13311 Résultats
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livres
Titre:
Hook Echo
Hook Echo
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A hook echo is a radar signature for the part of a supercell tornado wherein the clouds come together with maximum force. Its name derives from the hook-shaped formation with which it shows up on a weather radar. In 1974 a supercell tornado hit the city of Xenia, Ohio (US), demolishing around 1400 buildings. This publication juxtaposes two sequences made of found(...)
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A hook echo is a radar signature for the part of a supercell tornado wherein the clouds come together with maximum force. Its name derives from the hook-shaped formation with which it shows up on a weather radar. In 1974 a supercell tornado hit the city of Xenia, Ohio (US), demolishing around 1400 buildings. This publication juxtaposes two sequences made of found(...)
Titre:
Hook Echo
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$60.00
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A hook echo is a radar signature for the part of a supercell tornado wherein the clouds come together with maximum force. Its name derives from the hook-shaped formation with which it shows up on a weather radar. In 1974 a supercell tornado hit the city of Xenia, Ohio (US), demolishing around 1400 buildings. This publication juxtaposes two sequences made of found collections: a set of 48 photographs that capture the aftermath of the Ohio tornado, and 22 pages from an album of compiled crochet samples. In this new context, the images relate to each other as a series of structures that become physical matter, accumulations of material. HOOK ECHO is the first installment of DRAGNET, an ongoing series informed by existing sets of images: archives, collections, unseen documents, or works in progress. Each DRAGNET publication is printed in a limited edition and contains an original print.
Hook Echo
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A hook echo is a radar signature for the part of a supercell tornado wherein the clouds come together with maximum force. Its name derives from the hook-shaped formation with which it shows up on a weather radar. In 1974 a supercell tornado hit the city of Xenia, Ohio (US), demolishing around 1400 buildings. This publication juxtaposes two sequences made of found collections: a set of 48 photographs that capture the aftermath of the Ohio tornado, and 22 pages from an album of compiled crochet samples. In this new context, the images relate to each other as a series of structures that become physical matter, accumulations of material. HOOK ECHO is the first installment of DRAGNET, an ongoing series informed by existing sets of images: archives, collections, unseen documents, or works in progress. Each DRAGNET publication is printed in a limited edition and contains an original print.
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livres
livres
Publication:
octobre 2022
octobre 2022
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livres
livres
Titre:
Oscar Tuazon: Building
Oscar Tuazon: Building
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''Oscar Tuazon: Building'' collects works spanning more than twenty years, presented as a visual essay on experimental space-making that culminates in the two major exhibitions of the artists' work planned for 2023. Balanced on the fulcrum between sculpture and architecture, the work of Oscar Tuazon uses processes of modeling and construction to transform the spaces of(...)
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''Oscar Tuazon: Building'' collects works spanning more than twenty years, presented as a visual essay on experimental space-making that culminates in the two major exhibitions of the artists' work planned for 2023. Balanced on the fulcrum between sculpture and architecture, the work of Oscar Tuazon uses processes of modeling and construction to transform the spaces of(...)
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Oscar Tuazon: Building
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''Oscar Tuazon: Building'' collects works spanning more than twenty years, presented as a visual essay on experimental space-making that culminates in the two major exhibitions of the artists' work planned for 2023. Balanced on the fulcrum between sculpture and architecture, the work of Oscar Tuazon uses processes of modeling and construction to transform the spaces of exhibition into a field for performative, improvisatory forms of building. Tracing a trajectory of sculptural interruptions in the utilitarian-built environment, the career survey at Kunst Museum Winterthur frames the progression of Tuazon's work through a series of objects. The project at Bergen Kunsthall concentrates on the scale model as a propositional device for imagining other spaces, as well as a means of temporary occupation of the exhibition space, culminating in a 1:1 scale model of the artist's current work Water School.
Oscar Tuazon: Building
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''Oscar Tuazon: Building'' collects works spanning more than twenty years, presented as a visual essay on experimental space-making that culminates in the two major exhibitions of the artists' work planned for 2023. Balanced on the fulcrum between sculpture and architecture, the work of Oscar Tuazon uses processes of modeling and construction to transform the spaces of exhibition into a field for performative, improvisatory forms of building. Tracing a trajectory of sculptural interruptions in the utilitarian-built environment, the career survey at Kunst Museum Winterthur frames the progression of Tuazon's work through a series of objects. The project at Bergen Kunsthall concentrates on the scale model as a propositional device for imagining other spaces, as well as a means of temporary occupation of the exhibition space, culminating in a 1:1 scale model of the artist's current work Water School.
