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First published in 1966, Robert Venturi’s 'Complexity and Contradiction in Architecture', widely considered the foundational text of postmodernism, has become an essential document in architectural theory and criticism. This new two-volume boxed set presents a facsimile of the original edition paired with a compendium of new scholarship on and around Venturi’s seminal treatise.
Complexity and Contradiction at fifty: Robert Venturi's "Gentle Manifesto"
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First published in 1966, Robert Venturi’s 'Complexity and Contradiction in Architecture', widely considered the foundational text of postmodernism, has become an essential document in architectural theory and criticism. This new two-volume boxed set presents a facsimile of the original edition paired with a compendium of new scholarship on and around Venturi’s seminal treatise.
Théorie de l’architecture
Decoding dictatorial statues
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In the words of Hannah Arendt, “Half of politics is image-making, the other half is the art of making people believe the image.” From South Africa to Charlottesville, heated discussions over statues, their removal and their vandalism frequently make the news. “Decoding Dictatorial Statues”, a project by Korean graphic design researcher Ted Hyunhak Yoon, is a collection of(...)
Decoding dictatorial statues
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In the words of Hannah Arendt, “Half of politics is image-making, the other half is the art of making people believe the image.” From South Africa to Charlottesville, heated discussions over statues, their removal and their vandalism frequently make the news. “Decoding Dictatorial Statues”, a project by Korean graphic design researcher Ted Hyunhak Yoon, is a collection of images and texts exploring the visual rhetoric of statues in public space. How can we decode statues and their languages, their objecthood and materiality, their role as media icons and their voice in political debates? The book responds to urgent concerns about the representation of our heritage by not only asking us to examine what history gets put on a pedestal, but also to consider the visual rhetoric of the statue itself.
Théorie de l’art
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Founded in North Carolina in 1933, Black Mountain College ranks alongside the Bauhaus as one of the most innovative schools of the 20th century. Inspired by the forward-thinking pedagogical ideas of philosopher John Dewey, the experimental, interdisciplinary college combined the ideas of radical European modernism with the philosophy of American pragmatism and teaching(...)
Black Mountain: an interdisciplinary experiment 1933-1957
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Founded in North Carolina in 1933, Black Mountain College ranks alongside the Bauhaus as one of the most innovative schools of the 20th century. Inspired by the forward-thinking pedagogical ideas of philosopher John Dewey, the experimental, interdisciplinary college combined the ideas of radical European modernism with the philosophy of American pragmatism and teaching methods designed to encourage personal initiative as well as the social competence of the individual. Visual arts, economics, physics, dance, architecture and music were all taught on an equal footing, and teachers and students lived together in a democratically organized community. The second director of the school was Josef Albers, and John Cage, Merce Cunningham, Buckminster Fuller, Walter Gropius, Franz Kline and Charles Olson were among its teachers. As a result, the college played a foundational role in the development of a range of avant-garde practices, and exerted an enormous influence on the development of the arts in the second half of the 20th century.
Théorie de l’art
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A conversation that seeks to apply the prefix "Xeno-" in philosophical discourse to the discourse of architecture.This book aims to unpack the prefix, probing what it entails--not merely rhetorically but also as a means of practice, in an attempt to bring the ideas it contains more concretely into the domain of architecture. It proposes to link the more philosophical(...)
Théorie de l’architecture
mars 2019
Perhaps it is high time for a xeno-architecture to match
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A conversation that seeks to apply the prefix "Xeno-" in philosophical discourse to the discourse of architecture.This book aims to unpack the prefix, probing what it entails--not merely rhetorically but also as a means of practice, in an attempt to bring the ideas it contains more concretely into the domain of architecture. It proposes to link the more philosophical discussions on the notion of xeno with questions of instrumentalization and governance that are necessarily involved in the praxis of architecture. And it relates the significance of legal architecture and technologically driven transformation in the metaphysics of law back to the agenda of xeno-architecture. By researching how architects, artists, thinkers, and activists operating in the spatial field might endorse a process of "alienation" to confront global issues, this project attempts to re-radicalize spatial practice.
Théorie de l’architecture
Three cultural ecologies
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"Three Cultural Ecologies" reverses common conceptions of modern architecture. It reveals how selected works of two modern architects, Le Corbusier and Frank Lloyd Wright, embraced environmental and cultural conditions as reciprocal and complementary.
Three cultural ecologies
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"Three Cultural Ecologies" reverses common conceptions of modern architecture. It reveals how selected works of two modern architects, Le Corbusier and Frank Lloyd Wright, embraced environmental and cultural conditions as reciprocal and complementary.
Théorie de l’architecture
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"The Architecture of Ruins: Designs on the Past, Present and Future" identifies an alternative and significant history of architecture from the sixteenth century to the twenty-first century, in which a building is designed, occupied and imagined as a ruin. This design practice conceives a monument and a ruin as creative, interdependent and simultaneous themes within a(...)
