2116 Résultats
Classification:
documents textuels
documents textuels
Numéro de référence:
DR1966:0001:091 R/V
Description:
- This incomplete manuscript consists of four columns of text over both sides of a sheet. It is apparently the last page of a larger text, since it begins without a title or introduction and ends with a signature. The document discusses changes to the harbour at Fano. It makes reference to accompanying drawings (not included).
DR1966:0001:091 R/V
Description:
- This incomplete manuscript consists of four columns of text over both sides of a sheet. It is apparently the last page of a larger text, since it begins without a title or introduction and ends with a signature. The document discusses changes to the harbour at Fano. It makes reference to accompanying drawings (not included).
Personnes et institutions:
Sujet:
ingénierie
ingénierie
Date:
ca. 1765
ca. 1765
Titre:
Page from a memorandum on improvements to the port of Fano
Actions:
DR1966:0001:091 R/V
Description:
- This incomplete manuscript consists of four columns of text over both sides of a sheet. It is apparently the last page of a larger text, since it begins without a title or introduction and ends with a signature. The document discusses changes to the harbour at Fano. It makes reference to accompanying drawings (not included).
Page from a memorandum on improvements to the port of Fano
Actions:
DR1966:0001:091 R/V
Description:
- This incomplete manuscript consists of four columns of text over both sides of a sheet. It is apparently the last page of a larger text, since it begins without a title or introduction and ends with a signature. The document discusses changes to the harbour at Fano. It makes reference to accompanying drawings (not included).
Classification:
documents textuels
documents textuels
Date:
ca. 1765
ca. 1765
Personnes et institutions:
Sujet:
ingénierie
ingénierie
Classification:
oeuvres d'art
Quantité:
20 print(s)
oeuvres d'art
Quantité:
20 print(s)
Titre:
Détails d'architecture
Détails d'architecture
Actions:
Numéro de référence:
DR1990:0047:001-020
Description:
The etchings in this set include designs for various parts of architectural orders including column bases, capitals, and entablatures. There is some overlap with prints in Du Cerceau’s 'Détails d’ordres antiques' (notably elements on Plates 007 and 011), however most of the etchings include novel elements drawn from the type of ornament in use in works produced by the First School of Fontainebleau such as armor, musical instruments, and fruit. In purportedly representing architectural elements drawn from antiquity, Du Cerceau introduces a high level of variation and innovation. Some of these details are whimsical, for example a small detail of a dog on the entablature of Plate 002. Each plate is organized to accommodate the greatest number of variations possible. For example, Plate 12 includes two friezes, one with a series of musical instruments and the other with instruments of war – suggesting that the designs could be adapted to suit each patron’s particular interests.
DR1990:0047:001-020
Description:
The etchings in this set include designs for various parts of architectural orders including column bases, capitals, and entablatures. There is some overlap with prints in Du Cerceau’s 'Détails d’ordres antiques' (notably elements on Plates 007 and 011), however most of the etchings include novel elements drawn from the type of ornament in use in works produced by the First School of Fontainebleau such as armor, musical instruments, and fruit. In purportedly representing architectural elements drawn from antiquity, Du Cerceau introduces a high level of variation and innovation. Some of these details are whimsical, for example a small detail of a dog on the entablature of Plate 002. Each plate is organized to accommodate the greatest number of variations possible. For example, Plate 12 includes two friezes, one with a series of musical instruments and the other with instruments of war – suggesting that the designs could be adapted to suit each patron’s particular interests.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
engraved circa 1566-1570
engraved circa 1566-1570
Titre:
Détails d'architecture
Actions:
DR1990:0047:001-020
Description:
The etchings in this set include designs for various parts of architectural orders including column bases, capitals, and entablatures. There is some overlap with prints in Du Cerceau’s 'Détails d’ordres antiques' (notably elements on Plates 007 and 011), however most of the etchings include novel elements drawn from the type of ornament in use in works produced by the First School of Fontainebleau such as armor, musical instruments, and fruit. In purportedly representing architectural elements drawn from antiquity, Du Cerceau introduces a high level of variation and innovation. Some of these details are whimsical, for example a small detail of a dog on the entablature of Plate 002. Each plate is organized to accommodate the greatest number of variations possible. For example, Plate 12 includes two friezes, one with a series of musical instruments and the other with instruments of war – suggesting that the designs could be adapted to suit each patron’s particular interests.
