9271 Résultats
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The planners of today’s global cities encounter many of the same personalities — architects, builders and developers — but they rarely have the opportunity to meet each other. In May 2007, the Cities Conference on Urban Design gathered for the first time the chief city planners of Boston, London, New York, Singapore, Toronto and Vancouver. Over the course of two days, at(...)
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The planners of today’s global cities encounter many of the same personalities — architects, builders and developers — but they rarely have the opportunity to meet each other. In May 2007, the Cities Conference on Urban Design gathered for the first time the chief city planners of Boston, London, New York, Singapore, Toronto and Vancouver. Over the course of two days, at(...)
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The 2007 Cities Conference on Urban Design
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The planners of today’s global cities encounter many of the same personalities — architects, builders and developers — but they rarely have the opportunity to meet each other. In May 2007, the Cities Conference on Urban Design gathered for the first time the chief city planners of Boston, London, New York, Singapore, Toronto and Vancouver. Over the course of two days, at a variety of venues in Manhattan, they examined common challenges, shared urban design strategies and argued over what defines a successful city.
The 2007 Cities Conference on Urban Design
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The planners of today’s global cities encounter many of the same personalities — architects, builders and developers — but they rarely have the opportunity to meet each other. In May 2007, the Cities Conference on Urban Design gathered for the first time the chief city planners of Boston, London, New York, Singapore, Toronto and Vancouver. Over the course of two days, at a variety of venues in Manhattan, they examined common challenges, shared urban design strategies and argued over what defines a successful city.
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livres
livres
Publication:
mai 2007, New York
mai 2007, New York
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
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$46.00
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It is highly unlikely that the big challenges posed by the current enviromental crisis may be overcome without reconciling increasingly effective technologies with the development of new ways of social life. In the face of this challenge, architecture can contribute the many valuable experiences built throughout the twentieth century. Based on this hypothesis, the(...)
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It is highly unlikely that the big challenges posed by the current enviromental crisis may be overcome without reconciling increasingly effective technologies with the development of new ways of social life. In the face of this challenge, architecture can contribute the many valuable experiences built throughout the twentieth century. Based on this hypothesis, the(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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novembre 2015
novembre 2015
Titre:
The construction of climate in modern architectural culture, 1920-1980
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It is highly unlikely that the big challenges posed by the current enviromental crisis may be overcome without reconciling increasingly effective technologies with the development of new ways of social life. In the face of this challenge, architecture can contribute the many valuable experiences built throughout the twentieth century. Based on this hypothesis, the articles included in this book set out to go through some of the cultural constructions regarding the relationship between architecture and climate in the context of modernity.
The construction of climate in modern architectural culture, 1920-1980
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It is highly unlikely that the big challenges posed by the current enviromental crisis may be overcome without reconciling increasingly effective technologies with the development of new ways of social life. In the face of this challenge, architecture can contribute the many valuable experiences built throughout the twentieth century. Based on this hypothesis, the articles included in this book set out to go through some of the cultural constructions regarding the relationship between architecture and climate in the context of modernity.
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livres
livres
Publication:
novembre 2015
novembre 2015
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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Brutal London
Brutal London
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$32.95
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This collection of photographs of Brutalist architecture by Simon Phipps casts the city in a new light. Arranged by inner London Borough, ''Brutal London'' takes in famous examples such as the Trellick Tower, the Brunswick Centre and the Alexandra Road Estate, as well as lesser known housing and municipal spaces. It serves as an introduction to buildings the reader may(...)
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This collection of photographs of Brutalist architecture by Simon Phipps casts the city in a new light. Arranged by inner London Borough, ''Brutal London'' takes in famous examples such as the Trellick Tower, the Brunswick Centre and the Alexandra Road Estate, as well as lesser known housing and municipal spaces. It serves as an introduction to buildings the reader may(...)
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Brutal London
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$32.95
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This collection of photographs of Brutalist architecture by Simon Phipps casts the city in a new light. Arranged by inner London Borough, ''Brutal London'' takes in famous examples such as the Trellick Tower, the Brunswick Centre and the Alexandra Road Estate, as well as lesser known housing and municipal spaces. It serves as an introduction to buildings the reader may see every day, an invitation to look differently, a challenge to look up afresh, or to seek out celebrated Brutalism across the capital.
Brutal London
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This collection of photographs of Brutalist architecture by Simon Phipps casts the city in a new light. Arranged by inner London Borough, ''Brutal London'' takes in famous examples such as the Trellick Tower, the Brunswick Centre and the Alexandra Road Estate, as well as lesser known housing and municipal spaces. It serves as an introduction to buildings the reader may see every day, an invitation to look differently, a challenge to look up afresh, or to seek out celebrated Brutalism across the capital.
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livres
livres
Publication:
avril 2018
avril 2018
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livres
livres
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$56.50
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The computer game SimCity may have had its best time, but professional urban simulation and gaming programmes that model the development and growth of a city are increasingly complex. Presented here in this illustrated publication are the results of research by the International New Town Institute that examines these developments in connection with urban strategic(...)
