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From early reports of the invention to its wide application during World War I, the idea of photography created anticipation and participation in the modern world. The first volume of ''A History of Photography in Canada'' captures this phenomenon by looking at hundreds of photographs generated in and about Canada-in-the-making and by listening to the chords they struck(...)
$85.00
(disponible en magasin)
Résumé:
From early reports of the invention to its wide application during World War I, the idea of photography created anticipation and participation in the modern world. The first volume of ''A History of Photography in Canada'' captures this phenomenon by looking at hundreds of photographs generated in and about Canada-in-the-making and by listening to the chords they struck(...)
Titre:
History of photography in Canada, Volume 1
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$85.00
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From early reports of the invention to its wide application during World War I, the idea of photography created anticipation and participation in the modern world. The first volume of ''A History of Photography in Canada'' captures this phenomenon by looking at hundreds of photographs generated in and about Canada-in-the-making and by listening to the chords they struck in the collective imagination. Emphasizing technological readiness and cultural eagerness for the medium, Martha Langford shows how photography served ideals of progress and improvement as Canada’s settler society looked to master the world by seizing its visible traces. The imposition of these programs on Indigenous Peoples and indentured labourers is confronted throughout this volume, which offers both narratives and counternarratives of subjectification. Reproducing images of people, places, events, and objects from the unceded territories of the First Nations, Inuit, and Métis, from British North America, and from the Dominion of Canada and the Dominion of Newfoundland, Langford asks where and when photographs were taken, why, and by whom. How did the making and preservation of a photograph alter the circumstances in which it was produced, and how did this affect individual and collective consciousness? Alongside accomplished portraits, landscapes, still lifes, and their vernacular counterparts, the book draws glimmers of photographic experience from treatises and doggerel, official reports and personal diaries, newspapers, magazines, letters, and travelogues.
History of photography in Canada, Volume 1
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$85.00
(disponible en magasin)
Résumé:
From early reports of the invention to its wide application during World War I, the idea of photography created anticipation and participation in the modern world. The first volume of ''A History of Photography in Canada'' captures this phenomenon by looking at hundreds of photographs generated in and about Canada-in-the-making and by listening to the chords they struck in the collective imagination. Emphasizing technological readiness and cultural eagerness for the medium, Martha Langford shows how photography served ideals of progress and improvement as Canada’s settler society looked to master the world by seizing its visible traces. The imposition of these programs on Indigenous Peoples and indentured labourers is confronted throughout this volume, which offers both narratives and counternarratives of subjectification. Reproducing images of people, places, events, and objects from the unceded territories of the First Nations, Inuit, and Métis, from British North America, and from the Dominion of Canada and the Dominion of Newfoundland, Langford asks where and when photographs were taken, why, and by whom. How did the making and preservation of a photograph alter the circumstances in which it was produced, and how did this affect individual and collective consciousness? Alongside accomplished portraits, landscapes, still lifes, and their vernacular counterparts, the book draws glimmers of photographic experience from treatises and doggerel, official reports and personal diaries, newspapers, magazines, letters, and travelogues.
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livres
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juillet 2025
juillet 2025
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Photographie- collections
Photographie- collections
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256 pages : illustrations (some color) ; 31 cm
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256 pages : illustrations (some color) ; 31 cm
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Moskva : Kontakt-kulʹtura, 2007.
Moskva : Kontakt-kulʹtura, 2007.
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Парадная книга Страны Советов / составители Михаил Карасик, Алексей Морозов, Александр Снопков. Paradnai︠a︡ kniga Strany Sovetov / sostaviteli Mikhail Karasik, Alekseĭ Morozov, Aleksandr Snopkov.
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256 pages : illustrations (some color) ; 31 cm
Парадная книга Страны Советов / составители Михаил Карасик, Алексей Морозов, Александр Снопков. Paradnai︠a︡ kniga Strany Sovetov / sostaviteli Mikhail Karasik, Alekseĭ Morozov, Aleksandr Snopkov.
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256 pages : illustrations (some color) ; 31 cm
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Moskva : Kontakt-kulʹtura, 2007.
Moskva : Kontakt-kulʹtura, 2007.
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229 pages : illustrations ; 26 cm
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229 pages : illustrations ; 26 cm
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Montréal, Québec : Marisa Portolese, [2023], ©2023
Montréal, Québec : Marisa Portolese, [2023], ©2023
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Goose Village / Marisa Portolese ; [essays, Vincent Bonin and Marisa Portolese].
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229 pages : illustrations ; 26 cm
Goose Village / Marisa Portolese ; [essays, Vincent Bonin and Marisa Portolese].
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229 pages : illustrations ; 26 cm
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Montréal, Québec : Marisa Portolese, [2023], ©2023
Montréal, Québec : Marisa Portolese, [2023], ©2023
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411 pages : illustrations (some color), maps (chiefly color), plans (some color), portraits ; 24 cm
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411 pages : illustrations (some color), maps (chiefly color), plans (some color), portraits ; 24 cm
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Zurich : Lars Müller Publishers, 2021.
Zurich : Lars Müller Publishers, 2021.
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The industrious city : rethinking urban industry in the digital age / edited by Hiromi Hosoya and Markus Schaefer ; photography, Iwan Baan, Géraldine Recker, Jos Schmid, Joël Tettamanti.