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livres
livres
Publication:
avril 2023
avril 2023
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livres
livres
Titre:
Nothing
Nothing
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$43.00
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This book emerges out of research for an exhibition of the same name, curated by Ele Carpenter and artist Graham Gussin. In considering content for the show, they explored a broad range of ideas about the notion of "nothing", which many of the exhibiting artists made reference to in their work.
$43.00
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This book emerges out of research for an exhibition of the same name, curated by Ele Carpenter and artist Graham Gussin. In considering content for the show, they explored a broad range of ideas about the notion of "nothing", which many of the exhibiting artists made reference to in their work.
Publication:
janvier 1900, Sunderland
janvier 1900, Sunderland
Titre:
Nothing
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This book emerges out of research for an exhibition of the same name, curated by Ele Carpenter and artist Graham Gussin. In considering content for the show, they explored a broad range of ideas about the notion of "nothing", which many of the exhibiting artists made reference to in their work.
Nothing
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$43.00
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This book emerges out of research for an exhibition of the same name, curated by Ele Carpenter and artist Graham Gussin. In considering content for the show, they explored a broad range of ideas about the notion of "nothing", which many of the exhibiting artists made reference to in their work.
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livres
livres
Publication:
janvier 1900, Sunderland
janvier 1900, Sunderland
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livres
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$52.50
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Conceptual art was one of the most influential art movements of the second half of the twentieth century. In this book Alexander Alberro traces its origins to the mid-1960s, when its principles were first articulated by the artists Dan Graham, Joseph Kosuth, Sol LeWitt, Lawrence Weiner, and others. One of Alberro's central arguments is that the conceptual art movement(...)
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Conceptual art was one of the most influential art movements of the second half of the twentieth century. In this book Alexander Alberro traces its origins to the mid-1960s, when its principles were first articulated by the artists Dan Graham, Joseph Kosuth, Sol LeWitt, Lawrence Weiner, and others. One of Alberro's central arguments is that the conceptual art movement(...)
Publication:
janvier 2003, Cambridge, Mass.
janvier 2003, Cambridge, Mass.
Titre:
Conceptual art and the politics of publicity
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Conceptual art was one of the most influential art movements of the second half of the twentieth century. In this book Alexander Alberro traces its origins to the mid-1960s, when its principles were first articulated by the artists Dan Graham, Joseph Kosuth, Sol LeWitt, Lawrence Weiner, and others. One of Alberro's central arguments is that the conceptual art movement was founded not just by the artists but also by the dealer Seth Siegelaub. Siegelaub promoted the artists, curated groundbreaking shows, organized symposia and publications, and in many ways set the stage for another kind of entrepreneur: the freelance curator. Alberro examines both Siegelaub's role in launching the careers of artists who were making "something from nothing" and his tactful business practices, particularly in marketing and advertising. Alberro draws on close readings of artworks produced by key conceptual artists in the mid- to late 1960s. He places the movement in the social context of the rebellion against existing cultural institutions, as well as the increased commercialization and globalization of the art world. The book ends with a discussion of one of Siegelaub's most material and least ephemeral contributions, the Artist's Reserved Rights Transfer and Sale Agreement, which he wrote between 1969 and 1971. Designed to limit the inordinate control of collectors, galleries, and museums by increasing the artist's rights, the Agreement unwittingly codified the overlap between capitalism and the arts.
Conceptual art and the politics of publicity
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Conceptual art was one of the most influential art movements of the second half of the twentieth century. In this book Alexander Alberro traces its origins to the mid-1960s, when its principles were first articulated by the artists Dan Graham, Joseph Kosuth, Sol LeWitt, Lawrence Weiner, and others. One of Alberro's central arguments is that the conceptual art movement was founded not just by the artists but also by the dealer Seth Siegelaub. Siegelaub promoted the artists, curated groundbreaking shows, organized symposia and publications, and in many ways set the stage for another kind of entrepreneur: the freelance curator. Alberro examines both Siegelaub's role in launching the careers of artists who were making "something from nothing" and his tactful business practices, particularly in marketing and advertising. Alberro draws on close readings of artworks produced by key conceptual artists in the mid- to late 1960s. He places the movement in the social context of the rebellion against existing cultural institutions, as well as the increased commercialization and globalization of the art world. The book ends with a discussion of one of Siegelaub's most material and least ephemeral contributions, the Artist's Reserved Rights Transfer and Sale Agreement, which he wrote between 1969 and 1971. Designed to limit the inordinate control of collectors, galleries, and museums by increasing the artist's rights, the Agreement unwittingly codified the overlap between capitalism and the arts.
