Zaha Hadid : Architecture
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This illustrated volume offers a comprehensive overview of the work of Iraqi architect Hadid from her earliest works realized in 1979 to her most recent projects. "Zaha Hadid: Architecture" is published on the occasion of the exhibition of the same name at the MAK in Vienna. The book is the first to document the artist´s newest projects and presents an extensive(...)
Architecture, monographies
janvier 2003, Ostfildern-Ruit
Zaha Hadid : Architecture
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This illustrated volume offers a comprehensive overview of the work of Iraqi architect Hadid from her earliest works realized in 1979 to her most recent projects. "Zaha Hadid: Architecture" is published on the occasion of the exhibition of the same name at the MAK in Vienna. The book is the first to document the artist´s newest projects and presents an extensive overview over her oeuvre. It contains numerous color illustrations of designs, models and as yet mostly unpublished paintings by Hadid as well as photographs of buildings realised and under construction. Includes texts by Andreas Ruby and Patrik Schuhmacher. shedding profound light onto the architect´s oeuvre. Another special feature is the documentation of the installation "Ice-Storm" especially developed for the MAK exhibition, a "space experiment" with a surface area of 300 m2, a weight of eight tons and height of seven metres, providing the audience with a possibility for an active approach to Hadid´s radically new language of form and space.
Architecture, monographies
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“Some people find a certain cruelty in parts of our work,” say the rising conceptualist-collaborators Michael Elmgreen and Ingar Dragset, “but they are definitely not more vicious than any real life experiences.” Since 1995, Elmgreen and Dragset have tackled issues of privatization, gentrification, social alienation and the dismantling of social welfare. For their first(...)
Elmgren & Dragset : this is the first day of my life
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“Some people find a certain cruelty in parts of our work,” say the rising conceptualist-collaborators Michael Elmgreen and Ingar Dragset, “but they are definitely not more vicious than any real life experiences.” Since 1995, Elmgreen and Dragset have tackled issues of privatization, gentrification, social alienation and the dismantling of social welfare. For their first show at Tanya Bonakdar Gallery in 2001 they papered over the windows with the announcement “Opening Soon Prada.” Pursuing and inverting this theme, in 2005 they installed a mocked-up Prada store on a deserted road near Marfa, Texas. They have recreated hospitals and prison cells, and have reconfigured gallery spaces to spatially deter their would-be audience. “Our aim is to investigate some of the power structures that these spaces derive from, and by exchanging and replacing some of these structures, show how fragile they actually are.” This monograph is the first extensive survey of their work to date.
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The suburban Dutch neighborhood of Hoogyliet, just outside Rotterdam, was designed after World War II along Modernist lines. Over the ensuing years, the district became more and more rundown and economically depressed. Then the WiMBY! project came along--its mission to raise the standard of this increasingly blighted neighborhood by developing a range of experimental(...)
Théorie de l’urbanisme
janvier 2008, Rotterdam
Wimby! Hoogvliet: future, past and present of a new town
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The suburban Dutch neighborhood of Hoogyliet, just outside Rotterdam, was designed after World War II along Modernist lines. Over the ensuing years, the district became more and more rundown and economically depressed. Then the WiMBY! project came along--its mission to raise the standard of this increasingly blighted neighborhood by developing a range of experimental buildings for the town's regeneration, as well as smaller-scale architectural, urban-planning, visual-art and sociocultural projects. This densely adorable paperback tells the whole story, focusing on the positive achievements and lessons drawn, with copious illustrations of all the resulting buildings and designs. It's a must-have for any design professionals interested in real, working urban renewal but also an uplifting manual for a more general audience: the book reads like a fairytale, tracing the many ups and downs of the WiMBY! project in frank detail in a format that is as informative as it is lively and humorous.
Théorie de l’urbanisme
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As in other countries, not every mid-century modern building in Japan can be, or even deserves to be saved. Yet a swathe of these works—those that achieved new architectural milestones and those that became landmarks in the public eye—warrant international attention. ''Vanishing Japan'' is the first book to shine a light on these gems, becoming an important record of(...)
