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$39.95
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A collection of twenty-two chapbooks whose order is unfixed and whose topics are various. Reading can be freefall.
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$39.95
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A collection of twenty-two chapbooks whose order is unfixed and whose topics are various. Reading can be freefall.
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Une nouvelle contribution transversale à la réflexion autour de la pratique de Liz Magor. Cet ouvrage rassemble des textes critiques et de fiction ainsi que des écrits de l'artiste elle-même, dont certains inédits. Il revient non seulement sur les œuvres importantes de la carrière de Magor mais reproduit également pour la première fois ses productions les plus récentes.
Liz Magor: the blue one comes in black
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Une nouvelle contribution transversale à la réflexion autour de la pratique de Liz Magor. Cet ouvrage rassemble des textes critiques et de fiction ainsi que des écrits de l'artiste elle-même, dont certains inédits. Il revient non seulement sur les œuvres importantes de la carrière de Magor mais reproduit également pour la première fois ses productions les plus récentes.
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Laure Prouvost has created an installation for the vast central hall of Haus der Kunst that comprises sculptural and filmic elements. Prouvost's work refers both to the architecture as well as the Haus der Kunst as an institution with imagination and inimitable humor. The catalogue is the fourth volume in the "Der Öffentlichkeit - von den Freunden Haus der Kunst" series,(...)
Laure Prouvost: we would be floating away from the dirty past
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Laure Prouvost has created an installation for the vast central hall of Haus der Kunst that comprises sculptural and filmic elements. Prouvost's work refers both to the architecture as well as the Haus der Kunst as an institution with imagination and inimitable humor. The catalogue is the fourth volume in the "Der Öffentlichkeit - von den Freunden Haus der Kunst" series, which each year documents artistic work commissioned for the central hall of the Haus der Kunst.
Amie Siegel: double negative
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Known for her layered, meticulously constructed works that trace the undercurrents of systems of value and image-making, Chicago-born artist Amie Siegel’s (born 1974) work moves between film, video, photography, performance and installation. Double Negative surveys the last decade of her art.
janvier 2017
Amie Siegel: double negative
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Known for her layered, meticulously constructed works that trace the undercurrents of systems of value and image-making, Chicago-born artist Amie Siegel’s (born 1974) work moves between film, video, photography, performance and installation. Double Negative surveys the last decade of her art.
Jonas Wood: portraits
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The latest book from Los Angeles-based artist Jonas Wood (born 1977) follows the style of his previous publications Sports Book and Interiors, this time taking up the subject of portraiture. Portraits compiles the many works completed over Wood’s career, done in a variety of media, and with a range of subjects and sitters, including paintings of artist friends,(...)
Jonas Wood: portraits
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The latest book from Los Angeles-based artist Jonas Wood (born 1977) follows the style of his previous publications Sports Book and Interiors, this time taking up the subject of portraiture. Portraits compiles the many works completed over Wood’s career, done in a variety of media, and with a range of subjects and sitters, including paintings of artist friends, self-portraits, intimate familial moments in domestic interiors and the artist’s own cultural and sports heroes, from basketball players and boxers to Philip Guston and Pablo Picasso.
Sophie Calle: Rachel Monique
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“She was successively called Rachel, Monique, Szyndler, Calle, Pagliero, Gonthier, Sindler. My mother liked people to talk about her. Her life did not appear in my work, and that annoyed her. When I set up my camera at the foot of the bed in which she lay dying – fearing that she would pass away in my absence, whereas I wanted to be present and hear her last words – she(...)
