A culture of stone
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A major contribution to both art history and Latin American studies, A Culture of Stone offers new insights into Inka culture and the interpretation of non-Western art. Carolyn Dean focuses on rock outcrops masterfully integrated into Inka architecture, exquisitely worked masonry, and freestanding sacred rocks, explaining how certain stones took on lives of their own and(...)
A culture of stone
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A major contribution to both art history and Latin American studies, A Culture of Stone offers new insights into Inka culture and the interpretation of non-Western art. Carolyn Dean focuses on rock outcrops masterfully integrated into Inka architecture, exquisitely worked masonry, and freestanding sacred rocks, explaining how certain stones took on lives of their own and played a vital role in the unfolding of Inka history. Examining the multiple uses of stone, she argues that the Inka understood building in stone as a way of ordering the chaos of unordered nature, converting untamed spaces into domesticated places, and laying claim to new territories. Dean contends that understanding what the rocks signified requires seeing them as the Inka saw them: as potentially animate, sentient, and sacred. Through careful analysis of Inka stonework, colonial-period accounts of the Inka, and contemporary ethnographic and folkloric studies of indigenous Andean culture, Dean reconstructs the relationships between stonework and other aspects of Inka life, including imperial expansion, worship, and agriculture. She also scrutinizes meanings imposed on Inka stone by the colonial Spanish and, later, by tourism and the tourist industry.
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Architecture has a powerful role in nation building and identity formation. Buildings and monuments not only constitute the built fabric of society, they reflect the intersection of culture, politics, economics, and aesthetics as these forces are played out in distinct social settings and distinct times. This extraordinary anthology traces the interaction between(...)
Architecture and the Canadian fabric
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Architecture has a powerful role in nation building and identity formation. Buildings and monuments not only constitute the built fabric of society, they reflect the intersection of culture, politics, economics, and aesthetics as these forces are played out in distinct social settings and distinct times. This extraordinary anthology traces the interaction between culture and politics as reflected in Canadian architecture and the infrastructure of ordinary life, from the first contacts between indigenous peoples and European missionaries to the construction of big-box shopping centres in postmodern cities. Whether focusing on Jesuit perceptions of New France, the construction of Toronto’s St. James Cathedral or Canada’s first Parliament, Brutalism in Canadian architecture, or the ideas of Marshall McLuhan and Arthur Erickson, these essays showcase ways of thinking about the built environment that extend beyond considerations of authorship and style to address the influence of cultural politics and insights from race and gender studies and from postcolonial and spatial theory. By coupling a national focus with a wide historical scope, Architecture and the Canadian Fabric transforms how we see the role of architecture and in doing so radically questions how we continue to live in, interact with, and interpret the fabricated world.
Architecture du Canada
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From the late nineteenth through most of the twentieth century, the evangelical Protestant Grenfell Mission in Newfoundland and Labrador, Canada, created a network of hospitals, schools, orphanages, stores, and industries with the goal of bringing health and organized society to settler fisherfolk and Indigenous populations. This infrastructure also served to support(...)
Slow disturbance: infrastructural mediation on the settler colonial resource frontier
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From the late nineteenth through most of the twentieth century, the evangelical Protestant Grenfell Mission in Newfoundland and Labrador, Canada, created a network of hospitals, schools, orphanages, stores, and industries with the goal of bringing health and organized society to settler fisherfolk and Indigenous populations. This infrastructure also served to support resource extraction of fisheries off Labrador's coast. In 'Slow Disturbance' Rafico Ruiz engages with the Grenfell Mission to theorize how settler colonialism establishes itself through what he calls infrastructural mediation—the ways in which colonial lifeworlds, subjectivities, and affects come into being through the creation and maintenance of infrastructures. Drawing on archival documents, maps, interviews with municipal officials, teachers, and residents, as well as his field photography, Ruiz shows how the mission's infrastructural mediation—from its attempts to restructure the local economy to the aerial surveying and mapping of the coastline—responded to the colony's environmental conditions in ways that expanded the bounds of the settler frontier. By tracing the mission's history and the mechanisms that enabled its functioning, Ruiz complicates understandings of mediation and infrastructure while expanding current debates surrounding settler colonialism and extractive capitalism.
L'écologie de l'architecure
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To commemorate the official opening of the Inuit Art Centre, now named Qaumajuq, Winnipeg Art Gallery director and CEO, Dr. Stephen Borys, set out to share the story of this extraordinary museum and building project. His book, Journey North: The Inuit Art Centre Project, traces the history of the centre beginning with the establishment of the Winnipeg Art Gallery in 1912,(...)
