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Philippe Rahm & Alain Robbe-Grillet: Météorologie d'intérieur Christine Macel: Nouvelles temporalités dans l'architecture, entretien avec Philippe Rahm Olivier Lugon: La conférence, Parole, dessin et projection chez Le Corbusier Maria Stavrinaki: Dada inhumain; l'artiste et son milieu Éric Michaud: Portrait du juif en négateur de l'Incarnation
Les Cahiers du Musée national d'art moderne 103, printemps 2008
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Philippe Rahm & Alain Robbe-Grillet: Météorologie d'intérieur Christine Macel: Nouvelles temporalités dans l'architecture, entretien avec Philippe Rahm Olivier Lugon: La conférence, Parole, dessin et projection chez Le Corbusier Maria Stavrinaki: Dada inhumain; l'artiste et son milieu Éric Michaud: Portrait du juif en négateur de l'Incarnation
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Muntadas. The construction of Fear and the loss of Pulbic Space stems from a 'conversation' held with the artist after learning of On Translation: Fear/Miedo (2005), a television intervention as he defines it, filmed on the border between the United States and Mexico, and of his interest in exploring the concept of fear in the border between Spain and Morocco.
Muntadas: la construction del miedo y la pérdida de lo publico
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Muntadas. The construction of Fear and the loss of Pulbic Space stems from a 'conversation' held with the artist after learning of On Translation: Fear/Miedo (2005), a television intervention as he defines it, filmed on the border between the United States and Mexico, and of his interest in exploring the concept of fear in the border between Spain and Morocco.
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janvier 2008, Barcelona
$46.00
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'Feeling of uselessness: what are we doing here? We just walk around, take pictures randomly, try to get an image of the place where we are staying: but we seem to be lacking the whole meaning of it. The idea of making a map (not 'mapping', which seems to have been an infectious term in esthetical practices throughout the last ten years) was happily adopted, but probably(...)
gruppo A12: N33° 51.917' E130° 47.808'
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'Feeling of uselessness: what are we doing here? We just walk around, take pictures randomly, try to get an image of the place where we are staying: but we seem to be lacking the whole meaning of it. The idea of making a map (not 'mapping', which seems to have been an infectious term in esthetical practices throughout the last ten years) was happily adopted, but probably not sufficiently questioned before coming here. Maps are everywhere in Kitakyushu; we cannot avoid coming across them constantly, so the whole trick of imitating ancient explorers and geographers has soon vanished. We are experimenting while doing. The final result, if there will be any, will address issues of representation: it will be unfinished, rough and raw. We should go farther. Maybe the ones, who will come after us, can do so.'
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In the late 1980s, Japan was awash in seemingly unlimited wealth and rising toward what would be the peak of its modern economic success, power, and influence. In 1991 the same lethal combination of risky loans, inflated stocks, and real estate speculation that created this "bubble economy" caused it to burst, plunging the country into its worst recession since World War(...)
octobre 2008, New York
After the crash: architecture in post-bubble Japan
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In the late 1980s, Japan was awash in seemingly unlimited wealth and rising toward what would be the peak of its modern economic success, power, and influence. In 1991 the same lethal combination of risky loans, inflated stocks, and real estate speculation that created this "bubble economy" caused it to burst, plunging the country into its worst recession since World War II. New Zealand–born architect Thomas Daniell arrived in Japan at the dawn of this turbulent decade. After the Crash is an anthology of essays that draw on first-hand observations of the built environment and architectural culture that emerged from the economically sober post-bubble period of the 1990s. Daniell uses projects and installations by architects such as Atelier Bow Wow, Toyo Ito, and the metabolists to illustrate the new relationships forged, most of necessity, between architecture and society in Japan. Tom Daniell is a practicing architect, critic, and educator who has based himself in Kyoto, Japan since the early 1990s.
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«J'ai reçu un mail de rupture. Je n'ai pas su répondre. C'était comme s'il ne m'était pas destiné. Il se terminait par les mots : Prenez soin de vous. J'ai pris cette recommandation au pied de la lettre. J'ai demandé à cent sept femmes, dont une à plume et deux en bois, choisies pour leur métier, leur talent, d'interpréter la lettre sous un angle professionel. (...)
Sophie Calle : prenez soin de vous
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«J'ai reçu un mail de rupture. Je n'ai pas su répondre. C'était comme s'il ne m'était pas destiné. Il se terminait par les mots : Prenez soin de vous. J'ai pris cette recommandation au pied de la lettre. J'ai demandé à cent sept femmes, dont une à plume et deux en bois, choisies pour leur métier, leur talent, d'interpréter la lettre sous un angle professionel. L'analyser, la commenter, la jouer, la danser, la chanter. La disséquer. L'épuiser. Comprendre pour moi. Parler à ma place. Une façon de prendre le temps de rompre. À mon rythme. Prendre soin de moi.» -Sophie Calle
Fleuve russe
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«Fleuve russe» avec une chanson de Lucien Midnight & David Brunet (mini-CD inclus), paroles de Myriam Cliche.
Fleuve russe
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«Fleuve russe» avec une chanson de Lucien Midnight & David Brunet (mini-CD inclus), paroles de Myriam Cliche.
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"One break, a thousand blows!" is a novel about Japan. The protagonist is a metaphor, wanting to negate Japan, but not by writing a novel about Japan, but by writing falsely about it, using Japan as a screen for the authors innermost hopes and desires. Maxi Kim is the grandson of illiterate Korean peasant farmers. He is a recent graduate of CalArts MFA Writing Program,(...)
Semina no. 2 : Maxi Kim: one break, a thousand blows!
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"One break, a thousand blows!" is a novel about Japan. The protagonist is a metaphor, wanting to negate Japan, but not by writing a novel about Japan, but by writing falsely about it, using Japan as a screen for the authors innermost hopes and desires. Maxi Kim is the grandson of illiterate Korean peasant farmers. He is a recent graduate of CalArts MFA Writing Program, currently researching a Phd at the University of Greenwich. He has worked with performance artists Gina Clark & Janice Lee, editorially with Matias Viegener and Christine Wertheim, and organised events with Chris Kraus and Mark von Schlegell. This is his first novel.
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The Economist, dated 4-10 August 2007, contains 18 pages of advertising whose logos are placed in exactly these positions. Print run 200 + signed edition of 50.
One page magazine The economist
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The Economist, dated 4-10 August 2007, contains 18 pages of advertising whose logos are placed in exactly these positions. Print run 200 + signed edition of 50.
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Time Magazine, dated September 17 2007, contains 49 articles whose titles are placed in exactly these positions. Print run 200 + signed edition of 50.
One page magazine Time magazine
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Time Magazine, dated September 17 2007, contains 49 articles whose titles are placed in exactly these positions. Print run 200 + signed edition of 50.
One page magazine Hello!
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Hello Magazine, dated 31st July 2007, features 67 celebrities whose names are placed in exactly these positions. Print run 200 + signed edition of 50.
One page magazine Hello!
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Hello Magazine, dated 31st July 2007, features 67 celebrities whose names are placed in exactly these positions. Print run 200 + signed edition of 50.