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livres
livres
Titre:
Machine art, 1934
Machine art, 1934
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In 1934, New York’s Museum of Modern Art staged a major exhibition of ball bearings, airplane propellers, pots and pans, cocktail tumblers, petri dishes, protractors, and other machine parts and products. The exhibition, titled Machine Art, explored these ordinary objects as works of modern art, teaching museumgoers about the nature of beauty and value in the era of mass(...)
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In 1934, New York’s Museum of Modern Art staged a major exhibition of ball bearings, airplane propellers, pots and pans, cocktail tumblers, petri dishes, protractors, and other machine parts and products. The exhibition, titled Machine Art, explored these ordinary objects as works of modern art, teaching museumgoers about the nature of beauty and value in the era of mass(...)
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Machine art, 1934
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In 1934, New York’s Museum of Modern Art staged a major exhibition of ball bearings, airplane propellers, pots and pans, cocktail tumblers, petri dishes, protractors, and other machine parts and products. The exhibition, titled Machine Art, explored these ordinary objects as works of modern art, teaching museumgoers about the nature of beauty and value in the era of mass production. Telling the story of this popular but controversial show, Jennifer Jane Marshall examines its history and the relationship between the museum’s director, Alfred H. Barr Jr., and its curator, Philip Johnson, who oversaw it. She situates the show within the tumultuous climate of the interwar period and the Great Depression, considering how these unadorned objects served as a response to timely debates over photography, abstract art, the end of the American gold standard, and John Dewey’s insight that how a person experiences things depends on the context in which they are encountered. An engaging investigation of interwar American modernism, Machine Art, 1934 reveals how even simple things can serve as a defense against uncertainty.
Machine art, 1934
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In 1934, New York’s Museum of Modern Art staged a major exhibition of ball bearings, airplane propellers, pots and pans, cocktail tumblers, petri dishes, protractors, and other machine parts and products. The exhibition, titled Machine Art, explored these ordinary objects as works of modern art, teaching museumgoers about the nature of beauty and value in the era of mass production. Telling the story of this popular but controversial show, Jennifer Jane Marshall examines its history and the relationship between the museum’s director, Alfred H. Barr Jr., and its curator, Philip Johnson, who oversaw it. She situates the show within the tumultuous climate of the interwar period and the Great Depression, considering how these unadorned objects served as a response to timely debates over photography, abstract art, the end of the American gold standard, and John Dewey’s insight that how a person experiences things depends on the context in which they are encountered. An engaging investigation of interwar American modernism, Machine Art, 1934 reveals how even simple things can serve as a defense against uncertainty.
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livres
livres
Publication:
avril 2012
avril 2012
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livres
livres
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$39.95
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Narrative Spaces is about exhibition design. It places the profession in a broad theoretical and cultural-historical context and defines a conceptual framework that brings out the dynamics of the field. Exhibitions are narrative environments in which the designer has to translate often complex and scientific objectives into an engaging spatial narrative that can comprise(...)
$39.95
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Narrative Spaces is about exhibition design. It places the profession in a broad theoretical and cultural-historical context and defines a conceptual framework that brings out the dynamics of the field. Exhibitions are narrative environments in which the designer has to translate often complex and scientific objectives into an engaging spatial narrative that can comprise(...)
Titre:
Narrative spaces: on the art of exhibiton
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Narrative Spaces is about exhibition design. It places the profession in a broad theoretical and cultural-historical context and defines a conceptual framework that brings out the dynamics of the field. Exhibitions are narrative environments in which the designer has to translate often complex and scientific objectives into an engaging spatial narrative that can comprise a mix of wide-ranging media and communicational strategies. This publication defines the theatrical and scenographic principles of exhibitions as narrative space and holds out conceptual tools that can inspire a new approach to exhibition design.
Narrative spaces: on the art of exhibiton
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Narrative Spaces is about exhibition design. It places the profession in a broad theoretical and cultural-historical context and defines a conceptual framework that brings out the dynamics of the field. Exhibitions are narrative environments in which the designer has to translate often complex and scientific objectives into an engaging spatial narrative that can comprise a mix of wide-ranging media and communicational strategies. This publication defines the theatrical and scenographic principles of exhibitions as narrative space and holds out conceptual tools that can inspire a new approach to exhibition design.
