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Do Glaciers Listen? explores the conflicting depictions of glaciers to show how natural and cultural histories are objectively entangled in the Mount Saint Elias ranges. This rugged area, where Alaska, British Columbia, and the Yukon Territory now meet, underwent significant geophysical change in the late eighteenth and nineteenth centuries, which coincided with dramatic(...)
Do glaciers listen? Local knowledge, colonial encounters, and social imagination
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Do Glaciers Listen? explores the conflicting depictions of glaciers to show how natural and cultural histories are objectively entangled in the Mount Saint Elias ranges. This rugged area, where Alaska, British Columbia, and the Yukon Territory now meet, underwent significant geophysical change in the late eighteenth and nineteenth centuries, which coincided with dramatic social upheaval resulting from European exploration and increased travel and trade among Aboriginal peoples. European visitors brought with them varying conceptions of nature as sublime, as spiritual, or as a resource for human progress. They saw glaciers as inanimate, subject to empirical investigation and measurement. Aboriginal oral histories, conversely, described glaciers as sentient, animate, and quick to respond to human behaviour. In each case, however, the experiences and ideas surrounding glaciers were incorporated into interpretations of social relations. Focusing on these contrasting views during the late stages of the Little Ice Age (1550-1900), Cruikshank demonstrates how local knowledge is produced, rather than discovered, through colonial encounters, and how it often conjoins social and biophysical processes. She then traces how the divergent views weave through contemporary debates about cultural meanings as well as current discussions about protected areas, parks, and the new World Heritage site.
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avril 2006
Théorie de l’architecture
Pin-Up 39 : Domesticity
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This issue brings together critical work by Frida Escobedo’s friends and colleagues and her own research on domesticity, its theoretical implications, and its material challenges. From intimate conversations about family rituals to beautiful interiors that defy how we think about comfort and luxury, the question remains: How do the larger structures that shape our world(...)
Pin-Up 39 : Domesticity
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This issue brings together critical work by Frida Escobedo’s friends and colleagues and her own research on domesticity, its theoretical implications, and its material challenges. From intimate conversations about family rituals to beautiful interiors that defy how we think about comfort and luxury, the question remains: How do the larger structures that shape our world mirror themselves in our most intimate spaces? Who cooks? Who cleans? And what kind of sofa do we want to sit on?
Revues
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Colin Ellard explores how our homes, workplaces, cities, and nature—places we escape to and can’t escape from—have influenced us throughout history, and how our brains and bodies respond to different types of real and virtual space. As he describes the insight he and other scientists have gained from new technologies, he assesses the influence these technologies will have(...)
Places of the heart: the psychogeography of everyday life
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Colin Ellard explores how our homes, workplaces, cities, and nature—places we escape to and can’t escape from—have influenced us throughout history, and how our brains and bodies respond to different types of real and virtual space. As he describes the insight he and other scientists have gained from new technologies, he assesses the influence these technologies will have on our evolving environment and asks what kind of world we are, and should be, creating.
Théorie de l’urbanisme
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What is Architectural History? considers the questions and problems posed by architectural historians since the rise of the discipline in the late nineteenth century. How do historians of architecture organise past time and relate it to the present? How does historical evidence translate into historical narrative? Leach treats the disciplinarity of architectural history(...)
What is architectural history?
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What is Architectural History? considers the questions and problems posed by architectural historians since the rise of the discipline in the late nineteenth century. How do historians of architecture organise past time and relate it to the present? How does historical evidence translate into historical narrative? Leach treats the disciplinarity of architectural history as an open question, moving between three key approaches to historical knowledge of architecture: within art history, as an historical specialisation and, most prominently, within architecture.
Théorie de l’architecture
livres
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This innovative work exposes the interests which underlie everyday conceptions of dirt and reveals how our ideas about it are intimately bound up with issues of race, ethnicity, class, gender, sexuality and the body. Exploring a wide variety of settings - domestic, urban and rural - it reveals how attitudes to dirt and cleanliness become manifest in surprisingly diverse(...)
