The past exists
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''The past exists'' is a collection of works presented at Kenta Cobayashi’s solo exhibition at Mitsukoshi Contemporary Gallery in June 2022. In this ehibition, he selected portraits from ''Everything'' series of photographs. Cobayashi describes the past as a kind of frame that constantly transforms according to the angle and quality of the memories that one looks back(...)
The past exists
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''The past exists'' is a collection of works presented at Kenta Cobayashi’s solo exhibition at Mitsukoshi Contemporary Gallery in June 2022. In this ehibition, he selected portraits from ''Everything'' series of photographs. Cobayashi describes the past as a kind of frame that constantly transforms according to the angle and quality of the memories that one looks back on. Photographs are always a reflection of past time, but editing the images and determining the layout of the exhibition is a variation on that point in time and a search for an expression that is appropriate to his current self. He also says that these works are like a parting gift to his twenties, and that they are a final farewell to a stage that will never be performed again. In this book, Cobayashi expresses the accumulation of time from the past to the present by using the layering function of Photoshop, which is indispensable in his production process, to create a layout in which the layers of photographs overlap each other as the pages are turned. In the form of a book, we practice a way of being in which each time is connected and a non-uniform image emerges.
Monographies photo
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Jorge Otero-Pailos shows how architectural phenomenology radically transformed how architects engaged, theorized, and produced history. In the first critical intellectual account of the movement, Otero-Pailos discusses the contributions of leading members, including Jean Labatut, Charles Moore, Christian Norberg-Schulz, and Kenneth Frampton. For architects maturing after(...)
Architecture's historical turn: phenomenology and the rise of the postmodern
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Jorge Otero-Pailos shows how architectural phenomenology radically transformed how architects engaged, theorized, and produced history. In the first critical intellectual account of the movement, Otero-Pailos discusses the contributions of leading members, including Jean Labatut, Charles Moore, Christian Norberg-Schulz, and Kenneth Frampton. For architects maturing after World War II, Otero-Pailos contends, architectural history was a problem rather than a given. Paradoxically, their awareness of modernism’s historicity led some of them to search for an ahistorical experiential constant that might underpin all architectural expression. They drew from phenomenology, exploring the work of Bachelard, Merleau-Ponty, Heidegger, and Ricoeur, which they translated for architectural audiences. Initially, the concept that experience could be a timeless architectural language provided a unifying intellectual basis for the stylistic pluralism that characterized postmodernism. It helped give theory—especially the theory of architectural history—a new importance over practice. However, as Otero-Pailos makes clear, architectural phenomenologists could not accept the idea of theory as an end in itself. In the mid-1980s they were caught in the contradictory and untenable position of having to formulate their own demotion of theory.
Théorie de l’architecture
Barrier-free design
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Building for everyone -- that is the best definition of what lies behind the unwieldy concept of ""barrier-free design"": the complete and total usability of buildings, including for those with disabilities, for the integration of all of society's members can only succeed when their environment is made accessible to them. Demographic changes demand new qualities of(...)
novembre 2010
Barrier-free design
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Building for everyone -- that is the best definition of what lies behind the unwieldy concept of ""barrier-free design"": the complete and total usability of buildings, including for those with disabilities, for the integration of all of society's members can only succeed when their environment is made accessible to them. Demographic changes demand new qualities of private and public space, qualities that are also required by new legislation. The Detail Practice volume Barrier-Free Design provides all planners and architects, but also interested building sponsors, with basic practical information and a range of possible planning implementations in the domain of barrier freedom. It shows how corresponding requirements can be turned into aesthetically distinguished architecture. And it demonstrates that taking barrier freedom into account in the early planning stages of a project need not lead to additional costs compared to ""classical"" construction and design. In addition to an overview of planning fundamentals, the book also includes the associated body of rules and regulations as well as examples of how they are embodied in actual projects and perspectives on their development in the larger European context.
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The architectural principle of the cellular compartment floor plan is as simple as it is economical, yet it allows for spatial and combinable freedom that can be interpreted in ever-new and ever-different ways. The resulting self-contained units or spatial sequences are suited for residential purposes as much as for office buildings, museums, or schools, with the floor(...)
Regarding space and spaces: cellular compartment units by Luca Selva Architects
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The architectural principle of the cellular compartment floor plan is as simple as it is economical, yet it allows for spatial and combinable freedom that can be interpreted in ever-new and ever-different ways. The resulting self-contained units or spatial sequences are suited for residential purposes as much as for office buildings, museums, or schools, with the floor plans providing highly dynamic and surprising traffic patterns and views. The cellular compartment floor plan is the generating principle in many buildings, projects, and competition entries by the renowned Basel-based Luca Selva Architects, who have been continually developing this typology in their practice, modifying it and adapting it for new applications in different projects. The cellular compartment floor plan is therefore the ideal focus of this new book on the work of the prolific firm. Numerous plans and photographs are supplemented with a theoretical essay by Christoph Wieser and a conversation between Luca Selva and Patrick Gmür. Shedding light for the first time on this surprisingly sparsely researched topic, this comprehensive book will have significance for the discourse reaching well beyond the exemplary designs by Luca Selva Architects.
