Domaines publics
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Cet ouvrage présente les projets d’espace public dans la collection du FRAC Centre, conçus par des artistes, en collaboration ou non avec des architectes. Orientée autour de l'architecture, la collection du FRAC Centre réunit des projets d'espace public, conçus par des artistes, mais aussi par des artistes et des architectes qui s'efforcèrent de développer une(...)
Domaines publics
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Cet ouvrage présente les projets d’espace public dans la collection du FRAC Centre, conçus par des artistes, en collaboration ou non avec des architectes. Orientée autour de l'architecture, la collection du FRAC Centre réunit des projets d'espace public, conçus par des artistes, mais aussi par des artistes et des architectes qui s'efforcèrent de développer une collaboration dès les premières phases du projet. À contrario de l'œuvre greffée in extremis dans un espace public qui lui demeure exogène, certaines oeuvres, réfutant la permanence et la fixité imposée à l'œuvre d'art publique évoluent vers la notion de performance ou d'actuation perceptive par les visiteurs. À ce titre, la collection du FRAC Centre comprend les dessins de la réalisation la plus exceptionnelle en France, à savoir les deux plateaux, dans la cour du Palais-Royal à Paris par Daniel Buren, où le visiteur est interpelé comme composante sculpturale. Cette collection s'ouvre aux réflexions spéculaires de Rodney Graham qui intègre le temps à sa perception de l'espace public; aux extensions métaboliques de Kawamata, aux extrapolations lumineuses de Robert Irwin, aux expérimentations minimales de Peter Downsbrough. La collection du FRAC Centre réunit également des projets exemplaires d'artistes et architectes, ainsi le scénario de rénovation d'un campus universitaire par Vito Acconci et Robert Mangurian, qui se développe en parasite du site existant, ou le projet d'éclairement d'un quartier par James Turrell et Studio Works qui transfigurent les éléments urbains en éléments scéniques, ou encore le "paysage textualisé" de Barbara Kruger avec les architectes Smith-Miller et Hawkinson.
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Adrian Schiess is a young Swiss artist who approaches new artistic terrain in an entirely unprejudiced fashion. His work continues along the lines of the great history of 20th century abstract painting. In addition, Adrian Schiess' special relationship to architecture has resulted in collaboration with the two internationally renowned architectural firms Herzog & de(...)
janvier 1900, Luzern
Adrian Schiess - Colourspaces : co-operation with the architects Herzog & de Meuron and Gigon/Guyer 1993-2003
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Adrian Schiess is a young Swiss artist who approaches new artistic terrain in an entirely unprejudiced fashion. His work continues along the lines of the great history of 20th century abstract painting. In addition, Adrian Schiess' special relationship to architecture has resulted in collaboration with the two internationally renowned architectural firms Herzog & de Meuron, Basel, and Gigon/Guyer, Zurich.
livres
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Presents a number of public art projects from the last year in Lower Austria. Covers temporary projects, exhibitions and interventions that take public spaces as their theme.
janvier 1900, Wien
Public art Lower Austria : volume 7
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Presents a number of public art projects from the last year in Lower Austria. Covers temporary projects, exhibitions and interventions that take public spaces as their theme.
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janvier 1900, Wien
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Five-foot ways, or 'kaki-lima,' are a prominent feature of historical urban centers in tropical Southeast Asian cities. In the hot and humid urban center, these colonnades along the rows of commercial shophouses provide comfortable pedestrian walkways. It is frequently considered not only as a pathway but also as a space for transit activities in Malaysian urban settings.(...)
août 2023
Kaki Lima Stories: Life in the five-foot ways of Downtown Kuala Lumpur
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Five-foot ways, or 'kaki-lima,' are a prominent feature of historical urban centers in tropical Southeast Asian cities. In the hot and humid urban center, these colonnades along the rows of commercial shophouses provide comfortable pedestrian walkways. It is frequently considered not only as a pathway but also as a space for transit activities in Malaysian urban settings. The book delves into the richness, diversity, and beauty of life along Kuala Lumpur's five-footway.
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''Small Practices : In Conversation with Malaysian and Japanese Architects'' provides an intimate look into how small practices find their niche and pursue their passion in a field that is often perceived as aggressive and vigorous. Noorul Fadzlee Khamis, a Malaysian architect, and educator, with the support of Japan Foundation Asia Centre speaks to small practices based(...)
Small Practices: In conversation with Malaysian & Japanese Architects
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''Small Practices : In Conversation with Malaysian and Japanese Architects'' provides an intimate look into how small practices find their niche and pursue their passion in a field that is often perceived as aggressive and vigorous. Noorul Fadzlee Khamis, a Malaysian architect, and educator, with the support of Japan Foundation Asia Centre speaks to small practices based in both Kuala Lumpur and Tokyo, documenting their workplaces and thoughts on inspiration, quirks, irks, the future of small practices, and its relation to architecture education. Featuring interviews with, Atelier Kazuki Wakahara, Atelier Ryo Abe, Design Team Architects, Satoshi Okada Architects, CODA, Normal Architecture, No-to-Scale*, Studio Karya, and WHBC Architects.