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livres
livres
Publication:
août 2012
août 2012
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livres
livres
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During World War 2 the Neues Museum was almost completely destroyed. Now, on the Berlin Museum Island with its tremendous diversity of demands for the restoration it has become the classic example for the preservation of historic monuments. It is rebuilt due to the plans of the world renown architect David Chipperfield. The great reopening of this building (a main work of(...)
$54.95
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During World War 2 the Neues Museum was almost completely destroyed. Now, on the Berlin Museum Island with its tremendous diversity of demands for the restoration it has become the classic example for the preservation of historic monuments. It is rebuilt due to the plans of the world renown architect David Chipperfield. The great reopening of this building (a main work of(...)
Titre:
The Neues Museums Berlin: conserving, restoring, rebuilding within the world heritage
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During World War 2 the Neues Museum was almost completely destroyed. Now, on the Berlin Museum Island with its tremendous diversity of demands for the restoration it has become the classic example for the preservation of historic monuments. It is rebuilt due to the plans of the world renown architect David Chipperfield. The great reopening of this building (a main work of the Schinkel scholar Friedrich August Stueler) is scheduled for March 2009. The present book shows the history from its origins under Frederic Wilhelm IV of Prussia, the various phases of conversation and restoration of the war-ruin during the different systems after war to the considerations of preservation, modern building technique and current utilization.
The Neues Museums Berlin: conserving, restoring, rebuilding within the world heritage
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$54.95
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During World War 2 the Neues Museum was almost completely destroyed. Now, on the Berlin Museum Island with its tremendous diversity of demands for the restoration it has become the classic example for the preservation of historic monuments. It is rebuilt due to the plans of the world renown architect David Chipperfield. The great reopening of this building (a main work of the Schinkel scholar Friedrich August Stueler) is scheduled for March 2009. The present book shows the history from its origins under Frederic Wilhelm IV of Prussia, the various phases of conversation and restoration of the war-ruin during the different systems after war to the considerations of preservation, modern building technique and current utilization.
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livres
livres
Publication:
juin 2009
juin 2009
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livres
livres
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$27.50
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The concept of an encyclopedic museum was born of the Enlightenment, a manifestation of society's growing belief that the spread of knowledge and the promotion of intellectual inquiry were crucial to human development and the future of a rational society. With Museums Matter, James Cuno, president and director of the Art Institute of Chicago, takes us on a brief tour(...)
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The concept of an encyclopedic museum was born of the Enlightenment, a manifestation of society's growing belief that the spread of knowledge and the promotion of intellectual inquiry were crucial to human development and the future of a rational society. With Museums Matter, James Cuno, president and director of the Art Institute of Chicago, takes us on a brief tour(...)
Titre:
Museums matter: in praise of the encyclopedic museum
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The concept of an encyclopedic museum was born of the Enlightenment, a manifestation of society's growing belief that the spread of knowledge and the promotion of intellectual inquiry were crucial to human development and the future of a rational society. With Museums Matter, James Cuno, president and director of the Art Institute of Chicago, takes us on a brief tour of the modern museum, from the creation of the British Museum - the archetypal encyclopedic collection - to the present, when major museums host millions of visitors annually and play a major role in the cultural lives of their cities. Engaging with thinkers such as Edward Said and Martha Nussbaum, and drawing on examples from the politics of India to the destruction of the Bramiyan Buddhas to the history of trade and travel, Cuno makes a case for the encyclopedic museum as a truly cosmopolitan institution, promoting tolerance, understanding, and a shared sense of history - values that are essential in our ever more globalized age.
Museums matter: in praise of the encyclopedic museum
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The concept of an encyclopedic museum was born of the Enlightenment, a manifestation of society's growing belief that the spread of knowledge and the promotion of intellectual inquiry were crucial to human development and the future of a rational society. With Museums Matter, James Cuno, president and director of the Art Institute of Chicago, takes us on a brief tour of the modern museum, from the creation of the British Museum - the archetypal encyclopedic collection - to the present, when major museums host millions of visitors annually and play a major role in the cultural lives of their cities. Engaging with thinkers such as Edward Said and Martha Nussbaum, and drawing on examples from the politics of India to the destruction of the Bramiyan Buddhas to the history of trade and travel, Cuno makes a case for the encyclopedic museum as a truly cosmopolitan institution, promoting tolerance, understanding, and a shared sense of history - values that are essential in our ever more globalized age.
