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As the world becomes more interconnected through travel and electronic communication, many believe that physical places will become less important. But as Mario Polèse argues in The Wealth and Poverty of Regions, geography will matter more than ever before in a world where distance is allegedly dead. This provocative book surveys the globe, from London and Cape(...)
The wealth & poverty of regions: why cities matter
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As the world becomes more interconnected through travel and electronic communication, many believe that physical places will become less important. But as Mario Polèse argues in The Wealth and Poverty of Regions, geography will matter more than ever before in a world where distance is allegedly dead. This provocative book surveys the globe, from London and Cape Town to New York and Beijing, contending that regions rise—or fall—due to their location, not only within nations but also on the world map. Polèse reveals how concentrations of industries and populations in specific locales often result in minor advantages that accumulate over time, resulting in reduced prices, improved transportation networks, increased diversity, and not least of all, “buzz”—the excitement and vitality that attracts ambitious people. The Wealth and Poverty of Regions maps out how a heady mix of size, infrastructure, proximity, and cost will determine which urban centers become the thriving metropolises of the future, and which become the deserted cities of the past. Engagingly written, the book provides insight to the past, present, and future of regions.
Théorie de l’urbanisme
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In August 1968, the Pakistani foreign minister visited Beijing and presented Chairman Mao Zedong with a crate of mangoes as a diplomatic gesture. The next day, Mao sent the mangoes to the “Worker-Peasant Mao Zedong though Propaganda Teams,” who had been stationed at Quinghua University to put down warring factions of Red Guards ten days previously. The message of this(...)
Mao's Golden Mangoes, and the cultural revolution
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In August 1968, the Pakistani foreign minister visited Beijing and presented Chairman Mao Zedong with a crate of mangoes as a diplomatic gesture. The next day, Mao sent the mangoes to the “Worker-Peasant Mao Zedong though Propaganda Teams,” who had been stationed at Quinghua University to put down warring factions of Red Guards ten days previously. The message of this gift was to dismiss the Student Red Guards, who had been leaders of the proletarian movement in China, and in their stead to install workers as the permanent guardians of China’s education system. During the following weeks, the mangoes were distributed to several factories, where they were treated as though they were religious relics. The golden mango was thus a powerful emblem of the power and respect accorded to the proletariat under Mao’s rule. Mao’s Gold Mangoes and the Cultural Revolution is the catalog for an exhibition of the same title at the Museum Rietberg in Zürich, which explores the golden mangoes’ reverberations throughout Chinese culture for years to come.
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What form of housing will emerge in Dubai, where the majority of the population are non-citizens and average length of stay three days? How will depopulating cities reclaim vacant space, reorganize infrastructure and redefine their economic identity? What type of architecture results from the prevalence of airborne contaminants? What kind of urbanism does Google Earth(...)
Distributed urbanism : cities after Google Earth
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What form of housing will emerge in Dubai, where the majority of the population are non-citizens and average length of stay three days? How will depopulating cities reclaim vacant space, reorganize infrastructure and redefine their economic identity? What type of architecture results from the prevalence of airborne contaminants? What kind of urbanism does Google Earth produce? Exploring the increasingly decentralized systems through which cities are organized and produced, this publication highlights the architectural practices that are emerging in response. Unlike early models of urbanism, in which centralized models of production, communication and governance were sited within a central business district, contemporary urbanism is shaped by remote, distributed mechanisms such as information technologies, (i.e. SatNav, Google Earth, E-trade, Photosynth or RSS web feeds) cooperative economic models and environmental networks, many of which are physically remote from the cities they shape. Consisting of a collection of case studies on global cities including Rotterdam, Tokyo, Barcelona, Detroit, Hong Kong, Dubai, Beijing and Mumbai, the authors draw on these cities in relation to current events, urban schemes and demographic data.
Théorie de l’urbanisme
Mad Dinner
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"In China, we like to sit around a big round table for dinner. We place our dishes on a big spinning disk in the center of the table so that we can all reach the food. Everyone, whether or not he or she has anything to say, and every discussion, whether it is important or not, has an equal place around the table. We hope to have such a dinner and to invite to our table(...)
janvier 2008, Barcelona
Mad Dinner
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"In China, we like to sit around a big round table for dinner. We place our dishes on a big spinning disk in the center of the table so that we can all reach the food. Everyone, whether or not he or she has anything to say, and every discussion, whether it is important or not, has an equal place around the table. We hope to have such a dinner and to invite to our table those who don't usually come together in real life to share their experiences, opinions, and observations. Their concerns are really also our concerns." Mad Dinner MAD is a Beijing-based studio that has won numerous international design competitions, including the Absolute Tower in Toronto. Divided thematically, the book looks at MADs designs to illustrate the freedoms and limitations of the worlds fastest growing urbanization. It explores idealism and free market realities, the role of the media and cultural icons, enacting change in Chinas political landscape, and projects for environmental protection. A journalistic approach with a series of interviews reconnects architecture to the daily cultural landscape: A taxi driver speaks on China's economy, a doctor describes his ideal architecture.
