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The work of the Danish-Icelandic artist Olafur Eliasson (born in Copenhagen, 1967) focuses on sensorial perception, the laws of physics and natural phenomena. He works in a variety of media, but is particularly known for his sculptural installations for specific places. His use of light, water, ice and clouds in these spaces is a reflection of his Icelandic roots,and the(...)
septembre 2008, Barcelona
Olafur Eliasson: the nature of things
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The work of the Danish-Icelandic artist Olafur Eliasson (born in Copenhagen, 1967) focuses on sensorial perception, the laws of physics and natural phenomena. He works in a variety of media, but is particularly known for his sculptural installations for specific places. His use of light, water, ice and clouds in these spaces is a reflection of his Icelandic roots,and the complexity and diversity of his work have made him a point of reference in the current international art scene. Olafur Eliasson was awarded the Joan Miro Prize in 2007 for his status as one of the leading artists of our times. His work has been shown in major museums around the world. "Light Lab" was at the Portikus centre in Frankfurt and "Take your Time:Olafur Eliasson," a retrospective for the San Francisco Museum of Modern Art that was later exhibited in the MoMA in New York.
Jan Albers
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Jan Albers is part of a young generation of conceptual artists whose work is defined by its openness. They confront modernity`s tight vocabulary of images, exploring the manner in which this vocabulary penetrates the world in which we exist. His view is directed to elements of our familiar surroundings and he uses his work to distil them so they appear new and unexpected to us.
janvier 1900, Frankfurt am Main, Goslar
Jan Albers
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Jan Albers is part of a young generation of conceptual artists whose work is defined by its openness. They confront modernity`s tight vocabulary of images, exploring the manner in which this vocabulary penetrates the world in which we exist. His view is directed to elements of our familiar surroundings and he uses his work to distil them so they appear new and unexpected to us.
David Hatcher i don't must
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ed. by Astrid Mania with contributions by Jon Bywater & Mark McCloud, Charles Esche & Joëlle de La Casiniére, Chaz Doherty & Nova Paul, Sven Beckstette & John Welchman, Alena Boika & Ivan Mecl, Ron Athey & Emily Roysdon, Rik Reinking & Peter Anthony, Gwenneth Porter & David Craig, Simon Sheikh & Gerald Raunig, Mehdi Chouakri & Mark Gisbourne, Manray Hsu & Lise Nellemann,(...)
janvier 2007, Frankfurt
David Hatcher i don't must
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ed. by Astrid Mania with contributions by Jon Bywater & Mark McCloud, Charles Esche & Joëlle de La Casiniére, Chaz Doherty & Nova Paul, Sven Beckstette & John Welchman, Alena Boika & Ivan Mecl, Ron Athey & Emily Roysdon, Rik Reinking & Peter Anthony, Gwenneth Porter & David Craig, Simon Sheikh & Gerald Raunig, Mehdi Chouakri & Mark Gisbourne, Manray Hsu & Lise Nellemann, Jeremy Prestholdt & Kianga Ford, Leif Holmstrand & Jack Helgesen, Rüdiger Schlömer & Wilhelm Schürmann, Jan Tumlir & Peter Zellner (english, german)
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40 studios contemporains sont présentés par leurs projets en image et dessin sur 385 pages, accompagnés d'une carte de la Chine, un essai de Christian Dubrau, et des photographies de Florian Meuser.
janvier 1900, Marseille, Leipzig
Sinotecture : nouvelle architecture en Chine / new architecture in china
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40 studios contemporains sont présentés par leurs projets en image et dessin sur 385 pages, accompagnés d'une carte de la Chine, un essai de Christian Dubrau, et des photographies de Florian Meuser.
Warja Lavater: Pictograms
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An early progenitor of the artist's book genre, Warja Honegger-Lavater was born in Winterthur, Switzerland in 1913. She worked as an illustrator for the magazine Jeunesse from 1944-1958, and moved to New York shortly thereafter where she began a wonderful series of artist's books. These books were published between 1962 and 1971, an exceptionally ripe time for artists to(...)