Classification:
livres
livres
Publication:
décembre 2011
décembre 2011
Classification:
livres
livres
Titre:
Serpentine gallery pavillons
Serpentine gallery pavillons
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Since 2000, the Serpentine Gallery in London's Kensington Gardens has called on some of the world's top architects to design summer pavilions - temporary structures that are erected next to the Gallery itself for a three-month period. The Serpentine, which was built in 1934 as a tea pavilion, opened in 1970 as a show-place for exhibitions of modern and contemporary(...)
$64.95
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Since 2000, the Serpentine Gallery in London's Kensington Gardens has called on some of the world's top architects to design summer pavilions - temporary structures that are erected next to the Gallery itself for a three-month period. The Serpentine, which was built in 1934 as a tea pavilion, opened in 1970 as a show-place for exhibitions of modern and contemporary(...)
Titre:
Serpentine gallery pavillons
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$64.95
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Résumé:
Since 2000, the Serpentine Gallery in London's Kensington Gardens has called on some of the world's top architects to design summer pavilions - temporary structures that are erected next to the Gallery itself for a three-month period. The Serpentine, which was built in 1934 as a tea pavilion, opened in 1970 as a show-place for exhibitions of modern and contemporary artists. The projects completed or envisaged include the work of: Zaha Hadid, 2000; Daniel Libeskind, 2001; Toyo Ito, 2002; Oscar Niemeyer, 2003; MVRDV, 2004 (un-realised); Alvaro Siza and Eduardo Souto de Moura with Cecil Balmond, 2005; Rem Koolhaas and Cecil Balmond, 2006; Olafur Eliasson and Kjetil Thorsen, 2007; Frank Gehry, 2008; SANAA, 2009; Jean Nouvel, 2010; and, other works such as Zaha Hadid's temporary 2006 installation Lilas are included in the book as well. This book is the first to bring together all of the Serpentine Pavilions.
Serpentine gallery pavillons
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$64.95
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Résumé:
Since 2000, the Serpentine Gallery in London's Kensington Gardens has called on some of the world's top architects to design summer pavilions - temporary structures that are erected next to the Gallery itself for a three-month period. The Serpentine, which was built in 1934 as a tea pavilion, opened in 1970 as a show-place for exhibitions of modern and contemporary artists. The projects completed or envisaged include the work of: Zaha Hadid, 2000; Daniel Libeskind, 2001; Toyo Ito, 2002; Oscar Niemeyer, 2003; MVRDV, 2004 (un-realised); Alvaro Siza and Eduardo Souto de Moura with Cecil Balmond, 2005; Rem Koolhaas and Cecil Balmond, 2006; Olafur Eliasson and Kjetil Thorsen, 2007; Frank Gehry, 2008; SANAA, 2009; Jean Nouvel, 2010; and, other works such as Zaha Hadid's temporary 2006 installation Lilas are included in the book as well. This book is the first to bring together all of the Serpentine Pavilions.
Classification:
livres
livres
Publication:
août 2011
août 2011
Classification:
livres
livres
Titre:
New museums in Spain
New museums in Spain
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$106.95
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Résumé:
Spanish museum architecture has experienced a marked upturn since the 1990s, helping even small towns off the tourist beaten track to acquire museum buildings. The present book, which is also suitable as a museum guide, confirms the world-class nature of Spanish architecture, recorded from Rafael Moneo's early Museo Nacional de Arte Romano in Merida to Herzog & de(...)
$106.95
(disponible sur commande)
Résumé:
Spanish museum architecture has experienced a marked upturn since the 1990s, helping even small towns off the tourist beaten track to acquire museum buildings. The present book, which is also suitable as a museum guide, confirms the world-class nature of Spanish architecture, recorded from Rafael Moneo's early Museo Nacional de Arte Romano in Merida to Herzog & de(...)
Titre:
New museums in Spain
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Prix:
$106.95
(disponible sur commande)
Résumé:
Spanish museum architecture has experienced a marked upturn since the 1990s, helping even small towns off the tourist beaten track to acquire museum buildings. The present book, which is also suitable as a museum guide, confirms the world-class nature of Spanish architecture, recorded from Rafael Moneo's early Museo Nacional de Arte Romano in Merida to Herzog & de Meuron's new CaixaForum art gallery in Madrid.
