1029 Résultats
Classification:
audio
audio
Titre:
Apophanies.
Apophanies.
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Description:
1 online resource.
Auteur:
Sujet:
Publication:
[Place of publication not identified] : Lateral Addition, 2022.
[Place of publication not identified] : Lateral Addition, 2022.
Classification:
audio
audio
Publication:
[Place of publication not identified] : Lateral Addition, 2022.
[Place of publication not identified] : Lateral Addition, 2022.
Auteur:
Sujet:
Classification:
livres
livres
Titre:
The spirit of terrorism
The spirit of terrorism
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Prix:
$19.00
(disponible sur commande)
Résumé:
«In dealing all the cards to itself, the system forced the Other to change the rules of the game. And the new rules are ferocious, because the game is ferocious.»
$19.00
(disponible sur commande)
Résumé:
«In dealing all the cards to itself, the system forced the Other to change the rules of the game. And the new rules are ferocious, because the game is ferocious.»
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
septembre 2002, London / New York
septembre 2002, London / New York
Titre:
The spirit of terrorism
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Prix:
$19.00
(disponible sur commande)
Résumé:
«In dealing all the cards to itself, the system forced the Other to change the rules of the game. And the new rules are ferocious, because the game is ferocious.»
The spirit of terrorism
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Prix:
$19.00
(disponible sur commande)
Résumé:
«In dealing all the cards to itself, the system forced the Other to change the rules of the game. And the new rules are ferocious, because the game is ferocious.»
Classification:
livres
livres
Publication:
septembre 2002, London / New York
septembre 2002, London / New York
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
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Prix:
$102.00
(disponible sur commande)
Résumé:
The leading landscape gardener of later Georgian England, Humphry Repton (17521818), was innovative and prolific, undertaking more than four hundred commissions during his thirty-year career. Repton worked for a wide variety of clients, notably the dukes of Portland and Bedford, and on many kinds of sites throughout England. He also promoted his profession(...)
$102.00
(disponible sur commande)
Résumé:
The leading landscape gardener of later Georgian England, Humphry Repton (17521818), was innovative and prolific, undertaking more than four hundred commissions during his thirty-year career. Repton worked for a wide variety of clients, notably the dukes of Portland and Bedford, and on many kinds of sites throughout England. He also promoted his profession(...)
Publication:
octobre 1999, New Haven
octobre 1999, New Haven
Titre:
Humphry Repton : landscape gardening and the geography of Georgian England
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Prix:
$102.00
(disponible sur commande)
Résumé:
The leading landscape gardener of later Georgian England, Humphry Repton (17521818), was innovative and prolific, undertaking more than four hundred commissions during his thirty-year career. Repton worked for a wide variety of clients, notably the dukes of Portland and Bedford, and on many kinds of sites throughout England. He also promoted his profession in extensive writings about the theory and practice of landscape gardening. This book examines Repton's career and work in the context of the changing human geography of his time. Fully illustrated with many previously unpublished pictures, the book charts Repton's vision of England, how his style changed and persisted over time and from place to place, how he influenced his profession, and how he fashioned a social identity for himself. Stephen Daniels frames Repton's life and work in terms of five domains: the road, the county, the picturesque landscape, the aristocratic estate, and the urban periphery. Focusing on the way these domains shaped Repton's career and how he in turn attempted to shape them, Daniels examines in depth more than twenty representative commissions that delineate Repton's social and spatial theory of landscape. The author casts new light not only on the work of Humphry Repton but also on the role of landscape itself in English culture and society.
