14842 Résultats
Classification:
dessins
dessins
Numéro de référence:
AP140.S2.SS1.D79.P97
Description:
Floor plans, sections, details, diagrams and perspectives for the History Museum, including sketches for a multimedia theatre.
AP140.S2.SS1.D79.P97
Description:
Floor plans, sections, details, diagrams and perspectives for the History Museum, including sketches for a multimedia theatre.
Personnes et institutions:
Date:
circa 1985-2000
circa 1985-2000
Titre:
Floor plans, sections, details, diagrams and perspectives, Music School and History Museum, Stuttgart, Germany
Actions:
AP140.S2.SS1.D79.P97
Description:
Floor plans, sections, details, diagrams and perspectives for the History Museum, including sketches for a multimedia theatre.
Floor plans, sections, details, diagrams and perspectives, Music School and History Museum, Stuttgart, Germany
Actions:
AP140.S2.SS1.D79.P97
Description:
Floor plans, sections, details, diagrams and perspectives for the History Museum, including sketches for a multimedia theatre.
Classification:
dessins
dessins
Date:
circa 1985-2000
circa 1985-2000
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH2019:0007:012
Description:
The number of the object depicted is AP178.S2.1986.017 Commissioned by the Canadian Centre for Architecture, Montréal, for "The Museum Is Not Enough," 2018
PH2019:0007:012
Description:
The number of the object depicted is AP178.S2.1986.017 Commissioned by the Canadian Centre for Architecture, Montréal, for "The Museum Is Not Enough," 2018
Personnes et institutions:
Date:
October 2018
October 2018
Titre:
The Museum Is Not Enough: Photograph of Alvaro Siza's sketches for the Faculty of Architecture of the University of Porto, October 1986
Actions:
PH2019:0007:012
Description:
The number of the object depicted is AP178.S2.1986.017 Commissioned by the Canadian Centre for Architecture, Montréal, for "The Museum Is Not Enough," 2018
The Museum Is Not Enough: Photograph of Alvaro Siza's sketches for the Faculty of Architecture of the University of Porto, October 1986
Actions:
PH2019:0007:012
Description:
The number of the object depicted is AP178.S2.1986.017 Commissioned by the Canadian Centre for Architecture, Montréal, for "The Museum Is Not Enough," 2018
Classification:
photographies
photographies
Date:
October 2018
October 2018
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH2019:0007:024
Description:
The number of the object depicted is PH2017:0049 Commissioned by the Canadian Centre for Architecture, Montréal, for "The Museum Is Not Enough," 2018
PH2019:0007:024
Description:
The number of the object depicted is PH2017:0049 Commissioned by the Canadian Centre for Architecture, Montréal, for "The Museum Is Not Enough," 2018
Personnes et institutions:
Date:
October 2018
October 2018
Titre:
The Museum Is Not Enough: View of Lynne Cohen's photograph, Hall (Baskin Robbins), 1999, in a CCA vault
Actions:
PH2019:0007:024
Description:
The number of the object depicted is PH2017:0049 Commissioned by the Canadian Centre for Architecture, Montréal, for "The Museum Is Not Enough," 2018
The Museum Is Not Enough: View of Lynne Cohen's photograph, Hall (Baskin Robbins), 1999, in a CCA vault
Actions:
PH2019:0007:024
Description:
The number of the object depicted is PH2017:0049 Commissioned by the Canadian Centre for Architecture, Montréal, for "The Museum Is Not Enough," 2018
Classification:
photographies
photographies
Date:
October 2018
October 2018
Personnes et institutions:
Classification:
photographies
photographies
Titre:
The Museum Is Not Enough: Photograph of Peter Eisenman's axometric for Fin d'Ou T Hou S, 1983
The Museum Is Not Enough: Photograph of Peter Eisenman's axometric for Fin d'Ou T Hou S, 1983
Actions:
Numéro de référence:
PH2019:0007:011
Description:
The number of the object depicted is DR1994:0141:208 Commissioned by the Canadian Centre for Architecture, Montréal, for "The Museum Is Not Enough," 2018
PH2019:0007:011
Description:
The number of the object depicted is DR1994:0141:208 Commissioned by the Canadian Centre for Architecture, Montréal, for "The Museum Is Not Enough," 2018
Personnes et institutions:
Date:
October 2018
October 2018
Titre:
The Museum Is Not Enough: Photograph of Peter Eisenman's axometric for Fin d'Ou T Hou S, 1983
Actions:
PH2019:0007:011
Description:
The number of the object depicted is DR1994:0141:208 Commissioned by the Canadian Centre for Architecture, Montréal, for "The Museum Is Not Enough," 2018
The Museum Is Not Enough: Photograph of Peter Eisenman's axometric for Fin d'Ou T Hou S, 1983
Actions:
PH2019:0007:011
Description:
The number of the object depicted is DR1994:0141:208 Commissioned by the Canadian Centre for Architecture, Montréal, for "The Museum Is Not Enough," 2018
Classification:
photographies
photographies
Date:
October 2018
October 2018
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1993.PR06
Description:
This project series documents the proposed design for the J. Paul Getty Museum. While the records were held in the office’s archives this project was assigned the number 40/90. The office assigned the date 1993 to this project. The project was a collaboration between Álvaro Siza and Peter Testa. The proposal included renovations of the Villa and the Ranch House, the reorganization of the site, as well as the addition of new installations. The main change proposed by the architects was the creation of a Terrace Gallery and a natural amphitheater, forming a new entrance west of the Villa. Renovations to the Villa included modifications to the structure and the reorganization of the interior spaces. They proposed to rearrangeme the interior of the Ranch House and the construction of a 6,000 sqaure foot auditorium with a capacity of 200 people. The proposal also included the construction of a 13,000 square foot U-shaped building for the conservation program, the scholar program, and artist residency program. The main public entrance was redirected to the Los Liones Drives and a new parking area was proposed, with a 300 automobile and 6 bus capacity. In 1994, the Machado Silvetti Firm proposal was selected. Documenting this project are sketches and studies. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
AP178.S1.1993.PR06
Description:
This project series documents the proposed design for the J. Paul Getty Museum. While the records were held in the office’s archives this project was assigned the number 40/90. The office assigned the date 1993 to this project. The project was a collaboration between Álvaro Siza and Peter Testa. The proposal included renovations of the Villa and the Ranch House, the reorganization of the site, as well as the addition of new installations. The main change proposed by the architects was the creation of a Terrace Gallery and a natural amphitheater, forming a new entrance west of the Villa. Renovations to the Villa included modifications to the structure and the reorganization of the interior spaces. They proposed to rearrangeme the interior of the Ranch House and the construction of a 6,000 sqaure foot auditorium with a capacity of 200 people. The proposal also included the construction of a 13,000 square foot U-shaped building for the conservation program, the scholar program, and artist residency program. The main public entrance was redirected to the Los Liones Drives and a new parking area was proposed, with a 300 automobile and 6 bus capacity. In 1994, the Machado Silvetti Firm proposal was selected. Documenting this project are sketches and studies. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
Personnes et institutions:
Date:
1993-2012
1993-2012
Titre:
Museu J. Paul Getty [The J. Paul Getty Museum], Malibu, United States (1993)
Actions:
AP178.S1.1993.PR06
Description:
This project series documents the proposed design for the J. Paul Getty Museum. While the records were held in the office’s archives this project was assigned the number 40/90. The office assigned the date 1993 to this project. The project was a collaboration between Álvaro Siza and Peter Testa. The proposal included renovations of the Villa and the Ranch House, the reorganization of the site, as well as the addition of new installations. The main change proposed by the architects was the creation of a Terrace Gallery and a natural amphitheater, forming a new entrance west of the Villa. Renovations to the Villa included modifications to the structure and the reorganization of the interior spaces. They proposed to rearrangeme the interior of the Ranch House and the construction of a 6,000 sqaure foot auditorium with a capacity of 200 people. The proposal also included the construction of a 13,000 square foot U-shaped building for the conservation program, the scholar program, and artist residency program. The main public entrance was redirected to the Los Liones Drives and a new parking area was proposed, with a 300 automobile and 6 bus capacity. In 1994, the Machado Silvetti Firm proposal was selected. Documenting this project are sketches and studies. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
Museu J. Paul Getty [The J. Paul Getty Museum], Malibu, United States (1993)