Vanishing Japan: Modern architecture gone but not forgotten
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As in other countries, not every mid-century modern building in Japan can be, or even deserves to be saved. Yet a swathe of these works—those that achieved new architectural milestones and those that became landmarks in the public eye—warrant international attention. ''Vanishing Japan'' is the first book to shine a light on these gems, becoming an important record of buildings that have already been lost and making their memory available to a wide, global audience. The book focuses on some ninety buildings demolished since 2000, while the introduction, afterword, and “deep dive” interludes provide additional context. The project selection features beloved theaters, shopping centers, and offices built between the 1950s and 1970s, with select examples from the ’80s and ’90s as well. While many of these buildings were in Tokyo and Osaka, the book draws on examples from all over the country, charting the once recognizable local landmarks that continue to inspire as examples of architectural innovation.
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Kazuo Shinohara’s (1925–2006) book Residential Architecture is considered one of the most significant pieces of writing on Japanese architecture of the late twentieth century. First published in Japan in 1964 as Jutaku kenchiku, the book was mandatory reading for generations of students of architecture in Japan and has deeply influenced many of the best-known Japanese(...)
Théorie de l’architecture
mai 2026
Residential architecture: Kazuo Shinohara
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Kazuo Shinohara’s (1925–2006) book Residential Architecture is considered one of the most significant pieces of writing on Japanese architecture of the late twentieth century. First published in Japan in 1964 as Jutaku kenchiku, the book was mandatory reading for generations of students of architecture in Japan and has deeply influenced many of the best-known Japanese designers, such as Toyo Ito, Kazuyo Sejima, Ryue Nishizawa, and others. Translated by architectural historian David B. Stewart (1942–2025) and architects Shin-ichi Okuyama (born 1961) and Kenichi Nakamura (born 1958), Shinohara’s reflections on housing are available in English for the first time, making multifaceted insights into the fundamentals of his outstanding work accessible to a global audience. In the first of three chapters, Shinohara writes about traditional Japanese architecture, thus explaining the foundation of his theory and practice, followed by a description of his design method, which he further illustrates through the examples of his first seven designs for homes.
Théorie de l’architecture
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Minor White, Aaron Siskind, and Harry Callahan carved out a new role for photographers and their art in the decades after World War Two. "Photography as a way of life" traces how these influential teachers and theorists reimagined the medium as a livelihood and a life’s work. Together with growing markets for snapshots and photojournalism, the postwar years saw the(...)
Photography as a way of life: Minor White, Aaron Siskind, and Harry Callahan
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Minor White, Aaron Siskind, and Harry Callahan carved out a new role for photographers and their art in the decades after World War Two. "Photography as a way of life" traces how these influential teachers and theorists reimagined the medium as a livelihood and a life’s work. Together with growing markets for snapshots and photojournalism, the postwar years saw the emergence of photography as an established field of study in higher education. In this beautifully produced book, Brendan Fay takes readers from the late 1940s through the 1970s to explore how White, Siskind, and Callahan transformed the ways photography was taught, shown, and understood. Inclined toward abstraction and personally expressive images, they modeled a commitment to art in the face of commercial and professional pressures. In classrooms and private workshops and through exhibitions, photobooks, and magazines—including Aperture, with White as its founding editor—they offered training and inspiration while building a devoted audience for their pictures.
Théorie de la photographie
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The third annual Alchemy Lecture took place in October 2024 at York University to a sold-out in-person audience and online viewers from multiple continents. Four Alchemists—thinkers and practitioners working across disciplines and geographies—shared their ideas of cities and how to shape them according to community needs. Their urgent, poignant and inventive lectures have(...)
Théorie de l’urbanisme
octobre 2025
The city of our dreaming: The Alchemy Lecture 3
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The third annual Alchemy Lecture took place in October 2024 at York University to a sold-out in-person audience and online viewers from multiple continents. Four Alchemists—thinkers and practitioners working across disciplines and geographies—shared their ideas of cities and how to shape them according to community needs. Their urgent, poignant and inventive lectures have been captured and expanded in these pages. Princeton professor of architecture V. Mitch McEwen borrows the language of the swamp to suggest a city modeled on buoyancy, inviting us to consider floating "as something other than displacement." Iranian-American writer Laleh Khalili dreams of radical kinship, where even strangers have the means and desire to share a table, "creating [bonds] through the rituals of reciprocal giving." In the Bantu/Kongo tradition, Brazilian architect Gabriela Leandro Pereira points to dreams as the site from which all Black emancipation begins, leading to "projects paved by the audacity to inhabit."
