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124 pages : color illustrations ; 29 x 34 cm
New York : Abbeville Press, ©1990.
Manhattan lightscape / photographs by Nathaniel Lieberman ; introduction by Mark Helprin.
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Description:
124 pages : color illustrations ; 29 x 34 cm
livres
New York : Abbeville Press, ©1990.
$54.95
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What use can we make today of a prints collection dating between the 16th and 19th century housed in a library storage room? What does it tell us of the periods in which it was created, preserved and reorganised? How can this information relate to the contemporary? Can an artist re-enact shared scenarios emphasising what of the old persists in the present? This(...)
Present archives: Reflections from a collection of prints
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What use can we make today of a prints collection dating between the 16th and 19th century housed in a library storage room? What does it tell us of the periods in which it was created, preserved and reorganised? How can this information relate to the contemporary? Can an artist re-enact shared scenarios emphasising what of the old persists in the present? This publication collects three years' work within present_continuous, a project aimed at enhancing a collection of prints housed at the Biblioteca Nazionale Universitaria in Turin. A still rather unexplored point of excellence in the institution’s holdings, which was organised in albums in the 1860s by the eclectic Piedmontese collector and connoisseur Giovanni Volpato. The project includes a cataloguing campaign, a symposium whose purpose was to renew the contemporary perception of the archive and in an international call was opened in order to select two artists – Alessandra Messali and Ryts Monet (Enrico De Napoli) – for a residency program dedicated to creating new perspectives, right from the collection of print, trying to voicing the social and cultural issues of our time.
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Designers and advertisers continually have to interpret design briefs, produce new solutions to familiar problems and work to keep their clients’ brands high in the public consciousness. This highly informative guide brings together for the first time discussions and case studies that illustrate the working methods of major advertising and graphic design firms. Each(...)
Problem solved : a primer in design and communication
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Designers and advertisers continually have to interpret design briefs, produce new solutions to familiar problems and work to keep their clients’ brands high in the public consciousness. This highly informative guide brings together for the first time discussions and case studies that illustrate the working methods of major advertising and graphic design firms. Each chapter explores a different theme of ‘problem solving’, and concludes with a case study to illustrate a particular solution in detail. Themes include: producing innovative work, avoiding repetition, standing out in the market place, reinventing a tired brand, communicating essential facts in a culture of information overload, keeping a brand young and trendy, dealing sensitively with propaganda, the use of shock tactics, and word-based advertising in a world over-run with images and sound-bites. Examples featured are taken from classic and contemporary international advertising. Designers and agencies whose work is discussed in the book include Chermayeff and Geismar, Saatchi and Saatchi, BMP, Minale Tattersfield, Derek Birdsall, Niklaus Troxler, Bob Gill, Wieslan Walkuski, Makoto Saito, Paul Fishlock, and Pentagram.
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Experimental, craftsmanlike, daring – twenty U.S. architectural practices are transforming contemporary buildings, cities and landscapes that are distinctly American into works of global significance. The book presents twenty diverse practices from every corner of the country to investigate the kind of originality that is unique to the American culture and climate.(...)
avril 2002, New York
All American : innovation in American architecture
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Experimental, craftsmanlike, daring – twenty U.S. architectural practices are transforming contemporary buildings, cities and landscapes that are distinctly American into works of global significance. The book presents twenty diverse practices from every corner of the country to investigate the kind of originality that is unique to the American culture and climate. Beginning by tracing the most recent developments in American architecture and identifying regional, theoretical or practical strands, the book focuses on each studio in depth, featuring an extensive profile and coverage of projects. The studio profiles are followed by essays that present the work of five of the most recent practices to emerge on the scene with fresh new approaches. A reference section contains concise biographical and bibliographical information on each architect. Featured architects: • Allied Works Architecture • Architecture Research Office • Building Design Workshop • Wendell Burnette Architects • Daly, Genik Architects • Diller + Scofidio • Garofalo Architects • Leslie Gill Architect • Guthrie + Buresh Architects • Dan Hoffman • Vincent James Associates • Rick Joy Architect • Kennedy & Violich Architecture • Kuth/Ranieri • Greg Lynn Form • Michael McInturf Architects • Office dA • Thomas Phifer + Partners • Charles Rose Architects • SHoP/Sharples Holden Pasquarelli.