Actions:
AP178.S1.1993.PR06
Description:
This project series documents the proposed design for the J. Paul Getty Museum. While the records were held in the office’s archives this project was assigned the number 40/90. The office assigned the date 1993 to this project. The project was a collaboration between Álvaro Siza and Peter Testa. The proposal included renovations of the Villa and the Ranch House, the reorganization of the site, as well as the addition of new installations. The main change proposed by the architects was the creation of a Terrace Gallery and a natural amphitheater, forming a new entrance west of the Villa. Renovations to the Villa included modifications to the structure and the reorganization of the interior spaces. They proposed to rearrangeme the interior of the Ranch House and the construction of a 6,000 sqaure foot auditorium with a capacity of 200 people. The proposal also included the construction of a 13,000 square foot U-shaped building for the conservation program, the scholar program, and artist residency program. The main public entrance was redirected to the Los Liones Drives and a new parking area was proposed, with a 300 automobile and 6 bus capacity. In 1994, the Machado Silvetti Firm proposal was selected. Documenting this project are sketches and studies. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
Niveau de description archivistique:
Project
Project
Date:
1993-2012
1993-2012
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1999.PR05
Description:
This project series documents the Casa Museo Jose Regio in Villa do Conde, Portugal. While the records were held in the office’s archives this project was assigned the number 110/90. The office assigned the dates 1999 to this project. The museum was the house of the poet José Régio. This project included renovations to the building, as well as the construction of a new building. The proposed renovations were mainly done to the structure with some upgrades to the mechanical installations. The design for the new building included exhibition halls and spaces for work. The project was not realized. Documenting this project are studies, plans, and a building program.
AP178.S1.1999.PR05
Description:
This project series documents the Casa Museo Jose Regio in Villa do Conde, Portugal. While the records were held in the office’s archives this project was assigned the number 110/90. The office assigned the dates 1999 to this project. The museum was the house of the poet José Régio. This project included renovations to the building, as well as the construction of a new building. The proposed renovations were mainly done to the structure with some upgrades to the mechanical installations. The design for the new building included exhibition halls and spaces for work. The project was not realized. Documenting this project are studies, plans, and a building program.
Personnes et institutions:
Date:
1999
1999
Titre:
Casa Museu José Régio [José Régio House Museum], Villa do Conde, Portugal (1999)
Actions:
AP178.S1.1999.PR05
Description:
This project series documents the Casa Museo Jose Regio in Villa do Conde, Portugal. While the records were held in the office’s archives this project was assigned the number 110/90. The office assigned the dates 1999 to this project. The museum was the house of the poet José Régio. This project included renovations to the building, as well as the construction of a new building. The proposed renovations were mainly done to the structure with some upgrades to the mechanical installations. The design for the new building included exhibition halls and spaces for work. The project was not realized. Documenting this project are studies, plans, and a building program.
Casa Museu José Régio [José Régio House Museum], Villa do Conde, Portugal (1999)
Actions:
AP178.S1.1999.PR05
Description:
This project series documents the Casa Museo Jose Regio in Villa do Conde, Portugal. While the records were held in the office’s archives this project was assigned the number 110/90. The office assigned the dates 1999 to this project. The museum was the house of the poet José Régio. This project included renovations to the building, as well as the construction of a new building. The proposed renovations were mainly done to the structure with some upgrades to the mechanical installations. The design for the new building included exhibition halls and spaces for work. The project was not realized. Documenting this project are studies, plans, and a building program.
