13787 Résultats
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144, [36] pages : photographs (some color) ; 33 cm
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144, [36] pages : photographs (some color) ; 33 cm
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New York : Viking Press ; Washington, D.C. : National Park Foundation, [1981], ©1981
New York : Viking Press ; Washington, D.C. : National Park Foundation, [1981], ©1981
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American photographers and the national parks / Robert Cahn, Robert Glenn Ketchum.
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144, [36] pages : photographs (some color) ; 33 cm
American photographers and the national parks / Robert Cahn, Robert Glenn Ketchum.
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144, [36] pages : photographs (some color) ; 33 cm
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New York : Viking Press ; Washington, D.C. : National Park Foundation, [1981], ©1981
New York : Viking Press ; Washington, D.C. : National Park Foundation, [1981], ©1981
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xix, 241 pages : illustrations (some color), maps ; 25 cm
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xix, 241 pages : illustrations (some color), maps ; 25 cm
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Farnham, Surrey ; Burlington, VT : Ashgate, [2015]
Farnham, Surrey ; Burlington, VT : Ashgate, [2015]
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What is cosmopolitical design? : design, nature and the built environment / edited by Albena Yaneva and Alejandro Zaera-Polo.
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xix, 241 pages : illustrations (some color), maps ; 25 cm
What is cosmopolitical design? : design, nature and the built environment / edited by Albena Yaneva and Alejandro Zaera-Polo.
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xix, 241 pages : illustrations (some color), maps ; 25 cm
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Farnham, Surrey ; Burlington, VT : Ashgate, [2015]
Farnham, Surrey ; Burlington, VT : Ashgate, [2015]
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237 pages : illustrations (some color), charts, plans, portraits ; 26 cm
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237 pages : illustrations (some color), charts, plans, portraits ; 26 cm
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Berlin : Hatje Cantz, [2020], ©2020
Berlin : Hatje Cantz, [2020], ©2020
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Age-inclusive public space / Dominique Hauderowicz + Kristian Ly Serena (eds.).
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237 pages : illustrations (some color), charts, plans, portraits ; 26 cm
Age-inclusive public space / Dominique Hauderowicz + Kristian Ly Serena (eds.).
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237 pages : illustrations (some color), charts, plans, portraits ; 26 cm
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Berlin : Hatje Cantz, [2020], ©2020
Berlin : Hatje Cantz, [2020], ©2020
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Photography and landscape
Photography and landscape
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$49.95
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Photography and Landscape is a collaboration between a writer about photography and a landscape photographer that provides a new critical account of landscape photography which focuses on the settler societies of the United States and Australia. Beginning with the frontier days of the American West, the subsequent century-long popularity of landscape photography is(...)
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Photography and Landscape is a collaboration between a writer about photography and a landscape photographer that provides a new critical account of landscape photography which focuses on the settler societies of the United States and Australia. Beginning with the frontier days of the American West, the subsequent century-long popularity of landscape photography is(...)
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Photography and landscape
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Photography and Landscape is a collaboration between a writer about photography and a landscape photographer that provides a new critical account of landscape photography which focuses on the settler societies of the United States and Australia. Beginning with the frontier days of the American West, the subsequent century-long popularity of landscape photography is exemplified by images from Carleton Watkins to Ansel Adams, the New Topographics to Richard Misrach, all of whose works are considered here. Along with discussions of other contemporary photographers, this illustrated volume demonstrates the influence of settler societies on landscape photography, in which photographers captured the fascination with and the appeal of the land and its expense.
Photography and landscape
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$49.95
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Photography and Landscape is a collaboration between a writer about photography and a landscape photographer that provides a new critical account of landscape photography which focuses on the settler societies of the United States and Australia. Beginning with the frontier days of the American West, the subsequent century-long popularity of landscape photography is exemplified by images from Carleton Watkins to Ansel Adams, the New Topographics to Richard Misrach, all of whose works are considered here. Along with discussions of other contemporary photographers, this illustrated volume demonstrates the influence of settler societies on landscape photography, in which photographers captured the fascination with and the appeal of the land and its expense.
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livres
livres
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mars 2012
mars 2012
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Théorie de la photographie
Théorie de la photographie
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53 pages : illustrations (some color), maps, plans ; 22 cm
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53 pages : illustrations (some color), maps, plans ; 22 cm
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Victoria, BC : University of Victoria Art Collections, ©2011.
