livres
Cambridge, Mass. : Harvard Univ. Pr., 1971.
The urban frontier : the rise of Western cities, 1790-1830 / by Richard C. Wade.
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Cambridge, Mass. : Harvard Univ. Pr., 1971.
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Description:
2 volumes ; 17 cm.
Cambridge, Mass. : Harvard University Press, 1926.
Laws / Plato ; with an English translation by R.G. Bury.
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2 volumes ; 17 cm.
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Cambridge, Mass. : Harvard University Press, 1926.
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The function of ornament / edited [and with an introduction] by Farshid Moussavi and Michael Kubo.
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189 pages : chiefly illustrations ; 23 cm
Barcelona : Actar ; Cambridge, Mass. : Harvard University, Graduate School of Design, 2006.
The function of ornament / edited [and with an introduction] by Farshid Moussavi and Michael Kubo.
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189 pages : chiefly illustrations ; 23 cm
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Barcelona : Actar ; Cambridge, Mass. : Harvard University, Graduate School of Design, 2006.
livres
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221 pages illustrations 22 cm
Cambridge, Harvard University Press, 1958.
Architecture, you and me; the diary of a development.
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221 pages illustrations 22 cm
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Cambridge, Harvard University Press, 1958.
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xii, 108 pages 82 plates 23 cm
Cambridge, Harvard University Press, 1927.
Early Florentine architecture and decoration, by Edgar W. Anthony.
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xii, 108 pages 82 plates 23 cm
livres
Cambridge, Harvard University Press, 1927.
$67.98
(disponible sur commande)
Résumé:
Founded by architect Walter Gropius (1883–1969) in 1919, the Bauhaus was the 20th century’s most influential school of art, architecture, and design. After the school was shuttered under pressure from the Nazis in 1933, many Bauhaus artists brought their innovative practices and teaching methods to the United States. Gropius himself accepted a position at Harvard, where(...)
Object lessons: the Bauhaus and Harvard
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$67.98
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Résumé:
Founded by architect Walter Gropius (1883–1969) in 1919, the Bauhaus was the 20th century’s most influential school of art, architecture, and design. After the school was shuttered under pressure from the Nazis in 1933, many Bauhaus artists brought their innovative practices and teaching methods to the United States. Gropius himself accepted a position at Harvard, where he would help establish a collection of Bauhaus material that has since grown to more than 30,000 objects—the largest such collection outside Germany. Harvard in turn became an unofficial center for the Bauhaus in America. Written by established and emerging voices in the field, the scholarship presented here expands on the special link between the two institutions, while highlighting understudied aspects of the Bauhaus, such as weaving, photography, and art made by women. Accompanied by illustrations—some of never-before-published objects—this book yields fascinating insights for Bauhaus devotees and design aficionados.
Théorie de l’architecture
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Metropolis 1985 : an interpretation of the findings of the New York metropolitan region study.
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xiii, 252 pages : maps, diagrams ; 22 cm.
Cambridge, Mass. : Harvard University Press, 1960.
Metropolis 1985 : an interpretation of the findings of the New York metropolitan region study.
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xiii, 252 pages : maps, diagrams ; 22 cm.
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Cambridge, Mass. : Harvard University Press, 1960.
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xxix, 381 pages, 16 unnumbered pages of plates : illustrations (some color) ; 26 cm
Oxford ; New York : Oxford University Press, 2006.
Leonardo da Vinci : the marvellous works of nature and man / Martin Kemp.
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xxix, 381 pages, 16 unnumbered pages of plates : illustrations (some color) ; 26 cm
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Oxford ; New York : Oxford University Press, 2006.
$21.48
(disponible sur commande)
Résumé:
This issue of Harvard Design Magazine is about the design of work and the work of design. ''No Sweat'' challenges designers to speculate on the spaces of work in an accelerated future, and to imagine a world in which a novel ethics of labor can emerge. What scenarios and spaces can we imagine for the next generation of work? How can we anticipate and formulate work(...)
Harvard Design Magazine 46 : no sweat
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This issue of Harvard Design Magazine is about the design of work and the work of design. ''No Sweat'' challenges designers to speculate on the spaces of work in an accelerated future, and to imagine a world in which a novel ethics of labor can emerge. What scenarios and spaces can we imagine for the next generation of work? How can we anticipate and formulate work environments and experiences that are productive, humane, and ecologically responsible?
Revues
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[72] leaves (some folded) : illustrations (wood engravings) ; 42 cm
A Paris : De l'Imprimerie de Iehan le Royer, imprimeur du roy és mathematiques, 1560.
Liure de perspectiue de Iehan Cousin Senonois, maistre painctre à Paris.
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[72] leaves (some folded) : illustrations (wood engravings) ; 42 cm
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A Paris : De l'Imprimerie de Iehan le Royer, imprimeur du roy és mathematiques, 1560.