Journey North: The Inuit Art Centre Project
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To commemorate the official opening of the Inuit Art Centre, now named Qaumajuq, Winnipeg Art Gallery director and CEO, Dr. Stephen Borys, set out to share the story of this extraordinary museum and building project. His book, Journey North: The Inuit Art Centre Project, traces the history of the centre beginning with the establishment of the Winnipeg Art Gallery in 1912, when the foundation was laid to support a diverse and far-reaching mission that could embrace both historical and contemporary artmaking on national and international levels. By the time director Dr. Ferdinand Eckhardt arrived at the gallery in 1953, and discovered Inuit stone carving at the Hudson’s Bay Company department store located across the street from the WAG, the idea of assembling a collection to celebrate this Indigenous art form moved closer to reality. This account of the development of the Inuit Art Centre includes different historical and contemporary perspectives and voices through a compilation of texts and images. In addition to the key essay by the book’s author Stephen Borys, several writers from across the country have shared their stories about the gallery, the Inuit art collection, and the building project.
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This book brings the history of the geosciences and world cosmologies together, exploring many traditions, including Chinese, Pacific, Islamic, South and Southeast Asian conceptions of the earth’s origin and makeup. Together the chapters ask: How have different ideas about the sacred, animate, and earthly changed modern environmental sciences? How have different world(...)
novembre 2023
New earth histories: Geo-cosmologies and the making of the modern world
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This book brings the history of the geosciences and world cosmologies together, exploring many traditions, including Chinese, Pacific, Islamic, South and Southeast Asian conceptions of the earth’s origin and makeup. Together the chapters ask: How have different ideas about the sacred, animate, and earthly changed modern environmental sciences? How have different world traditions understood human and geological origins? How does the inclusion of multiple cosmologies change the meaning of the Anthropocene and the global climate crisis? By carefully examining these questions, ''New earth histories'' sets an ambitious agenda for how we think about the earth. The chapters consider debates about the age and structure of the earth, how humans and earth systems interact, and how empire has been conceived in multiple traditions. The methods the authors deploy are diverse—from cultural history and visual and material studies to ethnography, geography, and Indigenous studies—and the effect is to highlight how earth knowledge emerged from historically specific situations. ''New earth histories'' provides both a framework for studying science at a global scale and fascinating examples to educate as well as inspire future work. Essential reading for students and scholars of earth science history, environmental humanities, history of science and religion, and science and empire.
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6,000 years of housing
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Part architecture, part history, and part anthropology, this encyclopedic book limns the story of housing around the world from the pre-urban dwellings of nomadic, semi-nomadic, and sedentary agricultural societies to the present. Ancient urban dwellings were inward-looking, ranged around a courtyard. Until fairly recently, these dwelling types survived in indigenous(...)
6,000 years of housing
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Part architecture, part history, and part anthropology, this encyclopedic book limns the story of housing around the world from the pre-urban dwellings of nomadic, semi-nomadic, and sedentary agricultural societies to the present. Ancient urban dwellings were inward-looking, ranged around a courtyard. Until fairly recently, these dwelling types survived in indigenous urban house forms in the Islamic world, India, China, and the Iberian peninsula and Latin America. After the collapse of the Roman Empire, however, outward-looking house forms replaced the ancient form in most of Europe and the New World. In the Middle Ages houses served both as homes and as places of work, but gradually the domestic and business lives of the inhabitants became separate. In the wake of the Industrial Revolution, profound changes in the residential development of the western world occurred: housing became segregated along socioeconomic lines and dwelling types polarized, with low-density, single-family houses at one extreme, and tall, high-density, multifamily tenements and apartments at the other. Side effects of America’s automobile-intensive suburban dream housing include inefficient land use, pollution, and urban decay. "6,000 Years of Housing" chronicles how this came about, and suggests solutions based on a rich variety of historical precedents.
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juillet 2003, New York
Logements collectifs
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Activism is a critical point of contention for institutions and genealogies of contemporary art around the world. Yet artists have consistently engaged in activist discourse, lending their skills to social movements, and regularly participating in civil and social rights campaigns while also boycotting cultural institutions and exerting significant pressure on them. This(...)
Activism: Whitechapel Documents of Contemporary Art
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Activism is a critical point of contention for institutions and genealogies of contemporary art around the world. Yet artists have consistently engaged in activist discourse, lending their skills to social movements, and regularly participating in civil and social rights campaigns while also boycotting cultural institutions and exerting significant pressure on them. This timely volume, edited by Tom Snow and Afonso Ramos, addresses an extraordinary moment in debates over the institutional frameworks and networks of art including large-scale direct actions, as well as a radical rethinking of art venues and urban spaces according to racial, class, or gender-based disparities, including demonstrations against the extractive and exploitative practices of neoliberal accumulation and climate catastrophe. From ACT UP and its affiliate groups since the dawn of the AIDS crisis to the counter-spectacle and street theatrics of the so-called Arab Spring and Occupy, to ongoing protest movements such as Black Lives Matter, Rhodes Must Fall, and Decolonize This Place, activist aesthetics has proven increasingly difficult to define under traditional classifications. Resurgent campaigns for decolonial reckoning, ecological justice, gender equality, indigenous rights and antiracist pedagogies indicate that the role of activism in contemporary art practice urges a critical reassessment. One pressing question is whether contemporary art’s most radical politics now takes place outside, against, or in spite of, conventional sites of display such as museums, biennials, and galleries.
