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L’urbanisation accélérée marque le monde contemporain. Onze spécialistes cherchent dans ce livre à mieux comprendre les caractéristiques des villes. La première partie aborde l’évolution urbaine des trois dernières décennies à travers les organisations de coopération internationale et les mouvements sociaux. La deuxième partie s’interroge sur la mondialisation et ses(...)
Théorie de l’urbanisme
décembre 2012
Quelles villes pour le 21e siècle?
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L’urbanisation accélérée marque le monde contemporain. Onze spécialistes cherchent dans ce livre à mieux comprendre les caractéristiques des villes. La première partie aborde l’évolution urbaine des trois dernières décennies à travers les organisations de coopération internationale et les mouvements sociaux. La deuxième partie s’interroge sur la mondialisation et ses régulations à la fin du 20e siècle, à travers la gouvernance, la démocratie participative, la sécurité ou la durabilité environnementale. La troisième partie présente des expériences urbaines du 21e siècle dans trois pays émergents importants : l’Inde, la Chine, le Brésil. Dans des contextes géopolitiques contrastés, avec un accent particulier sur les pays du Sud et un regard transdisciplinaire, ce livre offre une excellente introduction à la problématique des villes d’aujourd’hui. Une réflexion systématique et sans complaisance sur une métamorphose qui a lieu maintenant, sous nos yeux. Un livre susceptible d’aider un large public à comprendre et formuler ses inquiétudes.
Théorie de l’urbanisme
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Notre époque serait celle de la mobilisation infinie du monde ; tourisme de masse et délocalisations diverses accompagnent un imaginaire de référence marqué par la globalisation de l'espace, la vitesse des circulations et un refus des enracinements définitifs. Une ontologie sociale et culturelle inédite se dessine. De nouvelles géographies du monde apparaissent dans les(...)
Carnets du paysage 23: paysages en migrations
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Notre époque serait celle de la mobilisation infinie du monde ; tourisme de masse et délocalisations diverses accompagnent un imaginaire de référence marqué par la globalisation de l'espace, la vitesse des circulations et un refus des enracinements définitifs. Une ontologie sociale et culturelle inédite se dessine. De nouvelles géographies du monde apparaissent dans les territoires et les paysages. Que deviennent les paysages quittés ? Comment sont créés, ou recréés, des univers paysagers dans les lieux d'accueil ? Qu'en est-il des paysages des camps dits d'accueil et de transit, des camps de réfugiés ? Ce numéro accueille des contributions s'appuyant sur des études de cas (Yann Lafolie sur l'Atelier solidaire à Lille, Nadine Cattan sur les femmes srilankaises à Beyrouth, Léa Hommage sur la pratique nomade et l'espace urbain à Ulaanbaatar en Mongolie, Bruno Hervé sur le déplacement d'un village au Pérou, Frédéric Pousin sur Garrett Eckbo, Bruno Laperche sur un observatoire palestinien des paysages, Anne-Christine Habbard sur la Partition de l'Inde et du Pakistan, Isabel Lopes Cardoso sur les discours sur le paysage au Portugal), et d'autres interrogeant la mobilité comme phénomène social et politique contemporain (Étienne Tassin à travers la notion de «condition migrante», Michel Agier de «paysage global» des camps, Barbara Bender de «Landscapes on-the-move», Vilém Flusser de «philosophie de l'émigration», François Gemenne de «paysage migratoire»).
Théorie du paysage
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This seventh volume of the Delft School of Design series focuses on particular urban questions related to the South African urban context. The book seeks to construct a contemporary critical dialogue of current spatial practices and contemporary design instruments in relation to social, political and governance structures in South Africa through an architectural and urban lens.
African perspectives - (South) Africa : city, society, space, literature and architecture
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This seventh volume of the Delft School of Design series focuses on particular urban questions related to the South African urban context. The book seeks to construct a contemporary critical dialogue of current spatial practices and contemporary design instruments in relation to social, political and governance structures in South Africa through an architectural and urban lens.
Théorie de l’urbanisme
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This is the first re-issue of Stephen Willats’ major text The Artist as an Instigator of Changes in Social Cognition and Behaviour since its original publication in 1973. Willats wrote The Artist as an Instigator while he was director of the Centre for Behavioural Art, a cross-disciplinary research and discussion platform he established at Gallery House, London, in(...)
The artist as an instigator of changes in social cognition and behavior
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This is the first re-issue of Stephen Willats’ major text The Artist as an Instigator of Changes in Social Cognition and Behaviour since its original publication in 1973. Willats wrote The Artist as an Instigator while he was director of the Centre for Behavioural Art, a cross-disciplinary research and discussion platform he established at Gallery House, London, in 1972–73. Long out of print, and as relevant today as it was in the early 1970s, the essay includes rigorous analyses of social forms of artistic production and descriptions of a number of projects by Willats. Along with the original text, this edition features archival images and a specially written introduction by the artist.