Détails d'architecture
Actions:
DR1990:0047:001-020
Description:
The etchings in this set include designs for various parts of architectural orders including column bases, capitals, and entablatures. There is some overlap with prints in Du Cerceau’s 'Détails d’ordres antiques' (notably elements on Plates 007 and 011), however most of the etchings include novel elements drawn from the type of ornament in use in works produced by the First School of Fontainebleau such as armor, musical instruments, and fruit. In purportedly representing architectural elements drawn from antiquity, Du Cerceau introduces a high level of variation and innovation. Some of these details are whimsical, for example a small detail of a dog on the entablature of Plate 002. Each plate is organized to accommodate the greatest number of variations possible. For example, Plate 12 includes two friezes, one with a series of musical instruments and the other with instruments of war – suggesting that the designs could be adapted to suit each patron’s particular interests.
Classification:
oeuvres d'art
Quantité:
20 print(s)
oeuvres d'art
Quantité:
20 print(s)
Date:
engraved circa 1566-1570
engraved circa 1566-1570
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1966:0001:007
Description:
- This project is for a temporary construction or macchina in the form of a triumphal arch with freestanding columns. The arch is surmounted by an empty shield carrying papal regalia. The sculptural program includes freestanding figure statues on the base, cornice, and attic levels. The bottom quarter of the sheet contains a plan of the arch at the base level.
DR1966:0001:007
Description:
- This project is for a temporary construction or macchina in the form of a triumphal arch with freestanding columns. The arch is surmounted by an empty shield carrying papal regalia. The sculptural program includes freestanding figure statues on the base, cornice, and attic levels. The bottom quarter of the sheet contains a plan of the arch at the base level.
Personnes et institutions:
Sujet:
architecture temporaire
architecture temporaire
Date:
1721
1721
Titre:
Elevation and plan for a triumphal arch for the possesso of Innocent XIII, Rome
Actions:
DR1966:0001:007
Description:
- This project is for a temporary construction or macchina in the form of a triumphal arch with freestanding columns. The arch is surmounted by an empty shield carrying papal regalia. The sculptural program includes freestanding figure statues on the base, cornice, and attic levels. The bottom quarter of the sheet contains a plan of the arch at the base level.
Elevation and plan for a triumphal arch for the possesso of Innocent XIII, Rome
Actions:
DR1966:0001:007
Description:
- This project is for a temporary construction or macchina in the form of a triumphal arch with freestanding columns. The arch is surmounted by an empty shield carrying papal regalia. The sculptural program includes freestanding figure statues on the base, cornice, and attic levels. The bottom quarter of the sheet contains a plan of the arch at the base level.
Classification:
dessins
dessins
Date:
1721
1721
Personnes et institutions:
Sujet:
architecture temporaire
architecture temporaire
Classification:
dessins, documents textuels
dessins, documents textuels
Numéro de référence:
DR2012:0011:021
Description:
Ring binder containing notes and sketches related to the following events, locations, and/or projects: - Sherbrooke columns; - Ottawa exhibition; - One fit sizes all, no. 4; - Body building; - Esplanade Frontenac; - HEC [École des hautes études commerciales] sculpture piece; - Sable Castelli Gallery exhibition, Toronto; - Bodyworks; - Cities on the run series.
DR2012:0011:021
Description:
Ring binder containing notes and sketches related to the following events, locations, and/or projects: - Sherbrooke columns; - Ottawa exhibition; - One fit sizes all, no. 4; - Body building; - Esplanade Frontenac; - HEC [École des hautes études commerciales] sculpture piece; - Sable Castelli Gallery exhibition, Toronto; - Bodyworks; - Cities on the run series.
