John Gossage: LAMF
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American photographer John Gossage's (born 1946) LAMF, first conceived in 1987 as a hand-assembled work exclusively for his friends, is a consummate example of the photobook as art. For the project, Gossage employed a custom telephoto lens and 6000 ASA film to shoot the area around the Berlin Wall in near-total blackness, capturing the dark atmosphere of a divided city.(...)
John Gossage: LAMF
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American photographer John Gossage's (born 1946) LAMF, first conceived in 1987 as a hand-assembled work exclusively for his friends, is a consummate example of the photobook as art. For the project, Gossage employed a custom telephoto lens and 6000 ASA film to shoot the area around the Berlin Wall in near-total blackness, capturing the dark atmosphere of a divided city. This new facsimile edition of LAMF, made in close collaboration with the photographer, features an expanded edit of 44 images (twice as many as the original) and a new interview with Gossage about the book's genesis and his long affinity for Berlin, which is also the subject of his acclaimed books Stadt des Schwarz and Berlin in the Time of the Wall.
Monographies photo
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Les catastrophes environnementales sont là, indubitables : face à elles, quelle écologie construire, quelles alliances mobiliser, quelle politique mettre en œuvre? Dans ce livre d'entretiens, Daniel Tanuro, ingénieur agronome et militant écosocialiste, auteur d'ouvrages à succès dans le domaine de l'écologie politique, répond aux questions d'Alexis Cukier et de Marina(...)
mars 2026
Écologie, luttes sociales et révolution
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Les catastrophes environnementales sont là, indubitables : face à elles, quelle écologie construire, quelles alliances mobiliser, quelle politique mettre en œuvre? Dans ce livre d'entretiens, Daniel Tanuro, ingénieur agronome et militant écosocialiste, auteur d'ouvrages à succès dans le domaine de l'écologie politique, répond aux questions d'Alexis Cukier et de Marina Garrisi pour développer un diagnostic limpide, des analyses tranchantes et des propositions radicales en vue d'une révolution écologique et sociale. Cette introduction à l'écologie et au marxisme contemporains, rend accessible et prolonge les réflexions de l'auteur sur l'impossibilité d'un capitalisme vert et sur la stratégie de l'écosocialisme.
La Liberté contre le capitalisme : Le républicanisme du XVIIIe siècle et les révolutions à venir
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S’appuyant sur trois figures du siècle des lumières, Smith, Robespierre et Paine, les auteurs remontent aux origines de concepts comme la république, la liberté ou la propriété, qui ont été travestis par la modernité capitaliste afin de les rendre conformes à un objectif d’accaparement des richesses. Cet essai politique entend nourrir les possibles révolutions à venir.
La Liberté contre le capitalisme : Le républicanisme du XVIIIe siècle et les révolutions à venir
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S’appuyant sur trois figures du siècle des lumières, Smith, Robespierre et Paine, les auteurs remontent aux origines de concepts comme la république, la liberté ou la propriété, qui ont été travestis par la modernité capitaliste afin de les rendre conformes à un objectif d’accaparement des richesses. Cet essai politique entend nourrir les possibles révolutions à venir.
Théorie/ philosophie
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"Breathing Space" is a compelling and wide-ranging analysis of pneumatic phenomena in modern culture. Architect and historian Tim Altenhof brilliantly explores the physiology of breathing and its reciprocal relationship to bodies and buildings, both of which share a common atmosphere. Because breathing is controlled by the autonomic nervous system and cannot be willfully(...)