New museums in Spain
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Prix:
$106.95
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Résumé:
Spanish museum architecture has experienced a marked upturn since the 1990s, helping even small towns off the tourist beaten track to acquire museum buildings. The present book, which is also suitable as a museum guide, confirms the world-class nature of Spanish architecture, recorded from Rafael Moneo's early Museo Nacional de Arte Romano in Merida to Herzog & de Meuron's new CaixaForum art gallery in Madrid.
Classification:
livres
livres
Publication:
octobre 2010
octobre 2010
Classification:
livres
livres
Titre:
Sanaa: New Museum
Sanaa: New Museum
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$34.50
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This monograph treats the institution's design and construction in depth, through images, writings and an interview with the architects.
$34.50
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Résumé:
This monograph treats the institution's design and construction in depth, through images, writings and an interview with the architects.
Titre:
Sanaa: New Museum
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$34.50
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This monograph treats the institution's design and construction in depth, through images, writings and an interview with the architects.
Sanaa: New Museum
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$34.50
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Résumé:
This monograph treats the institution's design and construction in depth, through images, writings and an interview with the architects.
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livres
livres
Publication:
septembre 2010
septembre 2010
Classification:
livres
livres
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$30.00
(disponible en magasin)
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The Joan Miró Foundation opened in 1975, becoming Barcelona's first public institution to focus entirely on contemporary art. The architect Josep Lluís Sert designed the Foundation's building with clean, airy white shapes of curves and corners and multiple skylights, creating a decidedly Mediterranean-flavored complex arranged around a central patio, with expansive roof(...)
$30.00
(disponible en magasin)
Résumé:
The Joan Miró Foundation opened in 1975, becoming Barcelona's first public institution to focus entirely on contemporary art. The architect Josep Lluís Sert designed the Foundation's building with clean, airy white shapes of curves and corners and multiple skylights, creating a decidedly Mediterranean-flavored complex arranged around a central patio, with expansive roof(...)
Titre:
Josep Lluis Sert: Joan Miro foundation
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$30.00
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The Joan Miró Foundation opened in 1975, becoming Barcelona's first public institution to focus entirely on contemporary art. The architect Josep Lluís Sert designed the Foundation's building with clean, airy white shapes of curves and corners and multiple skylights, creating a decidedly Mediterranean-flavored complex arranged around a central patio, with expansive roof terraces above. (Two subsequent expansions to the building were designed by Jaume Freixa, a pupil and longtime colleague of Sert's.) After the first major retrospective of Miró's work occurred in Barcelona in 1968, the artist decided to set up a building to make his work and the work of other contemporary artists permanently accessible to the public. To design the foundation's home, he tapped his old friend Sert, a pioneer in the introduction of modern architecture in Catalonia, who had first met Miró in 1932 and worked with him on the Spanish (Republican) Pavilion at the Paris World Fair in 1937. This volume, one of a series of monographs on new museum architecture, provides a careful look at the design of one of Europe's premier art institutions, and includes an interview with the architects responsible for the recent expansions.
Josep Lluis Sert: Joan Miro foundation
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$30.00
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Résumé:
The Joan Miró Foundation opened in 1975, becoming Barcelona's first public institution to focus entirely on contemporary art. The architect Josep Lluís Sert designed the Foundation's building with clean, airy white shapes of curves and corners and multiple skylights, creating a decidedly Mediterranean-flavored complex arranged around a central patio, with expansive roof terraces above. (Two subsequent expansions to the building were designed by Jaume Freixa, a pupil and longtime colleague of Sert's.) After the first major retrospective of Miró's work occurred in Barcelona in 1968, the artist decided to set up a building to make his work and the work of other contemporary artists permanently accessible to the public. To design the foundation's home, he tapped his old friend Sert, a pioneer in the introduction of modern architecture in Catalonia, who had first met Miró in 1932 and worked with him on the Spanish (Republican) Pavilion at the Paris World Fair in 1937. This volume, one of a series of monographs on new museum architecture, provides a careful look at the design of one of Europe's premier art institutions, and includes an interview with the architects responsible for the recent expansions.