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livres
livres
Publication:
janvier 2003, Cambridge, Mass.
janvier 2003, Cambridge, Mass.
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livres
livres
Prix:
$33.95
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Really important artists situated their work in the master frame of art, well aware of the importance of the material they are using and conscious of questions about paradigms or paradigm shifts in art. This occurs in a special way in the work of Olafur Eliasson and is placed in full view of the observer by the exhibition at the Kunsthaus Bregenz. Eliasson uses nature(...)
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Really important artists situated their work in the master frame of art, well aware of the importance of the material they are using and conscious of questions about paradigms or paradigm shifts in art. This occurs in a special way in the work of Olafur Eliasson and is placed in full view of the observer by the exhibition at the Kunsthaus Bregenz. Eliasson uses nature(...)
Publication:
janvier 2002, Bregenz
janvier 2002, Bregenz
Titre:
Olafur Eliasson : the mediated motion - 31.03 - 13.05.2001
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Really important artists situated their work in the master frame of art, well aware of the importance of the material they are using and conscious of questions about paradigms or paradigm shifts in art. This occurs in a special way in the work of Olafur Eliasson and is placed in full view of the observer by the exhibition at the Kunsthaus Bregenz. Eliasson uses nature and the architecture of the building as material : the result is an interplay in flux or a reversal of art and nature. In cooperation with Günter Vogt, landscape architect.
Olafur Eliasson : the mediated motion - 31.03 - 13.05.2001
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Really important artists situated their work in the master frame of art, well aware of the importance of the material they are using and conscious of questions about paradigms or paradigm shifts in art. This occurs in a special way in the work of Olafur Eliasson and is placed in full view of the observer by the exhibition at the Kunsthaus Bregenz. Eliasson uses nature and the architecture of the building as material : the result is an interplay in flux or a reversal of art and nature. In cooperation with Günter Vogt, landscape architect.
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livres
livres
Publication:
janvier 2002, Bregenz
janvier 2002, Bregenz
Classification:
livres
livres
Titre:
Documenta 11 short guide
Documenta 11 short guide
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The short guide introduces, in alphabetical order, all participating artists and their projects. Short essays explain their individual working methods, historical conditions, and approaches to selected works. The publication also includes a list of works as well as information about the documenta film program, artists’ radio projects and Documenta_11 artists’ books. Full(...)
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The short guide introduces, in alphabetical order, all participating artists and their projects. Short essays explain their individual working methods, historical conditions, and approaches to selected works. The publication also includes a list of works as well as information about the documenta film program, artists’ radio projects and Documenta_11 artists’ books. Full(...)
Titre:
Documenta 11 short guide
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$39.95
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The short guide introduces, in alphabetical order, all participating artists and their projects. Short essays explain their individual working methods, historical conditions, and approaches to selected works. The publication also includes a list of works as well as information about the documenta film program, artists’ radio projects and Documenta_11 artists’ books. Full catalogue also available.
Documenta 11 short guide
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The short guide introduces, in alphabetical order, all participating artists and their projects. Short essays explain their individual working methods, historical conditions, and approaches to selected works. The publication also includes a list of works as well as information about the documenta film program, artists’ radio projects and Documenta_11 artists’ books. Full catalogue also available.
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livres
livres
Publication:
janvier 1900, Ostfildern
janvier 1900, Ostfildern
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livres
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$80.00
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Suzaan Boettger presents a comprehensive history of the Earthworks movement in the United States, providing a fascinating and in-depth analysis of the monumental forms that initiated the broader genre of Land Art. Examining the art, the artists, their dealers, and proponents, Boettger interprets Earthworks as a manifestation both of artists' personal stories and of the(...)
$80.00
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Suzaan Boettger presents a comprehensive history of the Earthworks movement in the United States, providing a fascinating and in-depth analysis of the monumental forms that initiated the broader genre of Land Art. Examining the art, the artists, their dealers, and proponents, Boettger interprets Earthworks as a manifestation both of artists' personal stories and of the(...)
Titre:
Earthworks : art and landscape of the sixties
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Suzaan Boettger presents a comprehensive history of the Earthworks movement in the United States, providing a fascinating and in-depth analysis of the monumental forms that initiated the broader genre of Land Art. Examining the art, the artists, their dealers, and proponents, Boettger interprets Earthworks as a manifestation both of artists' personal stories and of the late 1960s social and political tumult.