Théorie de l’art
Het Huis / The house
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The new pavilion in the Middelheim sculpture park in Antwerp houses a series of ceramic sculptures by German artist Thomas Schütte. Ghent-based architects Robbrecht & Daem are the designers of the half-open pavilion, which they named 'The House'. Schütte's fragile sculptures are a perfect fit for the nature and spirit of the pavilion's architecture, which is specially(...)
Het Huis / The house
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The new pavilion in the Middelheim sculpture park in Antwerp houses a series of ceramic sculptures by German artist Thomas Schütte. Ghent-based architects Robbrecht & Daem are the designers of the half-open pavilion, which they named 'The House'. Schütte's fragile sculptures are a perfect fit for the nature and spirit of the pavilion's architecture, which is specially designed to cast a protective veil over vulnerable artworks. This book tells the story of the unique collaboration between the sculpture park, the architects and the artist.
Théorie du paysage
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This publication is a visual story about how people influence change in the city. The collapse of faith in top-down planning has been followed by a renewed interest in the self-generating wisdom of bottom-up urban initiatives. Fusing her photography with a manifesto-like text, architect Afaina de Jong marks the people in the streets as the starting point of all urban(...)
For the people by the people : a visual story of the DIY city
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This publication is a visual story about how people influence change in the city. The collapse of faith in top-down planning has been followed by a renewed interest in the self-generating wisdom of bottom-up urban initiatives. Fusing her photography with a manifesto-like text, architect Afaina de Jong marks the people in the streets as the starting point of all urban trends and cultural innovation. She calls upon us all to become architects of our own environment.
Théorie de l’urbanisme
The portable John Latham
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The Portable John Latham features a rich selection of documents from the archive of the late British artist John Latham. Through reproductions of letters, invitation cards, exhibition reviews, performance scripts and images, the publication retraces Latham’s radical practice over six decades, from the late 1940s to his death in 2006. The book highlights Latham’s(...)
The portable John Latham
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The Portable John Latham features a rich selection of documents from the archive of the late British artist John Latham. Through reproductions of letters, invitation cards, exhibition reviews, performance scripts and images, the publication retraces Latham’s radical practice over six decades, from the late 1940s to his death in 2006. The book highlights Latham’s prodigious linguistic inventiveness as well as the variety of his interlocutors, from artists and art world figures (Clement Greenberg, Lucy Lippard) to academics (Noam Chomsky, Stephen Hawking) and politicians (Margaret Thatcher). The Portable John Latham is introduced by co-editors Antony Hudek and Athanasios Velios, and includes a reprint of an interview of Latham by the late Charles Harrison from 1968 and a useful glossary section.
Théorie de l’art
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From sixteenth-century cabinets of wonders to contemporary animal art, The Breathless Zoo: Taxidermy and the Cultures of Longing examines the cultural and poetic history of preserving animals in lively postures.
The breathless zoo: taxidermy and the cultures of longing
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From sixteenth-century cabinets of wonders to contemporary animal art, The Breathless Zoo: Taxidermy and the Cultures of Longing examines the cultural and poetic history of preserving animals in lively postures.
Théorie de l’art
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Global Ends: Towards The Beginning explores the uncertain and de-centred nature of architecture and the global/local dynamic involved in both its perception and production in a post-9/11, post-Great East Japan Earthquake world. Taking views from several accomplished architects spread across all corners of the globe (Tom Kundig, Junya Ishigami, Kerry Hill, Sean(...)
Global ends: towards the beginning
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Global Ends: Towards The Beginning explores the uncertain and de-centred nature of architecture and the global/local dynamic involved in both its perception and production in a post-9/11, post-Great East Japan Earthquake world. Taking views from several accomplished architects spread across all corners of the globe (Tom Kundig, Junya Ishigami, Kerry Hill, Sean Godsell, Smiljan Radic, Paulo David and RCR Aranda Pigem Vilalta Arquitectes), it focuses on the paradigm shift we are witnessing today, with collective creativity springing from far-flung regions and local solutions that are perhaps adaptable to global issues.
Théorie de l’architecture
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Throughout his life Adolf Loos raised his eloquent voice against the squandering of fine materials, frivolous ornamentation and unnecessary embellishments. His admirers consider him to be the inspiration for all modern architecture. Yet, few are acquainted with his amusing, incisive, critical and philosophical literary work reflecting on applied design and the essence of(...)
Adolf Loos: why a man should be well-dressed
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Throughout his life Adolf Loos raised his eloquent voice against the squandering of fine materials, frivolous ornamentation and unnecessary embellishments. His admirers consider him to be the inspiration for all modern architecture. Yet, few are acquainted with his amusing, incisive, critical and philosophical literary work reflecting on applied design and the essence of clothing in fin de siècle Vienna. Adolf Loos often had a radical, yet innovative outlook on life that made him such a nuisance for many of his contemporaries. His provocative musings on many subjects portray him as a man of varied interests and intellectual refinement as well as possessing a keen sense of style, which still has value today. For the first time the ‘Loos Dress Code’ is available in English. Included is a short social/historical look as the birth of Modernism in Adolf Loos’ Vienna.
Théorie du design