Niveau de description archivistique:
Project
Project
Date:
1999
1999
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1992.PR04
Description:
This project series documents the Helsinki Museum of Contemporary Art. While the records were held in the office’s archives this project was assigned the number 28/90. The office assigned the dates 1992-1993 to this project. For the 75th anniversary of the independence of the country, the Finnish government held a competition for the design of the Museum of Contemporary Art of Helsinki. The competition was exclusive to Scandinavian architects, with the exception of four invited architects, including Àlvaro Siza. Eduardo Souto de Moura collaborated with Siza on the design. The project site was located in the center of Helsinki, near the main post office and the Parliament. Siza decided to name the building Cometa. The proposal included exhibition spaces, teaching and public facilities, an auditorium, workrooms, workshops, storerooms, film studio, and spaces for the administration and archives. The showrooms were located on the first floor and most of the lighting was intended to come from natural light. The design proposed by Siza included the use of granite for the exterior of the building. Steven Holl was selected by the jury to built the museum. Documenting this project are floor plans, sections, elevations, and site plans. Textual material includes project documentation, competition documentation, and correspondence. Photographs and negatives document the project site.
AP178.S1.1992.PR04
Description:
This project series documents the Helsinki Museum of Contemporary Art. While the records were held in the office’s archives this project was assigned the number 28/90. The office assigned the dates 1992-1993 to this project. For the 75th anniversary of the independence of the country, the Finnish government held a competition for the design of the Museum of Contemporary Art of Helsinki. The competition was exclusive to Scandinavian architects, with the exception of four invited architects, including Àlvaro Siza. Eduardo Souto de Moura collaborated with Siza on the design. The project site was located in the center of Helsinki, near the main post office and the Parliament. Siza decided to name the building Cometa. The proposal included exhibition spaces, teaching and public facilities, an auditorium, workrooms, workshops, storerooms, film studio, and spaces for the administration and archives. The showrooms were located on the first floor and most of the lighting was intended to come from natural light. The design proposed by Siza included the use of granite for the exterior of the building. Steven Holl was selected by the jury to built the museum. Documenting this project are floor plans, sections, elevations, and site plans. Textual material includes project documentation, competition documentation, and correspondence. Photographs and negatives document the project site.
Personnes et institutions:
Date:
1992-1993
1992-1993
Titre:
Museu de Arte Contemporânea para Helsínquia [Helsinki Museum of Contemporary Art], Helsinki, Finland (1992-1993)
Actions:
AP178.S1.1992.PR04
Description:
This project series documents the Helsinki Museum of Contemporary Art. While the records were held in the office’s archives this project was assigned the number 28/90. The office assigned the dates 1992-1993 to this project. For the 75th anniversary of the independence of the country, the Finnish government held a competition for the design of the Museum of Contemporary Art of Helsinki. The competition was exclusive to Scandinavian architects, with the exception of four invited architects, including Àlvaro Siza. Eduardo Souto de Moura collaborated with Siza on the design. The project site was located in the center of Helsinki, near the main post office and the Parliament. Siza decided to name the building Cometa. The proposal included exhibition spaces, teaching and public facilities, an auditorium, workrooms, workshops, storerooms, film studio, and spaces for the administration and archives. The showrooms were located on the first floor and most of the lighting was intended to come from natural light. The design proposed by Siza included the use of granite for the exterior of the building. Steven Holl was selected by the jury to built the museum. Documenting this project are floor plans, sections, elevations, and site plans. Textual material includes project documentation, competition documentation, and correspondence. Photographs and negatives document the project site.
Museu de Arte Contemporânea para Helsínquia [Helsinki Museum of Contemporary Art], Helsinki, Finland (1992-1993)
Actions:
AP178.S1.1992.PR04
Description:
This project series documents the Helsinki Museum of Contemporary Art. While the records were held in the office’s archives this project was assigned the number 28/90. The office assigned the dates 1992-1993 to this project. For the 75th anniversary of the independence of the country, the Finnish government held a competition for the design of the Museum of Contemporary Art of Helsinki. The competition was exclusive to Scandinavian architects, with the exception of four invited architects, including Àlvaro Siza. Eduardo Souto de Moura collaborated with Siza on the design. The project site was located in the center of Helsinki, near the main post office and the Parliament. Siza decided to name the building Cometa. The proposal included exhibition spaces, teaching and public facilities, an auditorium, workrooms, workshops, storerooms, film studio, and spaces for the administration and archives. The showrooms were located on the first floor and most of the lighting was intended to come from natural light. The design proposed by Siza included the use of granite for the exterior of the building. Steven Holl was selected by the jury to built the museum. Documenting this project are floor plans, sections, elevations, and site plans. Textual material includes project documentation, competition documentation, and correspondence. Photographs and negatives document the project site.