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Where will you go when the trouble starts? For countless people around the world, the answer is that bomb shelter down in the basement. In fact, people from around the world have been building shelters to protect themselves from catastrophe—natural disaster, war, nuclear events—for centuries. "Waiting for the End of the World" is photographer Richard Ross's journey into(...)
Waiting for the end of the world
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Where will you go when the trouble starts? For countless people around the world, the answer is that bomb shelter down in the basement. In fact, people from around the world have been building shelters to protect themselves from catastrophe—natural disaster, war, nuclear events—for centuries. "Waiting for the End of the World" is photographer Richard Ross's journey into this quirky, somewhat paranoid, and occasionally beautiful underground world. Ross has documented not only the bomb shelters of the United States, but also examples from Vietnam, Russia, England, Turkey, and even Switzerland, where citizens are required by law to have a bomb shelter. Ross's subjects include the Greenbrier Hotel in West Virginia, where a shelter was built to house the entire U.S. Congress, shelters in Beijing, where the Chinese built a complete city underground, and Hittite shelters in Eastern Turkey built some 4,000 years ago. His ethereal images show spaces that at once provide only the barest necessities for survival but maintain a level of idiosyncratic personality that testify to the endurance—and wackiness—of the human spirit. "Waiting for the End of the World" features an interview by author and social commentator Sarah Vowell.
Monographies photo
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In 2014, Xu Tiantian, founder of Beijing-based studio Design and Architecture (DnA) began to work in Songyang County, in China's Zhejiang Province. Her exemplary holistic planning concept of Architectural Acupuncture, which has gained the support of local administrative and political leadership, aims at revitalising rural areas and comprises the renovation of production(...)
janvier 2021
Songyang Story: architectural acupuncture as driver for socio-economic in rural China
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In 2014, Xu Tiantian, founder of Beijing-based studio Design and Architecture (DnA) began to work in Songyang County, in China's Zhejiang Province. Her exemplary holistic planning concept of Architectural Acupuncture, which has gained the support of local administrative and political leadership, aims at revitalising rural areas and comprises the renovation of production plants and of tourist and technical infrastructure as well as the creation of venues for culture and education and of social housing. Each of Xu's small-scale interventions at local level is unique, only the small budget is common to all of them. Moreover, they are all inter-related with each other and in their entirety serve the broader goal of mutual enhancement. This book introduces Xu's concept of Architectural Acupuncture and discusses the influence of architecture on cultural self-understanding and economic renewal in 21st-century rural China. It features some 20 new buildings and conversions of existing structures with diverse functions. Published alongside are essays by international economists, sociologists, and curators as well as by the secretary of the Songyang County Party Committee, examining the social, political, and economic implications of sustainable planning and collective action in the Chinese province.
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We are at a new moment in architecture, one when many cultures are contributing to the unfolding of modernism. This enriching influence is broadening the mix, extending the range available to architecture, of materials and colours, of evocative forms, of cultural references and of social thinking. In an era of boredom with monocultures and orthodoxies, there is the(...)
Revues, anciens numéros
octobre 2005, London
The new mix : culturally dynamic architecture
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We are at a new moment in architecture, one when many cultures are contributing to the unfolding of modernism. This enriching influence is broadening the mix, extending the range available to architecture, of materials and colours, of evocative forms, of cultural references and of social thinking. In an era of boredom with monocultures and orthodoxies, there is the almost universal expectation that the metroculture, be it in London or Beijing, will provide broadened cultural experiences in food, performance, dress and sound. The new ethnically diverse city is a place of zesty daily encounters/collisions/cohabitation between cultures, a place of mixed signals, contradictions, delightful confusions. Franco-Japanese cuisine, elite schoolchildren wearing doo-rags, jazz performed on gamelans—no matter what one’s mother culture - we’re all getting addicted to varied rhythms, different emotional emphases, ‘other’ ideas of beauty. This change is visible in schools of architecture, at least in the range of students, typically from many ethnicities, none of them constituting a majority. No wonder, then, that there is increased interest in ways that architecture can incorporate a larger compass of riches. A rising group of practitioners is meeting the challenge of this broadening cultural landscape in pursuing strategies of quick switching, layering, reframing. These new architectural expressions of multiple cultures represent an enrichment that ultimately might help create a more robust modernism, helping to rescue it from a ‘potato blight’ of too much sameness.
Revues, anciens numéros
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Best known as the firm chosen to work on the World Trade Center Memorial, the landscape architecture projects of Peter Walker and Partners vary both in scale and program: urban design and planning, corporate headquarters and university campuses, parks, plazas, museums, and gardens. Exploring the relationships of art, culture, and context, Walker and the members of the(...)