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411 pages : illustrations (some color), maps (chiefly color), plans (some color), portraits ; 24 cm
The industrious city : rethinking urban industry in the digital age / edited by Hiromi Hosoya and Markus Schaefer ; photography, Iwan Baan, Géraldine Recker, Jos Schmid, Joël Tettamanti.
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411 pages : illustrations (some color), maps (chiefly color), plans (some color), portraits ; 24 cm
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Zurich : Lars Müller Publishers, 2021.
Zurich : Lars Müller Publishers, 2021.
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xvii, 665 pages : illustrations, maps ; 26 cm.
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xvii, 665 pages : illustrations, maps ; 26 cm.
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Charlottesville : University of Virginia Press, 2009.
Charlottesville : University of Virginia Press, 2009.
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Buildings of Massachusetts : metropolitan Boston / edited by Keith N. Morgan ; principal authors, Richard M. Candee [and others] ; photography by Peter Vanderwarker with additional photographs by Antonina Smith.
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xvii, 665 pages : illustrations, maps ; 26 cm.
Buildings of Massachusetts : metropolitan Boston / edited by Keith N. Morgan ; principal authors, Richard M. Candee [and others] ; photography by Peter Vanderwarker with additional photographs by Antonina Smith.
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xvii, 665 pages : illustrations, maps ; 26 cm.
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Charlottesville : University of Virginia Press, 2009.
Charlottesville : University of Virginia Press, 2009.
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1 online resource (55 PDF pages) : illustrations
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Paris : Onestar Press, 2014
Paris : Onestar Press, 2014
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Planked boutique / Silvina Arismendi
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1 online resource (55 PDF pages) : illustrations
Planked boutique / Silvina Arismendi
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1 online resource (55 PDF pages) : illustrations
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Paris : Onestar Press, 2014
Paris : Onestar Press, 2014
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73 pages : illustrations ; 21 cm
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73 pages : illustrations ; 21 cm
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Charleroi : Palais des beaux-arts, 1999.
Charleroi : Palais des beaux-arts, 1999.
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L'écrivain public / photographies de Balthasar Burkhard ; texte de Laurent Busine.
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73 pages : illustrations ; 21 cm
L'écrivain public / photographies de Balthasar Burkhard ; texte de Laurent Busine.
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73 pages : illustrations ; 21 cm
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Charleroi : Palais des beaux-arts, 1999.
Charleroi : Palais des beaux-arts, 1999.
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onestar press 2014
onestar press 2014
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onestar press 2014
onestar press 2014
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314 pages : all illustrations ; 27 cm
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314 pages : all illustrations ; 27 cm
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Zurich, Switzerland : Scalo ; New York : Distributed in North America by D.A.P., 1996.
Zurich, Switzerland : Scalo ; New York : Distributed in North America by D.A.P., 1996.
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U-ni-ty / Michael Schmidt ; [editor, Thomas Weski].
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314 pages : all illustrations ; 27 cm
U-ni-ty / Michael Schmidt ; [editor, Thomas Weski].
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314 pages : all illustrations ; 27 cm
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Zurich, Switzerland : Scalo ; New York : Distributed in North America by D.A.P., 1996.
Zurich, Switzerland : Scalo ; New York : Distributed in North America by D.A.P., 1996.
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$34.99
(disponible sur commande)
Résumé:
Roland Barthes's 1980 book Camera Lucida is perhaps the most influential book ever published on photography. The terms studium and punctum, coined by Barthes for two different ways of responding to photographs, are part of the standard lexicon for discussions of photography; Barthes's understanding of photographic time and the relationship he forges between photography(...)
$34.99
(disponible sur commande)
Résumé:
Roland Barthes's 1980 book Camera Lucida is perhaps the most influential book ever published on photography. The terms studium and punctum, coined by Barthes for two different ways of responding to photographs, are part of the standard lexicon for discussions of photography; Barthes's understanding of photographic time and the relationship he forges between photography(...)
Titre:
Photography degree zero, reflections on Roland Barthes's camera lucida
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Roland Barthes's 1980 book Camera Lucida is perhaps the most influential book ever published on photography. The terms studium and punctum, coined by Barthes for two different ways of responding to photographs, are part of the standard lexicon for discussions of photography; Barthes's understanding of photographic time and the relationship he forges between photography and death have been invoked countless times in photographic discourse; and the current interest in vernacular photographs and the ubiquity of subjective, even novelistic, ways of writing about photography both owe something to Barthes.
Photography degree zero, reflections on Roland Barthes's camera lucida
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$34.99
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Résumé:
Roland Barthes's 1980 book Camera Lucida is perhaps the most influential book ever published on photography. The terms studium and punctum, coined by Barthes for two different ways of responding to photographs, are part of the standard lexicon for discussions of photography; Barthes's understanding of photographic time and the relationship he forges between photography and death have been invoked countless times in photographic discourse; and the current interest in vernacular photographs and the ubiquity of subjective, even novelistic, ways of writing about photography both owe something to Barthes.
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livres
livres
Publication:
octobre 2009
octobre 2009
Sujet:
Théorie de la photographie
Théorie de la photographie
