Grey room 46
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Grey Room brings together scholarly and theoretical articles from the fields of architecture, art, media, and politics to forge a cross-disciplinary discourse uniquely relevant to contemporary concerns. Publishing some of the most interesting and original work within these disciplines, Grey Room has positioned itself at the forefront of the most current aesthetic and(...)
Grey room 46
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Grey Room brings together scholarly and theoretical articles from the fields of architecture, art, media, and politics to forge a cross-disciplinary discourse uniquely relevant to contemporary concerns. Publishing some of the most interesting and original work within these disciplines, Grey Room has positioned itself at the forefront of the most current aesthetic and critical debates. Featuring articles, translations, interviews, dossiers, and academic exchanges, Grey Room's emphasis on aesthic practice and historical and theoretical discourse appeals to a wide range of readers, including architects, artists, scholars, students, and critics.
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One of the fundamental considerations in landscape architecture is whether to create something which appears to be natural, or to design something deliberately artificial. Always moving between nature and artifice the art of landscape architecture expresses itself in a sensitive awareness of time and place. If the design is not to become a mere ornament, then it must be(...)
Texte zur Landschaft / About landscape : essays on design, style, time and space
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One of the fundamental considerations in landscape architecture is whether to create something which appears to be natural, or to design something deliberately artificial. Always moving between nature and artifice the art of landscape architecture expresses itself in a sensitive awareness of time and place. If the design is not to become a mere ornament, then it must be supported by concepts and visions, daring to create something new from the existing surroundings. This collection of essays which have been published over the last decade in Topos – European Landscape Magazine, is a valuable contribution to the literature in the specialised field of landscape architecture. The authors include Paolo Bürgi who writes on dimensions of memory, Joachim W. Jacobs who investigates the Bauhaus and the theory of space, and Kathinka Schreiber who takes a critical look at landscape in film.
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Perspecta 37 : famous
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Does fame empower architecture or undermine it? Does the star power or cult status of an architect enhance the art or dilute it? This issue of Perspecta examines the inner workings of fame as it relates to architecture though media and culture. It looks at how the commodification of architecture affects the design process - whether fame emphasizes all the wrong aspects of(...)
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juin 2005, Cambridge, Mass.
Perspecta 37 : famous
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Does fame empower architecture or undermine it? Does the star power or cult status of an architect enhance the art or dilute it? This issue of Perspecta examines the inner workings of fame as it relates to architecture though media and culture. It looks at how the commodification of architecture affects the design process - whether fame emphasizes all the wrong aspects of architecture or provides the only way an architect can produce truly ambitious projects. How does architecture generate fame? And how does fame generate architecture? Celebrity permeates all levels of contemporary society; architecture, academia, the architectural press, and the mainstream media all play a role in promoting the mystique of the designer genius. The tradition of learning through apprenticeship and the struggle to have projects commissioned and built perpetuate the importance of the famous architect. Does this serve architecture or only the architectural star? The contributors to Perspecta examine both sides of the argument: Architecture moves forward through a process of innovation; fame provides the architect with the leverage needed to accomplish innovation. Or is it that fame, because of its relationship to the media and popular tastes, inevitably dilutes the quality of the architecture? Does "famous" architecture glorify only itself and neglect the people, the values, and the functions that it must serve?
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In "The Nature of Order," Alexander delves into the essential properties of life itself, highlighting a common set of well-defined structures that he believes are present in all order--and in all life--from micro-organisms and mountain ranges to the creation of good houses and vibrant communities. In "The Phenomenon of Life," the first volume in this masterwork, Alexander(...)
The nature of order - an essay on the art of building and the nature of the universe. Book one : the phenomenon of life.
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In "The Nature of Order," Alexander delves into the essential properties of life itself, highlighting a common set of well-defined structures that he believes are present in all order--and in all life--from micro-organisms and mountain ranges to the creation of good houses and vibrant communities. In "The Phenomenon of Life," the first volume in this masterwork, Alexander ponders the nature of order as an intellectual basis for a new architecture, proposing a well-defined scientific view of the world in which all space-matter has perceptible degrees of life. With this view as foundation, we can ask precise questions about what must be done to create life in the world--"whether in a single room...a doorknob...a neighborhood...even in a vast region." He presents the basic tenets of the concept, expanding on his theories of centers and of wholeness as a structure, and describes the fifteen properties from which he feels wholeness may be built. He also argues that living structure is at once both personal and structural, related not only to the geometry of space and how things work, but to human beings whose lives are ultimately based on feeling. Thus order, as the foundation of all things and as the foundation of all architecture, is both rooted in substance and rooted in feeling.
Théorie de l’architecture
Buildings must die
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Buildings, although inanimate, are often assumed to have “life.” And the architect, through the act of design, is assumed to be their conceiver and creator. But what of the “death” of buildings? What of the decay, deterioration, and destruction to which they are inevitably subject? And what might such endings mean for architecture’s sense of itself? In Buildings Must Die,(...)
