Manon de Boer
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This is the first extensive monograph on the work of Dutch artist Manon de Boer, published on the occasion of her first survey exhibition at Frankfurter Kunstverein and her solo show at Witte de With, Rotterdam. De Boer's filmic portraits sculpt a unique notion of time, meditating on the intersections of personal memory and cultural history.
septembre 2008, Frankfurt
Manon de Boer
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This is the first extensive monograph on the work of Dutch artist Manon de Boer, published on the occasion of her first survey exhibition at Frankfurter Kunstverein and her solo show at Witte de With, Rotterdam. De Boer's filmic portraits sculpt a unique notion of time, meditating on the intersections of personal memory and cultural history.
Nedko Solakov: emotions
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This book is published in conjunction with the exhibition emotions by the Kunst Museum Bonn, Kunst Museum St-Gallen and Mathildenhöhe Darmstadt.
décembre 2008, Berlin, Ostfildern
Nedko Solakov: emotions
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This book is published in conjunction with the exhibition emotions by the Kunst Museum Bonn, Kunst Museum St-Gallen and Mathildenhöhe Darmstadt.
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From their Southeastern European bases in Bucharest and Sofia, artists Dan Perjovschi and Nedko Solakov have taken the international art world by storm over the course of the last 15 years, showing their work either solo or jointly at such prestigious venues as the 2007 Venice Biennale, Documenta 12 in Kassel, Germany and The Museum of Modern Art, New York. Both artists(...)
septembre 2008, Vienna
Dan Perjovschi, Nedko Solakov
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From their Southeastern European bases in Bucharest and Sofia, artists Dan Perjovschi and Nedko Solakov have taken the international art world by storm over the course of the last 15 years, showing their work either solo or jointly at such prestigious venues as the 2007 Venice Biennale, Documenta 12 in Kassel, Germany and The Museum of Modern Art, New York. Both artists work with pictures, texts and biting irony to comment on the social, political and cultural status quo. Early this year, Perjovschi and Solakov took over Vienna's BA-CA-Kunstforum, drawing all over the walls, floors and surrounding architecture with felt-tipped markers and pencils. Political, witty, subversive and fresh, this winning exhibition is documented here.
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This book published in conjunction with the exhibition ...visibleinvisible, organized by MUSAC, Museo de Arte Contemporaneo de Castilla y Leon, Leon, Spain. January 26 - May 4, 2008. With its 150 illustrations of sculptural installations, screenings, wall texts, sound works, it represents a wide range of the artist's work from it's beginnings until today.
juillet 2008, Ostfildern, Leon
Cerith Wyn Evans: ...visibleinvisible
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This book published in conjunction with the exhibition ...visibleinvisible, organized by MUSAC, Museo de Arte Contemporaneo de Castilla y Leon, Leon, Spain. January 26 - May 4, 2008. With its 150 illustrations of sculptural installations, screenings, wall texts, sound works, it represents a wide range of the artist's work from it's beginnings until today.
The gift
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The Gift:+ 1-866-865-0879 by Eduardo Sarabia accompanies the installation by the same exhibited during the 2008 Whitney Biennial, curated by Shamim M. Momin and Henrietta Huldisch.
juin 2008, Mexico, New York
The gift
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The Gift:+ 1-866-865-0879 by Eduardo Sarabia accompanies the installation by the same exhibited during the 2008 Whitney Biennial, curated by Shamim M. Momin and Henrietta Huldisch.
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Published on the occasion of Rodney Graham: Wet on Wet - My late Early Styles, Lisson Galery 10 October - 17 November 2007
Rodney Graham: wet on wet my late early styles
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Published on the occasion of Rodney Graham: Wet on Wet - My late Early Styles, Lisson Galery 10 October - 17 November 2007
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Disassembling the Archive is a quasi-fictional correspondence by Philip Monk with the artist Fiona Tan. It departs from interpretations of post-colonial identity issues in her work to trace the implications of the archival housing of photographs and moving images. By way of a detour through Siegfried Kracauer's writing on photography and Jacques Derrida's writing on the(...)
Fiona Tan: disassembling the archive
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Disassembling the Archive is a quasi-fictional correspondence by Philip Monk with the artist Fiona Tan. It departs from interpretations of post-colonial identity issues in her work to trace the implications of the archival housing of photographs and moving images. By way of a detour through Siegfried Kracauer's writing on photography and Jacques Derrida's writing on the Freudian impression, we witness - right before our eyes - the disintegrative and destructive effect of photography on the archive. Philip Monk is Director of the Art Gallery of York University, Toronto.
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Over the past two decades China has grown to become the largest construction market in the world, attracting many architects and urban planners from the West. As a result of this migration, it often happens that cultural and linguistic barriers between onsite experts from Western backgrounds and those from local environs create misunderstandings and stall the pace of(...)
China, China ... western architects and city planners in China
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Over the past two decades China has grown to become the largest construction market in the world, attracting many architects and urban planners from the West. As a result of this migration, it often happens that cultural and linguistic barriers between onsite experts from Western backgrounds and those from local environs create misunderstandings and stall the pace of execution. The Chinese architect Xin Lu has dealt with such issues firsthand and is especially well positioned to address them: he studied in China and Germany, and is currently working on a Chinese construction project for a German architectural office. Xin Lu has created this handbook from interviews and conversations he has conducted with architects, urban planners and academics from Europe and China, as well as with Chinese clients. Written to address issues of cultural disparity in the most practical terms, this volume elucidates differences between East and West in communications protocol and conceptual and working methods employed in the process of creating designs or in business. This volume is full of valuable advice, and will assist the process of intercultural cooperation.
livres
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Visual artist and theorist Suzanne Anker opened the 2007 international online conference Bioscience and Visual Culture with the following words: "The ubiquitous employment of digital technologies within the practices of research science and medicine, architecture and design, filmmaking and video production, as well as the visual and performing arts, has set ajar a(...)
Visual culture and bioscience
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Visual artist and theorist Suzanne Anker opened the 2007 international online conference Bioscience and Visual Culture with the following words: "The ubiquitous employment of digital technologies within the practices of research science and medicine, architecture and design, filmmaking and video production, as well as the visual and performing arts, has set ajar a multiplex of communication networks which crisscross traditional boundaries." This volume documents the virtual symposium, which was hosted by the National Academy of Sciences in Washington, D.C. and the Center for Art, Design and Visual Culture at the University of Maryland, Baltimore County. Herein, artists, scientists, historians, ethicists, curators, sociologists and writers discuss the myriad intersections between visual culture and the biosciences. The impressive list of international panelists includes Carl Djerassi of Stanford University, Troy Duster of NYU, Marvin Heiferman of SVA, David Freedberg of Columbia University, artist Catherine Chalmers, Art in America Senior Editor Nancy Princenthal and writer Andrew Solomon.
livres
novembre 2008
Thenyspacewhatever
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Exhibition catalogue. New York, Guggenheim Museum 24 october 2008 - 7 january 2009.
octobre 2008, New York
Thenyspacewhatever
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Exhibition catalogue. New York, Guggenheim Museum 24 october 2008 - 7 january 2009.