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avril 2002, New York
1000 Chairs
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More than any other piece of furniture, the chair has been subjected to the wildest dreams of the designers. The particular curve of a back-rest, or the twist of a leg, the angle of a seat or the colour of the entire artefact all reflect the stylistic consciousness of each era. From Gerrit Rietveld and Alvar Aalto via Verner Panton to Eva Zeisel; from Art Nouveau to(...)
1000 Chairs
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More than any other piece of furniture, the chair has been subjected to the wildest dreams of the designers. The particular curve of a back-rest, or the twist of a leg, the angle of a seat or the colour of the entire artefact all reflect the stylistic consciousness of each era. From Gerrit Rietveld and Alvar Aalto via Verner Panton to Eva Zeisel; from Art Nouveau to International Style, from Pop Art to Postmodernism, the phenomenon of the chair is so complex that it requires a reference work as comprehensive as this to do it full justice. They are all here: Thonet's bentwood chairs and Hoffmann's sitting-machines, Marcel Breuer's Wassily chair and Ron Arad's avant-garde armchairs. The book, a slightly abbreviated version of our classic title "1000 Chairs", devotes one page to each chair, displayed on its own as pure form, with biographical and historical information about the chairs and their designers. A special treat for anyone who loves design and a must for collectors!
Design d’intérieur
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From Matthew Brady to Cindy Sherman, 150 artists are represented in this new, combined volume of "Photography Speaks", spanning the entire history of the medium. This compendium contains biographical information and an original statement from each artist, accompanied by an example of their work. A favourite with photographers and requisite course material for many(...)
Photography speaks : 150 photographers on their art
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From Matthew Brady to Cindy Sherman, 150 artists are represented in this new, combined volume of "Photography Speaks", spanning the entire history of the medium. This compendium contains biographical information and an original statement from each artist, accompanied by an example of their work. A favourite with photographers and requisite course material for many students, the discourse on art and artistry contained in this volume is of unprecedented scale - collecting the writing of such diverse photographers as William Henry Fox Talbot, Eugène Atget, Alfred Stieglitz, Lewis Hine, August Sander, Man Ray, Weegee, Robert Frank, Diane Arbus, Robert Heinecken, and Lucas Samaras. New additions include selections from Nadar, William Eggleston, Eikoh Hosoe, Gordon Parks, Manuel Alvarez Bravo, Christian Boltanski, Thomas Struth, and Rineke Dijkstra. The contributors expound upon topics such as their method and intentions, the state of the arts, or the medium itself. "Photography Speaks" has been and will continue to be a vital reference source, an enduring testament to the art of photography, and an engrossing text for artists and enthusiasts alike.
Théorie de la photographie
Inventing future cities
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We cannot predict future cities, but we can invent them. Cities are largely unpredictable because they are complex systems that are more like organisms than machines. Neither the laws of economics nor the laws of mechanics apply; cities are the product of countless individual and collective decisions that do not conform to any grand plan. They are the product of our(...)
Inventing future cities
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We cannot predict future cities, but we can invent them. Cities are largely unpredictable because they are complex systems that are more like organisms than machines. Neither the laws of economics nor the laws of mechanics apply; cities are the product of countless individual and collective decisions that do not conform to any grand plan. They are the product of our inventions; they evolve. In Inventing Future Cities, Michael Batty explores what we need to understand about cities in order to invent their future. Batty outlines certain themes—principles—that apply to all cities. He investigates not the invention of artifacts but inventive processes. Today form is becoming ever more divorced from function; information networks now shape the traditional functions of cities as places of exchange and innovation. By the end of this century, most of the world's population will live in cities, large or small, sometimes contiguous, and always connected; in an urbanized world, it will be increasingly difficult to define a city by its physical boundaries.
