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During the last decades architecture has been largely characterized by a lack of strong positions. A form of neoliberal indifference has become endemic, something that can be attributed to the fact that modernism has lost its claim to be both emancipatory and educational. More recently though, one can again observe attitudes that claim to address architecture and urbanism(...)
Positions on emancipation: architecture between aesthetics and politics
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During the last decades architecture has been largely characterized by a lack of strong positions. A form of neoliberal indifference has become endemic, something that can be attributed to the fact that modernism has lost its claim to be both emancipatory and educational. More recently though, one can again observe attitudes that claim to address architecture and urbanism as more engaged with the social and political effects of global capitalism. This book relays a passionate debate between some of the most outstanding theoreticians and eloquent protagonists of this new attitude, leaving us with an overview of such postulated ambitions. Against the liberal “anything goes” and the revival of architectural autonomy, these attitudes believe less in the possibility for even the most experimental architectural object to have a changing effect on society. Their approaches instead vary from activism to the construction of new critical narratives.
Théorie de l’architecture
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The "Island Position" is an advertising term that describes the premium position of an advertisement surrounded solely by editorial content. In ''The Island Position,'' John Lehr explores the facades of American commercial spaces that are threatened by the emergence of e-commerce. In a rush to remain relevant, storeowners emblazon their windows and walls with anything(...)
John Lehr: the island position
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The "Island Position" is an advertising term that describes the premium position of an advertisement surrounded solely by editorial content. In ''The Island Position,'' John Lehr explores the facades of American commercial spaces that are threatened by the emergence of e-commerce. In a rush to remain relevant, storeowners emblazon their windows and walls with anything that will grab attention: tessellations of quick-fading ads, floor-to-ceiling decals of fanned money or flowing hair, haphazard product displays, and desperate, hand-scrawled invitations. Masquerading as a typology of storefronts, the surfaces in ''The Island Position'' embody something unseen: the people who constructed them. The signage is not simply an appeal to consumption, but a typography of emotion: vulnerability, ingenuity, distress, and hope-the language of capitalism as a form of public address. Lehr is not interested in what is for sale. He is interested in what is at stake.
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Breathing aesthetics
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In this book, Jean-Thomas Tremblay argues that difficult breathing indexes the uneven distribution of risk in a contemporary era marked by the increasing contamination, weaponization, and monetization of air. Tremblay shows how biopolitical and necropolitical forces tied to the continuation of extractive capitalism, imperialism, and structural racism are embodied and(...)
Breathing aesthetics
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In this book, Jean-Thomas Tremblay argues that difficult breathing indexes the uneven distribution of risk in a contemporary era marked by the increasing contamination, weaponization, and monetization of air. Tremblay shows how biopolitical and necropolitical forces tied to the continuation of extractive capitalism, imperialism, and structural racism are embodied and experienced through respiration. They identify responses to the crisis in breathing in aesthetic practices ranging from the film work of Cuban American artist Ana Mendieta to the disability diaries of Bob Flanagan, to the Black queer speculative fiction of Renee Gladman. In readings of these and other minoritarian works of experimental film, endurance performance, ecopoetics, and cinema-vérité, Tremblay contends that articulations of survival now depend on the management and dispersal of respiratory hazards. In so doing, they reveal how an aesthetic attention to breathing generates historically, culturally, and environmentally situated tactics and strategies for living under precarity.
Théorie/ philosophie
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The Soviet Union was founded on a fairytale. It was built on 20th-century magic called 'the planned economy', which was going to gush forth an abundance of good things that the penny-pinching lands of capitalism could never match. And just for a little while, in the heady years of the late 1950s, the magic seemed to be working. "Red Plenty" is about that moment in(...)
Red plenty: inside the fifties' soviet dream
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The Soviet Union was founded on a fairytale. It was built on 20th-century magic called 'the planned economy', which was going to gush forth an abundance of good things that the penny-pinching lands of capitalism could never match. And just for a little while, in the heady years of the late 1950s, the magic seemed to be working. "Red Plenty" is about that moment in history, and how it came, and how it went away; about the brief era when, under the rash leadership of Nikita Khrushchev, the Soviet Union looked forward to a future of rich communists and envious capitalists, when Moscow would out-glitter Manhattan, every Lada would be better engineered than a Porsche and sputniks would lead the way to the stars. And it's about the scientists who did their genuinely brilliant best to make the dream come true, to give the tyranny its happy ending.
Architecture et l'imaginaire
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Why did British industrial cities build art museums? By exploring the histories of the municipal art museums in Birmingham, Liverpool, and Manchester, Transformative Beauty examines the underlying logic of the Victorian art museum movement. These museums attempted to create a space free from the moral and physical ugliness of industrial capitalism. Deeply engaged with(...)
Transformative beauty: art museums in industrial Britain
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Why did British industrial cities build art museums? By exploring the histories of the municipal art museums in Birmingham, Liverpool, and Manchester, Transformative Beauty examines the underlying logic of the Victorian art museum movement. These museums attempted to create a space free from the moral and physical ugliness of industrial capitalism. Deeply engaged with the social criticism of John Ruskin, reformers created a new, prominent urban institution, a domesticated public space that not only aimed to provide refuge from the corrosive effects of industrial society but also provided a remarkably unified secular alternative to traditional religion. Woodson-Boulton raises provocative questions about the meaning and use of art in relation to artistic practice, urban development, social justice, education, and class. In today's context of global austerity and shrinking government support of public cultural institutions, this book is a timely consideration of arts policy and purposes in modern society.