The architecture of ruins: designs on past, present and future
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"The Architecture of Ruins: Designs on the Past, Present and Future" identifies an alternative and significant history of architecture from the sixteenth century to the twenty-first century, in which a building is designed, occupied and imagined as a ruin. This design practice conceives a monument and a ruin as creative, interdependent and simultaneous themes within a single building dialectic, addressing temporal and environmental questions in poetic, psychological and practical terms, and stimulating questions of personal and national identity, nature and culture, weather and climate, permanence and impermanence and life and death. Conceiving a building as a dialogue between a monument and a ruin intensifies the already blurred relations between the unfinished and the ruined and envisages the past, the present and the future in a single architecture.
Théorie de l’architecture
Architecture of defeat
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Kengo Kuma's ''Architecture of defeat,'' now available in English for the first time, explores events and architectural trends in the twentieth and twenty-first centuries in both Japan and beyond. It brings together a collection of essays which Kuma wrote after disasters such as the destruction of the World Trade Center in New York City on 9/11 and the earthquake and(...)
Architecture of defeat
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Kengo Kuma's ''Architecture of defeat,'' now available in English for the first time, explores events and architectural trends in the twentieth and twenty-first centuries in both Japan and beyond. It brings together a collection of essays which Kuma wrote after disasters such as the destruction of the World Trade Center in New York City on 9/11 and the earthquake and tsunami that obliterated much of the built landscape on Japan’s northern shore in a matter of minutes in 2011. Asking if we have been building in a manner that is too self-confident or arrogant, he examines architecture’s intrinsic- and often problematic- relationship to the powerful forces of contemporary politics, economics, consumerism, and technology, as well as its vital ties to society.
Théorie de l’architecture
Selected writings
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John Ruskin was the most powerful and influential art critic and social commentator of the Victorian nineteenth century. A true polymath, he wrote about nature, art, architecture, politics, history, myth and much more. All of his work is characterized by a clarity of vision as unsettling and intense now as it was for his first readers. This new selection includes(...)
Selected writings
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John Ruskin was the most powerful and influential art critic and social commentator of the Victorian nineteenth century. A true polymath, he wrote about nature, art, architecture, politics, history, myth and much more. All of his work is characterized by a clarity of vision as unsettling and intense now as it was for his first readers. This new selection includes wide-ranging extracts of Ruskin's texts, from the early 1840s to the late 1880s, as well as representative material from each of his major works.
Théorie de l’architecture
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Sigfried Giedion (1888–1968) and Carola Giedion-Welcker (1893–1979) were among the most influential scholars of art and architectural history during the early twentieth century. Of particular impact was their role in connecting leading protagonists of modernism in architecture, art, and literature, such as Alvar Aalto, Hans Arp, Constantin Brancusi, Marcel Breuer, Max(...)
The Giedion world: Sigfried Giedion and Carola Giedion-Welcker in dialogue
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Sigfried Giedion (1888–1968) and Carola Giedion-Welcker (1893–1979) were among the most influential scholars of art and architectural history during the early twentieth century. Of particular impact was their role in connecting leading protagonists of modernism in architecture, art, and literature, such as Alvar Aalto, Hans Arp, Constantin Brancusi, Marcel Breuer, Max Ernst, Walter Gropius, Barbara Hepworth, Le Corbusier, László Moholy-Nagy, Piet Mondrian, and Sophie Taeuber-Arp. The interactions they initiated, for example, on the new vision in photography or the synthesis of arts continue to be highly relevant to the present day. "The Giedion World" offers a long-awaited reevaluation of Sigfried and Carola Giedion-Welcker’s work and lasting significance.
Théorie de l’architecture
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Fruit de deux colloques internationaux organisés par la Haute École d’Art et de Design de Genève, « L’architecture d’intérieur en mots » (2015) et « La fin de l’intériorité ? » (2016), ce livre propose une vision d’ensemble d’une profession aux sensibilités parfois disparates et affirme avec force la spécificité de sa méthode (face notamment à ses disciplines soeurs que(...)
L'architecture par l'intérieur : concepts et imaginaires d'une discipline en devenir
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Fruit de deux colloques internationaux organisés par la Haute École d’Art et de Design de Genève, « L’architecture d’intérieur en mots » (2015) et « La fin de l’intériorité ? » (2016), ce livre propose une vision d’ensemble d’une profession aux sensibilités parfois disparates et affirme avec force la spécificité de sa méthode (face notamment à ses disciplines soeurs que sont le design et l’architecture). Il constitue ainsi un référent théorique qui fonde une réflexion de l’espace qui consiste à placer l’humain au centre d’une exploration qui va de l’intérieur vers l’extérieur.
Théorie de l’architecture