Niveau de description archivistique:
Project
Project
Date:
1992-1993
1992-1993
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
AP075.S1.1992.PR02.013
Description:
Original folder entitled "MUSEUM OF ANTHROPOLOGY / DESIGN DRAWINGS".
AP075.S1.1992.PR02.013
Description:
Original folder entitled "MUSEUM OF ANTHROPOLOGY / DESIGN DRAWINGS".
Personnes et institutions:
Date:
circa 1997
circa 1997
Titre:
Design development drawings for the restoration of grounds of Museum of Anthropology, University of British Columbia, Vancouver, British Columbia
Actions:
AP075.S1.1992.PR02.013
Description:
Original folder entitled "MUSEUM OF ANTHROPOLOGY / DESIGN DRAWINGS".
Design development drawings for the restoration of grounds of Museum of Anthropology, University of British Columbia, Vancouver, British Columbia
Actions:
AP075.S1.1992.PR02.013
Description:
Original folder entitled "MUSEUM OF ANTHROPOLOGY / DESIGN DRAWINGS".
Classification:
dessins
dessins
Date:
circa 1997
circa 1997
Personnes et institutions:
Classification:
dessins
dessins
Titre:
Site plan, elevations, section and interior view for the Brooklyn Museum master plan, first phase
Site plan, elevations, section and interior view for the Brooklyn Museum master plan, first phase
Actions:
Numéro de référence:
DR1987:0040
Description:
- This drawing is part of a group of 23 drawings by Arata Isozaki, DR1987:0039 - DR1987:0060 and DR1987:0100, for the Brooklyn Museum master plan competition. The drawings are executed in graphite and/or pen and black ink on yellow tracing paper, with the exception fo two drawings on white stationary bearing the letterhead "Arata Isozaki & Associates" (DR1987:0055 and DR1987:0056). The Brooklyn Museum master plan, designed by Arata Isozaki & Associates in collaboration with James Stewart Polshek and Partners, was the winning design in an invitational competition held during the summer of 1986. The competition entry is loosely based on the original master plan by McKim, Mead and White, which was only partially completed.
DR1987:0040
Description:
- This drawing is part of a group of 23 drawings by Arata Isozaki, DR1987:0039 - DR1987:0060 and DR1987:0100, for the Brooklyn Museum master plan competition. The drawings are executed in graphite and/or pen and black ink on yellow tracing paper, with the exception fo two drawings on white stationary bearing the letterhead "Arata Isozaki & Associates" (DR1987:0055 and DR1987:0056). The Brooklyn Museum master plan, designed by Arata Isozaki & Associates in collaboration with James Stewart Polshek and Partners, was the winning design in an invitational competition held during the summer of 1986. The competition entry is loosely based on the original master plan by McKim, Mead and White, which was only partially completed.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
July 1986
July 1986
Titre:
Site plan, elevations, section and interior view for the Brooklyn Museum master plan, first phase
Actions:
DR1987:0040
Description:
- This drawing is part of a group of 23 drawings by Arata Isozaki, DR1987:0039 - DR1987:0060 and DR1987:0100, for the Brooklyn Museum master plan competition. The drawings are executed in graphite and/or pen and black ink on yellow tracing paper, with the exception fo two drawings on white stationary bearing the letterhead "Arata Isozaki & Associates" (DR1987:0055 and DR1987:0056). The Brooklyn Museum master plan, designed by Arata Isozaki & Associates in collaboration with James Stewart Polshek and Partners, was the winning design in an invitational competition held during the summer of 1986. The competition entry is loosely based on the original master plan by McKim, Mead and White, which was only partially completed.