Breathing space: The architecture of pneumatic beings
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"Breathing Space" is a compelling and wide-ranging analysis of pneumatic phenomena in modern culture. Architect and historian Tim Altenhof brilliantly explores the physiology of breathing and its reciprocal relationship to bodies and buildings, both of which share a common atmosphere. Because breathing is controlled by the autonomic nervous system and cannot be willfully overridden, it takes place unconsciously and involuntarily—most of the time. However, beginning in the mid-nineteenth century, attitudes toward breathing changed significantly. Breathing became a widely investigated cultural and physiological phenomenon and was the basis for techniques and bodily practices that heightened pulmonary awareness. New understandings of air pollution and disease stimulated a widespread preoccupation with ventilation, impacting architecture in countless ways. Altenhof’s close readings of built structures show how the science of breathing was incorporated into architecture, whether in the design of factories, residences, or medical facilities. The lungs form a major part of the respiratory system and like no other organ tie the living body directly to its surroundings. Yet the role of lungs also poses a topological problem: engaging in atmospheric transfer, they dissolve the division between inside and outside, and despite being an internal organ, they sustain a permanent and living connection to the external world. This ambiguity and permeability constitute the spatial dimension of breathing.
Théorie de l’architecture
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Basketry is one of Japan’s oldest art forms. Since the eighth century, meticulously woven bamboo baskets have served daily functions, first in Buddhist liturgy and later in the tea ceremony. Over the past two centuries, bamboo art has risen to the status of fine art, with leading makers creating coveted works for ikebana and, more recently, sculptural objects celebrated(...)
Japanese baskets: Woven art for an endangered planet
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Basketry is one of Japan’s oldest art forms. Since the eighth century, meticulously woven bamboo baskets have served daily functions, first in Buddhist liturgy and later in the tea ceremony. Over the past two centuries, bamboo art has risen to the status of fine art, with leading makers creating coveted works for ikebana and, more recently, sculptural objects celebrated as contemporary art. This elegant, richly illustrated volume presents over 160 baskets, highlighting their spectacular silhouettes and exquisite details—from complex weaving patterns and refined signatures to intricately plaited undersides. Informative captions reveal the techniques of an art now enjoying renewed attention, as bamboo offers a durable and ecological alternative to disposable materials. Most photographs were taken against specially conceived backdrops recalling the enigmatic architectural spaces of Giorgio de Chirico, while others show baskets with contemporary flower arrangements set before industrial waste-processing facilities, underscoring the book’s advocacy for bamboo as a renewable resource that challenges our throwaway plastic culture.
Design, époques et styles
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Most people associate Britain and Ireland with the English language, a vast, sprawling linguistic tree with roots in Latin, French, and German. But the inhabitants of these islands originally spoke another tongue. Look closely enough and English contains traces of the Celtic soil from which it sprung, found in words like bog, loch, cairn, and crag. Today, this heritage(...)
Thirty-two words for field: Lost words of the Irish Landscape
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Most people associate Britain and Ireland with the English language, a vast, sprawling linguistic tree with roots in Latin, French, and German. But the inhabitants of these islands originally spoke another tongue. Look closely enough and English contains traces of the Celtic soil from which it sprung, found in words like bog, loch, cairn, and crag. Today, this heritage can be found nowhere more powerfully than in modern-day Gaelic.? In ''Thirty-Two Words for Field'', Manchán explores how Gaelic, a three-thousand-year-old lexicon, has imbued the natural world with meaning and magic, evoking a time-honored way of life, from its thirty-two separate words for a field to terms like bróis (whiskey for a horseman at a wedding), iarmhaireacht (the loneliness you feel when you are the only person awake at dawn), and bladhmann (steam rising from a fermented haystack or idle boasting).? Manchán urges readers to consider the sublime beauty and profound oddness of this ancient tongue that has been spoken in close connection to the land for thousands of years. Told through stories collected from his own life and travels, ''Thirty-Two Words for Field'' is an enthralling celebration of Irish words and a testament to the indelible relationship between landscape, culture, and language.
Théorie du paysage
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Modernism, characterized by geometric shapes and flat roofs, is one of the defining architectural styles of the twentieth century throughout the world. And nowhere is it more in abundance than in Faro, capital of Portugal’s Algarve region. There are over 500 Modernist buildings in Faro, the highest concentration of these types of buildings in Southern Europe. The city now(...)