Théorie de l’art
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From early reports of the invention to its wide application during World War I, the idea of photography created anticipation and participation in the modern world. The first volume of ''A History of Photography in Canada'' captures this phenomenon by looking at hundreds of photographs generated in and about Canada-in-the-making and by listening to the chords they struck(...)
History of photography in Canada, Volume 1
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From early reports of the invention to its wide application during World War I, the idea of photography created anticipation and participation in the modern world. The first volume of ''A History of Photography in Canada'' captures this phenomenon by looking at hundreds of photographs generated in and about Canada-in-the-making and by listening to the chords they struck in the collective imagination. Emphasizing technological readiness and cultural eagerness for the medium, Martha Langford shows how photography served ideals of progress and improvement as Canada’s settler society looked to master the world by seizing its visible traces. The imposition of these programs on Indigenous Peoples and indentured labourers is confronted throughout this volume, which offers both narratives and counternarratives of subjectification. Reproducing images of people, places, events, and objects from the unceded territories of the First Nations, Inuit, and Métis, from British North America, and from the Dominion of Canada and the Dominion of Newfoundland, Langford asks where and when photographs were taken, why, and by whom. How did the making and preservation of a photograph alter the circumstances in which it was produced, and how did this affect individual and collective consciousness? Alongside accomplished portraits, landscapes, still lifes, and their vernacular counterparts, the book draws glimmers of photographic experience from treatises and doggerel, official reports and personal diaries, newspapers, magazines, letters, and travelogues.
Photographie- collections
The subversive seventies
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A thought-provoking reconsideration of how the revolutionary movements of the 1970s set the mold for today's activism. The 1970s was a decade of "subversives". Faced with various progressive and revolutionary social movements, the forces of order--politicians, law enforcement, journalists, and conservative intellectuals--saw subversives everywhere. From indigenous peasant(...)
The subversive seventies
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A thought-provoking reconsideration of how the revolutionary movements of the 1970s set the mold for today's activism. The 1970s was a decade of "subversives". Faced with various progressive and revolutionary social movements, the forces of order--politicians, law enforcement, journalists, and conservative intellectuals--saw subversives everywhere. From indigenous peasant armies and gay liberation organizations, to anti-nuclear activists and Black liberation militants, subversives challenged authority, laid siege to the established order, and undermined time-honored ways of life. Every corner of the left was fertile ground for subversive elements, which the forces of order had to root out and destroy--a project they pursued with zeal and brutality. In "The subversive seventies", Michael Hardt sets out to show that popular understandings of the political movements of the seventies--often seen as fractious, violent, and largely unsuccessful--are not just inaccurate, but foreclose valuable lessons for the political struggles of today. While many accounts of the 1970s have been written about the regimes of domination that emerged throughout the decade, Hardt approaches the subversive from the perspectives of those who sought to undermine the base of established authority and transform the fundamental structures of society. In so doing, he provides a novel account of the theoretical and practical projects of liberation that still speak to us today, too many of which have been all but forgotten.
Social
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This publication combines traditional natural materials and modern construction methods. From adobe to straw bales, traditional building materials are being adapted to meet code-required standards for health and safety in contemporary buildings around the world. Not only are they cost effective and environmentally friendly, but, when used correctly, these natural(...)
Architecture écologique
avril 2005, Chichester
Alternative construction : contemporary natural building methods
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This publication combines traditional natural materials and modern construction methods. From adobe to straw bales, traditional building materials are being adapted to meet code-required standards for health and safety in contemporary buildings around the world. Not only are they cost effective and environmentally friendly, but, when used correctly, these natural alternatives match the strength and durability of many mainstream construction materials. This book examines a broad range of traditional and modern natural construction methods, including straw-bale, light-clay, cob, adobe, rammed earth and pisé, earthbag, earth-sheltered, bamboo, and hybrid systems. It also covers key ecological design principles, as well as current engineering and building code requirements. Experts on each building system have contributed core chapters that explore the history, development, climatic appropriateness, environmental benefits, performance characteristics, construction techniques, and structural design principles for each method. More than 200 visuals depict both construction processes and completed structures. An extensive resource guide shows where to go for further information, training, and research. In an increasingly resource-conscious era, alternative construction is truly an idea whose time has come. Whether you're an architect, designer, student, or homeowner, this book will help you to combine indigenous building materials with modern construction systems and design standards to create low-impact, high-quality buildings that meet the highest levels of comfort, health, and safety.
Architecture écologique