches. In a way, Warhol's daily photography practice anticipated our current smart phone habits - our need to record our friends, our families, and our food. Warhol printed only about 17 percent of the 130,000 exposures he left on contact sheets. In 2014, Stanford's Cantor Center for the Arts acquired the 3,600 contact sheets from the Warhol Foundation. This book examines and documents for the first time these contact sheets and photographs - Warhol's final body of work
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livres
livres
Publication:
octobre 2018
octobre 2018
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$41.99
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The concept "Typophoto", the synthesis of photography and typography, was coined by renowned Bauhaus artist and theorist László Moholy-Nagy and played a foundational role in the modernist graphic design movement known as the New Typography. Jessica D. Brier examines how Typophoto was embraced by early graphic designers—a group who ultimately reinvented photography as a(...)
$41.99
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The concept "Typophoto", the synthesis of photography and typography, was coined by renowned Bauhaus artist and theorist László Moholy-Nagy and played a foundational role in the modernist graphic design movement known as the New Typography. Jessica D. Brier examines how Typophoto was embraced by early graphic designers—a group who ultimately reinvented photography as a(...)
Titre:
Typophoto: New typography and the reinvention of photography
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$41.99
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The concept "Typophoto", the synthesis of photography and typography, was coined by renowned Bauhaus artist and theorist László Moholy-Nagy and played a foundational role in the modernist graphic design movement known as the New Typography. Jessica D. Brier examines how Typophoto was embraced by early graphic designers—a group who ultimately reinvented photography as a tool of modern consumerism. "Typophoto" embodied designers’ belief in photography as an efficient form of visual communication, merging the material and the visual by abstracting both typographic and photographic form and transmuting photography into graphic material through the halftone process.
Typophoto: New typography and the reinvention of photography
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$41.99
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The concept "Typophoto", the synthesis of photography and typography, was coined by renowned Bauhaus artist and theorist László Moholy-Nagy and played a foundational role in the modernist graphic design movement known as the New Typography. Jessica D. Brier examines how Typophoto was embraced by early graphic designers—a group who ultimately reinvented photography as a tool of modern consumerism. "Typophoto" embodied designers’ belief in photography as an efficient form of visual communication, merging the material and the visual by abstracting both typographic and photographic form and transmuting photography into graphic material through the halftone process.
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livres
livres
Publication:
avril 2025
avril 2025
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
Titre:
Process as interpretation : photographs from the Canadian Centre for Architecture / David Harris.
Process as interpretation : photographs from the Canadian Centre for Architecture / David Harris.
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Description:
17 unnumbered pages ; 22 cm
Description:
17 unnumbered pages ; 22 cm
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Publication:
[Montréal, Québec, Canada] : [Centre canadien d'architecture/Canadian Centre for Architecture], [1990]
[Montréal, Québec, Canada] : [Centre canadien d'architecture/Canadian Centre for Architecture], [1990]
Titre:
Process as interpretation : photographs from the Canadian Centre for Architecture / David Harris.
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Description:
17 unnumbered pages ; 22 cm
Process as interpretation : photographs from the Canadian Centre for Architecture / David Harris.
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Description:
17 unnumbered pages ; 22 cm
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livres
livres
Publication:
[Montréal, Québec, Canada] : [Centre canadien d'architecture/Canadian Centre for Architecture], [1990]
[Montréal, Québec, Canada] : [Centre canadien d'architecture/Canadian Centre for Architecture], [1990]
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livres
livres
Titre:
Bob Harr, Hedrich Blessing.
Bob Harr, Hedrich Blessing.
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Description:
68 unnumbered pages : color illustrations ; 31 cm
Description:
68 unnumbered pages : color illustrations ; 31 cm
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Publication:
Chicago : Hedrich-Blessing, ©1986.
Chicago : Hedrich-Blessing, ©1986.
Titre:
Bob Harr, Hedrich Blessing.
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Description:
68 unnumbered pages : color illustrations ; 31 cm
Bob Harr, Hedrich Blessing.
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Description:
68 unnumbered pages : color illustrations ; 31 cm
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livres
livres
Publication:
Chicago : Hedrich-Blessing, ©1986.
Chicago : Hedrich-Blessing, ©1986.
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Description:
160 pages : illustrations ; 24 cm.
Description:
160 pages : illustrations ; 24 cm.
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Amsterdam : Produktie & distributie Uitgeverij Duizend & Een, ©1991.
Amsterdam : Produktie & distributie Uitgeverij Duizend & Een, ©1991.
Titre:
Actiones in distans / [medewerkers, Oscar van Alphen, Jean Baudrillard [and others] ; samenstelling & redactie Stichting Highbrow].
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Description:
160 pages : illustrations ; 24 cm.
Actiones in distans / [medewerkers, Oscar van Alphen, Jean Baudrillard [and others] ; samenstelling & redactie Stichting Highbrow].
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160 pages : illustrations ; 24 cm.
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Publication:
Amsterdam : Produktie & distributie Uitgeverij Duizend & Een, ©1991.
Amsterdam : Produktie & distributie Uitgeverij Duizend & Een, ©1991.