Earthworks : art and landscape of the sixties
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Suzaan Boettger presents a comprehensive history of the Earthworks movement in the United States, providing a fascinating and in-depth analysis of the monumental forms that initiated the broader genre of Land Art. Examining the art, the artists, their dealers, and proponents, Boettger interprets Earthworks as a manifestation both of artists' personal stories and of the late 1960s social and political tumult.
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livres
livres
Publication:
juillet 2002, Berkeley
juillet 2002, Berkeley
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livres
livres
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$63.95
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This book investigates the state of panoptic art at a time when issues of security and civil liberties are on many people’s minds. Traditional imaging and tracking systems have given way to infinitely more powerful “dataveillance” technologies, as an evolving arsenal of surrogate eyes and ears in our society shifts its focus from military to domestic space. Taking as its(...)
$63.95
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This book investigates the state of panoptic art at a time when issues of security and civil liberties are on many people’s minds. Traditional imaging and tracking systems have given way to infinitely more powerful “dataveillance” technologies, as an evolving arsenal of surrogate eyes and ears in our society shifts its focus from military to domestic space. Taking as its(...)
Publication:
mars 2002, Karlsruhe, Germany / Cambridge, Massachusett
mars 2002, Karlsruhe, Germany / Cambridge, Massachusett
Titre:
CTRL (space) : rhetorics of surveillance from Bentham to big brother
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This book investigates the state of panoptic art at a time when issues of security and civil liberties are on many people’s minds. Traditional imaging and tracking systems have given way to infinitely more powerful “dataveillance” technologies, as an evolving arsenal of surrogate eyes and ears in our society shifts its focus from military to domestic space. Taking as its point of departure an architectural drawing by Jeremy Bentham that became the model for an entire social regime, CTRL [SPACE] looks at the shifting relationships between design and power, imaging and oppression, from the eighteenth to the twenty-first centuries. From the photographs taken with hidden cameras by Walker Evans and Paul Strand in the early twentieth century to the appropriation of military satellite technology by Marko Peljhan a hundred years later, the works of a wide range of artists have explored the dynamics of watching and being watched. The artists whose panoptical preoccupations are featured include, among others, Sophie Calle, Diller + Scofidio, Dan Graham, Pierre Huyghe, Michael Klier, Rem Koolhaas, Bruce Nauman, Yoko Ono, Thomas Ruff, Julia Scher, Andy Warhol, and Peter Weibel. This book, along with the exhibition it accompanies, is the first state-of-the-art survey of panopticism--in digital culture, architecture, television, video, cinema, painting, photography, conceptual art, installation work, robotics, and satellite imaging.
CTRL (space) : rhetorics of surveillance from Bentham to big brother
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$63.95
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Résumé:
This book investigates the state of panoptic art at a time when issues of security and civil liberties are on many people’s minds. Traditional imaging and tracking systems have given way to infinitely more powerful “dataveillance” technologies, as an evolving arsenal of surrogate eyes and ears in our society shifts its focus from military to domestic space. Taking as its point of departure an architectural drawing by Jeremy Bentham that became the model for an entire social regime, CTRL [SPACE] looks at the shifting relationships between design and power, imaging and oppression, from the eighteenth to the twenty-first centuries. From the photographs taken with hidden cameras by Walker Evans and Paul Strand in the early twentieth century to the appropriation of military satellite technology by Marko Peljhan a hundred years later, the works of a wide range of artists have explored the dynamics of watching and being watched. The artists whose panoptical preoccupations are featured include, among others, Sophie Calle, Diller + Scofidio, Dan Graham, Pierre Huyghe, Michael Klier, Rem Koolhaas, Bruce Nauman, Yoko Ono, Thomas Ruff, Julia Scher, Andy Warhol, and Peter Weibel. This book, along with the exhibition it accompanies, is the first state-of-the-art survey of panopticism--in digital culture, architecture, television, video, cinema, painting, photography, conceptual art, installation work, robotics, and satellite imaging.
Classification:
livres
livres
Publication:
mars 2002, Karlsruhe, Germany / Cambridge, Massachusett
mars 2002, Karlsruhe, Germany / Cambridge, Massachusett
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livres
livres
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$98.50
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The Bridge in Tadashi Kawamata's Bridge and Archives is a long, functional bridge installation that extends between the exhibition galleries of the Museum Schloss Moyland and the castle itself. It expresses the artist's own interpretation of the particular character of the location, which houses the world's largest collection of works by Joseph Beuys and also the Joseph(...)