Classification:
livres
livres
Publication:
septembre 2010
septembre 2010
Classification:
livres
livres
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$30.00
(disponible en magasin)
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Opened to the public in 2009, the Acropolis museum is the work of Bernard Tschumi, who won a design competition in 2001 with an entry that outlined, the architect said, a "simple and precise museum with the mathematical and conceptual clarity of ancient Greece." Located in Athens' historic area of Makryianni, the museum stands less than 1,000 feet southeast of the(...)
$30.00
(disponible en magasin)
Résumé:
Opened to the public in 2009, the Acropolis museum is the work of Bernard Tschumi, who won a design competition in 2001 with an entry that outlined, the architect said, a "simple and precise museum with the mathematical and conceptual clarity of ancient Greece." Located in Athens' historic area of Makryianni, the museum stands less than 1,000 feet southeast of the(...)
Titre:
Bernard Tschumi: New Acropolis museum
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$30.00
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Opened to the public in 2009, the Acropolis museum is the work of Bernard Tschumi, who won a design competition in 2001 with an entry that outlined, the architect said, a "simple and precise museum with the mathematical and conceptual clarity of ancient Greece." Located in Athens' historic area of Makryianni, the museum stands less than 1,000 feet southeast of the Parthenon, at the entrance of a network of pedestrian walkways that provide access to the Acropolis. Professor Dimitrios Pandermalis, President of the Organization for the Construction of the New Acropolis Museum, has hailed the design for its "simple, clear, and beautiful solution that is in accord with the beauty and classical simplicity of the Museum's unique exhibits"; Pandermalis contributes the preface to this volume, one in Poligrafa's new series of monographs on new museum architecture.
Bernard Tschumi: New Acropolis museum
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$30.00
(disponible en magasin)
Résumé:
Opened to the public in 2009, the Acropolis museum is the work of Bernard Tschumi, who won a design competition in 2001 with an entry that outlined, the architect said, a "simple and precise museum with the mathematical and conceptual clarity of ancient Greece." Located in Athens' historic area of Makryianni, the museum stands less than 1,000 feet southeast of the Parthenon, at the entrance of a network of pedestrian walkways that provide access to the Acropolis. Professor Dimitrios Pandermalis, President of the Organization for the Construction of the New Acropolis Museum, has hailed the design for its "simple, clear, and beautiful solution that is in accord with the beauty and classical simplicity of the Museum's unique exhibits"; Pandermalis contributes the preface to this volume, one in Poligrafa's new series of monographs on new museum architecture.
Classification:
livres
livres
Publication:
septembre 2010
septembre 2010
Classification:
livres
livres
Titre:
Prix de Rome.nl 2010
Prix de Rome.nl 2010
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$42.00
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Résumé:
Staged every four years, the PrixdeRome.nl Architecture gives architects, urban planners and landscape architects under the age of 35 the opportunity to display their talents. The subject of the preliminary round of competition was August Allebéplein, a public square in Amsterdam. Participants were invited to create proposals that enhanced the sense of community.
$42.00
(disponible sur commande)
Résumé:
Staged every four years, the PrixdeRome.nl Architecture gives architects, urban planners and landscape architects under the age of 35 the opportunity to display their talents. The subject of the preliminary round of competition was August Allebéplein, a public square in Amsterdam. Participants were invited to create proposals that enhanced the sense of community.
Titre:
Prix de Rome.nl 2010
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$42.00
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Résumé:
Staged every four years, the PrixdeRome.nl Architecture gives architects, urban planners and landscape architects under the age of 35 the opportunity to display their talents. The subject of the preliminary round of competition was August Allebéplein, a public square in Amsterdam. Participants were invited to create proposals that enhanced the sense of community.
Prix de Rome.nl 2010
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Prix:
$42.00
(disponible sur commande)
Résumé:
Staged every four years, the PrixdeRome.nl Architecture gives architects, urban planners and landscape architects under the age of 35 the opportunity to display their talents. The subject of the preliminary round of competition was August Allebéplein, a public square in Amsterdam. Participants were invited to create proposals that enhanced the sense of community.
Classification:
livres
livres
Publication:
septembre 2010
septembre 2010