Personnes et institutions:
Date:
2003
2003
Titre:
Notes and sketches by Melvin Charney on his later works
Actions:
DR2012:0011:021
Description:
Ring binder containing notes and sketches related to the following events, locations, and/or projects: - Sherbrooke columns; - Ottawa exhibition; - One fit sizes all, no. 4; - Body building; - Esplanade Frontenac; - HEC [École des hautes études commerciales] sculpture piece; - Sable Castelli Gallery exhibition, Toronto; - Bodyworks; - Cities on the run series.
Notes and sketches by Melvin Charney on his later works
Actions:
DR2012:0011:021
Description:
Ring binder containing notes and sketches related to the following events, locations, and/or projects: - Sherbrooke columns; - Ottawa exhibition; - One fit sizes all, no. 4; - Body building; - Esplanade Frontenac; - HEC [École des hautes études commerciales] sculpture piece; - Sable Castelli Gallery exhibition, Toronto; - Bodyworks; - Cities on the run series.
Classification:
dessins, documents textuels
dessins, documents textuels
Date:
2003
2003
Personnes et institutions:
Classification:
oeuvres d'art
oeuvres d'art
Numéro de référence:
DR1988:0437:017
Description:
- This etching shows a fireworks construction or macchina in the form of a triumphal arch which is raised on a basement and flanked by two columns. Inside the arch is a statue of the Roger, the first Norman King of the Two Sicilies, while the top of the arch is crowned by the arms of the current King of the two Sicilies, Charles Bourbon.
DR1988:0437:017
Description:
- This etching shows a fireworks construction or macchina in the form of a triumphal arch which is raised on a basement and flanked by two columns. Inside the arch is a statue of the Roger, the first Norman King of the Two Sicilies, while the top of the arch is crowned by the arms of the current King of the two Sicilies, Charles Bourbon.
Personnes et institutions:
Sujet:
architecture temporaire
architecture temporaire
Date:
printed 1751
printed 1751
Titre:
Etching of Posi's design for the "prima macchina" of 1751
Actions:
DR1988:0437:017
Description:
- This etching shows a fireworks construction or macchina in the form of a triumphal arch which is raised on a basement and flanked by two columns. Inside the arch is a statue of the Roger, the first Norman King of the Two Sicilies, while the top of the arch is crowned by the arms of the current King of the two Sicilies, Charles Bourbon.
Etching of Posi's design for the "prima macchina" of 1751
Actions:
DR1988:0437:017
Description:
- This etching shows a fireworks construction or macchina in the form of a triumphal arch which is raised on a basement and flanked by two columns. Inside the arch is a statue of the Roger, the first Norman King of the Two Sicilies, while the top of the arch is crowned by the arms of the current King of the two Sicilies, Charles Bourbon.
Classification:
oeuvres d'art
oeuvres d'art
Date:
printed 1751
printed 1751
Personnes et institutions:
Sujet:
architecture temporaire
architecture temporaire
Classification:
oeuvres d'art
oeuvres d'art
Numéro de référence:
DR1988:0437:041
Description:
- This etching for a fireworks construction or macchina is in the form of a pavilion, with stands for musicians on either side. The lower level of the macchina represents a series of fish stalls and the architecture is deliberately rusticated, with cracks in the masonry and vines growing on the arches. The upper level consists of one large and four small canopies held up with columns wrapped with wreaths.
DR1988:0437:041
Description:
- This etching for a fireworks construction or macchina is in the form of a pavilion, with stands for musicians on either side. The lower level of the macchina represents a series of fish stalls and the architecture is deliberately rusticated, with cracks in the masonry and vines growing on the arches. The upper level consists of one large and four small canopies held up with columns wrapped with wreaths.
Personnes et institutions:
Sujet:
architecture temporaire
architecture temporaire
Date:
printed 1770
printed 1770
Titre:
Etching of Posi's design for the "seconda macchina" of 1770
Actions:
DR1988:0437:041
Description:
- This etching for a fireworks construction or macchina is in the form of a pavilion, with stands for musicians on either side. The lower level of the macchina represents a series of fish stalls and the architecture is deliberately rusticated, with cracks in the masonry and vines growing on the arches. The upper level consists of one large and four small canopies held up with columns wrapped with wreaths.