Architecture, monographies
New museum design
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"New museum design" provides a critical and compelling selective survey of contemporary international museum design since 2010. It provides an accessible and analytic review of the architectural landscape of museum and gallery design in the 2010s. The book comprises twelve case study museum and gallery projects from across Europe, Asia, North America, Africa, the(...)
New museum design
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"New museum design" provides a critical and compelling selective survey of contemporary international museum design since 2010. It provides an accessible and analytic review of the architectural landscape of museum and gallery design in the 2010s. The book comprises twelve case study museum and gallery projects from across Europe, Asia, North America, Africa, the Middle East and Australia. Each built example is interrogated through an essay and a series of beautiful supporting illustrations and drawings. Where appropriate architectural analysis is cross-scale, extending from consideration of the artefact’s encounter with museum space at the most intimate scale, through detailed architectural readings, to the wider perspective of urban/landscape response. Similarly, the book is not confined in its thematic or architectural ‘typological’ scope, including museums and art galleries, as well as remodellings, extensions and new build examples. "New museum design" provides a critical snapshot of contemporary international museum architecture, in order to: better understand reasons for the state of current practice; reveal and explore on-going themes and approaches in the field; and to point towards seminal future design directions. This book is essential reading for any student or professional interested in museum design.
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Complex, controversial, and prolific, Howard Barnstone was a central figure in the world of twentieth-century modern architecture. Recognized as Houston’s foremost modern architect in the 1950s, Barnstone came to prominence for his designs with partner Preston M. Bolton, which transposed the rigorous and austere architectural practices of Ludwig Mies van der Rohe to the(...)
Architecture, monographies
août 2020
Making Houston modern: the life and architecture of Howard
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Complex, controversial, and prolific, Howard Barnstone was a central figure in the world of twentieth-century modern architecture. Recognized as Houston’s foremost modern architect in the 1950s, Barnstone came to prominence for his designs with partner Preston M. Bolton, which transposed the rigorous and austere architectural practices of Ludwig Mies van der Rohe to the hot, steamy coastal plain of Texas. Barnstone was a man of contradictions - charming and witty but also self-centered, caustic, and abusive - who shaped new settings that were imbued, at once, with spatial calm and emotional intensity. ''Making Houston Modern'' explores the provocative architect’s life and work, not only through the lens of his architectural practice but also by delving into his personal life, class identity, and connections to the artists, critics, collectors, and museum directors who forged Houston’s distinctive culture in the postwar era. Edited by three renowned voices in the architecture world, this volume situates Barnstone within the contexts of American architecture, modernism, and Jewish culture to unravel the legacy of a charismatic personality whose imaginative work as an architect, author, teacher, and civic commentator helped redefine architecture in Texas.
Architecture, monographies
Islamabad today
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In 1962, the architecture practice Ponti Fornaroli Rosselli was commissioned to design and build part of the Ministries area of the new capital of West Pakistan, Islamabad, which was under construction according to Constantinos Doxiadis and Robert Matthew's master plan. Fifteen hundred architecture drawings and less than two years later, the buildings were completed. At(...)
Islamabad today
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In 1962, the architecture practice Ponti Fornaroli Rosselli was commissioned to design and build part of the Ministries area of the new capital of West Pakistan, Islamabad, which was under construction according to Constantinos Doxiadis and Robert Matthew's master plan. Fifteen hundred architecture drawings and less than two years later, the buildings were completed. At some moments, five thousand workers were on site at the same time. Project manager Alberto Rosselli declared that the idea was not to transfer their Western knowledge to Pakistan, but to create a new Pakistan. Moved by this incredible project, where the personal stories of the Ponti and Rosselli families crossed paths against a backdrop of architectural and political history, Giovanna Silva traveled to Islamabad in 2020 with Paolo Rosselli, nephew of Gio Ponti and son of Alberto Rosselli. Silva's photographs show the buildings in their everyday public function, with a focus on the spaces as performed by their users. The book also features archival images of the building site and construction, and a narrative text by Paolo Rosselli tracing the story of the project and his reactions during his first visit to his father’s work in Islamabad.
Monographies photo
Correspondences
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We inhabit a world of more than humans. For life to flourish, we must listen to the calls this world makes on us, and respond with care, sensitivity and judgement. That is what it means to correspond, to join our lives with those of the beings, matters and elements with whom, and with which, we dwell upon the earth. In this book, anthropologist Tim Ingold corresponds(...)