Faro Modernism: Buildings, heritage, culture
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Modernism, characterized by geometric shapes and flat roofs, is one of the defining architectural styles of the twentieth century throughout the world. And nowhere is it more in abundance than in Faro, capital of Portugal’s Algarve region. There are over 500 Modernist buildings in Faro, the highest concentration of these types of buildings in Southern Europe. The city now has a specific Modernist buildings area, through which guided tours show the full range of detached and semidetached grand houses, large-scale apartment blocks, and little roads of terraced houses that are in fact cleverly disguised maisonettes. The architectural ringleader was Manuel Gomes da Costa, an Algarvian by birth, who had gone to South America in search of work but came back in the 1950s to transform the city. Inspired by the work of earlier architects, including Le Corbusier and Oscar Niemeyer, Costa and his colleagues set about creating a Modernist paradise in the southern sun. This book will give fans of inspirational architecture the first real opportunity to delve deep into Southern Europe’s "Palm Springs."
Modernisme
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This catalogue documents an exhibition of large-scale paintings by Helen Frankenthaler made between 1960 and 1992, opening in spring 2026 at Gagosian’s West 21st Street gallery. Throughout her career, Frankenthaler pushed beyond the boundaries of easel painting to create extraordinary, monumental works, some of which occupied the entire expanse of her studio floor. This(...)
Helen Frankenthaler: The moment and the distance
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This catalogue documents an exhibition of large-scale paintings by Helen Frankenthaler made between 1960 and 1992, opening in spring 2026 at Gagosian’s West 21st Street gallery. Throughout her career, Frankenthaler pushed beyond the boundaries of easel painting to create extraordinary, monumental works, some of which occupied the entire expanse of her studio floor. This exhibition explores the artist’s use of scale across four decades of painting. The title is derived from a 1975 review by poet and critic Barbara Guest, where she remarks on Frankenthaler’s “astonishing combination of freedom with restraint, extravagance with discipline, suggestion and definition,” concluding, “the moment becomes the distance.” The book includes a new essay by art historian Ara H. Merjian that discusses the works in the show in the context of Frankenthaler’s Surrealist and Abstract Expressionist influences.
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Globally, Black people are among the most affected by the climate crisis, despite contributing very little to it. For a long time, the crisis was portrayed as yet another injustice for Black people to care about, on top of the day-to-day oppression they face. In ''Black Climates'', Selina Nwulu reframes the crisis to encompass our disconnection from each other and the(...)
Black climates: Notes on race, our environment, and visions for equitable futures
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Globally, Black people are among the most affected by the climate crisis, despite contributing very little to it. For a long time, the crisis was portrayed as yet another injustice for Black people to care about, on top of the day-to-day oppression they face. In ''Black Climates'', Selina Nwulu reframes the crisis to encompass our disconnection from each other and the world around us. She argues that the root of climate change lies in historical colonial violence and ongoing exploitation, making it inherently racist. Nwulu, former Young People's Laureate for London, uses her poetic and skilful voice to directly address Black British readers who have been previously ignored in mainstream environmental conversations. She includes interviews with a wide range of creatives and campaigners to explore a variety of subjects, including air pollution, prison ecology, disability justice, migration, food, nature, community care, and radical imagination.
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It’s the story of 19 Princelet Street in Spitalfields, built for a Huguenot silk-weaver and later transformed into a synagogue. It’s also the story of a row of modest two-up, two-down houses in Toxteth, a block of flats in London’s East End, and what Ideal Home magazine in 1926 called Britain’s "first modern house" — in Northampton. Together, these buildings reveal how(...)
The English house: A history in eight buildings
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It’s the story of 19 Princelet Street in Spitalfields, built for a Huguenot silk-weaver and later transformed into a synagogue. It’s also the story of a row of modest two-up, two-down houses in Toxteth, a block of flats in London’s East End, and what Ideal Home magazine in 1926 called Britain’s "first modern house" — in Northampton. Together, these buildings reveal how English homes have evolved and adapted over the past few centuries. At the same time, as historian Dan Cruickshank shows, they offer intimate glimpses into the lives of their first occupants — their ambitions, hardships, and place within their communities. "The English House" masterfully intertwines architectural and social history, creating a vivid and deeply human portrait of the spaces that have shaped English life.