Etching of Posi's design for the "seconda macchina" of 1770
Actions:
DR1988:0437:041
Description:
- This etching for a fireworks construction or macchina is in the form of a pavilion, with stands for musicians on either side. The lower level of the macchina represents a series of fish stalls and the architecture is deliberately rusticated, with cracks in the masonry and vines growing on the arches. The upper level consists of one large and four small canopies held up with columns wrapped with wreaths.
Classification:
oeuvres d'art
oeuvres d'art
Date:
printed 1770
printed 1770
Personnes et institutions:
Sujet:
architecture temporaire
architecture temporaire
Classification:
dessins
Quantité:
22 File
dessins
Quantité:
22 File
Numéro de référence:
ARCH46973
Description:
decorative wood panels for Ontario room, decorative frieze for mezzanine, telecommunications room, convention hall doors, bedroom suite doors, entrance canopy and columns, ticket offices ceiling plan, dining rooms ceiling plans, indicator signs, flowerboxes, floor designs, radiator boxes, lighting coves, mezzanine offices, banquet hall ceiling, carpet design, front office desk
ARCH46973
Description:
decorative wood panels for Ontario room, decorative frieze for mezzanine, telecommunications room, convention hall doors, bedroom suite doors, entrance canopy and columns, ticket offices ceiling plan, dining rooms ceiling plans, indicator signs, flowerboxes, floor designs, radiator boxes, lighting coves, mezzanine offices, banquet hall ceiling, carpet design, front office desk
Personnes et institutions:
Titre:
Decorative wood panels for Ontario room, decorative frieze for mezzanine, telecommunications room
Actions:
ARCH46973
Description:
decorative wood panels for Ontario room, decorative frieze for mezzanine, telecommunications room, convention hall doors, bedroom suite doors, entrance canopy and columns, ticket offices ceiling plan, dining rooms ceiling plans, indicator signs, flowerboxes, floor designs, radiator boxes, lighting coves, mezzanine offices, banquet hall ceiling, carpet design, front office desk
Decorative wood panels for Ontario room, decorative frieze for mezzanine, telecommunications room
Actions:
ARCH46973
Description:
decorative wood panels for Ontario room, decorative frieze for mezzanine, telecommunications room, convention hall doors, bedroom suite doors, entrance canopy and columns, ticket offices ceiling plan, dining rooms ceiling plans, indicator signs, flowerboxes, floor designs, radiator boxes, lighting coves, mezzanine offices, banquet hall ceiling, carpet design, front office desk
Classification:
dessins
Quantité:
22 File
dessins
Quantité:
22 File
Personnes et institutions:
Classification:
dessins
Quantité:
209 drawing(s)
dessins
Quantité:
209 drawing(s)
Actions:
Numéro de référence:
DR1990:0026:001-209
Description:
- Group of student drawings by George Danforth for the first-year architectural design class taught by Mies van der Rohe at the Armour Institute of Technology in 1938-1939. Mostly sketch plans and interior views which study the relationship between walls, windows, columns and doors in houses. The works were accessioned in the groups that they were received in.
DR1990:0026:001-209
Description:
- Group of student drawings by George Danforth for the first-year architectural design class taught by Mies van der Rohe at the Armour Institute of Technology in 1938-1939. Mostly sketch plans and interior views which study the relationship between walls, windows, columns and doors in houses. The works were accessioned in the groups that they were received in.
Personnes et institutions:
Sujet:
architecture, design d'intérieur
architecture, design d'intérieur
Date:
1938-1939
1938-1939
Titre:
First-year architectural design studies made at the Armour Institute of Technology
Actions:
DR1990:0026:001-209
Description:
- Group of student drawings by George Danforth for the first-year architectural design class taught by Mies van der Rohe at the Armour Institute of Technology in 1938-1939. Mostly sketch plans and interior views which study the relationship between walls, windows, columns and doors in houses. The works were accessioned in the groups that they were received in.
First-year architectural design studies made at the Armour Institute of Technology
Actions:
DR1990:0026:001-209
Description:
- Group of student drawings by George Danforth for the first-year architectural design class taught by Mies van der Rohe at the Armour Institute of Technology in 1938-1939. Mostly sketch plans and interior views which study the relationship between walls, windows, columns and doors in houses. The works were accessioned in the groups that they were received in.