Dirt: new geographies of cleanliness and contamination
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This innovative work exposes the interests which underlie everyday conceptions of dirt and reveals how our ideas about it are intimately bound up with issues of race, ethnicity, class, gender, sexuality and the body. Exploring a wide variety of settings - domestic, urban and rural - it reveals how attitudes to dirt and cleanliness become manifest in surprisingly diverse ways, including the rituals of death and burial; architectural design aesthetics; urban infrastructure and regeneration; film symbolism; and consumer attitudes to food.
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juin 2013
Théorie de l’urbanisme
Disobedient objects
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From political activism comes the art of protest, symbols, and designs that defy standard definitions. This timely book shows how objects can change the world by out-designing authority. It focuses on the period from 1980 to the present, a time that brought new technologies and political challenges to protest movements. Provocative and engaging, this book showcases how(...)
Disobedient objects
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From political activism comes the art of protest, symbols, and designs that defy standard definitions. This timely book shows how objects can change the world by out-designing authority. It focuses on the period from 1980 to the present, a time that brought new technologies and political challenges to protest movements. Provocative and engaging, this book showcases how artists have produced work within the context of social movements, which become the vibrant engines for ingenuity and collective creativity.
Théorie du design
Books on Japan
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How did the Japanese see themselves from 1931 to 1972? Even more importantly, how did the Japanese want the rest of the world to see them during those four pivotal decades? This controversial, unprecedented book, selected from a massive private collection of magazines and newspapers, takes an in-depth look at the information, news, photos and advertisements used in(...)
Books on Japan
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How did the Japanese see themselves from 1931 to 1972? Even more importantly, how did the Japanese want the rest of the world to see them during those four pivotal decades? This controversial, unprecedented book, selected from a massive private collection of magazines and newspapers, takes an in-depth look at the information, news, photos and advertisements used in Japanese propaganda books, illustrating the radical sociopolitical evolution of the nation and culture throughout that period of the 20th century.
A book about signs
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From road signs to memorial plaques, from traffic lights to placards to semaphores, different signs communicate in different ways. Russell Weekes's bold graphics play with the ways signs are presented and how we interpret them.
A book about signs
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From road signs to memorial plaques, from traffic lights to placards to semaphores, different signs communicate in different ways. Russell Weekes's bold graphics play with the ways signs are presented and how we interpret them.
Littérature jeunesse
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''Tropical reading: photobook and self-publishing'' illustrates the photography practitioners and artist collectives from each city in Southeast Asia, examining why they chose to get into self-publishing. It explores how independent art bookstores came to be the social parlours of the self-publishing crowd. Furthermore, observes how the outsider artists, archives and arts(...)
Tropical reading: photobook and self-publishing
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''Tropical reading: photobook and self-publishing'' illustrates the photography practitioners and artist collectives from each city in Southeast Asia, examining why they chose to get into self-publishing. It explores how independent art bookstores came to be the social parlours of the self-publishing crowd. Furthermore, observes how the outsider artists, archives and arts initiatives of Southeast Asia came to shape the face of photography and self-publishing in their respective cities. The index is a compilation of our project field research, condensing the profiles of all the interviewees – from people to bookstores to organisations – to make a kind of alternative Yellow Pages for the Southeast Asian art scene.
Théorie de la photographie
Library : an unquiet history
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Through the ages, libraries have not only accumulated and preserved but also shaped, inspired, and obliterated knowledge. Matthew Battles, a rare books librarian and a gifted narrator, takes us on a spirited foray from Boston to Baghdad, from classical scriptoria to medieval monasteries, from the Vatican to the British Library, from socialist reading rooms and rural home(...)
juin 2003, New York
Library : an unquiet history
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Through the ages, libraries have not only accumulated and preserved but also shaped, inspired, and obliterated knowledge. Matthew Battles, a rare books librarian and a gifted narrator, takes us on a spirited foray from Boston to Baghdad, from classical scriptoria to medieval monasteries, from the Vatican to the British Library, from socialist reading rooms and rural home libraries to the Information Age. He explores how libraries are built and how they are destroyed, from the decay of the great Alexandrian library to scroll burnings in ancient China to the destruction of Aztec books by the Spanish—and in our own time, the burning of libraries in Europe and Bosnia.