Victoria, BC : University of Victoria Art Collections, ©2011.
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The emergence of architectural modernism II : UVic and the Victoria regional aesthetic in the late 1950s and 60s / Martin Segger.
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53 pages : illustrations (some color), maps, plans ; 22 cm
The emergence of architectural modernism II : UVic and the Victoria regional aesthetic in the late 1950s and 60s / Martin Segger.
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53 pages : illustrations (some color), maps, plans ; 22 cm
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Victoria, BC : University of Victoria Art Collections, ©2011.
Victoria, BC : University of Victoria Art Collections, ©2011.
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245 pages : illustrations ; 30 cm
Description:
245 pages : illustrations ; 30 cm
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[Praha] : Kant, ©2009.
[Praha] : Kant, ©2009.
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Prales Mionší = Virgin Forest Mionší / Josef Sudek [and others].
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245 pages : illustrations ; 30 cm
Prales Mionší = Virgin Forest Mionší / Josef Sudek [and others].
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245 pages : illustrations ; 30 cm
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[Praha] : Kant, ©2009.
[Praha] : Kant, ©2009.
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$30.00
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The Japanese dry landscape garden has long attracted--and long baffled--viewers from the West. While museums across the United States are replicating these "Zen rock gardens" in their courtyards and miniature versions of the gardens are now office decorations, they remain enigmatic, their(...)
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The Japanese dry landscape garden has long attracted--and long baffled--viewers from the West. While museums across the United States are replicating these "Zen rock gardens" in their courtyards and miniature versions of the gardens are now office decorations, they remain enigmatic, their(...)
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Reading zen in the rocks : the Japanese dry landscape garden
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The Japanese dry landscape garden has long attracted--and long baffled--viewers from the West. While museums across the United States are replicating these "Zen rock gardens" in their courtyards and miniature versions of the gardens are now office decorations, they remain enigmatic, their philosophical and aesthetic significance obscured. Reading Zen in the Rocks, the classic essay on the karesansui garden by French art historian François Berthier, has now been translated by Graham Parkes, giving English-speaking readers a concise, thorough, and beautifully illustrated history of these gardens. Berthier's guided tour of the famous garden of Ryoanji (Temple) in Kyoto leads him into an exposition of the genre, focusing on its Chinese antecedents and affiliations with Taoist ideas and Chinese landscape painting. He traces the roles of Shinto and Zen Buddhism in the evolution of the garden and also considers how manual laborers from the lowest classes in Japan had a hand in creating some of its highest examples. Parkes contributes an equally original and substantive essay which delves into the philosophical importance of rocks and their "language of stone," delineating the difference between Chinese and Japanese rock gardens and their relationship to Buddhism. Together, the two essays compose one of the most comprehensive and elegantly written studies of this haunting garden form.
Reading zen in the rocks : the Japanese dry landscape garden
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The Japanese dry landscape garden has long attracted--and long baffled--viewers from the West. While museums across the United States are replicating these "Zen rock gardens" in their courtyards and miniature versions of the gardens are now office decorations, they remain enigmatic, their philosophical and aesthetic significance obscured. Reading Zen in the Rocks, the classic essay on the karesansui garden by French art historian François Berthier, has now been translated by Graham Parkes, giving English-speaking readers a concise, thorough, and beautifully illustrated history of these gardens. Berthier's guided tour of the famous garden of Ryoanji (Temple) in Kyoto leads him into an exposition of the genre, focusing on its Chinese antecedents and affiliations with Taoist ideas and Chinese landscape painting. He traces the roles of Shinto and Zen Buddhism in the evolution of the garden and also considers how manual laborers from the lowest classes in Japan had a hand in creating some of its highest examples. Parkes contributes an equally original and substantive essay which delves into the philosophical importance of rocks and their "language of stone," delineating the difference between Chinese and Japanese rock gardens and their relationship to Buddhism. Together, the two essays compose one of the most comprehensive and elegantly written studies of this haunting garden form.
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mai 2000, Chicago
mai 2000, Chicago
Sujet:
Théorie du paysage
Théorie du paysage
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282 pages : illustrations ; 24 cm.
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282 pages : illustrations ; 24 cm.
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Besançon : Editions de l'imprimeur : Arts decoratifs, ©2005.
Besançon : Editions de l'imprimeur : Arts decoratifs, ©2005.
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Entre bibliothèque et jardin / Ernest de Ganay ; textes réunis et présentés par Monique Mosser, Josiane Sartre ; inventaire du fonds d'archives par Richard Cemé.