Site plan, elevations, section and interior view for the Brooklyn Museum master plan, first phase
Actions:
DR1987:0040
Description:
- This drawing is part of a group of 23 drawings by Arata Isozaki, DR1987:0039 - DR1987:0060 and DR1987:0100, for the Brooklyn Museum master plan competition. The drawings are executed in graphite and/or pen and black ink on yellow tracing paper, with the exception fo two drawings on white stationary bearing the letterhead "Arata Isozaki & Associates" (DR1987:0055 and DR1987:0056). The Brooklyn Museum master plan, designed by Arata Isozaki & Associates in collaboration with James Stewart Polshek and Partners, was the winning design in an invitational competition held during the summer of 1986. The competition entry is loosely based on the original master plan by McKim, Mead and White, which was only partially completed.
Classification:
dessins
dessins
Date:
July 1986
July 1986
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1987:0053
Description:
- This drawing is part of a group of 23 drawings by Arata Isozaki, DR1987:0039 - DR1987:0060 and DR1987:0100, for the Brooklyn Museum master plan competition. The drawings are executed in graphite and/or pen and black ink on yellow tracing paper, with the exception fo two drawings on white stationary bearing the letterhead "Arata Isozaki & Associates" (DR1987:0055 and DR1987:0056). The Brooklyn Museum master plan, designed by Arata Isozaki & Associates in collaboration with James Stewart Polshek and Partners, was the winning design in an invitational competition held during the summer of 1986. The competition entry is loosely based on the original master plan by McKim, Mead and White, which was only partially completed.
DR1987:0053
Description:
- This drawing is part of a group of 23 drawings by Arata Isozaki, DR1987:0039 - DR1987:0060 and DR1987:0100, for the Brooklyn Museum master plan competition. The drawings are executed in graphite and/or pen and black ink on yellow tracing paper, with the exception fo two drawings on white stationary bearing the letterhead "Arata Isozaki & Associates" (DR1987:0055 and DR1987:0056). The Brooklyn Museum master plan, designed by Arata Isozaki & Associates in collaboration with James Stewart Polshek and Partners, was the winning design in an invitational competition held during the summer of 1986. The competition entry is loosely based on the original master plan by McKim, Mead and White, which was only partially completed.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
8 August 1986
8 August 1986
Titre:
West elevation with a detail sketch of a wall or window for the Brooklyn Museum master plan, fourth phase
Actions:
DR1987:0053
Description:
- This drawing is part of a group of 23 drawings by Arata Isozaki, DR1987:0039 - DR1987:0060 and DR1987:0100, for the Brooklyn Museum master plan competition. The drawings are executed in graphite and/or pen and black ink on yellow tracing paper, with the exception fo two drawings on white stationary bearing the letterhead "Arata Isozaki & Associates" (DR1987:0055 and DR1987:0056). The Brooklyn Museum master plan, designed by Arata Isozaki & Associates in collaboration with James Stewart Polshek and Partners, was the winning design in an invitational competition held during the summer of 1986. The competition entry is loosely based on the original master plan by McKim, Mead and White, which was only partially completed.
West elevation with a detail sketch of a wall or window for the Brooklyn Museum master plan, fourth phase
Actions:
DR1987:0053
Description:
- This drawing is part of a group of 23 drawings by Arata Isozaki, DR1987:0039 - DR1987:0060 and DR1987:0100, for the Brooklyn Museum master plan competition. The drawings are executed in graphite and/or pen and black ink on yellow tracing paper, with the exception fo two drawings on white stationary bearing the letterhead "Arata Isozaki & Associates" (DR1987:0055 and DR1987:0056). The Brooklyn Museum master plan, designed by Arata Isozaki & Associates in collaboration with James Stewart Polshek and Partners, was the winning design in an invitational competition held during the summer of 1986. The competition entry is loosely based on the original master plan by McKim, Mead and White, which was only partially completed.
Classification:
dessins
dessins
Date:
8 August 1986
8 August 1986
Personnes et institutions:
Sujet:
architecture
architecture