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91 pages : chiefly illustrations (chiefly color) ; 29 cm + 1 pamphlet (15 pages ; 24 cm) + 1 folded map + 2 sheets (24 cm)
Description:
91 pages : chiefly illustrations (chiefly color) ; 29 cm + 1 pamphlet (15 pages ; 24 cm) + 1 folded map + 2 sheets (24 cm)
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Arles : Actes Sud : Prix HSBC pour la photographie, 2016.
Arles : Actes Sud : Prix HSBC pour la photographie, 2016.
Titre:
Christian Vium : ville nomade.
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Description:
91 pages : chiefly illustrations (chiefly color) ; 29 cm + 1 pamphlet (15 pages ; 24 cm) + 1 folded map + 2 sheets (24 cm)
Christian Vium : ville nomade.
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91 pages : chiefly illustrations (chiefly color) ; 29 cm + 1 pamphlet (15 pages ; 24 cm) + 1 folded map + 2 sheets (24 cm)
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livres
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Publication:
Arles : Actes Sud : Prix HSBC pour la photographie, 2016.
Arles : Actes Sud : Prix HSBC pour la photographie, 2016.
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Description:
43 pages : chiefly illustrations (some color) ; 27 cm
Description:
43 pages : chiefly illustrations (some color) ; 27 cm
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Publication:
Cologne : Verlag der Buchhandlung Walther König, 1995.
Cologne : Verlag der Buchhandlung Walther König, 1995.
Titre:
To place : Verne's journey / Roni Horn.
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Description:
43 pages : chiefly illustrations (some color) ; 27 cm
To place : Verne's journey / Roni Horn.
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43 pages : chiefly illustrations (some color) ; 27 cm
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livres
livres
Publication:
Cologne : Verlag der Buchhandlung Walther König, 1995.
Cologne : Verlag der Buchhandlung Walther König, 1995.
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livres
livres
Prix:
$140.00
(disponible en magasin)
Résumé:
The past seventy-five years have been a time of extreme social and cultural transformations worldwide. Political and social upheaval, often contentious, disorienting and polarizing, is now a daily reality. Whether migration crises, territorial disputes, gender inequity, class divisions, racism, war, gun violence or environmental concerns, we live in a world rife with(...)
$140.00
(disponible en magasin)
Résumé:
The past seventy-five years have been a time of extreme social and cultural transformations worldwide. Political and social upheaval, often contentious, disorienting and polarizing, is now a daily reality. Whether migration crises, territorial disputes, gender inequity, class divisions, racism, war, gun violence or environmental concerns, we live in a world rife with(...)
Titre:
Flashpoint! Protest photography in print, 1950-present
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$140.00
(disponible en magasin)
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The past seventy-five years have been a time of extreme social and cultural transformations worldwide. Political and social upheaval, often contentious, disorienting and polarizing, is now a daily reality. Whether migration crises, territorial disputes, gender inequity, class divisions, racism, war, gun violence or environmental concerns, we live in a world rife with ideological and tribal conflicts. Since its inception, photography has captured defining historical moments, serving as either a tool or a document of protest—or both. In placing photobooks next to posters, DIY zines and independent journals, ''Flashpoint!'' explores the diverse roles and varying aesthetics that photography in print undertakes in its support of protest and resistance. Is it a “tool” conceived through an “aesthetic of urgency” to be used during events as they unfold, as in an anonymously designed poster or ink-stained fliers plastered on street walls? Or an elegantly designed photobook, published a year or more later, often with the help of well-known photographers, writers and designers, to document a past uprising? Whether outright rage or a more subtle artist-driven commentary, protest photography in print covers all of these formats and sometimes transcends rigid media definitions, as it blurs the lines between what constitutes a book, zine, journal, poster or newspaper.
Flashpoint! Protest photography in print, 1950-present
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Prix:
$140.00
(disponible en magasin)
Résumé:
The past seventy-five years have been a time of extreme social and cultural transformations worldwide. Political and social upheaval, often contentious, disorienting and polarizing, is now a daily reality. Whether migration crises, territorial disputes, gender inequity, class divisions, racism, war, gun violence or environmental concerns, we live in a world rife with ideological and tribal conflicts. Since its inception, photography has captured defining historical moments, serving as either a tool or a document of protest—or both. In placing photobooks next to posters, DIY zines and independent journals, ''Flashpoint!'' explores the diverse roles and varying aesthetics that photography in print undertakes in its support of protest and resistance. Is it a “tool” conceived through an “aesthetic of urgency” to be used during events as they unfold, as in an anonymously designed poster or ink-stained fliers plastered on street walls? Or an elegantly designed photobook, published a year or more later, often with the help of well-known photographers, writers and designers, to document a past uprising? Whether outright rage or a more subtle artist-driven commentary, protest photography in print covers all of these formats and sometimes transcends rigid media definitions, as it blurs the lines between what constitutes a book, zine, journal, poster or newspaper.
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livres
livres
Publication:
avril 2025
avril 2025
Sujet:
Photographie- collections
Photographie- collections
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livres
livres
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Publication:
onestar press 2009
onestar press 2009
Classification:
livres
livres
Publication:
onestar press 2009
onestar press 2009
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