Correspondences
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We inhabit a world of more than humans. For life to flourish, we must listen to the calls this world makes on us, and respond with care, sensitivity and judgement. That is what it means to correspond, to join our lives with those of the beings, matters and elements with whom, and with which, we dwell upon the earth. In this book, anthropologist Tim Ingold corresponds with landscapes and forests, oceans and skies, monuments and artworks. To each he brings the same spontaneity of thought and observation, the same intimacy and lightness of touch, but also the same affection, longing and care that, in the days when we used to write letters by hand, we would bring to our correspondences with one another. The result is a profound yet accessible inquiry into ways of attending to the world around us, into the relation between art and life, and into the craft of writing itself. At a time of environmental crisis, when words so often seem to fail us, Ingold points to how the practice of correspondence can help restore our kinship with a stricken earth.
Théorie du paysage
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Bastien Aubry (born 1974 in Saint-Imier, Switzerland) attended the Ecole d'Arts Visuels Berne et Bienne, Switzerland. Since 2010 he is part of the artist group Aubry Broquard (he also founded with Dimitri Broquard the FLAG design studio in 2002), which has been included in numerous exhibitions internationally, including the Swiss Institute of Contemporary Art in New York(...)
Bastien Aubry : Agglorhythmus
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Bastien Aubry (born 1974 in Saint-Imier, Switzerland) attended the Ecole d'Arts Visuels Berne et Bienne, Switzerland. Since 2010 he is part of the artist group Aubry Broquard (he also founded with Dimitri Broquard the FLAG design studio in 2002), which has been included in numerous exhibitions internationally, including the Swiss Institute of Contemporary Art in New York and MABA in Paris. Since 2017, Bastien Aubry continues his sculptural practice as a solo artist. Bastien Aubry's artistic approach consists of alienating everyday objects in a playful and ironic way. His mischievous works evoke fascinating visual effects by mixing design, art history and pop culture. His creations celebrate the poetry of failure and the beauty of the less than perfect, an accident by design. The artist stages reality in his own world, exposing everyday absurdities and toying with the boundaries set by traditional artistic practices. Three-dimensional works are constrained by the material they are made of, and for Bastien Aubry, it is most important to recognize the physical property of each material in order to experiment with visually exiting effects. To exaggerate, enlarge, stack, fill, crush… There is always an element of surprise and spontaneity present in his oeuvre.
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2x4, 3 Deep Design, A Practice for Everyday Life, Åbäke & Daniel Eatock, Adrian Shaughnessy, Alon Levin, &&&, Andrew Blauvelt, Angela Lorenz, Anna Gerber, Anne Burdick, Base, Bibliothèque, Bluesource, Brighten the Corners, Browns, Build, Cartlidge Levene, Catalogtree, Christos Lialios, COMA, Cornel Windlin, Coup, Cyan, Default, Design Machine, The Designers Republic,(...)
Idea 316 The conditions of graphic design
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2x4, 3 Deep Design, A Practice for Everyday Life, Åbäke & Daniel Eatock, Adrian Shaughnessy, Alon Levin, &&&, Andrew Blauvelt, Angela Lorenz, Anna Gerber, Anne Burdick, Base, Bibliothèque, Bluesource, Brighten the Corners, Browns, Build, Cartlidge Levene, Catalogtree, Christos Lialios, COMA, Cornel Windlin, Coup, Cyan, Default, Design Machine, The Designers Republic, Dmitri Siegel, Elektrosmog, EricandMarie, Event10, Experimental Jetset, Fabio Ongarato, Fons Hickmann, Fraser Muggeridge, Fuel, Giampietro+Smith, Goodwill, Graphic Thought Facility, Hanna Werning, Hyperkit, Ingo Offermanns, Jonathan Barnbrook, Jop van Bennekom, Julia Born, Julie Joliat, Juliette Cezzar, Kasia Korczak, Kerr|Noble, Laurent Fétis, Leonardo Sonnoli, Lust, M/M Paris, MadeThought, Manuel Raeder, Manuela Porceddu & Derk Reneman, Marc Atlan, Maureen Mooren & Daniël van der Velden, Mevis en Van Deursen, Morality of Objects, Muriel Paris et Alex Singer, Nick Bell, Non-Format, Norm, North, Onlab, O-R-G, Paul Elliman, Paul Sahre, Peter Bilak, Philippe Apeloig, Practise, Project Projects, RBG 6, Ruedi Baur, Rumbero Design, Sara de Bondt, Spin, Ständige Vertretung, Stefan Sagmeister, Stiletto, Struktur Design, Stuart Bailey, Will Stuart, Studio FM milano, Studio Thomson, Suburbia, Sulki & Min Choi, Surface, Tania Prill & Alberto Vieceli, Thomas Buxó, Toffe, Toko, Tom Hingston, Tomato, Universal Everything, Vier5, Why Not Associates, Winterhouse