Humphry Repton : landscape gardening and the geography of Georgian England
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Prix:
$102.00
(disponible sur commande)
Résumé:
The leading landscape gardener of later Georgian England, Humphry Repton (17521818), was innovative and prolific, undertaking more than four hundred commissions during his thirty-year career. Repton worked for a wide variety of clients, notably the dukes of Portland and Bedford, and on many kinds of sites throughout England. He also promoted his profession in extensive writings about the theory and practice of landscape gardening. This book examines Repton's career and work in the context of the changing human geography of his time. Fully illustrated with many previously unpublished pictures, the book charts Repton's vision of England, how his style changed and persisted over time and from place to place, how he influenced his profession, and how he fashioned a social identity for himself. Stephen Daniels frames Repton's life and work in terms of five domains: the road, the county, the picturesque landscape, the aristocratic estate, and the urban periphery. Focusing on the way these domains shaped Repton's career and how he in turn attempted to shape them, Daniels examines in depth more than twenty representative commissions that delineate Repton's social and spatial theory of landscape. The author casts new light not only on the work of Humphry Repton but also on the role of landscape itself in English culture and society.
Classification:
livres
livres
Publication:
octobre 1999, New Haven
octobre 1999, New Haven
Classification:
livres
livres
Prix:
$82.00
(disponible en magasin)
Résumé:
In 2016, an article in The New York Times with a probing title: “Why Brussels Is the New Berlin?” brought mainstream confirmation of a trend Brussels has been undergoing, with international artists flocking into the city, and galleries and art events following. As with so many other cities that have experienced similar trends, there are many reasons for this cultural(...)
$82.00
(disponible en magasin)
Résumé:
In 2016, an article in The New York Times with a probing title: “Why Brussels Is the New Berlin?” brought mainstream confirmation of a trend Brussels has been undergoing, with international artists flocking into the city, and galleries and art events following. As with so many other cities that have experienced similar trends, there are many reasons for this cultural(...)
Publication:
octobre 2021
octobre 2021
Titre:
From Brussels with love: Office Kersten Geers David Van Severen
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Prix:
$82.00
(disponible en magasin)
Résumé:
In 2016, an article in The New York Times with a probing title: “Why Brussels Is the New Berlin?” brought mainstream confirmation of a trend Brussels has been undergoing, with international artists flocking into the city, and galleries and art events following. As with so many other cities that have experienced similar trends, there are many reasons for this cultural flourishing, but they can be broken down to the simple conditions of the city itself: it is cosmopolitan and cheap. And there is available space. Beyond the visible art venues – museums and galleries, theatres and concert halls, established institutions, or converted industrial spaces – there is space where artists can live and work, go out and exchange ideas. The production of culture happens (also) in clubs and salons, offices and lofts, studios and ateliers. Our aim was to investigate these spaces and identify an urban prerequisite for such an elusive category as culture. Furthermore, we wanted to examine how spatial types can be appropriated for a new (cultural) practice.
From Brussels with love: Office Kersten Geers David Van Severen
Actions:
Prix:
$82.00
(disponible en magasin)
Résumé:
In 2016, an article in The New York Times with a probing title: “Why Brussels Is the New Berlin?” brought mainstream confirmation of a trend Brussels has been undergoing, with international artists flocking into the city, and galleries and art events following. As with so many other cities that have experienced similar trends, there are many reasons for this cultural flourishing, but they can be broken down to the simple conditions of the city itself: it is cosmopolitan and cheap. And there is available space. Beyond the visible art venues – museums and galleries, theatres and concert halls, established institutions, or converted industrial spaces – there is space where artists can live and work, go out and exchange ideas. The production of culture happens (also) in clubs and salons, offices and lofts, studios and ateliers. Our aim was to investigate these spaces and identify an urban prerequisite for such an elusive category as culture. Furthermore, we wanted to examine how spatial types can be appropriated for a new (cultural) practice.
Classification:
livres
livres
Publication:
octobre 2021
octobre 2021
Classification:
livres
livres
Prix:
$40.00
(disponible en magasin)
Résumé:
The British architect Cedric Price (1934-2003) completed relatively few buildings, but through his drawings, proposals, teachings and conversations, he exerted an enormous influence across many disciplines. For Price, architecture was an instrument towards social and pedagogical growth, and not an aesthetic gesture in itself. His two most famous structures of the early(...)