Sophie Calle: Rachel Monique
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“She was successively called Rachel, Monique, Szyndler, Calle, Pagliero, Gonthier, Sindler. My mother liked people to talk about her. Her life did not appear in my work, and that annoyed her. When I set up my camera at the foot of the bed in which she lay dying – fearing that she would pass away in my absence, whereas I wanted to be present and hear her last words – she exclaimed: ‘Finally.’”Sophie Calle describes Monique through extracts from personal notebooks and photographs from family albums, and presents her installation created at the Palais de Tokyo in homage to her mother, who died in 2007. This book was above all designed as an authentic art object, in collaboration with the artist. The cover text is embroidered to create a precious object, and all of the texts relating to the installation are embossed so as to evoke the texture of certain works by Sophie Calle. It is a highly personal and moving book, while at the same time offering thoughts on death that all of us can relate to.
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The threshing of tensions between lineages, aesthetics, references, techniques, and their various counterpoints is at the core of art’s continual re-imagining and manifestation. Bookending a residency in New York, the paintings, drawings and installation that feature in this book not only explore her work’s increasingly abstract, complex and faceted terrains, but her(...)
Emily Ferretti: walking in both directions
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The threshing of tensions between lineages, aesthetics, references, techniques, and their various counterpoints is at the core of art’s continual re-imagining and manifestation. Bookending a residency in New York, the paintings, drawings and installation that feature in this book not only explore her work’s increasingly abstract, complex and faceted terrains, but her growing fascination for the aesthetic, compositional, and philosophical underpinnings of American folk art.
La Chine et la ville au XXIe siècle : la sinisation urbaine au Xinjiang ouïghour et en Mongolie inté
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Dépassant le concept abstrait de « ville émergente » , cet ouvrage nous permet de comprendre le « modèle chinois » dans son efficience et son pouvoir de transformation de l’espace urbain depuis une vingtaine d’années, au Xinjiang et en Mongolie intérieure. Outil stratégique dans la « sinisation » des villes-oasis des Routes de la soie, de peuplement Ouïgour et de(...)
La Chine et la ville au XXIe siècle : la sinisation urbaine au Xinjiang ouïghour et en Mongolie inté
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Dépassant le concept abstrait de « ville émergente » , cet ouvrage nous permet de comprendre le « modèle chinois » dans son efficience et son pouvoir de transformation de l’espace urbain depuis une vingtaine d’années, au Xinjiang et en Mongolie intérieure. Outil stratégique dans la « sinisation » des villes-oasis des Routes de la soie, de peuplement Ouïgour et de confession musulmane, la régularité chinoise modèle les zones d’expansion que sont, avec le Tibet, le Xinjiang, la Mongolie extérieure. Le développement économique que la Chine connaît depuis une vingtaine d’années confère à cette réorganisation de l’espace engagée depuis longtemps, une rapidité et une radicalité exceptionnelles. Des scenarios inédits de destruction, de transformation ou d’édification de villes apparaissent.
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Constant Nieuwenhuys (1920-2005) is primarily known as the co-founder of the international Cobra group and as the initiator and maker of the New Babylon project. This publication sheds light, for the first time, on a third influential period in his artistic practice, during which he made the journey from Cobra to New Babylon, continually reinventing himself along the way.
mai 2016
Constant: space and colour. From Cobra to New Babylon
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Constant Nieuwenhuys (1920-2005) is primarily known as the co-founder of the international Cobra group and as the initiator and maker of the New Babylon project. This publication sheds light, for the first time, on a third influential period in his artistic practice, during which he made the journey from Cobra to New Babylon, continually reinventing himself along the way.
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Eshi Addis Ababa, by German artist Michaela Meise (born 1976), is a kind of architectural guide through Addis Ababa, capital of Ethiopia. One emphasis is its relationship to East Germany, with pictures of the former East German ambassador’s villa and the Karl Marx memorial created by Jo Jastram and Peter Baumbach.
Michaela Meise: Eshi Addis Ababa
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Eshi Addis Ababa, by German artist Michaela Meise (born 1976), is a kind of architectural guide through Addis Ababa, capital of Ethiopia. One emphasis is its relationship to East Germany, with pictures of the former East German ambassador’s villa and the Karl Marx memorial created by Jo Jastram and Peter Baumbach.