$56.50
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The computer game SimCity may have had its best time, but professional urban simulation and gaming programmes that model the development and growth of a city are increasingly complex. Presented here in this illustrated publication are the results of research by the International New Town Institute that examines these developments in connection with urban strategic(...)
Titre:
Model Town : using urban simulation in New Town Planning
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$56.50
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The computer game SimCity may have had its best time, but professional urban simulation and gaming programmes that model the development and growth of a city are increasingly complex. Presented here in this illustrated publication are the results of research by the International New Town Institute that examines these developments in connection with urban strategic planning and the creation of new towns. Some ten chapters present a variety of essays and research, accompanied by a substantial body of plans and models.
Model Town : using urban simulation in New Town Planning
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$56.50
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The computer game SimCity may have had its best time, but professional urban simulation and gaming programmes that model the development and growth of a city are increasingly complex. Presented here in this illustrated publication are the results of research by the International New Town Institute that examines these developments in connection with urban strategic planning and the creation of new towns. Some ten chapters present a variety of essays and research, accompanied by a substantial body of plans and models.
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livres
livres
Publication:
novembre 2009
novembre 2009
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
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$72.50
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Initially known as a theorist exploring the spatial-political implications of the May 1968 uprisings, Bernard Tschumi emerged as an architect of international repute in the 1980s with his Parc de la Villette, a 125-acre cultural park located in northeastern Paris. His buildings and design theory famously draw on an array of disciplines, such as literature, cinema and(...)
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Initially known as a theorist exploring the spatial-political implications of the May 1968 uprisings, Bernard Tschumi emerged as an architect of international repute in the 1980s with his Parc de la Villette, a 125-acre cultural park located in northeastern Paris. His buildings and design theory famously draw on an array of disciplines, such as literature, cinema and(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
août 2014
août 2014
Titre:
Bernard Tschumi - Architecture: concept & notation
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$72.50
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Initially known as a theorist exploring the spatial-political implications of the May 1968 uprisings, Bernard Tschumi emerged as an architect of international repute in the 1980s with his Parc de la Villette, a 125-acre cultural park located in northeastern Paris. His buildings and design theory famously draw on an array of disciplines, such as literature, cinema and philosophy. All aspects of the man and his work are examined in Bernard Tschumi, published to accompany a landmark retrospective at the Centre Pompidou.
Bernard Tschumi - Architecture: concept & notation
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Initially known as a theorist exploring the spatial-political implications of the May 1968 uprisings, Bernard Tschumi emerged as an architect of international repute in the 1980s with his Parc de la Villette, a 125-acre cultural park located in northeastern Paris. His buildings and design theory famously draw on an array of disciplines, such as literature, cinema and philosophy. All aspects of the man and his work are examined in Bernard Tschumi, published to accompany a landmark retrospective at the Centre Pompidou.
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livres
livres
Publication:
août 2014
août 2014
Sujet:
Architecture, monographies
Architecture, monographies
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périodiques
périodiques
Titre:
Canadian engineer.
Canadian engineer.
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Description:
v. ill. 29-34 cm.
Description:
v. ill. 29-34 cm.
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Toronto, Monetary Times Print. Co. [etc.]
Toronto, Monetary Times Print. Co. [etc.]
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périodiques
périodiques
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Toronto, Monetary Times Print. Co. [etc.]
Toronto, Monetary Times Print. Co. [etc.]
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Description:
192 pages : chiefly illustrations, portraits ; 28 cm
Description:
192 pages : chiefly illustrations, portraits ; 28 cm
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New York : The Museum of Modern Art, [1996], New York : Distributed by Harry N. Abrams, Inc., ©1996
New York : The Museum of Modern Art, [1996], New York : Distributed by Harry N. Abrams, Inc., ©1996
Titre:
Pictures of the Times : a century of photography from the New York times / edited by Peter Galassi and Susan Kismaric ; essays by William Safire and Peter Galassi.
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192 pages : chiefly illustrations, portraits ; 28 cm
Pictures of the Times : a century of photography from the New York times / edited by Peter Galassi and Susan Kismaric ; essays by William Safire and Peter Galassi.
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Description:
192 pages : chiefly illustrations, portraits ; 28 cm
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livres
livres
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New York : The Museum of Modern Art, [1996], New York : Distributed by Harry N. Abrams, Inc., ©1996
New York : The Museum of Modern Art, [1996], New York : Distributed by Harry N. Abrams, Inc., ©1996
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volumes : illustrations, plates, portraits, maps ; 31 cm
Description:
volumes : illustrations, plates, portraits, maps ; 31 cm
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St. John's : Newfoundland Book Publishers, [©1937]-
St. John's : Newfoundland Book Publishers, [©1937]-
Titre:
The book of Newfoundland / editor, Joseph R. Smallwood ; associate editor, James R. Thomas.
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Description:
volumes : illustrations, plates, portraits, maps ; 31 cm
The book of Newfoundland / editor, Joseph R. Smallwood ; associate editor, James R. Thomas.