Muséologie
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If participation has been an ideal in politics since ancient democracy, in art it became central only with the avant-gardes emerging from WWI and the Russian Revolution. Politics and aesthetics are still catching up with each other. In the 21st Century, since the revolutionary unrest of the 1960s, participation in art and architecture has lost its utopian glow and become(...)
Participation in art and architecture: spaces of interaction and occupation
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If participation has been an ideal in politics since ancient democracy, in art it became central only with the avant-gardes emerging from WWI and the Russian Revolution. Politics and aesthetics are still catching up with each other. In the 21st Century, since the revolutionary unrest of the 1960s, participation in art and architecture has lost its utopian glow and become the focus of a fierce debate: does ‘participatory’ art and architecture shape social reality, or is it shaped by it?Contemporary critics see in participation only technocratic control, while others embrace it as a viable politics in an era of global capitalism. This volume breaks the impasse by looking at how participants themselves exert power, rather than being victimized or liberated from it. From artists hijacking Google Earth to protesters setting up a museum of the revolution in Cairo, art, architecture, and daily life are explored in their participatory dimension.
Théorie de l’architecture
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182 pages ; 21 cm
[Montréal] : Éditions Somme toute, [2024]
11 brefs essais pour la justice climatique / sous la direction de Zoyanne Côté et Sandrine Giérula ; préface de Martine Delvaux et Éléonore Delvaux-Beaudoin.
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182 pages ; 21 cm
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[Montréal] : Éditions Somme toute, [2024]
A social ecology of capital
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Faced with an ecological crisis of existential proportions, the economic relations of capitalism have only fanned the flames. The transformation of property relations is an urgent necessity, but not, in itself, enough to save us. Enter 'degrowth': a concept that radically challenges contemporary life, culture and economics as we know it. Through an impressive synthesis of(...)
A social ecology of capital
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Faced with an ecological crisis of existential proportions, the economic relations of capitalism have only fanned the flames. The transformation of property relations is an urgent necessity, but not, in itself, enough to save us. Enter 'degrowth': a concept that radically challenges contemporary life, culture and economics as we know it. Through an impressive synthesis of the traditions of eco-Marxism and feminist ecological economics, Éric Pineault presents a well-rounded critique of contemporary capitalist growth and its socio-ecological contradictions, in which growth is understood as both a biophysical and accumulation process. The book provides fresh answers to key questions of current socio-ecological debates: Why does capitalist society depend on accelerating growth? Why is the constant upscaling of its economic process necessary for its social stability? How does this deepen the ecological contradictions that humanity now faces? And what can we learn from this for our understanding of emancipatory futures?
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Based on an exhibition of the same title, this book focus on self-confident, non-conformist feminist positions, and points out that new role models and strategies are being requested. In her essay, Amelia Jones contests the notion of a current post-feminism and, using the example of Pipilotti Rist's works, develops a model of parafeminism. Refering to Mary Beth Edelson(...)
It's time for action (there's no option) - about feminism
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Based on an exhibition of the same title, this book focus on self-confident, non-conformist feminist positions, and points out that new role models and strategies are being requested. In her essay, Amelia Jones contests the notion of a current post-feminism and, using the example of Pipilotti Rist's works, develops a model of parafeminism. Refering to Mary Beth Edelson and Annie Sprinkle, Maria Elena Buszek compares two generations and their respective strategies, and Katy Deepwell questions the role of female artists within art history. Mercedes Bunz looks at femininism in relation to flexibilized capitalism and diagnoses a new form of oppression. The exhibition's curator, Heike Munder, presents a survey of the exhibition's different positions and makes an appeal for new role models. With contributions by artists such as Anat Ben-David, Patty Chang, Mary Beth Edelson, Cosey Fanni Tutti, Manon, Yoko Ono, Pipilotti Rist, Katharina Sieverding, Annie Sprinkle, and Mathilde ter Heijne. Published with the Migros Museum für Gegenwartskunst, Zurich.
Expositions collectives
Hot questions - Cold storage: Architecture from Austria. The permanent exhibition at the Az W
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The new permanent display of Architekturzentrum Wien’s (Az W) collection is a milestone in the presentation of architecture and its social dimensions. ''Hot questions—cold storage'' is published alongside this comprehensive exhibition on Austrian architecture of the twentieth and twenty-first centuries, featuring color images of all exhibits, concise texts, and thematic(...)
mai 2023
Hot questions - Cold storage: Architecture from Austria. The permanent exhibition at the Az W
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The new permanent display of Architekturzentrum Wien’s (Az W) collection is a milestone in the presentation of architecture and its social dimensions. ''Hot questions—cold storage'' is published alongside this comprehensive exhibition on Austrian architecture of the twentieth and twenty-first centuries, featuring color images of all exhibits, concise texts, and thematic essays. This book reexamines the country’s architectural culture of the last 150 years, situating it in its cultural, social, and political contexts. Each chapter is prefaced by a question, asking, for example, about the impact of capitalism on our cities and villages or about the contribution architecture can make to our survival on the planet. These ''Hot questions'' bring to life the ''Cold storage''—the silent repository of the collection’s holdings. This book offers a multi-perspective narrative that presents Austria’s building history with all the developments, ideologies, and institutions it comprises. The social relevance of objects and documents is revealed through questioning and visualization, in connecting research and the museum’s mission to collect.