Buildings must die
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Buildings, although inanimate, are often assumed to have “life.” And the architect, through the act of design, is assumed to be their conceiver and creator. But what of the “death” of buildings? What of the decay, deterioration, and destruction to which they are inevitably subject? And what might such endings mean for architecture’s sense of itself? In Buildings Must Die, Stephen Cairns and Jane Jacobs look awry at core architectural concerns. They examine spalling concrete and creeping rust, contemplate ruins old and new, and pick through the rubble of earthquake-shattered churches, imploded housing projects, and demolished Brutalist office buildings. Their investigation of the death of buildings reorders architectural notions of creativity, reshapes architecture’s preoccupation with good form, loosens its vanities of durability, and expands its sense of value. It does so not to kill off architecture as we know it, but to rethink its agency and its capacity to make worlds differently. Cairns and Jacobs offer an original contemplation of architecture that draws on theories of waste and value. Their richly illustrated case studies of building “deaths” include the planned and the unintended, the lamented and the celebrated. They take us from Moline to Christchurch, from London to Bangkok, from Tokyo to Paris. And they feature the work of such architects as Eero Saarinen, Carlo Scarpa, Cedric Price, Arata Isozaki, Rem Koolhaas and François Roche.
Théorie de l’architecture
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Offering questions of the past to ground questions of the present, "How about now?" summons the enduring concerns and preoccupations that designers constantly revisit, reconsider, and redefine in response to a changing world. This installment of the GSD Platform series celebrates- and places itself within- the rich tradition of student publications at the Harvard(...)
Platform 12: How about now? GSD Platform
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Offering questions of the past to ground questions of the present, "How about now?" summons the enduring concerns and preoccupations that designers constantly revisit, reconsider, and redefine in response to a changing world. This installment of the GSD Platform series celebrates- and places itself within- the rich tradition of student publications at the Harvard University Graduate School of Design. Produced annually, this compendium highlights a selection of work from the disciplines of architecture, landscape architecture, urban planning and design, and design engineering, and exposes a rich and varied pedagogical culture committed to shaping the future of design. Documenting projects, research, events, exhibitions, and more, Platform offers a curated view into the emerging topics, techniques, and dispositions within and beyond the Harvard GSD.
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On the art of notation
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The book is concerned with the double nature of architectural drawing as both an artefact in itself and an instruction. The creation of measurements for an architectural construction to be takes place as a negotiation of this productive doubleness. The negotiation is termed art of notation. The book focuses on the singularity of drawing. It discusses the nature of the(...)
On the art of notation
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The book is concerned with the double nature of architectural drawing as both an artefact in itself and an instruction. The creation of measurements for an architectural construction to be takes place as a negotiation of this productive doubleness. The negotiation is termed art of notation. The book focuses on the singularity of drawing. It discusses the nature of the motif, the role of technique and the development of an analogue drawing language. It is well illustrated with architectural sketches.
Théorie de l’architecture
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What knowledge is indispensable for the landscape architect? The answers to this question are as diverse as landscape architecture itself. In this book 50 landscape architects from Europe, North and South America, Asia and Australia each give five responses. These include practitioners and teachers, young start-ups as well as internationally established firms. The(...)
250 things a landscape architect should know
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What knowledge is indispensable for the landscape architect? The answers to this question are as diverse as landscape architecture itself. In this book 50 landscape architects from Europe, North and South America, Asia and Australia each give five responses. These include practitioners and teachers, young start-ups as well as internationally established firms. The publication illustrates the complex and dynamic nature of the discipline, and presents a diverse cross-section of the core expertise of this field. At the same time, it allows the reader to trace the individual attitudes into which geographical conditions, social contexts and political circumstances flow.
Théorie du paysage
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For millennia, marble has been a material of choice for art and architecture, a sign of luxury, and a material laden with meaning. It lends itself to being carved, polished, and sliced for a vast range of uses and to a variety of effects. While we know much about its physical qualities, its place as a trade commodity, and the history of its use, a focused study of this(...)
Matériaux et éclairage
mai 2020
The aesthetics of marble: from late antiquity to the present
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For millennia, marble has been a material of choice for art and architecture, a sign of luxury, and a material laden with meaning. It lends itself to being carved, polished, and sliced for a vast range of uses and to a variety of effects. While we know much about its physical qualities, its place as a trade commodity, and the history of its use, a focused study of this material’s aesthetics has yet to be seen. Looking beyond marble’s iconology, this volume engages closely with the phenomenology and anthropology of materials, bringing to light the nuanced aesthetic qualities of marble.
Matériaux et éclairage
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Home to 20 million people and still growing, Greater Cairo mirrors the global phenomenon of unplanned urban growth. Approximately 60 percent of the population of Africa’s biggest city lives in so-called informal housing, typically five-to-ten-story concrete-and-brick-infill structures built without permits in the desert or on former agricultural land. 'Housing Cairo: The(...)
Housing Cairo: the informal response
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Home to 20 million people and still growing, Greater Cairo mirrors the global phenomenon of unplanned urban growth. Approximately 60 percent of the population of Africa’s biggest city lives in so-called informal housing, typically five-to-ten-story concrete-and-brick-infill structures built without permits in the desert or on former agricultural land. 'Housing Cairo: The Informal Response' illuminates the architecture of informality and its mechanisms of production through a series of theoretical essays and architectural design proposals. Central to the project is a re-examination of the concept of “informality” itself and its often negative connotations.
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