Warja Lavater: Pictograms
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An early progenitor of the artist's book genre, Warja Honegger-Lavater was born in Winterthur, Switzerland in 1913. She worked as an illustrator for the magazine Jeunesse from 1944-1958, and moved to New York shortly thereafter where she began a wonderful series of artist's books. These books were published between 1962 and 1971, an exceptionally ripe time for artists to turn to the bookform, a time when the most often cited "first" artist's book also appeared, Twentysix Gasoline Stations (1962) by Ed Ruscha. Nieves is delighted to release this previously unpublished collection of 60 ink pictograms, drawn between 1976 and 1996, originally printed individually as A2 plane prints.
Sarah Morris 1972 block m
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This catalogue is published in conjunction with the exhibition 'Sarah Morris 1972', April 25 - August 3, 2008 at the Städtische Galerie.
Sarah Morris 1972 block m
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This catalogue is published in conjunction with the exhibition 'Sarah Morris 1972', April 25 - August 3, 2008 at the Städtische Galerie.
Observatorium
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This concise and challenging exhibition catalogue tracks recent work by Berlin artist (and JRP|Ringier book series editor) Christoph Keller. Featured projects include documentation of a shamanistic ritual, reenactments of Wilhelm Reich's Cloudbuster experiments and "Archives as Objects as Monuments."
Observatorium
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This concise and challenging exhibition catalogue tracks recent work by Berlin artist (and JRP|Ringier book series editor) Christoph Keller. Featured projects include documentation of a shamanistic ritual, reenactments of Wilhelm Reich's Cloudbuster experiments and "Archives as Objects as Monuments."
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Published to accompany the 2008 Deutsche Guggenheim survey curated by American artist Collier Schorr, Freeway Balconies unfolds more as an artist's book than a straightforward exhibition catalogue. Borrowing from Allen Ginsberg, the title refers to the meeting place of spectacle and voyeurism in American culture--expressed here through Schorr's idiosyncratic mix of 19(...)
Collier Schorr: freeway balconies
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Published to accompany the 2008 Deutsche Guggenheim survey curated by American artist Collier Schorr, Freeway Balconies unfolds more as an artist's book than a straightforward exhibition catalogue. Borrowing from Allen Ginsberg, the title refers to the meeting place of spectacle and voyeurism in American culture--expressed here through Schorr's idiosyncratic mix of 19 emerging and established artists, including Sharon Hayes, Bruce Nauman, Francesca Woodman, Rashawn Griffin and Richard Prince, among others. Her choices, arranged around selections of her own work, reveal her probing interest in slippages of identity and identification, cultural memory and forgetting and the ways in which artistic action and production engage these issues.
La sage femme
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Louise Bourgeois' work is profound and coherent, a cross between surrealism and expressionism, psychoanalysis and feminism, a fusion between object and concept. By means of spiral writing, symbolic in her prints, the artist rewrites her past through female identity and body image, a corporal synthesis of her every emotion and fear. She destroys and reconstructs her(...)
juin 2008, Murcia
La sage femme
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Louise Bourgeois' work is profound and coherent, a cross between surrealism and expressionism, psychoanalysis and feminism, a fusion between object and concept. By means of spiral writing, symbolic in her prints, the artist rewrites her past through female identity and body image, a corporal synthesis of her every emotion and fear. She destroys and reconstructs her memories, like strange mutations or reflections in a distorted mirror.
Nancy Spero: dissidances
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This book has been published on the occasion of the exhibition Nancy Spero Dissidances organized and produced by the Museu d'Art Contemporain de Barcelona and the Museo Nacional Centro Arte Reina Sofia, Madrid.
Nancy Spero: dissidances
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This book has been published on the occasion of the exhibition Nancy Spero Dissidances organized and produced by the Museu d'Art Contemporain de Barcelona and the Museo Nacional Centro Arte Reina Sofia, Madrid.