$98.50
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The Bridge in Tadashi Kawamata's Bridge and Archives is a long, functional bridge installation that extends between the exhibition galleries of the Museum Schloss Moyland and the castle itself. It expresses the artist's own interpretation of the particular character of the location, which houses the world's largest collection of works by Joseph Beuys and also the Joseph(...)
Publication:
juin 2003, Bielefeld, Germany
juin 2003, Bielefeld, Germany
Titre:
Tadashi Kawamata : bridge and archives
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$98.50
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The Bridge in Tadashi Kawamata's Bridge and Archives is a long, functional bridge installation that extends between the exhibition galleries of the Museum Schloss Moyland and the castle itself. It expresses the artist's own interpretation of the particular character of the location, which houses the world's largest collection of works by Joseph Beuys and also the Joseph Beuys Archive--hence the Archive in the title. The bridge places the viewer at the center of two poles of art and represents an incongruous addition to the romantic castle ensemble. Demonstrating how the artistic work of Kawamata stands on the threshold between functional everyday object and autonomous work of art, between emergence and transience, between the individual and society, the bridge also reveals points of contact between the art of Beuys and Kawamata's own process-based and socially relevant work. Japanese artist Tadashi Kawamata has collaborated since 1986 with Dutch photographer Leo van der Kleij, who documents the artist's work in photographs.
Tadashi Kawamata : bridge and archives
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The Bridge in Tadashi Kawamata's Bridge and Archives is a long, functional bridge installation that extends between the exhibition galleries of the Museum Schloss Moyland and the castle itself. It expresses the artist's own interpretation of the particular character of the location, which houses the world's largest collection of works by Joseph Beuys and also the Joseph Beuys Archive--hence the Archive in the title. The bridge places the viewer at the center of two poles of art and represents an incongruous addition to the romantic castle ensemble. Demonstrating how the artistic work of Kawamata stands on the threshold between functional everyday object and autonomous work of art, between emergence and transience, between the individual and society, the bridge also reveals points of contact between the art of Beuys and Kawamata's own process-based and socially relevant work. Japanese artist Tadashi Kawamata has collaborated since 1986 with Dutch photographer Leo van der Kleij, who documents the artist's work in photographs.
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livres
livres
Publication:
juin 2003, Bielefeld, Germany
juin 2003, Bielefeld, Germany
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livres
livres
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$49.50
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"One place after another" offers a critical history of site-specific art since the late 1960s and a theoretical framework for examining the rhetoric of aesthetic vanguardism and political progressivism associated with its many permutations. Informed by urban theory, postmodernist criticism in art and architecture, and debates concerning identity politics and the public(...)
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"One place after another" offers a critical history of site-specific art since the late 1960s and a theoretical framework for examining the rhetoric of aesthetic vanguardism and political progressivism associated with its many permutations. Informed by urban theory, postmodernist criticism in art and architecture, and debates concerning identity politics and the public(...)
Publication:
novembre 2001, Cambridge, Mass.
novembre 2001, Cambridge, Mass.
Titre:
One place after another : site-specific art and locational identity
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"One place after another" offers a critical history of site-specific art since the late 1960s and a theoretical framework for examining the rhetoric of aesthetic vanguardism and political progressivism associated with its many permutations. Informed by urban theory, postmodernist criticism in art and architecture, and debates concerning identity politics and the public sphere, the book addresses the siting of art as more than an artistic problem. It examines site specificity as a complex cipher of the unstable relationship between location and identity in the era of late capitalism. The book addresses the work of, among others, John Ahearn, Mark Dion, Andrea Fraser, Donald Judd, Renée Green, Suzanne Lacy, Iñigo Manglano-Ovalle, Richard Serra, Mierle Laderman Ukeles, and Fred Wilson.
One place after another : site-specific art and locational identity
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$49.50
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Résumé:
"One place after another" offers a critical history of site-specific art since the late 1960s and a theoretical framework for examining the rhetoric of aesthetic vanguardism and political progressivism associated with its many permutations. Informed by urban theory, postmodernist criticism in art and architecture, and debates concerning identity politics and the public sphere, the book addresses the siting of art as more than an artistic problem. It examines site specificity as a complex cipher of the unstable relationship between location and identity in the era of late capitalism. The book addresses the work of, among others, John Ahearn, Mark Dion, Andrea Fraser, Donald Judd, Renée Green, Suzanne Lacy, Iñigo Manglano-Ovalle, Richard Serra, Mierle Laderman Ukeles, and Fred Wilson.
Classification:
livres
livres
Publication:
novembre 2001, Cambridge, Mass.
novembre 2001, Cambridge, Mass.