Théorie de l’urbanisme
livres
Thinking photography
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"Thinking photography" brings debates within the theory and practice of communications and culture, in this case in photography and photography criticism, to a wider audience. Victor Burgin's book is concerned with the production of meaning in photographs ( and so it is fully illustrated). A photograph has traditionally been understood as an expression of the(...)
Thinking photography
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"Thinking photography" brings debates within the theory and practice of communications and culture, in this case in photography and photography criticism, to a wider audience. Victor Burgin's book is concerned with the production of meaning in photographs ( and so it is fully illustrated). A photograph has traditionally been understood as an expression of the photographer's personality, a transparent presentation of a real scene, or more recently in 'modernist' criticism as a purely formal object. Victor Burgin and his collaborators - Umberto Eco, Allan Sekula, John Tagg and Simon Watney - taking their cue from Walter Benjamin's "The author as producer" (also reprinted here), and working from a wide range of photographs, challenge the concept of the autonomous, spontaneously creative artist, the idea of documentary truth in photography and the notion of purely visual languages. They develop an account of the production of the meaning as a photograph within social institutions - advertising, journalism, art - within a society with a history and within the unconscious.
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avril 2003, New York
Théorie de la photographie
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Denmark’s best-known photographer Keld Helmer-Petersen published his first photobook, 122 Colour Photographs, in 1948. His work was immediately notable for its inventive composition, which turned landscapes and buildings into abstract patterns, and for the photographer’s embrace of color at a time when only black-and-white photography was considered serious. When Life(...)
Keld Helmer-Petersen: photographs 1941-2013
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Denmark’s best-known photographer Keld Helmer-Petersen published his first photobook, 122 Colour Photographs, in 1948. His work was immediately notable for its inventive composition, which turned landscapes and buildings into abstract patterns, and for the photographer’s embrace of color at a time when only black-and-white photography was considered serious. When Life magazine reproduced several pages from the book in 1949, Helmer-Petersen’s vision found a wide, international audience for the first time. Helmer-Petersen’s style was experimental modernism tempered by a lyrical simplicity and a sense of keen, quiet observation. By isolating details and compressing visual space, the photographer turned the real world into vibrant, graphic pattern. “The pictures aim at illustrating nothing whatever beyond the fact that we are surrounded by many beautiful and exciting things,” Helmer-Petersen said. “And that there can be a great deal of pleasure in spotting them and capturing their beauty by means of color photography.”
Monographies photo
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This publication documents the life, oeuvre, and achievement of Charles Smeaton and his younger brother, John. Launched by the opening of their "photographic gallery" in 1861, they developed a reputation in Quebec for images of contemporaneous people, places, and events taken in challenging outdoor settings. Smeaton pictures of the aftermath of the Great Fire of Quebec in(...)
Out of the studio: the photographic innovations of Charles and John Smeaton
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This publication documents the life, oeuvre, and achievement of Charles Smeaton and his younger brother, John. Launched by the opening of their "photographic gallery" in 1861, they developed a reputation in Quebec for images of contemporaneous people, places, and events taken in challenging outdoor settings. Smeaton pictures of the aftermath of the Great Fire of Quebec in 1866 helped bring an understanding of the disaster to an international audience; images featuring the gold mining industry were displayed at the Exposition universelle in Paris the following year. When Charles travelled to Europe in 1866, he accomplished a feat previously thought impossible, taking the first successful photographs in the Roman catacombs. John moved to Montreal in 1869, where he worked for newspapers and developed techniques for the direct transfer of photographs into print without the necessity of intermediary engravings. This volume is the first comprehensive biographical study detailing the innovation and imagination of the Smeaton brothers and their legacy of images across two continents.
Monographies photo