Théorie de l’urbanisme
Weeds
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We spray them, pluck them, and bury them under mulch; and we curse their resilience when they spring back into place. To most of us, weeds are a nuisance, not worth the dirt they are growing in. But the fact is weeds are a plant just like any other, and it is only we who designate them as a weed or not, as a plant we will dote over or one we will tear out of the earth(...)
Weeds
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We spray them, pluck them, and bury them under mulch; and we curse their resilience when they spring back into place. To most of us, weeds are a nuisance, not worth the dirt they are growing in. But the fact is weeds are a plant just like any other, and it is only we who designate them as a weed or not, as a plant we will dote over or one we will tear out of the earth with abandon. And as Nina Edwards shows in this history, that designation is constantly changing. Balancing popular history with botanical science, she tells the story of the lowly, but proud, weed. Sprinkled with personal anecdotes and loads of useful information, Weeds sketches history after history of the fashions and attitudes that have shaped our gardens, showing us that it is just as important what we keep out of them as what we put in, and that just because we despise one species does not mean that there haven’t been others whose very lives have depended on it.
Faune et flore
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The goal of this book is to introduce designers to the many research tools that can be used to inform design as well as to ideas about how and when to deploy them effectively. The chapter authors come from diverse institutions and enterprises, including Stanford University, MIT, Intel, Maxis, Studio Anybody, Sweden?s HUMlab, and Big Blue Dot. Each has something to say(...)
Design research : methods and perspectives
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The goal of this book is to introduce designers to the many research tools that can be used to inform design as well as to ideas about how and when to deploy them effectively. The chapter authors come from diverse institutions and enterprises, including Stanford University, MIT, Intel, Maxis, Studio Anybody, Sweden?s HUMlab, and Big Blue Dot. Each has something to say about how designers make themselves better at what they do through research, and illustrates it with real world examples--case studies, anecdotes, and images. Topics of this multi-voice conversation include qualitative and quantitative methods, performance ethnography and design improvisation, trend research, cultural diversity, formal and structural research practice, tactical discussions of design research process, and case studies drawn from areas as unique as computer games, museum information systems, and movies. Interspersed throughout the book are one-page "demos," snapshots of the design research experience. Design Research charts the paths from research methods to research findings to design principles to design results and demonstrates the transformation of theory into a richly satisfying and more reliably successful practice.
Théorie de l’architecture
Programmed inequality: how Britain discarded women technologists and lost its edge in computing
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In 1944, Britain led the world in electronic computing. By 1974, the British computer industry was all but extinct. What happened in the intervening thirty years holds lessons for all postindustrial superpowers. As Britain struggled to use technology to retain its global power, the nation’s inability to manage its technical labor force hobbled its transition into the(...)
Programmed inequality: how Britain discarded women technologists and lost its edge in computing
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In 1944, Britain led the world in electronic computing. By 1974, the British computer industry was all but extinct. What happened in the intervening thirty years holds lessons for all postindustrial superpowers. As Britain struggled to use technology to retain its global power, the nation’s inability to manage its technical labor force hobbled its transition into the information age. In "Programmed inequality", Marie Hicks explores the story of labor feminization and gendered technocracy that undercut British efforts to computerize. That failure sprang from the government’s systematic neglect of its largest trained technical workforce simply because they were women. Women were a hidden engine of growth in high technology from World War II to the 1960s. As computing experienced a gender flip, becoming male-identified in the 1960s and 1970s, labor problems grew into structural ones and gender discrimination caused the nation’s largest computer user—the civil service and sprawling public sector—to make decisions that were disastrous for the British computer industry and the nation as a whole.