Classification:
dessins
Quantité:
209 drawing(s)
dessins
Quantité:
209 drawing(s)
Date:
1938-1939
1938-1939
Personnes et institutions:
Sujet:
architecture, design d'intérieur
architecture, design d'intérieur
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1984:0977:614
Description:
The photographs shows the house before the 1886 Charleston earthquake, in which the giant portico was demolished, leaving only its base. The photograph shows the house with the Tower of the Winds portico intact, featuring four Corinthian Capitals modelled after the Tower of the Winds, a time keeping tower, in Athens Greece. After the earthquake, the columns were buried in the back yard.
PH1984:0977:614
Description:
The photographs shows the house before the 1886 Charleston earthquake, in which the giant portico was demolished, leaving only its base. The photograph shows the house with the Tower of the Winds portico intact, featuring four Corinthian Capitals modelled after the Tower of the Winds, a time keeping tower, in Athens Greece. After the earthquake, the columns were buried in the back yard.
Personnes et institutions:
Date:
ca. 1860-1886
ca. 1860-1886
Titre:
View of the William Ravenel house, 13 East Battery, Charleston, South Carolina, United States of America
Actions:
PH1984:0977:614
Description:
The photographs shows the house before the 1886 Charleston earthquake, in which the giant portico was demolished, leaving only its base. The photograph shows the house with the Tower of the Winds portico intact, featuring four Corinthian Capitals modelled after the Tower of the Winds, a time keeping tower, in Athens Greece. After the earthquake, the columns were buried in the back yard.
View of the William Ravenel house, 13 East Battery, Charleston, South Carolina, United States of America
Actions:
PH1984:0977:614
Description:
The photographs shows the house before the 1886 Charleston earthquake, in which the giant portico was demolished, leaving only its base. The photograph shows the house with the Tower of the Winds portico intact, featuring four Corinthian Capitals modelled after the Tower of the Winds, a time keeping tower, in Athens Greece. After the earthquake, the columns were buried in the back yard.
Classification:
photographies
photographies
Date:
ca. 1860-1886
ca. 1860-1886
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
DR1964:0016:001
Description:
- This unfinished elevation is for a decorative programme, probably for a chapel composed of arched and pedimented altars and niches which are surmounted by an entablature supported by columns. Decorative elements include marble panels, swags, curtains, ornamental urns and candlesticks. Wash has been loosely applied to the right side of the drawing, while the left remains unfinished with a partially drawn altar and niche.
DR1964:0016:001
Description:
- This unfinished elevation is for a decorative programme, probably for a chapel composed of arched and pedimented altars and niches which are surmounted by an entablature supported by columns. Decorative elements include marble panels, swags, curtains, ornamental urns and candlesticks. Wash has been loosely applied to the right side of the drawing, while the left remains unfinished with a partially drawn altar and niche.
Personnes et institutions:
Sujet:
design d'intérieur
design d'intérieur
Date:
17th century
17th century
Titre:
Elevation for a decorative programme, probably for a chapel
Actions:
DR1964:0016:001
Description:
- This unfinished elevation is for a decorative programme, probably for a chapel composed of arched and pedimented altars and niches which are surmounted by an entablature supported by columns. Decorative elements include marble panels, swags, curtains, ornamental urns and candlesticks. Wash has been loosely applied to the right side of the drawing, while the left remains unfinished with a partially drawn altar and niche.
Elevation for a decorative programme, probably for a chapel
Actions:
DR1964:0016:001
Description:
- This unfinished elevation is for a decorative programme, probably for a chapel composed of arched and pedimented altars and niches which are surmounted by an entablature supported by columns. Decorative elements include marble panels, swags, curtains, ornamental urns and candlesticks. Wash has been loosely applied to the right side of the drawing, while the left remains unfinished with a partially drawn altar and niche.
Classification:
dessins
dessins
Date:
17th century
17th century
Personnes et institutions:
Sujet:
design d'intérieur
design d'intérieur