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282 pages : illustrations ; 24 cm.
Entre bibliothèque et jardin / Ernest de Ganay ; textes réunis et présentés par Monique Mosser, Josiane Sartre ; inventaire du fonds d'archives par Richard Cemé.
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282 pages : illustrations ; 24 cm.
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Besançon : Editions de l'imprimeur : Arts decoratifs, ©2005.
Besançon : Editions de l'imprimeur : Arts decoratifs, ©2005.
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$19.95
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Résumé:
The time of the landscape is not the time when people started describing gardens, mountains and lakes in poems or representing them in works of art: it is the time when the landscape imposed itself as a specific object of thought. It is the time when both the harmony of arranged gardens and the disharmony of wild nature led to a revolution in the criteria of the beautiful(...)
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The time of the landscape is not the time when people started describing gardens, mountains and lakes in poems or representing them in works of art: it is the time when the landscape imposed itself as a specific object of thought. It is the time when both the harmony of arranged gardens and the disharmony of wild nature led to a revolution in the criteria of the beautiful(...)
Titre:
The time of the landscape: On the origins of the aesthetic revolution
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The time of the landscape is not the time when people started describing gardens, mountains and lakes in poems or representing them in works of art: it is the time when the landscape imposed itself as a specific object of thought. It is the time when both the harmony of arranged gardens and the disharmony of wild nature led to a revolution in the criteria of the beautiful and in the meaning of the word “art.” It coincided with the birth of aesthetics, understood as a regime for shaping how art is seen and thought, and also with the French Revolution, understood as a revolution in the very idea of what binds together a human community.
The time of the landscape: On the origins of the aesthetic revolution
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The time of the landscape is not the time when people started describing gardens, mountains and lakes in poems or representing them in works of art: it is the time when the landscape imposed itself as a specific object of thought. It is the time when both the harmony of arranged gardens and the disharmony of wild nature led to a revolution in the criteria of the beautiful and in the meaning of the word “art.” It coincided with the birth of aesthetics, understood as a regime for shaping how art is seen and thought, and also with the French Revolution, understood as a revolution in the very idea of what binds together a human community.
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janvier 2023
janvier 2023
Sujet:
Théorie du paysage
Théorie du paysage
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[2], xi, [1], [13]-163, [1] pages, [2] leaves of plates : illustrations ; 32 cm
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[2], xi, [1], [13]-163, [1] pages, [2] leaves of plates : illustrations ; 32 cm
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London : printed by W. Griffin, printer to the Royal Academy, 1773., London : sold by him in Catharine-street : and by T. Davies, bookseller to the Royal Academy, in Russel-street, Covent-Garden : also by J. Dodsley, Pall-Mall : Wilson and Nicoll, Strand : J. Walter, Charing-Cross : and P. Elmsley, Strand, 1773.
London : printed by W. Griffin, printer to the Royal Academy, 1773., London : sold by him in Catharine-street : and by T. Davies, bookseller to the Royal Academy, in Russel-street, Covent-Garden : also by J. Dodsley, Pall-Mall : Wilson and Nicoll, Strand : J. Walter, Charing-Cross : and P. Elmsley, Strand, 1773.
Titre:
A dissertation on oriental gardening / by Sir William Chambers, (Comptroller-General of His Majesty's works &c).
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[2], xi, [1], [13]-163, [1] pages, [2] leaves of plates : illustrations ; 32 cm
A dissertation on oriental gardening / by Sir William Chambers, (Comptroller-General of His Majesty's works &c).
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[2], xi, [1], [13]-163, [1] pages, [2] leaves of plates : illustrations ; 32 cm
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London : printed by W. Griffin, printer to the Royal Academy, 1773., London : sold by him in Catharine-street : and by T. Davies, bookseller to the Royal Academy, in Russel-street, Covent-Garden : also by J. Dodsley, Pall-Mall : Wilson and Nicoll, Strand : J. Walter, Charing-Cross : and P. Elmsley, Strand, 1773.
London : printed by W. Griffin, printer to the Royal Academy, 1773., London : sold by him in Catharine-street : and by T. Davies, bookseller to the Royal Academy, in Russel-street, Covent-Garden : also by J. Dodsley, Pall-Mall : Wilson and Nicoll, Strand : J. Walter, Charing-Cross : and P. Elmsley, Strand, 1773.
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