$40.00
(disponible en magasin)
Résumé:
The British architect Cedric Price (1934-2003) completed relatively few buildings, but through his drawings, proposals, teachings and conversations, he exerted an enormous influence across many disciplines. For Price, architecture was an instrument towards social and pedagogical growth, and not an aesthetic gesture in itself. His two most famous structures of the early(...)
Titre:
Hans Ulrich Obrist & Cedric Price: The conversation series
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Prix:
$40.00
(disponible en magasin)
Résumé:
The British architect Cedric Price (1934-2003) completed relatively few buildings, but through his drawings, proposals, teachings and conversations, he exerted an enormous influence across many disciplines. For Price, architecture was an instrument towards social and pedagogical growth, and not an aesthetic gesture in itself. His two most famous structures of the early 1960s, the Fun Palace (1961) and the Potteries Thinkbelt (1964) were both intended to foster social cohesion, and were executed as short-term structures. Hans Ulrich Obrist met the great visionary and architectural theorist several times between 1999 and his death in 2003, and spoke with him about his ideas and his most important projects.
Hans Ulrich Obrist & Cedric Price: The conversation series
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Prix:
$40.00
(disponible en magasin)
Résumé:
The British architect Cedric Price (1934-2003) completed relatively few buildings, but through his drawings, proposals, teachings and conversations, he exerted an enormous influence across many disciplines. For Price, architecture was an instrument towards social and pedagogical growth, and not an aesthetic gesture in itself. His two most famous structures of the early 1960s, the Fun Palace (1961) and the Potteries Thinkbelt (1964) were both intended to foster social cohesion, and were executed as short-term structures. Hans Ulrich Obrist met the great visionary and architectural theorist several times between 1999 and his death in 2003, and spoke with him about his ideas and his most important projects.
Classification:
livres
livres
Publication:
mars 2010
mars 2010
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Titre:
Drawings that count
Drawings that count
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Prix:
$34.95
(disponible sur commande)
Résumé:
No architectural category is more fickle or more artificial than 'context'. This collection of 60 large drawings produced over five years by AA Diploma 15 addresses the construction of context by architecture for its own very particular purposes. A self-declared 'render-free zone', the unit's interrogations of architecture's seminal sites (antiquity, technology, the(...)
$34.95
(disponible sur commande)
Résumé:
No architectural category is more fickle or more artificial than 'context'. This collection of 60 large drawings produced over five years by AA Diploma 15 addresses the construction of context by architecture for its own very particular purposes. A self-declared 'render-free zone', the unit's interrogations of architecture's seminal sites (antiquity, technology, the(...)
Titre:
Drawings that count
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Prix:
$34.95
(disponible sur commande)
Résumé:
No architectural category is more fickle or more artificial than 'context'. This collection of 60 large drawings produced over five years by AA Diploma 15 addresses the construction of context by architecture for its own very particular purposes. A self-declared 'render-free zone', the unit's interrogations of architecture's seminal sites (antiquity, technology, the future and its proxies) examine the role of figuration and the exclusion of indeterminacy in the always already mediated question of context. Through the quiet business of counting, these line drawings - against the double ascendancy of parametricisation and the glossy rendered perspective - question architecture's ambivalent relations to the artifice it installs between itself and the outside world.
Drawings that count
Actions:
Prix:
$34.95
(disponible sur commande)
Résumé:
No architectural category is more fickle or more artificial than 'context'. This collection of 60 large drawings produced over five years by AA Diploma 15 addresses the construction of context by architecture for its own very particular purposes. A self-declared 'render-free zone', the unit's interrogations of architecture's seminal sites (antiquity, technology, the future and its proxies) examine the role of figuration and the exclusion of indeterminacy in the always already mediated question of context. Through the quiet business of counting, these line drawings - against the double ascendancy of parametricisation and the glossy rendered perspective - question architecture's ambivalent relations to the artifice it installs between itself and the outside world.