Jardins
mars 2005, San Rafael, California
Peter Walker and Partners : defining the craft
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Best known as the firm chosen to work on the World Trade Center Memorial, the landscape architecture projects of Peter Walker and Partners vary both in scale and program: urban design and planning, corporate headquarters and university campuses, parks, plazas, museums, and gardens. Exploring the relationships of art, culture, and context, Walker and the members of the firm re-form the landscape, challenging traditional concepts of design. Through drawing, model-making, computer graphics, and full-size mock-ups, the office moves from defining the program to experimenting with materials and forming the space. The design process, therefore, faithfully reflects the constant exchange occurring with clients, architects, and consultants. A knowledge of history and tradition and an understanding of contemporary needs and patterns of living allow the firm to produce landscapes that are both timeless and unique. This extensive monograph opens with a short essay about the organization and history of the office, the importance of apprenticeship in landscape architectural education, and the particular way that PWP artfully practices the craft of landscape architecture. It features nearly 300 images (with 3 gatefolds) of the firm’s work since 1997, including 16 built landscape projects in the United States, Europe, and Asia. Seven projects in progress include the American Embassy in Beijing, several university campuses, and the World Trade Center Memorial. The 10 site-planning and urban design projects include Millennium Parklands in Sydney, Australia, and the Novartis Headquarters in Basel, Switzerland. Each section begins with a brief introduction by Walker, and the book concludes with four competition entries, including one for 1600 Pennsylvania Avenue.
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mars 2005, San Rafael, California
Jardins
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Built around snatches of discussion overheard in a Beijing design studio, this book explores attitudes toward architecture in China since the opening of the Treaty Ports in the 1840s. Central to the discussion are the concepts of ti and yong, or “essence” and “form,” Chinese characters that are used to define the proper arrangement of what should be considered modern and(...)
avril 2002, Cambridge, Mass.
Architectural encounters with essence and form in modern China
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Built around snatches of discussion overheard in a Beijing design studio, this book explores attitudes toward architecture in China since the opening of the Treaty Ports in the 1840s. Central to the discussion are the concepts of ti and yong, or “essence” and “form,” Chinese characters that are used to define the proper arrangement of what should be considered modern and essentially Chinese. Ti and yong have gone through various transformations--for example, from “Chinese learning for essential principles and Western learning for practical application” to “socialist essence and cultural form” and an almost complete reversal to “modern essence and Chinese form.” The book opens with a discussion of cultural developments in China in response to the forced opening to the West in the mid-nineteenth century, efforts to reform the Qing dynasty, and the Nationalist and Communist regimes. It then considers the return of overseas-educated Chinese architects and foreign influences on Chinese architecture, four architectural orientations toward tradition and modernity in the 1920s and 1930s, and the controversy over the use of “big roofs” and other sinicizing aspects of Chinese architecture in the 1950s. The book then moves to the hard economic conditions of the Great Leap Forward and the Cultural Revolution, when architecture was almost abandoned, and the beginning of reform and opening up to the outside world in the late 1970s and 1980s. Finally, it looks at the present socialist market economy and Chinese architecture during the still incomplete process of modernization. It closes with a prognosis for the future.
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It is perhaps the eighth wonder of our world that despite modern mapping and satellite photography our planet continues to surprise us. Hidden lairs beneath layers of rock, forgotten cities rising out of deserted lands and even mankind's own feats of engineering eccentricity lie in the most unusual of destinations. Travis Elborough goes in search of the obscure and(...)
Atlas of improbable places: a journey to the world's most unusual corners
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It is perhaps the eighth wonder of our world that despite modern mapping and satellite photography our planet continues to surprise us. Hidden lairs beneath layers of rock, forgotten cities rising out of deserted lands and even mankind's own feats of engineering eccentricity lie in the most unusual of destinations. Travis Elborough goes in search of the obscure and bizarre, the beautiful and estranged. Taking in the defiant relics of ancient cities such as Ani, a once thriving metropolis lost to conquered lands, and the church tower of San Juan Parangaricuto, that miraculously stands as the sole survivor of a town sunk by lava. Through the labyrinths of Berlin and Beijing - underground realms dug for refuge, espionage and even, as Canada's Moose Jaw, used as the playground for gangsters trading liquor and money over cards. Never forgetting the freaks and wonders of nature's own unusual masterpieces: the magical underground river shaped like a dragon's mouth in the Philippines and the floating world of Palmerston. With beautiful maps and stunning photography illustrating each destination, Atlas of Improbable Places is a fascinating voyage to the world's most incredible destinations. As the Island of Dolls and the hauntingly titled Door to Hell - an inextinguishable fire pit - attest, mystery is never far away. The truths and myths behind their creation are as varied as the destinations themselves. Standing as symbols of worship, testaments to kingships or even the strange and wonderful traditions of old and new, these curious places are not just extraordinary sights but reflections on man's own relationship with the world around us