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A complete documentation of Yayoi Kusama's early performative activities in the Netherlands in the 1960s-70s, through a collection of previously unpublished photographs and written and visual accounts from eyewitnesses, showcasing her unique style and engagement with the emerging sexual revolution.
décembre 2023
Yayoi Kusama: The Dutch years 1960–70
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A complete documentation of Yayoi Kusama's early performative activities in the Netherlands in the 1960s-70s, through a collection of previously unpublished photographs and written and visual accounts from eyewitnesses, showcasing her unique style and engagement with the emerging sexual revolution.
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« Françoise Sullivan. Une ligne imaginaire / An Imaginary Line prend le relais du catalogue d’exposition Françoise Sullivan. Trajectoires resplendissantes / Radiant Trajectories (Galerie de l’UQAM, 2017) pour fédérer les connaissances récemment mises à jour et les contextualiser dans le sens d’une interaction plus définie entre le développement de la pensée de l’artiste(...)
juin 2023
Françoise Sullivan : Une ligne imaginaire
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« Françoise Sullivan. Une ligne imaginaire / An Imaginary Line prend le relais du catalogue d’exposition Françoise Sullivan. Trajectoires resplendissantes / Radiant Trajectories (Galerie de l’UQAM, 2017) pour fédérer les connaissances récemment mises à jour et les contextualiser dans le sens d’une interaction plus définie entre le développement de la pensée de l’artiste et son corpus des années 1970. Tel un récit qui s’incarne dans les lieux où a vécu Sullivan, en particulier l’Italie, l’ouvrage s’intéresse particulièrement à son travail lié à l’art conceptuel et ancré dans la photographie, le film et les actions performatives. »
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For "Breaking protocol", transdisciplinary artist Maria Hupfield embarked on a research project on the protocols of Indigenous performance—tracing Indigenous knowledge systems, land-preservation practices and feminist scholarship to illuminate strategies for enacting refusal within decolonial frameworks. The book draws from Hupfield’s "Coffee Break"—a series of(...)
Maria Hupfield: Breaking protocol
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For "Breaking protocol", transdisciplinary artist Maria Hupfield embarked on a research project on the protocols of Indigenous performance—tracing Indigenous knowledge systems, land-preservation practices and feminist scholarship to illuminate strategies for enacting refusal within decolonial frameworks. The book draws from Hupfield’s "Coffee Break"—a series of conversations held over Zoom during the pandemic, in which Hupfield invited international Indigenous performance artists to discuss their work (from dance to stand-up comedy), who in turn invited other artists to join the conversations. Building on these exchanges, "Breaking protocol" asks what we can learn from Indigenous, place-based artistic modes of making and practice to open spaces for reciprocity and multiplicity.
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This book features innovative and productive responses, in the form of architectural design and thinking, to the shift in Japan’s social condition under demographic changes that are evident in regional cities. These responses also demonstrate the new wave of architectural practice in Japan, focused on the challenges of degrowth. The shrinking and aging of the population(...)
octobre 2024
Revitalizing Japan: Architecture, Urbanization, and Degrowth
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This book features innovative and productive responses, in the form of architectural design and thinking, to the shift in Japan’s social condition under demographic changes that are evident in regional cities. These responses also demonstrate the new wave of architectural practice in Japan, focused on the challenges of degrowth. The shrinking and aging of the population is exacerbating the social decline in the regional cities of Japan. While excluded from the market-driven metropolitan areas, architects of the young generation are beginning to build ways of revitalizing regional cities through innovative design or new ways of practicing. This book features works by seven named or unnamed younger architects in Japan that preempt architectural responses to the post-growth condition, a gripping essay by community designer Ryo Yamazaki, and a captivating photo documentation by Kenta Hasegawa. Keynote essay by Toyo Ito.
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Though widely recognized as the founder of the legendary Fluxus movement, George Maciunas has long been a puzzling figure in the history of twentieth-century art. Many have questioned whether he should be considered an artist at all. In ''Fluxus Administration'', critic and art historian Colby Chamberlain reveals the consistent artistic practice hidden behind Maciunas’s(...)
Fluxus administration: George Maciuna and the art of paperwork
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Though widely recognized as the founder of the legendary Fluxus movement, George Maciunas has long been a puzzling figure in the history of twentieth-century art. Many have questioned whether he should be considered an artist at all. In ''Fluxus Administration'', critic and art historian Colby Chamberlain reveals the consistent artistic practice hidden behind Maciunas’s varied work in architecture, music, performance, publication, graphic design, film, and real estate as an attempt to create models for community through structures of bureaucracy.