Classification:
livres
livres
Publication:
mars 2013
mars 2013
Sujet:
Dessin d’architecture
Dessin d’architecture
Classification:
périodiques
périodiques
Titre:
Log 62 : fall 2024
Log 62 : fall 2024
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Prix:
$25.00
(disponible en magasin)
Résumé:
The 184 pages of Log 62 present all new authors, including 15 South Americans in a special section guest edited by Brazilian architect and critic Jaime Solares Carmona. Called Far South, the section observes contemporary architecture and criticism in South America by a generation that Solares calls "equidistant from the modernist ethos of previous generations while also(...)
$25.00
(disponible en magasin)
Résumé:
The 184 pages of Log 62 present all new authors, including 15 South Americans in a special section guest edited by Brazilian architect and critic Jaime Solares Carmona. Called Far South, the section observes contemporary architecture and criticism in South America by a generation that Solares calls "equidistant from the modernist ethos of previous generations while also(...)
Titre:
Log 62 : fall 2024
Actions:
Prix:
$25.00
(disponible en magasin)
Résumé:
The 184 pages of Log 62 present all new authors, including 15 South Americans in a special section guest edited by Brazilian architect and critic Jaime Solares Carmona. Called Far South, the section observes contemporary architecture and criticism in South America by a generation that Solares calls "equidistant from the modernist ethos of previous generations while also distancing itself from a more radical critical approach that leans toward an ‘anthropologization’ of architecture."
Log 62 : fall 2024
Actions:
Prix:
$25.00
(disponible en magasin)
Résumé:
The 184 pages of Log 62 present all new authors, including 15 South Americans in a special section guest edited by Brazilian architect and critic Jaime Solares Carmona. Called Far South, the section observes contemporary architecture and criticism in South America by a generation that Solares calls "equidistant from the modernist ethos of previous generations while also distancing itself from a more radical critical approach that leans toward an ‘anthropologization’ of architecture."
Classification:
périodiques
périodiques
Publication:
octobre 2024
octobre 2024
Sujet:
Revues
Revues
Classification:
périodiques
périodiques
Titre:
Conditions 10: why gossip?
Conditions 10: why gossip?
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Prix:
$29.99
(disponible sur commande)
Résumé:
The current issue of Conditions investigates the function of gossip in architecture. Gossip has always been around in architecture as one of the oldest ways of sharing, maneuvering and convincing. But how does it manifest itself today within the instant culture of internet and social media? What is the role of gossip in contemporary networking? Has the logic of gossip and(...)
$29.99
(disponible sur commande)
Résumé:
The current issue of Conditions investigates the function of gossip in architecture. Gossip has always been around in architecture as one of the oldest ways of sharing, maneuvering and convincing. But how does it manifest itself today within the instant culture of internet and social media? What is the role of gossip in contemporary networking? Has the logic of gossip and(...)
Publication:
juillet 2012
juillet 2012
Titre:
Conditions 10: why gossip?
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Prix:
$29.99
(disponible sur commande)
Résumé:
The current issue of Conditions investigates the function of gossip in architecture. Gossip has always been around in architecture as one of the oldest ways of sharing, maneuvering and convincing. But how does it manifest itself today within the instant culture of internet and social media? What is the role of gossip in contemporary networking? Has the logic of gossip and instant gratification also penetrated what we used to call architectural critique?
Conditions 10: why gossip?
Actions:
Prix:
$29.99
(disponible sur commande)
Résumé:
The current issue of Conditions investigates the function of gossip in architecture. Gossip has always been around in architecture as one of the oldest ways of sharing, maneuvering and convincing. But how does it manifest itself today within the instant culture of internet and social media? What is the role of gossip in contemporary networking? Has the logic of gossip and instant gratification also penetrated what we used to call architectural critique?