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Description:
volumes : illustrations, plates, portraits, maps ; 31 cm
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livres
livres
Publication:
St. John's : Newfoundland Book Publishers, [©1937]-
St. John's : Newfoundland Book Publishers, [©1937]-
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livres
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$39.95
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Résumé:
In postwar France, the aesthetics of appropriation and collage gave cultural form to a struggle over meaning. A new wave of avant-garde experimentation used - or stole, plagiarized, and expropriated - elements from advertising, journalism, literature, art, and other sources of common discourse (the ironically named "beautiful language" of this book's title, itself an(...)
$39.95
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In postwar France, the aesthetics of appropriation and collage gave cultural form to a struggle over meaning. A new wave of avant-garde experimentation used - or stole, plagiarized, and expropriated - elements from advertising, journalism, literature, art, and other sources of common discourse (the ironically named "beautiful language" of this book's title, itself an(...)
Publication:
février 2007, Cambridge (MA)
février 2007, Cambridge (MA)
Titre:
The beautiful language of my century : reinventing the language of contestation in postwar France, 1945-1968
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In postwar France, the aesthetics of appropriation and collage gave cultural form to a struggle over meaning. A new wave of avant-garde experimentation used - or stole, plagiarized, and expropriated - elements from advertising, journalism, literature, art, and other sources of common discourse (the ironically named "beautiful language" of this book's title, itself an appropriation from Guy Debord's collaged Mémoires). Redeployed, often in startling or pointed juxtapositions, these elements took on newly oppositional meanings. A famous photograph taken inside the occupied Sorbonne in May 1968, for example, shows a massive academic painting altered by a clever cartoonish speech bubble that transforms the painting into a parody of itself and memorializes an event very different from the one captured by the original artist."The beautiful language of my century" describes the various forms of critical culture that culminated in the events of May 1968, and investigates the ways those forms have come down to us today. McDonough explores the montage practice developed by Guy Debord and his situationist colleagues under the name of détournement and its expression in the later fifties as a form of cultural theft. He addresses the influence of colonialism on these practices, examining a 1961 exhibit of torn posters of the Algerian War ("La France déchirée"), Godard's early film Le Petit Soldat, and Christo's Project for a Temporary Wall of Steel Drums. He discusses the French left's adoption in the mid-sixties of the "end of art" as a theoretical position and describes the leftist idea of the fête as a Rabelaisian and revolutionary upwelling of everything that is low. This influential conception, inspired equally by the American urban revolts of the sixties and the writings of theorists Marcel Mauss and Georges Bataille, coalesced into a new image of revolution, a new model of contestation, in the events of May 1968 - when the struggle over language and culture merged with a broader resistance to capitalist modernization.
The beautiful language of my century : reinventing the language of contestation in postwar France, 1945-1968
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$39.95
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Résumé:
In postwar France, the aesthetics of appropriation and collage gave cultural form to a struggle over meaning. A new wave of avant-garde experimentation used - or stole, plagiarized, and expropriated - elements from advertising, journalism, literature, art, and other sources of common discourse (the ironically named "beautiful language" of this book's title, itself an appropriation from Guy Debord's collaged Mémoires). Redeployed, often in startling or pointed juxtapositions, these elements took on newly oppositional meanings. A famous photograph taken inside the occupied Sorbonne in May 1968, for example, shows a massive academic painting altered by a clever cartoonish speech bubble that transforms the painting into a parody of itself and memorializes an event very different from the one captured by the original artist."The beautiful language of my century" describes the various forms of critical culture that culminated in the events of May 1968, and investigates the ways those forms have come down to us today. McDonough explores the montage practice developed by Guy Debord and his situationist colleagues under the name of détournement and its expression in the later fifties as a form of cultural theft. He addresses the influence of colonialism on these practices, examining a 1961 exhibit of torn posters of the Algerian War ("La France déchirée"), Godard's early film Le Petit Soldat, and Christo's Project for a Temporary Wall of Steel Drums. He discusses the French left's adoption in the mid-sixties of the "end of art" as a theoretical position and describes the leftist idea of the fête as a Rabelaisian and revolutionary upwelling of everything that is low. This influential conception, inspired equally by the American urban revolts of the sixties and the writings of theorists Marcel Mauss and Georges Bataille, coalesced into a new image of revolution, a new model of contestation, in the events of May 1968 - when the struggle over language and culture merged with a broader resistance to capitalist modernization.
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livres
livres
Publication:
février 2007, Cambridge (MA)
février 2007, Cambridge (MA)
Classification:
périodiques
périodiques
Titre:
Museum international.
Museum international.
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Description:
volumes : illustrations ; 30 cm
Description:
volumes : illustrations ; 30 cm
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Oxford : Published for Unesco by Blackwell, ©1993-, London : Informa UK Limited, Oxford : Published for ICOM by Blackwell
Oxford : Published for Unesco by Blackwell, ©1993-, London : Informa UK Limited, Oxford : Published for ICOM by Blackwell
Classification:
périodiques
périodiques
Publication:
Oxford : Published for Unesco by Blackwell, ©1993-, London : Informa UK Limited, Oxford : Published for ICOM by Blackwell
Oxford : Published for Unesco by Blackwell, ©1993-, London : Informa UK Limited, Oxford : Published for ICOM by Blackwell
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