Classification:
périodiques
périodiques
Publication:
juillet 2012
juillet 2012
Classification:
livres
livres
Titre:
Celebration at persepolis
Celebration at persepolis
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Prix:
$19.00
(disponible sur commande)
Résumé:
In 1971, the Shah of Iran held a week-long party among the ruins of Persepolis, leaving the temporary architecture behind when the celebration was done. For Art Basel 2008, "anthropologist of the avant-garde" Michael Stevenson reconstructed one of the guest tents, now a ruin itself, at scale. That project is expanded upon here.
$19.00
(disponible sur commande)
Résumé:
In 1971, the Shah of Iran held a week-long party among the ruins of Persepolis, leaving the temporary architecture behind when the celebration was done. For Art Basel 2008, "anthropologist of the avant-garde" Michael Stevenson reconstructed one of the guest tents, now a ruin itself, at scale. That project is expanded upon here.
Titre:
Celebration at persepolis
Actions:
Prix:
$19.00
(disponible sur commande)
Résumé:
In 1971, the Shah of Iran held a week-long party among the ruins of Persepolis, leaving the temporary architecture behind when the celebration was done. For Art Basel 2008, "anthropologist of the avant-garde" Michael Stevenson reconstructed one of the guest tents, now a ruin itself, at scale. That project is expanded upon here.
Celebration at persepolis
Actions:
Prix:
$19.00
(disponible sur commande)
Résumé:
In 1971, the Shah of Iran held a week-long party among the ruins of Persepolis, leaving the temporary architecture behind when the celebration was done. For Art Basel 2008, "anthropologist of the avant-garde" Michael Stevenson reconstructed one of the guest tents, now a ruin itself, at scale. That project is expanded upon here.
Classification:
livres
livres
Publication:
juin 2008, Bristol
juin 2008, Bristol
Classification:
livres
livres
Actions:
Prix:
$15.00
(disponible sur commande)
Résumé:
In the summer of 1970, the artist Les Levine arrived at the University of Toronto to take part in the installation of site-specific work on the quadrangle in front of the University's Hart House. The intended piece—construction materials hung from high-tension rope between campus buildings—was quickly stymied as Levine encountered a series of bureaucratic impediments on(...)
$15.00
(disponible sur commande)
Résumé:
In the summer of 1970, the artist Les Levine arrived at the University of Toronto to take part in the installation of site-specific work on the quadrangle in front of the University's Hart House. The intended piece—construction materials hung from high-tension rope between campus buildings—was quickly stymied as Levine encountered a series of bureaucratic impediments on(...)
Publication:
février 2016
février 2016
Titre:
Red tape, a new work by Les Levine, 1970
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Prix:
$15.00
(disponible sur commande)
Résumé:
In the summer of 1970, the artist Les Levine arrived at the University of Toronto to take part in the installation of site-specific work on the quadrangle in front of the University's Hart House. The intended piece—construction materials hung from high-tension rope between campus buildings—was quickly stymied as Levine encountered a series of bureaucratic impediments on the part of the University staff. What ensued was played into the conceptual conceit the artist had envisioned for the project. By collating the correspondence, telephone transcripts, and visual documentation of the eventual installation process, Levine used the work to demonstrate how the university itself functioned as a system. Red Tape publishes this project, which had existed only as a dossier in the artist's archive, for the first time.
Red tape, a new work by Les Levine, 1970
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Prix:
$15.00
(disponible sur commande)
Résumé:
In the summer of 1970, the artist Les Levine arrived at the University of Toronto to take part in the installation of site-specific work on the quadrangle in front of the University's Hart House. The intended piece—construction materials hung from high-tension rope between campus buildings—was quickly stymied as Levine encountered a series of bureaucratic impediments on the part of the University staff. What ensued was played into the conceptual conceit the artist had envisioned for the project. By collating the correspondence, telephone transcripts, and visual documentation of the eventual installation process, Levine used the work to demonstrate how the university itself functioned as a system. Red Tape publishes this project, which had existed only as a dossier in the artist's archive, for the first time.
Classification:
livres
livres
Publication:
février 2016
février 2016
